'The Cloud Book - write your story' is the virtual journal where people from all corners of this world are invited to write their 'never expressed' thoughts. We should bring all those thoughts to sunlight. They shall be written in this book of clouds.....and they shall live their lives. The Cloud Book - write your story - is the REFUGE where all those 'Never writtens' flock.... because they believe - one day they will surely get their wings to fly along with the clouds
Tuesday, December 18, 2012
A Victorian Christmas Advent Calendar - 1889
“There, at last, you see it’s done,
Could you make a better one?
Nose and chin, and mouth and eyes,
At a show he’d take a prize.
I should like it understood,
Too, that he is very good;
Though he has such saucy eyes,
Still he never, never cries.
Mouth he has, yet never talks;
Two strong legs, but takes no walks;
He is always good as gold,
For he never feels the cold.
Such a baby few have met,
For he doesn’t hungry get:
Never drinks, and cannot eat -
But he sadly feels the heat!
When the sun shines, strange to say,
Very soon he goes away,
For if you the truth must know,
He is only made of snow!”
From ‘A Snow Baby’ by Graham Clifton Bingham (classmark 1889)
Latest to read: In the Name of Love by Sam Mukherjee
In Toronto’s most opulent brothel, Paradise, a pimp named Sultan falls in love with a prostitute, Salma. They are captured trying to escape the brothel and are brought to Nadira, the ruthless owner of Paradise. She orders Salma to be sold at a flesh fair and Sultan brutally mutilated.
Several years later, Rimana Sen, a young Indian woman, is thrilled to be recruited by a company in Canada and pleased to escape her mother’s expectations of marriage. On the flight to Canada, she meets Jug Ducati, a young Canadian. By the time their flight arrives in Toronto, they are well on their way to falling in love. At the airport, Rimana is whisked away by a couple of shady men, so when Jug does not hear from her, he begins to worry. He enlists the support of his two best friends, the daredevil Omar Khazana, and the over-cautious movie buff, Mark Willis, and begins to search for her. They are stunned to discover that Rimana has been sold to a Middle Eastern buyer and are introduced to the sinister underworld of international human trafficking and sexual slavery.
With Nadira’s goons and corrupt police hot on their heels, Jug and his friends realize that their only chance to escape Nadira’s clutches is to seek help from Sultan, her archenemy. Sultan offers them protection and uses them to trap his nemesis. But can they survive Nadira’s wrath and cunning, as well as Sultan’s lust for revenge, or will they simply become pawns in another gangster’s world?
Visit: http://www.sammukherjee.com/ for more details
Friday, December 14, 2012
The 'Godfather of World Music' influenced the Beatles, the Grateful Dead and more...
Article courtesy: www.rollingstone.com
Ravi Shankar, the sitar master who helped popularize Indian music in the 1960s, influencing hippie culture and musicians from the Beatles and the Grateful Dead to John Coltrane, has died, the prime minister's office of India confirmed to The Associated Press. According to the Times of India, Shankar passed away in a San Diego hospital, where he had been in treatment since last week after complaining of difficulty breathing. He was 92.
2012 In Memoriam: Musicians We Lost
Dubbed the Godfather of World Music by his most famous student, George Harrison, Shankar learned to play several Indian classical instruments in his teens and began touring abroad in the 1950s, introducing Indian ragas to audiences in Europe and the U.S. Shankar met Harrison in 1966 at a friend's house, where the Beatle approached him about learning to play the sitar after he'd used one on "Norwegian Wood (This Bird Has Flown)." Under Shankar's tutelage, Harrison became proficient in the instrument and played it on the Sgt. Pepper's Lonely Hearts Club Band song "Within You Without You," further igniting interest in ragas and Shankar's work among Beatles fans.
"When George became my student, I got a new audience: the younger generation," Shankar told Rolling Stone in 1997. "And, of course, they came like a flood because the whole thing happened with the hippie movement and this interest in Indian culture. Unfortunately it got all mixed up with drugs and Kamasutra and all that. I was like a rock star . . . I never said one shouldn't take drugs or drink alcohol, but associating drugs with our music and culture, that's something I always fought. I was telling them to come without being high on drugs. I said, 'Give me the chance to make you high through out music,' which it does, really. I think it's good I made that stand, and that's why I'm still here today."
Shankar was also a teacher to jazz icon John Coltrane, who was so influenced by the musician that he named his own son Ravi.
As his popularity rose, Shankar performed at the Monterey Pop Festival in 1967 and Woodstock two years later. In 1971, Shankar and Harrison organized the Concert for Bangladesh, which helped raise money for refugees fleeing that country for India and set the example for future all-star benefits like Live Aid.
A three-time Grammy winner, Shankar continued to tour into the 2000s with his daughter Anoushka, also a sitar player. He is also the father of singer-songwriter Norah Jones.
Watch Shankar and Harrison playing sitar together in 1968 at link below:
http://www.youtube.com/watch?feature=player_embedded&v=RxI6IkH9Mvo#!
Professor Shonku and the Golden Chance by Satyajit Ray (Final Part), Translated By Victor Ghoshe
Part 3:
Ist July.
We have shifted to Savedra castle from the hotel. But a strange thing happened before we shifted, which made all of us a little tensed. The hotel management was mostly responsible for it, and we had to be very rude to him for that — let me write in details.
Even in the small sized hotels, it never happens, that the room 'A' key would also open room 'B'; here on the very first day I discovered that the lock of Krole's room could easily be opened by Saunder's Room keys. We all were annoyed, but the area around the hotel was so beautiful and so quite, we decided to stay there.
Today in the morning Krole came to my room shouting and using German slangs for the hotel manager — he was very angry, I gave him a glass of water first and after he calmed down a bit, I learned that last night someone entered his room and left everything at sixes and sevens.
'Could he take anything?' I asked anxiously — 'No, he couldn’t, but it was quite easy for him, just think, had the diary been there with me, what would have happened?
One thing I forgot to mention, that in London, Krole copied a part of the diary where the 'gold making process' was explained, in coded script and kept the diary in his bank locker. We had distributed those papers amongst ourselves; each of us had three A4 sheets to carry. Now I think — had this safety measure not been taken what could have happened!
Saunders went straight to the manager's room and started scolding him vehemently. The gentleman was almost in tears, he said that since the hotel's inauguration - twenty-six years ago, no such thing happened there. When we interrogated the night watchman - Pedro, he said one tourist came looking for a room last night, it was one a.m. and when he told him that there was no room available in the hotel, the tourist then took a seat and offered him a cigarette. Pedro couldn't refuse the expensive French cigarette. And with just one drag of that cigarette he fall asleep and wake up only in the morning. 'How did he look?' Krole asked, ‘The face was covered with beard and moustache and a dark glass', replied Pedro. He also said that the thief must have climbed up on the second floor balcony by the water pipe and once he reached the balcony, the stairs were just a few meters through the passage.
Now – at this point of conversation I asked Krole that so much happened in his room and how come he didn't wake up?
He said last night he had taken two sleeping pills, as he wanted to have some good sleep before we start the work.
As Krole didn't loose any money or any of his belongings and we were also leaving the hotel, we decided to not to think about it any more. The manager said he would inform the police, and would ask them to enquire about all the new tourists who visited the place within the last couple of days.
After reaching the castle, we have inspected around and seen the entire castle thoroughly in the daylight. The plan of the castle was quite complex and one really cannot get a clear idea at one go. Quite frankly — had Pablo not been there with us, we would have lost our way innumerable times. We already heard that one of the eastern rooms on the 1st floor was locked. Today we saw it. There was quite huge a lock hanging on the door. Though we tried a lot but could not have any luck opening it.
'It would be funny to try any of our keys to open this lock'. Said Krole 'anyway we are going to stay here, so one day we would try with a hammer or something heavy to break this open. Saunders seemed a little morose since yesterday. He has this thought that there is some connection between the gypsy lady's forecast and the comments made by the spirit. He said Madame Reneta said, 'I see death' and yesterday the spirit communicated 'the price of gold is the price of life.' Now friends, if I see my life is at stake, then I would leave this project immediately and not only that — even Mustafa's life is equally priceless to me.
But Krole was very optimistic — he said, ‘don’t think much about the gypsy lady’s forecast. Gold cannot have any connection with death. And what Zabir Hayan’s spirit meant was —Alchemic gold is a priceless thing’.
Exactly at 12 noon we started our experiment by setting fire in the oven.
The proceedings were very simple — it only required time and patience. Today we had to burn different plants and collect their ashes. The other thing we did was to weight the ingredients (especially lead, sulphur and table salt) and put them into different containers. Oh! Yes! Another thing the rainwater had been stored in the oval shaped water tank by Pablo.
Its 10 pm. We all have slept in shifts because at least two of us should always be there in the laboratory. Pablo ‘s duty was to guard the place through the night so he also slept for a couple of hours in the after noon.
4 th July
Nothing worth mentioning had happened over the last three days, that's why I didn't write. Today's scheduled work is also going fine. But in the afternoon something exciting happened which I think is mentionable — I heard the sound of Saunders' alarm clock from the next room at 12.30 p.m. and understood he would come to work and I would have to sleep now, though I knew I could not sleep, as my nerves were very much awakened, but I had to maintain the routine, so I left the laboratory immediately after Saunders entered and decided to survey the castle within these three hours.
Unknowingly I walked directly towards the closed door on the 1st floor.
One thing was really disturbing me - why would only one room among the twenty-six rooms of this castle be locked?
After climbing the stairs of the 1st floor, I walked through the dark passage towards the closed door. The door was huge — ten feet in height and four & half feet in width. Decorative copper plates were fitted on the door. Intricate designs on the lock were also quite visible. I was carrying a torch and after searching the door from top to bottom with its light I found a thin crack. I was in a dilemma - if I put the torchlight through the crack then I do not have a place to put my eyes through.
Finally I took off my spectacles and put my right eye on the crack.
I never thought that I would be able to see anything inside a locked, dark room. But even through that 1/4th inch narrow crack I could see that the room was not at all dark, possibly light was coming through some skylight or through a window. I could also understand that the light had a yellow tint in it — most probably the walls were painted in yellow or the window had yellow glass fitted.
No further investigation was possible for me; I knew only one person could help me; I came out of the castle in search of that other person.
It didn't take much time to find out Pablo. He was sitting under an oak tree in the compound of the castle and trying to set up a catch for hedgehogs. He said he had seen one in the bushes around the oak tree. I said, 'let the hedgehog wait for some more time to get captured, and you come and do a small work for me.'
I showed him the room and asked him to go up on the third floor and find out whether there was any sky-light or something like that on that room or not.
Pablo came back in ten minutes; totally out of breath; his eyes were twinkling in excitement “professor - come with me!” he breathed.
He did not leave my hand until we reached the second floor terrace; he was literally pulling me by my hand. The moment we reached on the terrace he pointed his finger towards a specific direction and shouted “there’s the sky-light, see what all magnificent things are there in that room.'
I looked through the skylight and got so excited that I immediately broke the glass of the skylight; collected some rope; helped Pablo to climb down. And got the shock of my life when finally Pablo climbed up to me with three golden statues in his hand.
He was holding one life size squirrel, one owl and one rose — when I rubbed them with my handkerchief the blinding glitter suggested that they were undoubtedly made of 100% pure gold.
And of course there was no doubt about the fact that the gold was made by the thirteenth century Spanish alchemist Manuel Savedra. Surely enough, now I know why did he call himself an artist, because he was not only a great alchemist but also a goldsmith of a class. Even the famous Italian goldsmith Benvenutu Chellini's works would seem very dull in front of these works of art, I thought.
5th July
Initially I thought I would not show these objects to Saunders and Krole. But keeping Saunders' depression in mind I showed them the statues.
Actually Saunders lost his excitements with in two days since we started our work — one primary reason for that was …as a scientist it is quite tough to accept the methodology of alchemy on a serious note. I can understand this and respect the feeling. But being an Indian, I can't ignore things like spirits, ghosts, mantras and chants etc. In my own life I had come across so many things for which science does not have any explanation. But Saunders is a pure Englishman; he does not believe in any 'Mumbo Jumbos'.
But, now Saunders' attitude has changed and the only reason for that is the gold, made by Savedra.
We have displayed the statues on a shelf in our laboratory. I don't know how much the beauty of the room is enhanced, but surely I can say that the chances of a visit by robbers are now much higher. Anyway all three of us are carrying weapons.
Saunders is a crack shot hunter, Krole is also good with his pistol and I always carry my annihilin gun in my pocket. So there is no reason to be afraid of.
Pablo is guarding the compound in the nights; he could finally catch the hedgehog, so he is very happy with both his mongoose and hedgehog.
It seems that it will take two more days for us to finish the work. Today that 'semi-liquid thing' (as mentioned in the diary) has been made. It looks quite peculiar. Its colour appears to be different from different angles. And possibly for the existence of mercury all the colours have a silver tint.
6th July
Today something serious has happened which made us to believe that someone is still following us. In the morning when Pablo came to us with the news — we followed him to the garden and found some unknown footprints. And they were almost everywhere. Some of them were very close to our laboratory's window. Strangely enough Pablo could hear nothing. But then again it's not very surprising at all, as there are many ways to enter the castle compound, other than the main gate. The seven hundred year old wall is broken in many places. Anyone can enter through any of those broken parts; can hide behind the bushes and keep an eye on our activities. Now onwards Pablo should be more cautious.
It is 9 a.m and I have just started writing my diary after finishing the coffee. Its time for Krole to go to sleep, but I am not sure whether any of us can sleep tonight. Today it is scheduled to mix the semi-liquid substance with rainwater and to purify it for seven hours continuously. After that we need to pray to our gods and goddesses and try all the metal stuff we are carrying, into that semi liquid substance to check whether we are successful or not. If the result doesn't satisfy us, we do not know what would be our next step. Probably we would have to act as good boys and go back home. I do not know why? But I have a feeling that our experiment is going towards success.
7th July
Extreme sadness.
All the slogging, all the efforts and endless patience has gone in vein, the liquid we made through the alchemic process could not turn any metal into gold. We tried everything we had with us in that liquid but nothing happened. Though one thing we could understand that this thing had some specialty; it should be cold by this time but whenever I take my hand close to it, it feels like innumerable invisible needles are pinning my hand from nowhere.
Savedra had clearly stated in his diary that this liquid couldn't be touched. Saunders had carried Mustafa out of the laboratory; he had gone to the garden and was sitting helplessly on a half broken bench. Krole was sitting on a stool and staring at the oval water tank as if he was in a trance. That bat was still hanging from the ceiling. It was there in the same place since it came inside on the very first day.
I could never realize Krole’s state of mind, that he was so shocked until he suddenly became furious about the bat.
Suddenly I saw him taking out his revolver. He abused the bat in German and before I could do anything he shot it. But surprisingly the dead bat didn't fall; it kept on hanging the same way, only droplets of blood started dripping from it's body on the floor.
Saunders heard the firing and ran straight up to the laboratory. He took a few seconds to understand the situation and then started scolding Krole violently.
I immediately went out of the laboratory. I was really feeling very tired after so many long working hours, night shifts and failure at the end. Generally, none of my expeditions were unsuccessful, but I think this time it was one.
7th July, 11 pm
The most shocking and memorable day in my life. All those spine-chilling events happened within ten minutes of Krole- Saunders's fight. Let me now describe how everything happened.
I went to the garden instead of going to my own room after coming out of the laboratory. Two-three minutes before there was a quick rainfall, but now the sun was shining bright on the sky. When I came out and looked at the eastern sky, 'Mull Hassen' the highest peak of Spain welcomed me. A beautiful pair of rainbows above the peak were adding amazing colours to the sky. Suddenly, a sound of a half-uttered cry brought me down on earth from the two beautiful rainbows. Following the sound I ran as fast as I could and found Pablo — lying on the grass; senseless. He had a black spot on his jaw and blood was dripping from this mouth.
The next moment some noises came from the direction of the laboratory. I ran again towards the noise; but I had to stop at the door.
Rufus Blackmore standing facing Krole and Saunders with a .38 colt revolver and with a devilish smile.
“ The moment you cross the door, you are a dead man”, he warned.
After saying this, he first collected the coded formula papers from the table and then he moved towards the shelf where the golden statues were kept.
I still shiver in horror to visualize what happened the next.
A hairy ball-like thing jumped out of Saunders's lap; traveled all the distance through air at the speed of thunder and attacked Blackmore. Blackmore’s revolver went out of control and got fired, Krole had a close shave as the bullet missed him by a few inches and broke a glass retort.
And with that, Blackmore lost his balance and fell into the tank at the center of the room. Mustafa went back to his master after taking his revenge by giving deep scratch marks on Blackmore's face with his claws. The moment Blackmore's body touched the liquid; he started trembling as if he got an electric shock and then remained motionless. All three of us kept watching with our three pairs of eyes wide open — the uncovered areas of Blackmore's body — like his neck, his face, his hands- they all were turning into dazzling gold — very fast.
Saunders whispered “the price of gold …the price of life”.
So in Savedra's alchemy living things are required to make gold instead of metals — like human beings, flowers, animals, birds anything living.
The ‘Blackmore’ we can see now, that owl, that squirrel, that rose — they all were mortal living things at some point of time.
Now, they will never talk, never move, and never age as they have all become immortal.
Translated by Victor Kalyan Ghoshe
From The Original Shonku story in bengali by Satyajit Ray
Wednesday, December 12, 2012
A short story - Translated in Bengali from Russian
āĻৃāĻšে āĻĒ্āϰāϤ্āϝাāĻŦāϰ্āϤāύ – āĻাāϏিāϞি āĻ্āϰিāĻোāϰিā§েāĻ
‘āĻāϏেāĻে! āĻ āĻŦāĻļেāώে āĻāĻĻā§ āĻšā§েāĻে āϤাāϰ!… āϏাāϰা āĻাā§ে āϧুāϞোāĻŽাāĻা?… āĻĻেāϰি āĻšāϞো āĻেāύ? āĻোāĻĨাā§ āĻিāϞে? āĻ āĻĢিāϏে? āĻাāϞ āĻĢোāύ āĻāϰে āĻেāύে āύেāĻŦ।… āĻāĻাāύে āĻĒা āĻĻিā§ো āύা, āĻāĻāĻু āĻāĻেāĻ āĻĒāϰিāώ্āĻাāϰ āĻāϰেāĻি। āĻāĻাāύে āϝেā§ো āύা, āĻāĻাāύে āύোংāϰা। āĻুāϤা āĻুāϞে āϏ্āϝাāύ্āĻĄেāϞ āĻĒāϰে āύাāĻ। …āĻŦāϞāĻ, āĻ āĻĢিāϏে āĻিāϞে āĻāϤāĻ্āώāĻŖ? …āĻŦেāϤāύ āĻāύেāĻ? āϤাāĻšāϞে āĻŦাāϏাā§ āĻāϏেāĻ āĻেāύ? āĻ িāĻ āĻŦāϞেāĻ, āĻাāĻা āĻাā§া āϤোāĻŽাāĻে āĻĒ্āϰā§োāĻāύ āύেāĻ āĻাāϰāĻ। āĻŦ্āϝāϤিāĻ্āϰāĻŽ āĻļুāϧু āĻŦāĻ। āϏে āϤোāĻŽাāĻে āĻāĻāύো āϏāĻš্āϝ āĻāϰে āϝাāĻ্āĻে। āĻাāϰāĻŖ āϏে āĻŦোāĻা। …āĻŦāϏো। āĻāĻাāύে āύা। āĻিāϏেāϰ āĻāĻĒāϰে āĻŦāϏেāĻ, āϏেāĻা āϞāĻ্āώ āĻāϰেāĻ? āĻĻাঁā§িā§ে āϰāĻāϞে āĻেāύ? āĻŽāύে āĻšāĻ্āĻে, āϝেāύ āĻাāϰāĻ āĻŦাāϏাā§ āĻŦেā§াāϤে āĻেāĻ! …āĻুāĻĒ āĻāϰে āĻāĻো āĻেāύ? āϤোāĻŽাāϰ āϏāĻ্āĻে āϤোāĻŽাāϰ āĻŦāĻ āĻāĻĨা āĻŦāϞāĻে āĻŦāϞে āĻŽāύে āϤো āĻšā§। āϤুāĻŽি āĻোāύো āĻাāĻেāϰ āĻāĻĨা āĻি āĻŦāϞāϤে āĻĒাāϰো āύা? āĻĒāϤ্āϰিāĻা āϰাāĻো! āĻŽেāĻেāϤে āĻĢেāϞāϞে āĻেāύ! āϤোāϞো! āĻāĻŽি āϤোāĻŽাāϰ āĻাāĻāϰাāύি āύāĻ। āĻŦāĻā§ে āĻšাāϤ āĻĻিā§ো āύা। āĻāĻŽি āĻāĻেāĻŦাāϰে āϏিāϰিā§াāϞ āĻāϰে āϏাāĻিā§ে āϰেāĻেāĻি। …āĻেāϞিāĻিāĻļāύেāϰ āϏাāĻŽāύে āĻĨেāĻে āϏāϰে āĻāϏো! āĻāϤে āĻিāĻুāĻ āĻĻেāĻাāϰ āύেāĻ। āĻুāĻুāϰেāϰ āĻাā§ে āĻšাāϤ āĻĻিā§ো āύা। āĻ āϤো āϤোāĻŽাāĻে āĻ্āĻŦাāϞাāϤāύ āĻāϰāĻে āύা! āĻāĻŦাāϰ āĻĻাঁā§াāϞে āĻেāύ! āĻšাā§! āĻāĻļ্āĻŦāϰেāϰ āĻ āĻļুāĻ āϏৃāώ্āĻি! …āĻাāϰ্āĻĒেāĻেāϰ āĻāĻĒāϰে āĻāĻ ো āύা। …āĻāĻŽাāϰ āĻোāĻেāϰ āϏাāĻŽāύে āĻāĻĻিāĻ-āĻāĻĻিāĻ āĻšেঁāĻো āύা। āĻ āϏāĻš্āϝ āĻāĻেāĻŦাāϰে! …āĻোāύো āĻāĻāĻা āĻাāĻ āĻুঁāĻে āύাāĻ। āĻŦ্āϝাāϞāĻāύিāϤে āϝেā§ো āύা! āĻে āĻাāύে, āĻšā§āϤো āĻĒā§ে āϝাāĻŦে āĻāĻাāύ āĻĨেāĻে। āϤিāύāϤāϞাā§ āϤো! …āĻāĻ āĻĻ্āϝাāĻো, āĻŦāϞেāĻিāϞাāĻŽ āύা! āĻ িāĻāĻ āĻĒā§ে āĻেāĻে! āĻŽāύে āĻšāĻ্āĻে, āĻŦেঁāĻে āĻāĻে। āĻাāĻ্āϝিāϏ! āĻāϰ āĻļুā§ে āĻĨেāĻে āĻাāύ āĻāϰāϤে āĻšāĻŦে āύা। āĻāĻ ো। āĻāϰ āϤুāĻŽি āϝেāĻšেāϤু āύিāĻেāĻ āĻāĻāύ, āϰুāĻি āĻিāύে āύিā§ে āĻāϏো āĻĻোāĻাāύ āĻĨেāĻে। …āĻšাā§, āĻ āĻী āĻāĻĒাāϞ āĻāĻŽাāϰ! …āĻŦাāϏাā§ āĻĢিāϰে āĻĻāϰāĻাāϰ āϏাāĻŽāύেāϰ āĻĒাāĻĒোāĻļে āĻĒা āĻাāϞো āĻāϰে āĻāώে āύেāĻŦে!’
‘āĻāϏেāĻে! āĻ āĻŦāĻļেāώে āĻāĻĻā§ āĻšā§েāĻে āϤাāϰ!… āϏাāϰা āĻাā§ে āϧুāϞোāĻŽাāĻা?… āĻĻেāϰি āĻšāϞো āĻেāύ? āĻোāĻĨাā§ āĻিāϞে? āĻ āĻĢিāϏে? āĻাāϞ āĻĢোāύ āĻāϰে āĻেāύে āύেāĻŦ।… āĻāĻাāύে āĻĒা āĻĻিā§ো āύা, āĻāĻāĻু āĻāĻেāĻ āĻĒāϰিāώ্āĻাāϰ āĻāϰেāĻি। āĻāĻাāύে āϝেā§ো āύা, āĻāĻাāύে āύোংāϰা। āĻুāϤা āĻুāϞে āϏ্āϝাāύ্āĻĄেāϞ āĻĒāϰে āύাāĻ। …āĻŦāϞāĻ, āĻ āĻĢিāϏে āĻিāϞে āĻāϤāĻ্āώāĻŖ? …āĻŦেāϤāύ āĻāύেāĻ? āϤাāĻšāϞে āĻŦাāϏাā§ āĻāϏেāĻ āĻেāύ? āĻ িāĻ āĻŦāϞেāĻ, āĻাāĻা āĻাā§া āϤোāĻŽাāĻে āĻĒ্āϰā§োāĻāύ āύেāĻ āĻাāϰāĻ। āĻŦ্āϝāϤিāĻ্āϰāĻŽ āĻļুāϧু āĻŦāĻ। āϏে āϤোāĻŽাāĻে āĻāĻāύো āϏāĻš্āϝ āĻāϰে āϝাāĻ্āĻে। āĻাāϰāĻŖ āϏে āĻŦোāĻা। …āĻŦāϏো। āĻāĻাāύে āύা। āĻিāϏেāϰ āĻāĻĒāϰে āĻŦāϏেāĻ, āϏেāĻা āϞāĻ্āώ āĻāϰেāĻ? āĻĻাঁā§িā§ে āϰāĻāϞে āĻেāύ? āĻŽāύে āĻšāĻ্āĻে, āϝেāύ āĻাāϰāĻ āĻŦাāϏাā§ āĻŦেā§াāϤে āĻেāĻ! …āĻুāĻĒ āĻāϰে āĻāĻো āĻেāύ? āϤোāĻŽাāϰ āϏāĻ্āĻে āϤোāĻŽাāϰ āĻŦāĻ āĻāĻĨা āĻŦāϞāĻে āĻŦāϞে āĻŽāύে āϤো āĻšā§। āϤুāĻŽি āĻোāύো āĻাāĻেāϰ āĻāĻĨা āĻি āĻŦāϞāϤে āĻĒাāϰো āύা? āĻĒāϤ্āϰিāĻা āϰাāĻো! āĻŽেāĻেāϤে āĻĢেāϞāϞে āĻেāύ! āϤোāϞো! āĻāĻŽি āϤোāĻŽাāϰ āĻাāĻāϰাāύি āύāĻ। āĻŦāĻā§ে āĻšাāϤ āĻĻিā§ো āύা। āĻāĻŽি āĻāĻেāĻŦাāϰে āϏিāϰিā§াāϞ āĻāϰে āϏাāĻিā§ে āϰেāĻেāĻি। …āĻেāϞিāĻিāĻļāύেāϰ āϏাāĻŽāύে āĻĨেāĻে āϏāϰে āĻāϏো! āĻāϤে āĻিāĻুāĻ āĻĻেāĻাāϰ āύেāĻ। āĻুāĻুāϰেāϰ āĻাā§ে āĻšাāϤ āĻĻিā§ো āύা। āĻ āϤো āϤোāĻŽাāĻে āĻ্āĻŦাāϞাāϤāύ āĻāϰāĻে āύা! āĻāĻŦাāϰ āĻĻাঁā§াāϞে āĻেāύ! āĻšাā§! āĻāĻļ্āĻŦāϰেāϰ āĻ āĻļুāĻ āϏৃāώ্āĻি! …āĻাāϰ্āĻĒেāĻেāϰ āĻāĻĒāϰে āĻāĻ ো āύা। …āĻāĻŽাāϰ āĻোāĻেāϰ āϏাāĻŽāύে āĻāĻĻিāĻ-āĻāĻĻিāĻ āĻšেঁāĻো āύা। āĻ āϏāĻš্āϝ āĻāĻেāĻŦাāϰে! …āĻোāύো āĻāĻāĻা āĻাāĻ āĻুঁāĻে āύাāĻ। āĻŦ্āϝাāϞāĻāύিāϤে āϝেā§ো āύা! āĻে āĻাāύে, āĻšā§āϤো āĻĒā§ে āϝাāĻŦে āĻāĻাāύ āĻĨেāĻে। āϤিāύāϤāϞাā§ āϤো! …āĻāĻ āĻĻ্āϝাāĻো, āĻŦāϞেāĻিāϞাāĻŽ āύা! āĻ িāĻāĻ āĻĒā§ে āĻেāĻে! āĻŽāύে āĻšāĻ্āĻে, āĻŦেঁāĻে āĻāĻে। āĻাāĻ্āϝিāϏ! āĻāϰ āĻļুā§ে āĻĨেāĻে āĻাāύ āĻāϰāϤে āĻšāĻŦে āύা। āĻāĻ ো। āĻāϰ āϤুāĻŽি āϝেāĻšেāϤু āύিāĻেāĻ āĻāĻāύ, āϰুāĻি āĻিāύে āύিā§ে āĻāϏো āĻĻোāĻাāύ āĻĨেāĻে। …āĻšাā§, āĻ āĻী āĻāĻĒাāϞ āĻāĻŽাāϰ! …āĻŦাāϏাā§ āĻĢিāϰে āĻĻāϰāĻাāϰ āϏাāĻŽāύেāϰ āĻĒাāĻĒোāĻļে āĻĒা āĻাāϞো āĻāϰে āĻāώে āύেāĻŦে!’
Friday, September 21, 2012
Professor Shonku and the Golden Chance by Satyajit Ray, Translated By Victor Ghoshe
Part 2
26th June
As far as our equipments were concerned we didn’t want to take any chances, so we bought everything from London.The famous - rather infamous 'Chorebazar of London is on the 'Porto Bello Street' — we spent some two and half hours there and collected lots of earthen potteries, glass flasks and retorts — exactly like those which we see in old Hollywood movies. One of Saunders' friend is a renowned film producer; a few years back he produced a thriller, and the story revolved around Alchemy - for which he made lots of earthen potteries and cooking accessories; luckily Saunders could hire some of those equipments, from the production manager.
Saunders took Mustafa along. And I am sure even if Krole wouldn't have mentioned mustafa, Saunders would still bring Mustafa, because he can't stay away from Mustafa for long.
Personally speaking, I was not very enthusiastic about making artificial gold and not even interested in the gold itself. My excitement was all about visiting this part of Spain, as I had never been here. Saunders was not engaged in any important project so he was also quite excited about the outing. And what do I write about Krole - he was so excited, he couldn't even sit quietly for a while. This moment he is reading the manuscript, the next moment he is walking briskly in the drawing room and the next moment he is drawing some gibberish diagrams in his notebook. I tried to peep once; the diagrams seemed somewhat like 'The Tantric Mandalas.'
It was five pm in the evening; I was packing and the calling bell rang — after a while I heard someone opening the door and then a familiar voice. It must be that American gentleman who was competing with Krole in the auctions. I was quite intrigued and immediately went down. Saunders was already there and made our guest comfortable in the drawing room. Krole also came down within a minute. It seemed that he could also identified the guest’s voice.
Our guest took out three visiting cards from his vest pocket and handed them over to three of us. The name written on the card was — Rufus H. Blackmore.
'Rufus Blackmore ?' Krole exclaimed 'are you the person who wrote the book named “Black art and white magic”?'
'Yes Sir, I am the one.'
I was observing him thoroughly - long face, very pale skin, shoulder-touching black hair, and very calm eyes — but of course we knew which can also have fire at times as we have seen in the 'Calling wood Auction House'.
The gentleman put his hand into the right pocket of his blazer and took three silver balls out, which were as big as table tennis balls. And showed us at least twenty five different tricks with them within a couple of seconds. The shining balls were disappearing and reappearing so amazingly that none of us could make out what was happening. We should agree that the tricks were really great. Finally when he took out the three balls out of our pockets, then we couldn't help clapping.
'Your magic deserves a huge round of applause!' said Willhelm Krole.
'You haven't seen even one tenth of my genius.' Said Rufus with a very dry smile. These are all mediocre magic, do you want to know what my real magic is?' Blackmore gave a little pause and then held one of the three balls with the first finger and the thumb of his right hand and announced — 'This ball is made of silver and the silver is made by me. You can't get silver — more pure than this in the whole world.'
All three of us kept quiet…Blackmore's eyes twinkled in excitement.
'Half of the Alchemy magic is in my hands now' said Blackmore, 'but even after three years of experiment I have not yet been successful in making artificial gold. I believe Savedra explained everything in his diary. I came to know about Savedra's diary from my Alchemist guru. And when I came to know that it was on auction at Calling Woods, I immediately flew from Sanfransisco. I thought I would get it for just a few dollars, but I could never think that professor Krole would be so excited to acquire it. I could overbid him that day, but I thought when we would get introduced and he would learn about my work, possibly he would give me the diary for the same price. I think professor Krole has bought the diary for his collection, like any other collector of scriptures and manuscripts. But I am an Alchemist myself - the best in America, why America? Possibly the only original Alchemist of this world. My guru has died. So now I am the only one in this world who can use that diary properly. I got the money with me and I want the diary.'
Rufus Blackmore then took out a beautiful leather wallet from his blazer pocket; took out a bundle of ten-pound notes from that and put them on the center table.
Krole talked first.
'You take the money back Mr. Blackmore. I do not wish to give away the diary.'
'You are taking a wrong decision professor Krole'.
'Possibly not. You may be a magician, but there is no proof that you are an Alchemist. And of course we are not ready to believe that you have made the silver, which these balls are made of.'
Rufus Blackmore was silent for a few seconds. Then he gave a killer's look at all of us; took the money from the table; got up and said, 'You must have read, ninety nine per cent pure silver has been successfully made in a laboratory - but no one could make hundred per cent pure silver in the world — except this one, which I made.
He looked at Krole and threw one of those three balls towards him, which landed on Krole's lap.
'I know All three of you are scientists,’ Blackmore carried on. ‘At least check out whether I am right or wrong — analyze this silver, you have two days time; I am staying at 'Woldorf Hotel'; room No.four twenty nine. If you change your mind and decide to sell the diary to me, give me a call. And if you do not sell it to me then let me tell you one thing, making artificial gold is not your cup of tea.'
After this dramatic lecture he didn't wait for a moment and walked firmly towards the door. But what he did while going out of the door was quite an offence. Mustafa was sitting on the threshold. Blackmore kicked him with his sharp toed patent leather shoe, so hard that he flew three feet away from the place where he was. Saunders jumped up crying, 'what the hell!!' and ran after him, but Rufus was already out on the road. Krole tried to make Saunders calm. And said, 'I think
this guy is insane, let's not get into any complication.'
Mustafa was crying loud in pain and anger. Saunders finally had to take him in his lap to cool him down. I was thinking if Alchemists are like this, then the subject should be kept aside, but there is no way out now as the day after tomorrow we are starting for Granada in another two days. God only knows what is going to happen.
Montefrio, 29th June
It's raining. The way clouds have covered the sky, it seems that they are not going to clear up in coming two-three days. Krole thinks it's a good sign and it could not be better, because one of the most important ingredients of the experiment is automatically being collected.
A huge plastic container has been kept on the second floor terrace of the Savedra castle. And we are sure that it will be full before evening.
We are not staying in the castle. We found a hotel close by and have checked in. No one stays in the Savedra Castle now. And no one knows since when it's been abandoned. But Savedra family is quite well known in Montefrio. We asked the first person we met in Montefrio, where the castle was, and he promptly gave us a detailed direction. As we took a stopover in Granada and rested well, we all were quite fresh, so we did not waste any time and followed his direction. We had to take a left turn from the Montefrio Post Office and started driving through a narrow hilly road. We reached the second landmark in ten minutes; it was ruins of a medieval Moorish inn. From eight to fifteenth century the Moors had reigned over this part of Spain. And those Arabic Muslims had left their marks everywhere, the well-known Al-Hambra palace of Granada is just one of them to mention.
Beside the ruins of the inn a boy was standing under a tree with a Mongoose on his shoulder. He came up to us as our taxi stopped. When asked about the castle, he told us that no one stays there. We had to explain that we did not want to meet anyone there; we only wanted to see the castle. He said if we could take him with us in the car he would show us the way easily, he also added that he could be a good guide to us. We did not have any problem with the proposal, so we took him along.
The boy was quite chirpy; he flooded us with a load of information about himself. His name is Pablo, he had five brothers and seven sisters; he is the youngest and is unemployed. His father has a liquor shop; three of his brothers are working in that shop. One of the other two brothers run a fruit shop. The fifth one plays guitar in a restaurant. All his sisters got married. Pablo knows the history of Montefrio very well; how old the palaces and castles were; which king used to live in which palace; which king died in which year, he knows everything. He also shared that he used to earn some pocket money by working as a tourist guide, but as he studied only up to the fourth standard he could not get good work.
His actual hobby is to catch animals and to train them. He caught the mongoose only three days back and it had already started obeying his orders.
He was on the front seat and kept on narrating his biography. On the backseat of the taxi, we three discussed in a low voice that we would offer him to be with us and help us in our basic requirements for the few days we are going to stay here. And of course we would pay him for that. But till that time we didn't see the castle and we didn't know whether it would be possible for us to start our experiment there or not.
After another fifteen minute's drive through a forest we reached at a little open space, where Pablo asked to stop the car. 'We have to walk from here,' He said. 'How far?' asked Krole 'just about two minutes' replied Pablo.
If not exactly in two minutes, but we reached in front of a huge iron gate within five minutes of a fairly troublesome walk through the bushes and shrubs. It was surely not a very huge castle but quite enough for hundred people to live in it.
There was no canal around the castle. A path twisted, turned through the compound gate and took us to the main entrance of the house. Pablo could guess that we wanted to enter inside the castle — he said at least one thousand bats reside there in that house along with innumerable rats and snakes.
Saunders asked him how did he know so much about the castle.
Pablo replied 'Once I entered the castle following a 'Salamander', Oh! God! What pain it caused!! It made me run up and down and finally took me to the terrace.
Salamander is a reptile from the chameleon class and is often seen in this part of Spain.
'What else have you seen there in the castle?' asked Krole. Pablo said he had seen nothing much — a few broken chairs and tables, some old weapons on the walls. Ceilings were mostly broken and hanging dangerously. Amongst all the rooms were like this, but only one was locked so he couldn't see what was inside. But surprisingly there was a kitchen in the castle, which had a lot of earthen utensils - he had taken one bowl from those and gifted it to his mother.
Now, this made all of us very excited 'can you take us to the kitchen? ´ Krole asked in a low yet very sharp voice.
'Why not?' said Pablo, 'come with me'!
We went with Pablo and found that our guess was not wrong at all.
There was no doubt about the fact that seven hundred years back one of the South Eastern rooms of the Savedra castle had been used as a laboratory of an Alchemist.
Oven, water tank on the floor, earthen pottery, glass retorts and tubes-everything was there though all of them were covered by the layers of dusts of the last seven centuries. There was a medieval air pump also — which Krole checked and certified that it was fine and would work for us as well. We all had seen pictures of laboratories, exactly like this in so many alchemy books, the only difference was — the people who were going to work there were from the twentieth century. At the same time the other true fact was — now it was not only Krole, Saunders and I were also getting into the 'medieval time-frame' mentally. And I was sure that those alchemists also used to feel the same excitement, which I was feeling in my veins.
We hired Pablo for thousand Pesetas a day , which is close to our Indian 100 Rupees.
He would clean up the Laboratory within a day so that we can start our work from the day after. He also would have to clean-up two more rooms because we all three have to stay in the castle only. As once the process of gold making starts we would not be able to leave Savendra Caste. Pablo would bring our food; sleeping would not be a problem as all three of us have sleeping bags.
We went back to the hotel at 1:30 p.m. And it started raining within half an hour, immediately we sent Pablo to the castle with the container. Now it's 8:30 pm and the rain has stopped. This place is quite dry but it's sheer luck that we had this encounter with a sudden rainfall.
Krole and Saunders had just called me to say that they are ready for dinner. O-ho! I forgot to mention one thing in my diary — the ball which Rufas Blackmore had given us — we tested it before coming here and came to know that the silver was hundred percent pure. So now we cannot call him a magician anymore; he has been successful as an alchemist as well. Now we need to overtake him by making hundred percent pure gold. And we all three are confident about that.
30th June (0:30 hrs)
We have just returned from Savedra castle after spending two hours in our Alchemic laboratory. We had to perform an important ritual before we started our experiment, as per Savedra's instructions. Now I am going to write about it, but before that, let me write something else — the spirit of tenth century Arabian Alchemist gave his blessings to us. Tomorrow exactly at twelve noon our manual air pump would start working. All ingredients have been collected in sufficient quantities and a new big lock has also been arranged for the laboratory door, tomorrow we are going to shift in the castle. Pablo will also be there with us.
We have explained our business (to some extent) to him because he seemed so innocent, we thought we could have faith in him.
The new thing in the method of planchet to call upon the spirit of Zabir-Ibn-Hayan; which Krole used this time, was some Latin & Tibetan chants in the beginning, where Saunders did the Tibetan part and Krole did the Latin portion, after that Krole played some European religious tunes with his bone-flute. I must mention one thing that during this planchet there was another living thing in the room — he was none other than Mustafa. He has already killed three rats since we shifted to this castle. I am sure he is expecting more of them and that is why he is so happy.
After the chant and the flute, we all sat around a table and started thinking about Zabir-Ibn-Hayan. Krole and I, we both know the Arabian language pretty well, so we knew it would not be any problem to communicate with the spirit. The spirit would come through Krole as he was the medium. He was sitting with his eyes closed; Saunders and I were looking at Krole without even blinking our eyes. The light sources were only two candles; the flames where swaying very slowly with the wind and with that our three large shadows were also swaying on the wall.
After some fifteen odd minutes, there was a new shadow movement on the wall and as we looked up, we found a bat; hanging from the log of the ceiling. It was not a very uncommon thing to have a bat hanging from an old castle ceiling like this, but the uncommon thing with this bat was — it was also swaying like a pendulum and was staring at all of us. With the corner of my eye I could see that Mustafa was also staring at it.
There was a little change in Krole's body — to be precise a change in his posture. The upper part of his body had bent forward, towards the table and his lower body was moving upwards.
In two minutes time his posture took a shape as if Krole was in his 'Namaz'. Saunders and I could clearly see that his feet were not touching the floor any more and he was not sitting on the chair — his body was entirely suspended in the air.
From somewhere the smell of 'Itr' (an Arabic essence) was coming and the moment I recognized it, there was a little 'Thud' and I found a pearl 'prayer beads' on the table in front of Krole's head I could identify, that was a 'Tasbeeh', which is very popular among Muslim devotees.
Surprise was waiting for us — all the pearls came out individually; arranged themselves in a specific manner, which seemed to be a line written in Arabic, which read— 'be successful'.
After ten seconds the line got dismantled and again got arranged as a new line in Arabic — 'The price of gold'.
I started thinking what did the spirit mean by this and then for the third time the pearls got re-arranged to write —'The price of life'. And then all of a sudden they all vanished.
Krole's body then fell down on the chair with a heavy 'thud'. When I explained the writing to Saunders he said "Success, I understand, but 'the price of gold is the price of life?' What does that mean?"
Krole did not have any satisfactory answer for that, he said he was in a trance and he couldn’t remember what all he had done during the time.
In my opinion we do not need to get worried about the second and the third sentence — 'Be successful' is enough.
Even when we were coming out of the room after the planchet, the bat was still hanging from the ceiling.
Would it go tomorrow or it would stay in our laboratory permanently?
pls find the prev. part of this story in the July Issue of Megher Khata, and read the last part in the next issue.
Thursday, September 20, 2012
An amazing result of a great study
Sri Yantra created in an electronic sound field (tonoscope) during an experiment by Dr. Jenny. Same experience is sensed when the Sri Chakra patern 'dematerializes', apearing to disolve into a blissful all encompassing web of spoken mantras
Article of the month - Salil Choudhuri, The Immortal Musician
āϏāϞিāϞ āĻৌāϧুāϰী
‘āĻাāϞ āĻļিāϞ্āĻĒী āĻšāϤে āĻšāϞে āĻাāϞ āϰাঁāϧিāϝ়ে āĻ āĻাāϞ āĻŽāύেāϰ āĻŽাāύুāώ āĻšāϤে āĻšāĻŦে। āϰাāύ্āύা āĻšāĻāϝ়া āĻাāĻ āĻāϰ্āĻিāϏ্āĻিāĻ। āĻĻেāĻ āύা āĻāĻŽি āϝে āĻĻিāύ āĻāώা āĻŽাংāϏ āϰাঁāϧি āĻŦাāĻ্āĻাāϰা āϏে āĻĻিāύ āĻāϤ āĻাāϤ āĻাāϝ়!’ āĻāĻĨাāĻুāϞি āϏāϞিāϞ āĻৌāϧুāϰীāϰ। āϏāĻŦ্āĻিāϰ āϏāĻ্āĻে āϏāĻ িāĻ āĻāĻĒāĻāϰāĻŖ āύা āĻĻিāϞে āϝেāĻŽāύ āϰাāύ্āύা āϏুāϏ্āĻŦাāĻĻু āĻšāϝ় āύা, āϤেāĻŽāύāĻ āϏুāϰেāϰ āĻাāĻĻুāĻāϰ āϏāϞিāϞ āĻৌāϧুāϰী āĻাāύāϤেāύ āĻāĻĨা āĻ āϏুāϰেāϰ āĻāĻীāϰ āϰāϏাāϝ়āύ। āϤাঁāϰ āϏেāĻ āϏāĻŦ āĻাāϞāĻāϝ়ী āĻাāύ āĻāĻāĻ āĻŽাāύুāώেāϰ āĻŽāύে āĻিāϰ āϏāĻŦুāĻ।
āĻāύ্āĻŽ āĻĻāĻ্āώিāĻŖ ⧍ā§Ē āĻĒāϰāĻāύাāϰ āĻাāĻীāĻĒুāϰে āĻŽাāĻŽাāϰ āĻŦাāĻĄ়িāϤে ⧧⧝⧍ā§Ģ āϏাāϞেāϰ ⧧⧝ āύāĻেāĻŽ্āĻŦāϰ। āĻŦাāĻŦা āĻিāĻিā§āϏāĻ āĻ্āĻাāύেāύ্āĻĻ্āϰāύাāĻĨ āĻৌāϧুāϰী, āĻŽা āĻŦিāĻাāĻŦāϤী āĻĻেāĻŦী।
āϏাāϰা āĻীāĻŦāύে āĻĒেāϝ়েāĻেāύ āĻŦāĻšু āĻĒুāϰāϏ্āĻাāϰ। āĻĢিāϞ্āĻŽāĻĢেāϝ়াāϰ āĻ ্āϝাāĻāϝ়াāϰ্āĻĄ (⧧⧝ā§Ģā§), āĻŦিāĻāĻĢāĻেāĻ āĻ ্āϝাāĻāϝ়াāϰ্āĻĄ (⧧⧝ā§ā§¨), āύিāĻেāϰ āĻĒāϰিāĻাāϞāύাāϝ় ‘āĻĒিāĻ্āĻāϰে āĻে āĻĒāĻ্āĻী’āϰ āĻāύ্āϝ āĻāϤ্āϤāϰāĻĒ্āϰāĻĻেāĻļ āĻাāϰ্āύাāϞিāϏ্āĻ āĻ ্āϝাāĻāϝ়াāϰ্āĻĄ (ā§§ā§¯ā§Žā§Ģ), āĻāϞাāĻāĻĻ্āĻĻিāύ āϏ্āĻŽৃāϤি āĻĒুāϰāϏ্āĻাāϰ (ā§§ā§¯ā§Žā§Ģ), āϏāĻ্āĻীāϤ āύাāĻāĻ āĻ ্āϝাāĻাāĻĄেāĻŽি āĻ ্āϝাāĻāϝ়াāϰ্āĻĄ (ā§§ā§¯ā§Žā§Ž), āĻ্āϰিāϝ়েāĻিāĻ āĻŽিāĻāĻিāĻেāϰ āĻāύ্āϝ āĻŽāĻšাāϰাāώ্āĻ্āϰ āĻৌāϰāĻŦ āĻĒুāϰāϏ্āĻাāϰ (⧧⧝⧝ā§Ļ) āĻāϞ্āϞেāĻāϝোāĻ্āϝ।
āϤাঁāϰ āĻাāύ āĻŦাংāϞা āĻাāĻĄ়াāĻ āĻŽাāϞāϝ়াāϞāĻŽ, āϤাāĻŽিāϞ, āϤেāϞেāĻু, āĻāύ্āύāĻĄ়, āĻুāĻāϰাāϤি, āĻŽāϰাāĻ ি, āĻāĻĄ়িāϝ়া, āĻ āϏāĻŽিāϝ়া āĻ āĻĒāĻ্āĻাāĻŦি āĻাāώাāϝ় āĻĒāϰিāĻŦেāĻļিāϤ āĻšāϝ়েāĻিāϞ।
āϏ্āϤ্āϰী āϏāĻŦিāϤা āĻৌāϧুāϰীāϰ āĻāĻĨাāϝ়: āĻঁāϰ āĻāύ্āĻŽāĻĻিāύে āĻŦাāĻĄ়িāϤে āĻŦāĻšু āĻŽাāύুāώ āĻāϏāϤেāύ। āϏāĻŦাāĻāĻে āĻšāϝ়āϤো āĻিāύāϤাāĻŽāĻ āύা। āĻāĻŽি āĻāĻি āĻুāύে āĻšাঁāĻĄ়িāϤে āĻাāϝ়েāϰ āĻāϞ āĻŦāϏাāϤাāĻŽ। āϏāĻাāϞ āĻĨেāĻে āĻĒাāϝ়েāϏেāϰ āĻোঁāĻ āĻāϰāϤেāύ। āĻĒাāϝ়েāϏ āĻেāϤে āĻুāĻŦ āĻাāϞāĻŦাāϏāϤেāύ। āĻ āϤ্āϝāύ্āϤ āĻĒ্āϰিāϝ় āĻিāϞ āĻাāϤু-āĻŽুāĻĄ়ি। āϏাāϰা āĻŽুāĻে āĻাāϤু āĻŽেāĻে āϝāĻāύ āĻেāϤেāύ āϏেāĻি āĻিāϞ āĻĻেāĻাāϰ āĻŽāϤো।
āϏāϞিāϞেāϰ ā§Ŧā§ĻāϤāĻŽ āĻāύ্āĻŽāĻĻিāύāĻি āĻুāĻŦ āĻāϞ্āϞেāĻāϝোāĻ্āϝ। āĻāĻŽাāĻĻেāϰ ‘āĻāĻাāĻļāĻĻীāĻĒ’ āĻĢ্āϞ্āϝাāĻে āĻĻ্āĻŦিāĻেāύāĻĻা, āĻŦāύāĻļ্āϰী, āĻ্āϝাāϞāĻাāĻা āĻāϝ়্āϝাāϰেāϰ āĻেāϞেāĻŽেāϝ়েāϰা, āĻāĻŽাāĻĻেāϰ āĻĻāϞেāϰ āĻেāϞেāĻŽেāϝ়েāϰা, āĻāĻŽাāϰ āĻĻুāĻ āĻেāϞে āϏুāĻাāύ্āϤ āĻ āϏāĻ্āĻāϝ় āĻāĻŦং āĻĻুāĻ āĻŽেāϝ়ে āĻ āύ্āϤāϰা āĻ āϏāĻ্āĻাāϰীāĻে āύিāϝ়ে āϏে āĻĻিāύেāϰ āĻĒāϰিāĻŦেāĻļ āĻিāϞ āĻāĻŽāĻāĻŽে। āĻāϰ āĻিāϞ āĻ āĻিāĻিāϤেāϰ āĻেāϞে āĻ āĻŽিāϤ। āĻšāĻ াā§ āĻ āĻŽিāϤāĻে āĻĄেāĻে āϏāϞিāϞ āĻুāĻĒি āĻুāĻĒি āĻŦāϞāϞেāύ, ‘āĻāĻāĻা āĻŦাāϞ্āĻŦ āĻিāύে āύিāϝ়ে āĻāϝ়, āĻুāĻŦ āĻĻāϰāĻাāϰ।’ āϏেāĻিāĻে āĻāĻāĻি āϞ্āϝাāĻŽ্āĻĒāϏ্āĻ্āϝাāύ্āĻĄে āĻāĻāĻে āĻĻিāϞেāύ। āĻāύ্āĻŽāĻĻিāύেāϰ āĻ āύুāώ্āĻ াāύ āĻļুāϰু। āϏāϞিāϞ āĻŦāϞāϞেāύ, ‘āϏāĻŦ āĻāϞো āύিāĻিāϝ়ে āĻĻাāĻ। āĻļুāϧু āĻāĻ āĻŦাāϞ্āĻŦ āĻ্āĻŦāϞāĻŦে।’ āĻেāĻ āĻাāĻা āĻšāϞ। āĻŦ্āϝাāĻĒাāϰāĻা āϏāĻāϞেāϰ āĻŦুāĻে āĻāĻ াāϰ āĻāĻে āĻŦāϞāϞেāύ, ‘āĻĻেāĻ āĻāĻŽাāϰ āĻāύ্āĻŽāĻĻিāύ āĻĒাāϞāύ āĻšāĻ্āĻে। āĻŦāϞāϤো āĻāϤ āĻāϝ়াāĻেāϰ āĻŦাāϞ্āĻŦ āĻ্āĻŦāϞāĻে?’ āĻŦāύāĻļ্āϰী āϏে āĻĻিāύ āĻঁāĻে āĻেāĻ āĻাāĻāϝ়েāĻিāϞ।
āĻঁāϰ āĻāύ্āĻŽāĻĻিāύে āĻāĻĒāϏ্āĻĨিāϤ āĻĨাāĻāϤ āĻĻেāĻŦāĻ্āϝোāϤি, āϞাāϞ্āĻু (āĻিāĻাāϰ), āĻŦাāĻĒি (āĻিāĻাāϰ), āϤাāĻĒāϏ (āĻ ্āϝাāĻোāϰ্āĻĄিāϝ়াāύ)। āĻāϏāϞে āϏāϞিāϞ āĻৌāϧুāϰীāϰ āĻŽিāĻāĻিāĻেāϰ āĻĻāϞ āĻĨাāĻāϞেāĻ āϏেāĻাāύে āϏৃāώ্āĻি āĻšāϤ āϏ্āĻŦāϰ্āĻ। āĻāϏāϤেāύ āĻ āϰুāĻŖ āĻাāĻĻুāĻĄ়ি। āĻāϞāϤ āĻļাāϏ্āϤ্āϰীāϝ় āϏāĻ্āĻীāϤেāϰ āĻ āύুāώ্āĻ াāύ।
āĻāĻŽি āĻĒ্āϰāĻŦাāϏী āĻŦাāĻাāϞি। āĻোāĻāĻŦেāϞা āĻĨেāĻেāĻ āĻāϞāĻাāϤা āĻāĻŽাāϰ āĻাāĻে āĻāĻāĻŦাāϰে āύāϤুāύ āĻāĻ āĻļāĻšāϰ। āĻŽাāĻে āĻŽাāĻে āĻŽা-āĻŦাāĻŦা āĻ āĻাāĻāĻĻেāϰ āϏāĻ্āĻে āĻŽাāĻŽাāĻŦাāĻĄ়ি āĻোāύ্āύāĻāϰে āϝেāϤাāĻŽ। āĻāĻāύāĻ āĻāĻāύāĻ āĻāϞāĻাāϤাāϰ āĻাংāĻāϝ়াāϤে āϞাāĻ্āĻ āĻ āĻĨāĻŦা āĻĄিāύাāϰ āĻāϰāϤাāĻŽ। āĻিāύ্āϤু āĻāĻŽাāϰ āϏ্āĻŦাāĻŽী āϏāϞিāϞ āĻৌāϧুāϰীāϰ āĻোāĻ āĻĻিāϝ়ে āĻāĻŽি āĻĻেāĻāϞাāĻŽ āĻāĻ āϏāĻ্āĻীāϤেāϰ āĻļāĻšāϰāĻে। āĻāϰ āϏে āĻļāĻšāϰেāϰ āύাāĻŽ āĻāϞāĻাāϤা।
⧧⧝ā§Ģ⧍āϤে āύিāĻেāϰ āĻāϞ্āĻĒ ‘āĻĻো āĻŦিāĻা āĻāĻŽিāύ’ āύিāϝ়ে āĻŦিāĻŽāϞ āϰাāϝ়েāϰ āĻĄাāĻে āĻেāϞেāύ āĻŽুāĻŽ্āĻŦāĻ। āĻāϰāĻ āĻŦাংāϞা āĻāĻŦি ‘āϰিāĻ্āϏাāĻāϝ়াāϞা’ āĻŽুāĻ্āϤি āĻĒেāϝ়েāĻিāϞ ⧧⧝ā§Ģā§ĢāϤে। āĻĒāϰেāϰ āĻŦāĻāϰ ‘āĻাāĻāϤে āϰāĻšো’āϰ āĻĒাāĻļাāĻĒাāĻļি āĻŦিāĻŽāϞ āϰাāϝ়েāϰ āĻāĻŦি ‘āĻŽāϧুāĻŽāϤি’ āĻঁāϰ āĻীāĻŦāύে āĻāĻāĻা ‘āĻাāϰ্āύিং āĻĒāϝ়েāύ্āĻ’।
āĻĨাāĻāϤাāĻŽ āĻŽুāĻŽ্āĻŦāĻāϤে। āĻāĻ āĻĻিāύ āĻ āϞ āĻāύ্āĻĄিāϝ়া āϰেāĻĄিāĻ āĻĨেāĻে āϏāϞিāϞ āĻৌāϧুāϰীāϰ āĻāĻĨাāϤেāĻ (⧧⧝ā§Ģā§Ž) āĻĢোāύ āĻāϞ āĻāĻŽাāϰ āĻাāĻে। āϰāĻŽ্āϝāĻীāϤি āĻাāĻāϤে āĻšāĻŦে। āĻাāĻāϞাāĻŽ ‘āĻšāϞুāĻĻ āĻাঁāĻĻাāϰ āĻĢুāϞ’ āĻাāύāĻি। āϏে āĻĻিāύ āĻĨেāĻে āĻāĻŽাāϰ āύাāĻŽেāϰ āĻāĻে ‘āĻļিāϞ্āĻĒী’ āĻļāĻŦ্āĻĻāĻি āϝুāĻ্āϤ āĻšāϞ। ‘āĻšāϞুāĻĻ āĻাঁāĻĻাāϰ āĻĢুāϞ’ āĻাāύāĻিāϰ āĻāĻĨা āĻ āϏুāϰ āϏāϞিāϞ āĻৌāϧুāϰীāϰ। āϏেāĻ āĻĒ্āϰāĻĨāĻŽ āĻঁāϰ āĻাāύ āĻŦাংāϞাāϝ় āϰেāĻāϰ্āĻĄিং āĻāϰāϞাāĻŽ। āĻāĻĨা, āϏুāϰ, āĻāύ্āĻĻ āύিāϝ়ে āύিāϰāύ্āϤāϰ āĻāĻŦেāώāĻŖা āĻিāϞ āĻঁāϰ āϰāĻ্āϤে। āϏুāϰেāϰ āĻŦ্āϝাāĻĒাāϰে āĻŦāϞি, ‘āĻŽāϧুāĻŽāϤি’ āϏিāύেāĻŽাāϰ ‘āĻāĻĄ়ি āĻāĻĄ়ি āĻŽোāϰা āĻĻিāϞ āϧāĻĄ়āĻে’ āĻাāύāĻিāϰ āĻŦ্āϝাāĻāĻ্āϰাāĻāύ্āĻĄ āĻŽিāĻāĻিāĻ āĻĻিāϝ়ে āĻŦাঁāϧāϞেāύ ‘āĻšāϞুāĻĻ āĻাঁāĻĻাāϰ āĻĢুāϞ’ āĻাāύāĻিāĻে। āĻāĻ āϏিāύেāĻŽাāϝ় ā§§ā§§āĻি āĻাāύেāϰ āϏুāϰ āĻĻিāϝ়েāĻিāϞেāύ। ⧧⧝ā§Ģā§-āϤে āĻাāύেāϰ āĻāύ্āϝ āϞāϤাāĻি āĻ āϏুāϰেāϰ āĻāύ্āϝ āϏāϞিāϞ āĻĒ্āϰāĻĨāĻŽ āĻĢিāϞ্āĻŽāĻĢেāϝ়াāϰ āĻ ্āϝাāĻāϝ়াāϰ্āĻĄ āĻĒাāύ।
ā§§ā§ āĻŦāĻāϰ āĻŦāϝ়āϏ, āĻাāϤ্āϰāĻীāĻŦāύেāϰ āĻāĻ āĻĒāϰāĻŽ āĻ āϧ্āϝাāϝ়। āĻŦāĻ্āĻāĻŦাāϏী āĻāϞেāĻ āĻĨেāĻে āϏāϞিāϞ āĻৌāϧুāϰীāϰ āĻৃāώāĻ āĻāύ্āĻĻোāϞāύ āĻļুāϰু। āϤেāĻাāĻা āĻāύ্āĻĻোāϞāύেāϰ āĻāύ্āϝ āϏুāϰে āĻāĻĨাāϝ় āĻĒ্āϰāĻĨāĻŽ āĻাāύ ‘āĻšেāĻ āϏাāĻŽাāϞো āϧাāύ āĻšো’ āĻāĻĻ্āĻŦেāϞিāϤ āĻāϰে āϤুāϞāϞ āĻāύ্āĻĻোāϞāύāĻাāϰী-āϏāĻš āĻāĻĒাāĻŽāϰ āĻāύāϏাāϧাāϰāĻŖāĻে। āĻŽাāύুāώেāϰ āĻŽāύে āĻļিāĻšāϰāĻŖ āĻাāĻাāύো ‘āĻāϰ āϝুāĻĻ্āϧ āύāϝ়, āĻāϰ āϰāĻ্āϤ āύāϝ়’, ‘āĻ āĻāϞোāϰ āĻĒāĻĨ āϝাāϤ্āϰী’, ‘āĻĒ্āϰাāύ্āϤāϰেāϰ āĻাāύ āĻāĻŽাāϰ’, ‘āĻ āĻŦাāĻ āĻĒৃāĻĨিāĻŦী’, ‘āϰাāύাāϰ’, ‘āĻāĻĄ়েāϰ āĻাāĻে āϰেāĻে āĻেāϞাāĻŽ āĻāĻŽাāϰ āĻ িāĻাāύা’, ‘āĻোāύāĻ āĻāĻ āĻাঁāϝ়েāϰ āĻŦāϧূ’, ‘āĻāĻāĻি āĻŽোāϰāĻেāϰ āĻাāĻšিāύি’ āĻāĻŽāύ āĻāϤ āĻļāϤ āĻাāύ āĻŽাāύুāώāĻে āĻুāĻŽ āĻĨেāĻে āĻাāĻিāϝ়ে āϤুāϞāϞ। āϝা āĻāĻāĻ āĻļুāύāϞে āĻŦা āĻাāĻāϞে āĻŽāύ āĻāĻ্āĻীāĻŦিāϤ āĻšāϝ়। āĻāϰāĻ āĻāĻāĻি āĻāϞ্āϞেāĻāϝোāĻ্āϝ āĻাāύ ‘āĻāĻ āϰোāĻো, āĻĒৃāĻĨিāĻŦীāϰ āĻাāĻĄ়িāĻা āĻĨাāĻŽাāĻ’। āĻāϧুāύিāĻ āĻŦাংāϞা āĻ āĻšিāύ্āĻĻি āĻাāύ āĻাāĻĄ়াāĻ āĻŦāĻšু āϏিāύেāĻŽা āĻāĻŦং āϞোāĻāϏুāϰেāϰ āĻাāύ āĻŽাāύুāώেāϰ āĻীāĻŦāύāĻে āĻāϰāĻ āĻāϤিāĻŽāϝ় āĻāϰে āϤুāϞেāĻে।
āϤিāύিāĻ āϤো āϏেāĻ āĻŽাāύুāώ āϝিāύি āĻāĻāϧাāϰে āϏুāϰāĻাāϰ, āĻীāϤিāĻাāϰ, āĻাāϝ়āĻ āĻ āĻāĻŦি āϝিāύি āĻāĻŽাāĻĻেāϰ āĻীāĻŦāύে āĻাāύেāϰ āĻĒāĻĨ āĻĻেāĻিāϝ়ে āĻিāϝ়েāĻেāύ। āϏোāύাāϰāĻĒুāϰেāϰ āĻোāĻĻাāϞিāϝ়া āĻ্āϰাāĻŽে āĻĻিāĻĻিāĻŽাāϰ āϏāĻ্āĻে āĻĨাāĻāϤেāĻ āĻৃāώāĻ āĻāύ্āĻĻোāϞāύেāϰ āϏāĻ্āĻে āĻāĻĄ়িāϝ়ে āĻĒāĻĄ়েāĻিāϞেāύ āĻāϰāĻ āύিāĻŦিāĻĄ় āĻাāĻŦে। āϏāĻা āĻāϞাāĻাāϞীāύ āϝে āϏāĻŦ āĻাāĻāϰāĻŖেāϰ āĻাāύ āĻŦেঁāϧেāĻেāύ, āϏুāϰ āĻāϰেāĻেāύ āϤাāϰ āĻāĻĻাāĻšāϰāĻŖ āĻāĻ্āĻ্āĻŦāϞ। ⧧⧝ā§Ēā§Ŧ-āĻāϰ ⧍⧝ āĻুāϞাāĻ āĻļāĻšিāĻĻ āĻŽিāύাāϰেāϰ āύীāĻে āĻāϝ়েāĻ āϞāĻ্āώ āĻŽাāύুāώেāϰ āϏাāĻŽāύে āĻŦাāĻŦাāϰ āĻĻেāĻāϝ়া āĻšাāϰāĻŽোāύিāϝ়াāĻŽে āϏে āĻĻিāύ āϝে āϏāĻŦ āĻাāύ āĻেāϝ়েāĻিāϞেāύ āϤাāϤে āĻŽাāύুāώ āĻাঁāϧে āĻāϰে āĻāϏāĻŦাāϰ āĻŦাāĻĄ়িāϤে āĻĒৌঁāĻে āĻĻিāϝ়েāĻিāϞেāύ āϏāϞিāϞ āĻৌāϧুāϰীāĻে।
āĻāύ্āϝা āĻ āύ্āϤāϰা āĻৌāϧুāϰীāϰ āĻāĻĨাāϝ়: āĻāĻŽাāϰ āĻĒ্āϰাāϰ্āĻĨāύা āĻāĻ āϰāĻāĻŽ āĻŦাāĻŦা-āĻŽা āϝেāύ āĻāύ্āĻŽ-āĻāύ্āĻŽাāύ্āϤāϰ āϧāϰে āĻĒাāĻ। āĻোāĻāĻŦেāϞাāϰ āĻāĻĨা āĻুāĻŦ āĻŽāύে āĻĒāĻĄ়ে। āĻāĻŽি āĻোāύāĻ āĻাāύ āĻāϰāϞেāĻ āĻāĻŽাāĻে āĻোāϞে āϤুāϞে āύিāϤেāύ āĻŦাāĻŦা। āϏেāĻাāĻ āĻিāϞ āĻāĻŽাāϰ āĻļ্āϰেāώ্āĻ āĻĒুāϰāϏ্āĻাāϰ। āϝāĻāύ āĻāĻŽাāĻে āĻŦāϞāϤেāύ, āĻোāĻ āĻāĻŽ্āĻŽা āĻে? āĻāĻŽি āĻুāĻ্āĻে āĻāϞে āĻāϏāϤাāĻŽ āĻŦাāĻŦাāϰ āĻাāĻে। āĻĒāϰে āϝāĻāύ āĻāĻŽাāϰ āĻŦোāύ āϏāĻ্āĻাāϰীāϰ āĻāύ্āĻŽ āĻšāϞ āϤāĻāύāĻ āĻŦাāĻŦা āĻŦāϞāϤেāύ āĻāĻ āĻāĻĨাāĻুāϞো। āĻŦোāύ āĻāϰ āĻāĻŽি āĻĻু’āĻāύেāĻ āĻĻৌāĻĄ়ে āĻāϏāϤাāĻŽ। āĻāϰ āĻŦোāύেāϰ āϏāĻ্āĻে āĻāĻŽাāϰ āĻāĻāĻĄ়া āϞেāĻে āϝেāϤ।
āĻŦাāĻŦা āĻŦāϞāϤেāύ, āϏাāϧāύা āĻāϰে āϝাāĻ। āĻŽাāύুāώ āĻāĻ āĻĻিāύ āĻ িāĻ āĻŦুāĻāϤে āĻĒাāϰāĻŦে। āĻিāύ্āϤু āĻāĻāύ āϝা āϏāĻŦ āĻĻেāĻি āϤা āϝেāύ āĻŽেāϞাāϤে āĻĒাāϰি āύা। āϤāĻŦুāĻ āĻŽāύেāϰ āĻļাāύ্āϤি, āĻŦাāĻŦা-āĻŽাāϝ়েāϰ āĻāĻĻāϰ্āĻļ āĻŽেāύে āĻāϞেāĻি।
āĻŦাāĻŦাāĻে āϤো āĻোāϞা āϝাāϝ় āύা। āϤāĻŦুāĻ āĻāĻ āύāĻেāĻŽ্āĻŦāϰ āĻŽাāϏ āĻŦাāĻŦাāϰ āĻāύ্āĻŽ āĻŽাāϏ। āĻ āύেāĻ āϏ্āĻŽৃāϤি, āĻ āύেāĻ āĻĢোāύ, āĻ āύেāĻ āĻŽাāύুāώেāϰ āĻļুāĻেāĻ্āĻা...। āϏāϞিāϞ āĻৌāϧুāϰী āĻĢাāĻāύ্āĻĄেāĻļāύ āĻ āĻĢ āĻŽিāĻāĻিāĻ-āĻāϰ āĻĒāĻ্āώ āĻĨেāĻে ‘āϏāϞিāϞ āϰāĻāύা āϏংāĻāϞāύ’-āĻāϰ āĻাāĻ āĻāϞāĻে। āĻĨাāĻāĻে āϏাāϰা āĻীāĻŦāύে āĻŦাংāϞাāϝ় āϏুāϰ āĻāϰা āϝাāĻŦāϤীāϝ় āĻাāύ। āϏিāύেāĻŽা, āĻāϧুāύিāĻ, āĻ āĻĒ্āϰāĻাāĻļিāϤ āĻŦাংāϞা āĻাāύ-āϏāĻš āύাāύা āĻাāϝ়āĻা āĻĨেāĻে āĻāĻŽāϰা āϝা āϏংāĻ্āϰāĻš āĻāϰāϤে āĻĒেāϰেāĻি āϏāĻŦāĻ āϰাāĻাāϰ āĻেāώ্āĻা āĻāϰāĻি āϤাāϤে। āϏāĻ্āĻে āĻĨাāĻāĻে āϏুāĻাāύ্āϤ āĻāĻ্āĻাāĻাāϰ্āϝেāϰ āĻāĻŦিāϤাāϝ় āϏুāϰ āĻĻেāĻāϝ়া āϏেāĻ āϏāĻŦ āĻাāύ, āϏুāĻাāώ āĻŽুāĻোāĻĒাāϧ্āϝাāϝ়েāϰ ‘āĻ āĻ্āύি āĻোāĻŖেāϰ āϤāϞ্āϞাāĻ’, āĻ āύ্āύāĻĻাāĻļāĻ্āĻāϰ āϰাāϝ়েāϰ āϞেāĻা āĻāĻŽাāϰ āĻোāĻāĻŦেāϞাāϰ āĻাāύ ‘āϤেāϞেāϰ āĻļিāĻļি āĻাāĻāϞো āĻŦāϞে’ āĻাāĻĄ়া āĻŦāĻšু āĻāĻŦিāϤাāĻ āĻĨাāĻāĻে āϝেāĻাāύে āĻŦাāĻŦাāϰ āĻাāĻ āĻোāύāĻ āύা āĻোāύāĻ āĻাāĻŦে āĻāĻĄ়িāϝ়ে āĻāĻে।
āĻāϞ্āϝাāĻŖ āϏেāύāĻŦāϰাāĻ-āĻāϰ āĻāĻĨাāϝ়: āϏāϞিāϞ āĻৌāϧুāϰীāϰ āϏāĻ্āĻে āĻāĻŽাāϰ āϏāĻŽ্āĻĒāϰ্āĻ āĻুāϰু-āĻļিāώ্āϝেāϰ। āϝāĻāύ āĻāϝ়্āϝাāϰ āĻļুāϰু āĻāϰি āϤāĻāύ āϤিāύি āĻ āĻিāĻাāĻŦāĻ āĻšিāϏেāĻŦে āĻĒāĻĨ āĻĻেāĻিāϝ়েāĻেāύ। āĻāĻŽাāĻĻেāϰ āĻĒ্āϰāĻĨāĻŽ āĻ্āϝাāϏেāĻ ‘āĻāĻ্āĻাāϰ’ āĻঁāϰ āύিāĻেāϰ āĻোāĻŽ্āĻĒাāύি āϏিāĻāĻŽāĻāϰ (āϏেāύ্āĻাāϰ āĻĢāϰ āĻŽিāĻāĻিāĻ āϰিāĻাāϰ্āϏ) āĻĨেāĻে āĻĒ্āϰāĻাāĻļিāϤ āĻšāϝ়। āύিāĻেāĻ āĻāĻĻ্āϝোāĻ্āϤা āĻিāϞেāύ। ā§ĒāĻি āĻাāύ āĻিāϞ āĻঁāϰ āϏুāϰে āĻ āĻāĻĨাāϝ়। āĻāϝ়্āϝাāϰেāϰ āĻ āύুāώ্āĻ াāύে āϏāĻŽāĻŦেāϤ āĻাāύেāϰ āĻāύ্āϝ āϏāĻŦ āϏāĻŽāϝ় āĻĄাāĻāϤেāύ। āĻŽāĻšāĻĄ়া āĻāϞāϤ āĻāĻāĻাāύা। āĻšাāϤে āĻāϞāĻŽে āĻļিāĻিāϝ়েāĻেāύ āϏāĻ্āĻীāϤ āĻĒāϰিāĻŦেāĻļāύ āĻāϰা āĻĨেāĻে āϏāĻ্āĻীāϤ āĻĒāϰিāĻাāϞāύাāϰ āϝাāĻŦāϤীāϝ় āĻুঁāĻিāύাāĻি। āĻāĻāĻি āϏ্āĻŽৃāϤি āĻāĻ āĻŦāĻĄ় āĻŽāύে āĻĒāĻĄ়āĻে āϤাঁāϰ āĻāĻ āĻāύ্āĻŽ āĻŽাāϏে।
āĻāĻ āϰāĻŦিāĻŦাāϰে āĻŽāύ্āĻুāĻĻাāϰ (āĻোāώ) āϏāĻ্āĻে āĻিāϝ়েāĻিāϞাāĻŽ āϏāϞিāϞ āĻৌāϧুāϰীāϰ āĻāĻাāĻļāĻĻীāĻĒ āĻĢ্āϞ্āϝাāĻে। āϏেāĻাāύে āĻাāύāĻŦাāĻāύা āύিāϝ়েāĻ āĻāĻĨাāĻŦাāϰ্āϤা āĻāϞāϞ। āϤাāϰāĻ āĻŽāϧ্āϝে āĻŽāύে āĻšāϝ় āϤিāύি āĻŦুāĻে āĻিāϝ়েāĻিāϞেāύ āĻāĻŽাāĻĻেāϰ āĻĻāϞেāϰ āϝা āĻিāĻু, āϏāĻŦ āĻাāύ āĻĻিāϝ়ে āĻেāϰা। āĻšāĻ াā§āĻ āĻĒāϰেāϰ āĻĻিāύ āĻŦিāĻেāϞে āύিāĻে āĻাāĻĄ়ি āĻাāϞিāϝ়ে āĻāϞে āĻāϞেāύ āĻāĻŽাāĻĻেāϰ āĻļিāϝ়াāϞāĻĻāĻšেāϰ āĻŦৈāĻ āĻāĻাāύাāϰ āĻŦাāĻĄ়িāϤে। āĻĻāϞেāϰ āĻেāϞেāĻŽেāϝ়েāϰা āĻšেāĻŽাāĻ্āĻ āĻŦিāĻļ্āĻŦাāϏেāϰ ‘āĻāύ āĻŦ্āϰাāĻāύ’, ‘āĻāύ āĻšেāύāϰি’, ‘āĻļāĻ্āĻ āĻিāϞ’ āĻļোāύাāϞ। āĻাāύ āĻļুāύে āϤিāύি āĻāĻ্āĻ্āĻŦāϏিāϤ। āĻāϝ়েāĻāĻি āϏāϞিāϞāĻĻাāϰāĻ āĻাāύ āĻļোāύাāύো āĻšāϞ। āĻŦ্āϝāϏ āĻāϰ āĻāĻĨা āύāϝ়। āĻাāύ āĻāϞāϞ āĻŦিāĻেāϞ āĻĒাঁāĻāĻা āĻĨেāĻে āϰাāϤ āϏাāĻĄ়ে āĻāĻাāϰোāĻা āĻĒāϰ্āϝāύ্āϤ। āϏāϞিāϞāĻĻা āϤāĻāύ āĻŽāϧ্āϝ āĻāĻāύে, āĻāϰ āĻāĻŽি āύিāϤাāύ্āϤāĻ āϏাāϧাāϰāĻŖ āĻāĻ āĻŽাāύুāώ। āϝāϤ āĻĻিāύ āĻŦেঁāĻেāĻিāϞেāύ āϤāϤ āĻĻিāύāĻ āĻ āĻিāĻাāĻŦāĻেāϰ āĻŽāϤো āĻāĻŽাāĻĻেāϰ āĻĒāϰাāĻŽāϰ্āĻļ āĻĻিāϝ়ে āĻিāϝ়েāĻেāύ।
āĻŽৃāϤ্āϝুāϰ āĻĒāϰ āĻেāĻে āĻেāĻে āĻĻেā§ āĻĻāĻļāĻ, āϤাāĻ āĻŦাāĻ্āĻাāϞীāϰ āϏāĻ্āĻীāϤ āĻŽāύāύেāϰ āĻ āύāύ্āϤ āĻĒ্āϰāĻŦাāĻšে; āĻāĻ-āĻ āϏāϞিāϞ āĻৌāϧুāϰী। āĻāĻ āύাāĻŽāĻা āĻļুāύāϞেāĻ āĻāύāύ্āĻĻে āĻেঁāĻĒে āĻāĻ ে āϰোāĻŽāĻূāĻĒ! āĻেāϏে āϝাā§ āĻ āϤীāϤে। “āϏুāϰেāϰ” āϏেāĻ “āĻāϰāĻāϰ āĻāϰ্āĻŖাāϰ” “āϤāϰāϞিāϤ āĻāύ্āĻĻ্āϰিāĻাāϰ” –āϤে āĻŽāύ āĻāĻ āĻāϰে āϏ্āύাāύ āĻāϰে āĻĢেāϞে। āύāĻেāĻŽ্āĻŦāϰ ⧧⧝, ⧧⧝⧍⧍, āĻŽāϤাāύ্āϤāϰে ā§§ā§¯ā§¨ā§Š। āĻĻিāύāĻা āĻŦাংāϞা āϏংāĻীāϤেāϰ āĻāĻāϤে āĻāĻāĻা āĻুāϰুāϤ্āϤ্āĻŦāĻĒূāϰ্āĻŖ āĻĻিāύ। āĻļুāϧু āĻŦাংāϞাāĻ āĻŦা āĻŦāϞি āĻেāύ! āϏাāϰা āĻাāϰāϤেāϰ āϏংāĻীāϤেāϰ āĻāĻāϤেāĻ āĻāĻāĻা āĻŽāĻšāϤ্āϤ্āĻŦāĻĒূāϰ্āĻŖ āĻĻিāύ। āĻšুāĻāϞী āĻেāϞাāϰ āĻšāϰিāύাāĻীāϰ āĻŽাāĻšীāύāĻāϰ āĻ্āϰাāĻŽে āĻāύ্āĻŽ āĻāĻ āĻিংāĻŦāĻĻāύ্āϤী āϏুāϰāĻাāϰ, āĻীāϤিāĻাāϰ, āϏাāĻšিāϤ্āϝিāĻ āĻāĻŦং āĻāĻŦিāϰ । āĻāϏাāĻŽেāϰ āĻা āĻŦাāĻাāύে āĻŦাāĻŦা āĻĄাāĻ্āϤাāϰ āĻিāϞেāύ। āĻŦাāĻŦাāϰ āϏংāĻ্āϰāĻšে āĻĨাāĻা āĻĒাāĻļ্āĻাāϤ্āϝ āϏংāĻীāϤ āĻļুāύে āĻļুāύে, āϏুāϰেāϰ āĻŦীāĻ āϤৈāϰী āĻšā§ āϤাঁāϰ āĻŽāύāύে। āĻি āĻিāϞ āϤাঁāϰ āĻŦাāĻŦাāϰ āϏংāĻ্āϰāĻšে? āĻŦāϞāϤে āĻšā§, āĻি āĻিāϞ āύা! āĻŽোāĻাāϰ্āĻ, āĻŦিāĻ োāĻেāύ,āĻ্āϝাāϞিāĻোāĻোāϏ্āĻি, āĻāĻĒিāύ। āĻāϰ āϏāĻ্āĻে āϝোāĻ āĻšā§েāĻিāϞ āĻāĻ āĻŦাāĻাāύে āĻļোāύা- āĻāϞা āĻŦিāĻŦিāϰ āĻাāύ, āĻļিāĻŦেāϰ āĻাāĻāύ, āϝাāϤ্āϰা, āĻĸāĻĒ āĻāϰ āĻাāύ, āϏুāϰ āĻāϰ āĻাā§āĻী। āĻĢāϞে, āύিāĻেāϰ āĻ āĻাāύ্āϤেāĻ āϤৈāϰী āĻšā§েāĻিāϞ āĻāĻ āĻ āύāĻŦāĻĻ্āϝ āύিāĻāϏ্āĻŦ āϏুāϰāϞোāĻেāϰ। āĻোāϞāĻাāϤাāϰ āĻŦāĻ্āĻāĻŦাāϏী āĻāϞেāĻ āĻĨেāĻে āĻŦি āĻ āĻĒā§াāϰ āϏāĻŽā§ āĻĨেāĻেāĻ āĻāĻ. āĻĒি. āĻি. āĻ āϰ āϏংāϏ্āĻĒāϰ্āĻļে āĻāϏা। ⧧⧝ā§Ēā§Ē āϏাāϞে āĻ āĻŦিāĻāĻ্āϤ āĻāĻŽিāĻāύিāώ্āĻ āĻĒাāϰ্āĻিāϰ āϏāĻ্āĻে āϝুāĻ্āϤ āĻšāύ। āĻŦাāĻŦাāĻে āĻĻেāĻেāĻিāϞেāύ- āĻŦাāĻাāύেāϰ āĻুāϞিāĻĻেāϰ āύিā§ে āύাāĻāĻ āĻāϰāϤে। āĻুāϞিāĻĻেāϰ āϝāύ্āϤ্āϰāĻŖা, āĻļোāώāĻŖ āϤাঁāĻে āύাā§া āĻĻিā§েāĻিāϞ। ⧧⧝ā§Ēā§Ģ āϏাāϞে āĻŦিāĻĻ্āϝাāϧāϰী āύāĻĻীāϰ āĻŦাāύāĻাāϏী āĻ āĻ্āĻāϞ āĻĻেāĻāϤে āĻিā§ে āϞিāĻেāĻিāϞেāύ, āĻĒ্āϰāĻĨāĻŽ āĻāĻŖāϏāĻ্āĻীāϤ-“āĻĻেāĻļ āĻেāϏেāĻে āĻŦাāύেāϰ āĻāϞে”। āĻāϰ āϏেāĻ āĻাāύ, āĻাāύেāϰ āĻāύ্āϝ āĻাāύ āύā§।āĻŽাāύুāώেāϰ āĻĒ্āϰā§োāĻāύেāϰ āĻāύ্āϝ āĻāĻ āĻাāύ! āĻāϰāĻāĻŽ āĻāϰāĻ āĻ āύেāĻ āĻাāύ, āϤিāύি āĻĒāϰāĻŦāϰ্āϤী āĻাāϞে āϤিāύি āϞিāĻেāĻেāύ āĻāϰ āϏুāϰ āĻĻিā§েāĻেāύ। āύিāϰ্āĻŦাāĻ āϝুāĻে āĻিāϤ্āϰা āϏিāύেāĻŽাā§ āĻĒিā§াāύো āĻŦাāĻিā§ে āĻĒেāĻļাāĻāϤ āĻীāĻŦāύেāϰ āĻļুāϰু। ⧧⧝ā§Ē⧝ āϏাāϞে āϤাঁāϰ āϏুāϰাāϰোāĻĒিāϤ āĻŦাংāϞা āĻāϞāĻিāϤ্āϰ “āĻĒāϰিāĻŦāϰ্āϤāύ” āĻŽুāĻ্āϤি āĻĒাā§। āĻুāϞাāĻ ā§§ā§Ē, ⧧⧝ā§Ģ⧍ āϏাāϞে āĻŦিā§ে āĻāϰেāύ āĻ্āϝোāϤি āĻৌāϧুāϰীāĻে। āϤিāύāĻি āĻāύ্āϝা āϏāύ্āϤাāύāĻ āĻšā§ āϤাঁāϰ- āĻ āϞāĻা, āϤুāϞিāĻা āĻāϰ āϞিāĻĒিāĻা! āϏāύ – ⧧⧝ā§Ģā§Š! āϏāĻĻ্āϝ āĻŦিāĻŦাāĻšিāϤ āϏংāϏাāϰে, āĻ āĻাāĻŦেāϰ āϤাā§āύাāϤে āĻĒাāϰ্āĻিāϰ āĻ্āϰুāĻুāĻি āĻāĻĒেāĻ্āώা āĻāϰে āĻŦিāĻŽāϞ āϰাā§েāϰ āĻĄাāĻে āĻāϞে āϝাāύ āĻŦোāĻŽ্āĻŦেāϤে( āĻŽুāĻŽ্āĻŦাāĻ)। āϤাঁāϰ āύিāĻেāϰ āϞেāĻা āĻāϞ্āĻĒ “āϰিāĻ্āϏাāĻā§াāϞা” āĻĨেāĻে āĻŦিāĻŽāϞ āϰাā§ āϤৈāϰী āĻāϰেāύ āϏেāĻ āĻŦিāĻ্āϝাāϤ āĻšিāύ্āĻĻী āĻāϞāĻিāϤ্āϰ- “āĻĻো āĻŦিāĻা āĻāĻŽিāύ”। āϤাāϰāĻĒāϰ? āĻāϰ āĻĢিāϰে āϤাāĻাāύ āύি। āϏংāĻীāϤ āĻĒāϰিāĻাāϞāĻ āύৌāĻļাāĻĻ āĻāĻāĻŦাāϰ āϏāϞিāϞāĻĻাāϰ āĻŽাāĻে āĻুāĻšু āĻŦীāĻে āĻĻেāĻāϤে āĻĒেā§ে, āϏাāώ্āĻাāĻ্āĻে āĻĒ্āϰāĻŖাāĻŽ āĻāϰেāύ। āĻŦāϞেāĻিāϞেāύ- āĻāĻŽāύ āϰāϤ্āύāĻāϰ্āĻাāĻে āĻĒ্āϰāĻŖাāĻŽ āĻāϰāϤে āĻĒেāϰে āϤিāύি āϧāύ্āϝ। āĻāϰāĻ āϝোāĻ āĻāϰেāĻিāϞেāύ- āϏāϞিāϞāĻĻা āĻšāĻ্āĻেāύ āϏুāϰāĻাāϰāĻĻেāϰ āϏুāϰāĻাāϰ! āϏাāϤāĻি āϏ্āĻŦāϰ āĻিāϞ āϤাঁāϰ āĻšাāϤেāϰ āĻেāϞাāϰ āĻĒুāϤুāϞ। āĻŽৃāĻŖাāϞ āϏেāύ āĻŦāϞেāĻিāϞেāύ- āϏāϞিāϞāĻĻা āĻšāĻ্āĻেāύ āĻāϧুāύিāĻ āϏāĻ্āĻীāϤেāϰ āĻŦ্āϝাāĻāϰāĻŖ।āϏ্āĻŦāύাāĻŽāϧāύ্āϝ āĻাā§িāĻা āϏুāĻিāϤ্āϰা āĻŽিāϤ্āϰ āĻŦāϞেāĻিāϞেāύ- āϰāĻŦীāύ্āĻĻ্āϰ- āύāĻāϰুāϞেāϰ āĻĒāϰāĻ āϏāϞিāϞ āĻৌāϧুāϰীāϰ āϏ্āĻĨাāύ। āϏāύ-⧧⧝ā§Ģā§Ž। āϏেāĻ āĻŦিāĻ্āϝাāϤ “āĻŽāϧুāĻŽāϤী”! āĻāύ্āĻŽাāύ্āϤāϰেāϰ āĻāĻĒāϰ āĻŦোāϧāĻšā§ āĻĒ্āϰāĻĨāĻŽ āĻšিāύ্āĻĻী āĻāϞāĻিāϤ্āϰ। āĻāϞ্āĻĒ-āĻāϤ্āϤ্āĻŦিāĻ āĻāĻāĻ। āĻĒāϰিāĻাāϞāύা- āĻŦিāĻŽāϞ āϰাā§। āĻীāϤিāĻাāϰ- āĻļৈāϞেāύ্āĻĻ্āϰ। ⧍ā§Ļā§Ļā§ āϏাāϞে āĻĢাāϰāĻšা āĻাāύ āϤৈāϰী āĻāϰেāύ- āĻāĻŽ āĻļাāύ্āϤি āĻāĻŽ। “āĻŽāϧুāĻŽāϤী”āϰ āĻ āύেāĻ āĻĒ্āϰāĻাāĻŦ āĻāĻ āĻāϞāĻিāϤ্āϰে āĻĨাāĻāϞেāĻ, āϤাঁāϰা āϏ্āĻŦীāĻাāϰ āĻāϰেāύ āύি, āϏে āĻāĻĨা! āϝাāĻ, āϏে āĻāĻĨা! āϏāĻŦিāϤা āĻৌāϧুāϰীāĻে āĻŦিā§ে āĻāϰে āĻŦোāĻŽ্āĻŦে āĻাā§āϤে āĻŦাāϧ্āϝ āĻšāύ āĻāĻ āϏুāϰāĻাāϰ। āĻĒ্āϰāĻুāϰ āĻāϞ্āĻĒ āĻাāϞু āĻāĻে āĻāĻ āύিā§ে। āĻিāύ্āϤু āĻĨাāĻ āϏে āĻāĻĨা! āĻŽāϧুāĻŽāϤীāϰ āĻāĻĨা āĻšāĻ্āĻিāϞ। āĻŽুāĻেāĻļেāϰ āĻāĻŖ্āĻ ে āϏেāĻ āĻŦিāĻ্āϝাāϤ āĻাāύ! “āĻĻিāϞ āϤā§āĻĒ āϤā§āĻĒ” ! āĻŦāϞা āĻšā§, āĻšāϞাāĻŖ্āĻĄেāϰ āϧাāύ āĻাāĻাāϰ āĻাāύেāϰ āϞ⧠āĻŦাā§িā§ে āĻāĻ āĻাāύ āϤিāύি āϤৈāϰী āĻāϰেāĻিāϞেāύ। āĻিāύ্āϤু, āϤাāϤে āĻি āϝাā§ āĻāϏে? āĻāĻŽāϰা āϤো āĻĒেā§েāĻি, āϏেāĻ āĻাāϞāĻā§ী āĻাāύ!!!! āĻĢিāϞ্āĻŽāĻĢেā§াāϰ āĻĒুāϰāϏ্āĻাāϰ āĻĒেā§েāĻিāϞ āĻāĻ āĻāĻŦিāĻি- āĻļুāϧুāĻŽাāϤ্āϰ āϏুāϰেāϰ āĻāύ্āϝ। āĻāĻ āĻĒাāĻļ্āĻাāϤ্āϝ āĻĒ্āϰāĻাāĻŦ āĻĻেāĻা āĻেāĻে āϤাঁāϰ āĻĒ্āϰāĻুāϰ āĻাāύে। āĻŽোāĻাāϰ্āĻেāϰ āϏিāĻŽ্āĻĢোāύী- ā§Ēā§Ļ āĻে āĻ āύুāĻāϰāĻŖ āĻāϰে, āĻšিāύ্āĻĻী āĻāϞāĻিāϤ্āϰ “āĻাā§া”āϰ āϤাঁāϰ āϏেāĻ āĻŦিāĻ্āϝাāϤ āĻাāύ- āĻāϤāύাāύা āĻŽুāĻāϏে āϤু āĻĒ্āϝাāϰ āĻŦā§া! āĻāĻāĻে āĻŦিāĻাāϰেāϰ āύাāĻŽে āĻĒ্āϰāĻšāϏāύ āĻĻেāĻে-āϤাঁāϰ āϏেāĻ āĻŦিāĻ্āϝাāϤ āĻাāύāĻাāĻ āĻŽāύে āĻĒā§ে- “āĻŦিāĻাāϰāĻĒāϤি āϤোāĻŽাāϰ āĻŦিāĻাāϰ āĻāϰāĻŦে āϝাāϰা, āĻāĻ āĻেāĻেāĻে āϏেāĻ āĻāύāϤা!” āĻšাā§! āĻāύāϤা āĻāĻāĻ āĻুāĻŽিā§ে! āϤাāϰāĻĒāϰ āϏেāĻ āĻাāύ! āĻšেāĻ āϏাāĻŽাāϞো āϧাāύ āĻšো! āĻāϤ āĻāϰ āĻŦāϞāĻŦ? āϏেāĻĒ্āĻেāĻŽ্āĻŦāϰ ā§Ģ, ⧧⧝⧝ā§Ģ! āϏāϞিāϞāĻĻা, āύিāĻেāĻ āĻেāϏে āĻেāϞেāύ āĻ āĻĨৈ āĻŽāĻšাāĻাāϞে! āĻŦā§ āĻĻুঃāĻ āύিā§ে āĻāϞে āĻেāĻিāϞেāύ। āϤাঁāϰ āϏাāϧেāϰ āϰেāĻāϰ্āĻĄিং āώ্āĻুāĻĄিāĻāϰ āĻĒāĻļ্āĻিāĻŽāĻŦāĻ্āĻ āϏāϰāĻাāϰেāϰ āϧাāϰ āĻļোāϧ āĻāϰāϤে āύা āĻĒেāϰে! āώ্āĻুāĻĄিāĻāϰ āύীāĻে āĻĨাāĻা āĻāĻ āĻাāϰāĻাāύাāϰ āĻāĻŽ্āĻĒāύেāϰ āĻŽাāϤ্āϰা āϤিāύি āĻāϰ āĻ িāĻ āĻāϰāϤে āĻĒাāϰেāύ āύি! āϏāϞিāϞ āϏাāĻāϰেāϰ āϝে āĻāĻ āĻŦাঁāĻ āĻŽেāϞে āύা, āĻĻো āĻŦাঁāĻ āĻŽেāϞে āύা..... āĻŽেāϞে āύা āύাāϰে āĻŽেāϞে āύা! .........
āϏāĻŽাāĻĒ্āϤ
Source:- . āĻāĻāĻাāϞ . āĻāύāύ্āĻĻāϞোāĻ . āĻāύāύ্āĻĻāĻŦাāĻাāϰ āĻĒāϤ্āϰিāĻা . āĻāĻāĻিāĻĒেāĻĄিā§া
Sharatkaal By Rabindranath Tagore
āĻļāϰā§āĻাāϞ
āϰāĻŦীāύ্āĻĻ্āϰāύাāĻĨ āĻ াāĻুāϰ
āĻāĻŦাāϰ āĻļāϰā§āĻাāϞ āĻāϏিāϝ়াāĻে । āĻāĻ āĻļāϰā§āĻাāϞেāϰ āĻŽāϧ্āϝে āĻāĻŽি āĻāĻāĻি āύিāĻŦিāĻĄ় āĻāĻীāϰāϤা, āĻāĻāĻি āύিāϰ্āĻŽāύ āύিāϰāϤিāĻļāϝ় āĻāύāύ্āĻĻ āĻ āύুāĻāĻŦ āĻāϰি। āĻāĻ āĻĒ্āϰāĻĨāĻŽ āĻŦāϰ্āώা āĻ āĻĒāĻāĻŽে āĻĒ্āϰāĻাāϤেāϰ āĻĒ্āϰāĻৃāϤি āĻী āĻ āύুāĻĒāĻŽ āĻĒ্āϰāϏāύ্āύ āĻŽূāϰ্āϤি āϧাāϰāĻŖ āĻāϰে। āϰৌāĻĻ্āϰ āĻĻেāĻিāϞে āĻŽāύে āĻšāϝ় āϝেāύ āĻĒ্āϰāĻৃāϤি āĻী āĻāĻ āύূāϤāύ āĻāϤ্āϤাāĻĒেāϰ āĻĻ্āĻŦাāϰা āϏোāύাāĻে āĻāϞাāĻāϝ়া āĻŦাāώ্āĻĒ āĻāϰিāϝ়া āĻāϤ āϏূāĻ্āώ্āύ āĻāϰিāϝ়া āĻĻিāϝ়াāĻেāύ āϝে, āϏোāύা āĻāϰ āύাāĻ āĻেāĻŦāϞ āϤাāĻšাāϰ āϞাāĻŦāĻŖ্āϝেāϰ āĻĻ্āĻŦাāϰা āĻাāϰি āĻĻিāĻ āĻāĻ্āĻāύ্āύ āĻšāĻāϝ়া āĻিāϝ়াāĻে। āĻŦাāϝ়ু-āĻšিāϞ্āϞোāϞেāϰ āĻŽāϧ্āϝে āĻāĻāĻি āĻিāϰāĻĒāϰিāĻিāϤ āϏ্āĻĒāϰ্āĻļ āĻĒ্āϰāĻŦাāĻšিāϤ āĻšāĻāϤে āĻĨাāĻে, āĻাāĻāĻāϰ্āĻŽ āĻুāϞিāϝ়া āϝাāĻāϤে āĻšāϝ়; āĻŦেāϞা āĻāϞিāϝ়া āϝাāĻāϤেāĻে, āύা āĻŽāύ্āϤ্āϰāĻŽুāĻ্āϧ āĻāϞāϏ্āϝে āĻ āĻিāĻূāϤ āĻšāĻāϝ়া āĻĒāĻĄ়িāϝ়া āĻāĻে, āĻŦুāĻা āϝাāϝ় āύা। āĻļāϰāϤেāϰ āĻĒ্āϰāĻাāϤে āϝেāύ āĻāĻŽাāϰ āĻŦāĻšুāĻাāϞেāϰ āϏ্āĻŽৃāϤি āĻāĻāϤ্āϰে āĻŽিāĻļিāϝ়া āϰূāĻĒাāύ্āϤāϰিāϤ āĻšāĻāϝ়া āϰāĻ্āϤ āĻāĻাāϰে āĻāĻŽাāϰ āĻšৃāĻĻāϝ়েāϰ āĻļিāϰাāϰ āĻŽāϧ্āϝে āϏāĻ্āĻাāϰāĻŽ āĻāϰিāϤে āĻĨাāĻে। āĻāĻŦিāϤাāϰ āĻŽāϧ্āϝে āĻ āύেāĻ āϏāĻŽāϝ়ে āĻāĻāϰূāĻĒ āϏ্āĻŽৃāϤিāĻাāĻāϰেāĻŖāϰ āĻāĻĨা āϞেāĻা āĻšāϝ়, āϏে āĻāĻĨা āϏāĻāϞ āϏāĻŽāϝ়ে āĻ িāĻ āĻŦোāĻা āϝাāϝ় āύা - āĻŽāύে āĻšāϝ় āĻ āĻেāĻা āĻāĻŦিāϤাāϰ āĻ āϞংāĻাāϰ āĻŽাāϤ্āϰ। āĻšৃāĻĻāϝ়েāϰ āĻ িāĻ āĻাāĻŦāĻি āĻাāώাāϝ় āĻĒ্āϰāĻাāĻļ āĻāϰা āĻāĻŽ্āύি āĻāĻ িāύ āĻাāĻ! āĻŦাঁāĻļিāϰ āĻļāĻŦ্āĻĻে, āĻĒূāϰ্āĻŖিāĻŽাāϰ āĻ্āϝোā§āϏ্āύাāϝ়, āĻāĻŦিāϰা āĻŦāϞেāύ, āĻšৃāĻĻāϝ়েāϰ āĻŽāϧ্āϝে āϏ্āĻŽৃāϤি āĻাāĻিāϝ়া āĻāĻ ে। āϤাāĻšাāĻে āϏ্āĻŽৃāϤিāϰ āĻ āĻĒেāĻ্āώা āĻŦিāϏ্āĻŽৃāϤি āĻŦāϞিāϞেāĻ āĻ িāĻ āĻšāϝ়। āĻিāύ্āϤু āϝে āĻŦিāϏ্āĻŽৃāϤি āĻŦāϞিāϞে āĻāĻāĻি āĻ āĻাāĻŦাāϤ্āĻŽāĻ āĻ āĻŦāϏ্āĻĨা āĻŦোāĻাāϝ় āĻ āϤাāĻšা āύāϝ়, āĻ āĻেāĻĒ্āϰāĻাāϰ āĻাāĻŦাāϤ্āĻŽāĻ āĻŦিāϏ্āĻŽৃāϤি। āύāĻšিāϞে "āĻŦিāϏ্āĻŽৃāϤি āĻাāĻিāϝ়া āĻāĻ া' āĻāĻĨাāĻা āĻŦ্āϝāĻŦāĻšাāϰ āĻšāĻāϤেāĻ āĻĒাāϰে āύা। āĻāϰূāĻĒ āĻ āĻŦāϏ্āĻĨাāϝ় āϏ্āĻĒāώ্āĻ āϝে āĻিāĻু āĻŽāύে āĻĒāĻĄ়ে āϤাāĻšা āύāϝ়, āĻিāύ্āϤু āϧীāϰে āϧীāϰে āĻĒুāϰাāϤāύ āĻāĻĨা āĻŽāύে āĻĒāĻĄ়িāϞে āϝেāĻŽāύāϤāϰ āĻŽāύেāϰ āĻাāĻŦāĻি āĻšāϝ়, āĻ āύেāĻāĻা āϏেāĻāϰূāĻĒ āĻাāĻŦāĻŽাāϤ্āϰ āĻ āύুāĻāĻŦ āĻāϰা āϝাāϝ়। āϝে-āϏāĻāϞ āϏ্āĻŽৃāϤি āϏ্āĻŦাāϤāύ্āϤ্āϰ্āϝ āĻĒāϰিāĻšাāϰ āĻāϰিāϝ়া āĻāĻাāϰাāϰ āĻšāĻāϝ়াāĻে, āϝাāĻšাāĻĻিāĻāĻে āĻĒৃāĻĨāĻ āĻāϰিāϝ়া āĻিāύিāĻŦাāϰ āĻো āύাāĻ, āĻāĻŽাāĻĻেāϰ āĻšৃāĻĻāϝ়েāϰ āĻেāϤāύāϰাāĻ্āϝেāϰ āĻŦāĻšিāϰ্āĻাāĻে āϝাāĻšাāϰা āĻŦিāϏ্āĻŽৃāϤি-āĻŽāĻšাāϏাāĻāϰāϰূāĻĒে āϏ্āϤāĻŦ্āϧ āĻšāĻāϝ়া āĻļāϝ়āύ āĻāĻে, āϤাāĻšাāϰা āϝেāύ āĻāĻ-āĻāĻ āϏāĻŽāϝ়ে āĻāĻ্āĻāϞ āĻ āϤāϰāĻ্āĻিāϤ āĻšāĻāϝ়া āĻāĻ ে; āϤāĻāύ āĻāĻŽাāĻĻেāϰ āĻেāϤāύāĻšৃāĻĻāϝ় āϏেāĻ āĻŦিāϏ্āĻŽৃāϤি-āϤāϰāĻ্āĻেāϰ āĻāĻাāϤ āĻ āύুāĻāϰ āĻāϰিāϤে āĻĨাāĻে, āϤাāĻšাāĻĻেāϰ āϰāĻšāϏ্āϝāĻŽāϝ় āĻ āĻাāϧ āĻĒ্āϰāĻŦāϞ āĻ āϏ্āϤিāϤ্āĻŦ āĻāĻĒāϞāĻŦ্āϧ āĻšāϝ়, āϏেāĻ āĻŽāĻšা āĻŦিāϏ্āĻŽৃāϤি, āĻ āϤি āĻŦিāĻĒুāϞāϤাāϰ āĻ্āϰāύ্āĻĻāύāϧ্āĻŦāύি āĻļুāύিāϤে āĻĒাāĻāϝ়া āϝাāϝ়।
āĻļāϰā§āĻাāϞেāϰ āϏূāϰ্āϝাāϞোāĻে āĻāĻŽাāϰ āĻāĻāϰূāĻĒ āĻ āĻŦāϏ্āĻĨা āĻšāϝ়। āĻĻুāĻ-āĻāĻāĻা āĻীāĻŦāύেāϰ āĻāĻāύা, āĻĻুāĻ-āĻāĻāĻা āĻ āϤীāϤāĻাāϞেāϰ āĻŽāϧুāϰ āĻļāϰ⧠āĻŽāύে āĻĒāĻĄ়ে, āĻিāύ্āϤু āϏেāĻāϏāĻ্āĻে āϝে-āϏāĻāϞ āĻļāϰā§āĻাāϞ āĻŽāύে āĻĒāĻĄ়ে āύা, āϝে-āϏāĻāϞ āĻāĻāύা āĻুāϞিāϝ়া āĻিāϝ়াāĻি, āϏেāĻāĻুāϞিāĻ āϝেāύ āĻ āϧিāĻ āĻŽāύে āĻĒāĻĄ়ে। āĻŦāĻāϰ āϤিāύ-āĻাāϰেāϰ āĻĒূāϰ্āĻŦে āĻāĻāĻি āĻļāϰā§āĻাāϞ āĻāĻŽি āĻ āύ্āϤāϰেāϰ āϏāĻšিāϤ āĻāĻĒāĻোāĻ āĻāϰিāϝ়াāĻিāϞাāĻŽ। āĻŦāĻĄ়িāϰ āĻĒ্āϰাāύ্āϤে āĻāĻāĻি āĻোāĻ্āĻ āĻāϰে āĻāĻāĻি āĻোāĻ্āĻ āĻĄেāϏ্āĻেāϰ āϏāĻŽ্āĻŽুāĻে āĻŦাāϏ āĻāϰিāϤাāĻŽ। āĻāϰāĻ āĻĻুāĻি-āĻāĻāĻি āĻোāĻ্āĻ āĻāύāύ্āĻĻ āĻāĻŽাāϰ āĻāĻļেāĻĒাāĻļে āĻāύাāĻোāύা āĻāϰিāϤ। āϏে āĻŦā§āϏāϰ āϝেāύ āĻāĻŽাāϰ āϏāĻŽāϏ্āϤ āĻীāĻŦāύ āĻুāĻি āϞāĻāϝ়াāĻিāϞ। āĻāĻŽি āϏেāĻ āĻāϰāĻুāĻুāϰ āĻŽāϧ্āϝে āĻĨাāĻিāϝ়াāĻ āĻāĻāϤে āĻ্āϰāĻŽāĻŖ āĻāϰিāϤাāĻŽ, āĻāĻŦং āĻŦāĻšিāϰ্āĻāĻāϤেāϰ āĻŽāϧ্āϝে āĻĨাāĻিāϝ়াāĻ āĻāϰেāϰ āĻিāϤāϰāĻুāĻুāϰ āĻŽāϧ্āϝে āϝে āϏ্āύেāĻšāĻĒ্āϰেāĻŽেāϰ āĻŦিāύ্āĻĻুāĻুāĻু āĻিāϞ āϤাāĻšা āĻāĻাāύ্āϤ āĻāĻ্āϰāĻšেāϰ āϏāĻšিāϤ āĻāĻĒāĻোāĻ āĻāϰিāϤাāĻŽ। āĻāĻŽি āϝেāύ āĻāĻāĻĒ্āϰāĻাāϰ āĻāϤ্āĻŽāĻŦিāϏ্āĻŽৃāϤি āĻšāĻāϝ়া āĻĢুāĻিāϝ়া āĻāĻ িāϝ়াāĻে; āϤাāĻšাāϰ āĻĒ্āϰāϤ্āϝেāĻ āϏুāĻুāĻŽাāϰ āĻŦāĻ্āĻিāĻŽাāϰ āϞেāĻļāĻুāĻুāϰ āĻŽāϧ্āϝে āĻ āĻĒāϰিāϏীāĻŽ āĻĒ্āϰেāĻŽেāϰ āĻāϤিāĻšাāϏ āϝেāύ āϞিāĻĒিāĻŦāĻĻ্āϧ āĻšāĻāϝ়াāĻে। āϤাāĻšাāϰ āϏāϰ্āĻŦাāĻ্āĻেāϰ āϏুāĻোāĻŽāϞ āϏুāĻোāϞāϤাāϰ āĻŽāϧ্āϝে, āĻŦিāĻļেāώāϤ āϤাāĻšাāϰ āĻŦুāĻেāϰ āĻŽাāĻāĻাāύāĻিāϤে āϝেāĻাāύে āĻাāϰি āĻĻিāĻেāϰ āϰāĻেāϰ āĻোāϰ āĻ āϤি āϧীāϰে āϧীāϰে āύāϰāĻŽ āĻšāĻāϝ়া āĻāĻেāĻŦাāϰে āĻŽোāϞাāϝ়েāĻŽ āϏাāĻĻা āĻšāĻāϝ়া āĻāϏিāϝ়াāĻে- āϝেāύ āĻ āύāύ্āϤāĻাāϞেāϰ āϏāϝāϤ্āύ āϏোāĻšাāĻেāϰ āĻুāĻŽ্āĻŦāύ āϞাāĻিāϝ়া āĻāĻে। āĻ āϤিāĻļāϝ় āĻāĻļ্āĻāϰ্āϝ! āĻāĻāĻি āĻোāĻĒāύ āĻāĻšāϰী āĻাঁāĻĒা āĻāĻāĻি āĻোāĻĒāύ āϏāĻŽ্āĻĒāĻĻ āϤাāĻšাāϰ āĻāϰ āϏāύ্āĻĻেāĻš āύাāĻ। āĻāĻšা āĻেāϞেāĻŽাāύুāώেāϰ āĻ āĻĒāϰিāĻŽāύ āĻšৃāĻĻāϝ়েāϰ āĻŽোāĻšāĻŽাāϤ্āϰ āύāĻšে। āĻāĻāύ āϏে āĻŦিāϏ্āĻŽāϝ়েāϰ āĻāύāύ্āĻĻ āĻāϞিāϝ়া āĻেāĻে। āĻāĻāύ āĻāĻāĻা āĻ āύাāĻĻৃāϤ āĻŦুāύোāϞāϤাāϰ āĻŦেāĻুāύি āĻĢুāϞāĻে āύিāϤাāύ্āϤ āϝā§āĻিāĻ্āĻিā§ āĻŽāύে āĻšāϝ়। āĻĢুāϞ āϤো āĻĢুāĻিāĻŦাāϰāĻ āĻāĻĨা। āĻĢুāĻ āϏুāύ্āĻĻāϰ āĻŦāĻে āĻāĻŦং āĻ āύেāĻ āĻĢুāϞ āĻĻুāϰ্āϞāĻāĻ āĻŦāĻে, āĻিāύ্āϤু āϤাāĻšাāϰ āĻŽāϧ্āϝে āϏেāĻ āύিāĻŦিāĻĄ় āĻŦিāϏ্āĻŽāϝ়েāϰ āϏ্āĻĨাāύ āύাāĻ। āĻিāĻ্āώুāĻেāϰ āϝāĻāύ āĻিāĻ্āώা āĻŦāϰাāĻĻ্āĻĻ āĻšāĻāϝ়া āϝাāϝ়, āϤāĻāύ āϤাāĻšাāϰ āĻāϰ āĻৃāϤāĻ্āĻāϤা āĻāύ্āĻŽে āύা। āĻļিāĻļুāĻাāϞে āĻāĻŽāϰা āĻাāϞো āĻāϰিāϝ়া āĻাāύিāϤাāĻŽ āύা āĻাāϰি āĻĻিāĻেāϰ āĻ āĻ āϏীāĻŽ āϏৌāύ্āĻĻāϰ্āϝ āĻāĻŽাāϤেāϰ āύিāϤ্āϝāϝ়িāĻŽিāϤ āĻŦāϰাāĻĻ্āĻĻ। āĻāύāύী āϝেāĻŽāύ āĻĒ্āϰāϤি āĻ্āώুāĻĻ্āϰ āĻাāĻে āĻ āĻāϏ্āϰ āϏ্āύেāĻšেāϰ āĻĻ্āĻŦাāϰা āĻāĻŽাāĻĻিāĻāĻে āĻ āύুāĻ্āώāĻŖ āĻāĻāύ্āύ āĻāϰিāϝ়া āϰাāĻেāύ, āϤাāĻšাāϰ āĻŽāϧ্āϝে āĻ āύেāĻāĻাāĻ āĻāĻŽাāĻĻেāϰ āĻāĻŦāĻļ্āϝāĻেāϰ āĻ āϤিāϰিāĻ্āϤ, āϤাāĻšাāϰ āĻ āύেāĻāĻা āĻāĻŽাāĻĻেāϰ āύāĻāϰে āĻĒāĻĄ়ে āύা, āϤাāĻšাāϰ āĻ āύেāĻāĻা āĻāĻŽাāϰ āĻ āĻŦāĻšেāϞে āĻ্āϰāĻšāĻŖ āĻāϰি, āĻিāύ্āϤু āĻāĻĻাāϰ āĻŽাāϤৃāϏ্āύেāĻšেāϰ āϤাāĻšাāϤে āĻিāĻুāĻ āĻāϏে āϝাāϝ় āύা-- āĻāĻšাāĻ āϏেāĻāϰূāĻĒ।
āĻāĻļ্āĻŦিāύ āϏāĻĒ্āϤāĻŽীāĻĒূāĻা ā§§ā§Žā§Žā§¯।
Source - Internet
āϰāĻŦীāύ্āĻĻ্āϰāύাāĻĨ āĻ াāĻুāϰ
āĻāĻŦাāϰ āĻļāϰā§āĻাāϞ āĻāϏিāϝ়াāĻে । āĻāĻ āĻļāϰā§āĻাāϞেāϰ āĻŽāϧ্āϝে āĻāĻŽি āĻāĻāĻি āύিāĻŦিāĻĄ় āĻāĻীāϰāϤা, āĻāĻāĻি āύিāϰ্āĻŽāύ āύিāϰāϤিāĻļāϝ় āĻāύāύ্āĻĻ āĻ āύুāĻāĻŦ āĻāϰি। āĻāĻ āĻĒ্āϰāĻĨāĻŽ āĻŦāϰ্āώা āĻ āĻĒāĻāĻŽে āĻĒ্āϰāĻাāϤেāϰ āĻĒ্āϰāĻৃāϤি āĻী āĻ āύুāĻĒāĻŽ āĻĒ্āϰāϏāύ্āύ āĻŽূāϰ্āϤি āϧাāϰāĻŖ āĻāϰে। āϰৌāĻĻ্āϰ āĻĻেāĻিāϞে āĻŽāύে āĻšāϝ় āϝেāύ āĻĒ্āϰāĻৃāϤি āĻী āĻāĻ āύূāϤāύ āĻāϤ্āϤাāĻĒেāϰ āĻĻ্āĻŦাāϰা āϏোāύাāĻে āĻāϞাāĻāϝ়া āĻŦাāώ্āĻĒ āĻāϰিāϝ়া āĻāϤ āϏূāĻ্āώ্āύ āĻāϰিāϝ়া āĻĻিāϝ়াāĻেāύ āϝে, āϏোāύা āĻāϰ āύাāĻ āĻেāĻŦāϞ āϤাāĻšাāϰ āϞাāĻŦāĻŖ্āϝেāϰ āĻĻ্āĻŦাāϰা āĻাāϰি āĻĻিāĻ āĻāĻ্āĻāύ্āύ āĻšāĻāϝ়া āĻিāϝ়াāĻে। āĻŦাāϝ়ু-āĻšিāϞ্āϞোāϞেāϰ āĻŽāϧ্āϝে āĻāĻāĻি āĻিāϰāĻĒāϰিāĻিāϤ āϏ্āĻĒāϰ্āĻļ āĻĒ্āϰāĻŦাāĻšিāϤ āĻšāĻāϤে āĻĨাāĻে, āĻাāĻāĻāϰ্āĻŽ āĻুāϞিāϝ়া āϝাāĻāϤে āĻšāϝ়; āĻŦেāϞা āĻāϞিāϝ়া āϝাāĻāϤেāĻে, āύা āĻŽāύ্āϤ্āϰāĻŽুāĻ্āϧ āĻāϞāϏ্āϝে āĻ āĻিāĻূāϤ āĻšāĻāϝ়া āĻĒāĻĄ়িāϝ়া āĻāĻে, āĻŦুāĻা āϝাāϝ় āύা। āĻļāϰāϤেāϰ āĻĒ্āϰāĻাāϤে āϝেāύ āĻāĻŽাāϰ āĻŦāĻšুāĻাāϞেāϰ āϏ্āĻŽৃāϤি āĻāĻāϤ্āϰে āĻŽিāĻļিāϝ়া āϰূāĻĒাāύ্āϤāϰিāϤ āĻšāĻāϝ়া āϰāĻ্āϤ āĻāĻাāϰে āĻāĻŽাāϰ āĻšৃāĻĻāϝ়েāϰ āĻļিāϰাāϰ āĻŽāϧ্āϝে āϏāĻ্āĻাāϰāĻŽ āĻāϰিāϤে āĻĨাāĻে। āĻāĻŦিāϤাāϰ āĻŽāϧ্āϝে āĻ āύেāĻ āϏāĻŽāϝ়ে āĻāĻāϰূāĻĒ āϏ্āĻŽৃāϤিāĻাāĻāϰেāĻŖāϰ āĻāĻĨা āϞেāĻা āĻšāϝ়, āϏে āĻāĻĨা āϏāĻāϞ āϏāĻŽāϝ়ে āĻ িāĻ āĻŦোāĻা āϝাāϝ় āύা - āĻŽāύে āĻšāϝ় āĻ āĻেāĻা āĻāĻŦিāϤাāϰ āĻ āϞংāĻাāϰ āĻŽাāϤ্āϰ। āĻšৃāĻĻāϝ়েāϰ āĻ িāĻ āĻাāĻŦāĻি āĻাāώাāϝ় āĻĒ্āϰāĻাāĻļ āĻāϰা āĻāĻŽ্āύি āĻāĻ িāύ āĻাāĻ! āĻŦাঁāĻļিāϰ āĻļāĻŦ্āĻĻে, āĻĒূāϰ্āĻŖিāĻŽাāϰ āĻ্āϝোā§āϏ্āύাāϝ়, āĻāĻŦিāϰা āĻŦāϞেāύ, āĻšৃāĻĻāϝ়েāϰ āĻŽāϧ্āϝে āϏ্āĻŽৃāϤি āĻাāĻিāϝ়া āĻāĻ ে। āϤাāĻšাāĻে āϏ্āĻŽৃāϤিāϰ āĻ āĻĒেāĻ্āώা āĻŦিāϏ্āĻŽৃāϤি āĻŦāϞিāϞেāĻ āĻ িāĻ āĻšāϝ়। āĻিāύ্āϤু āϝে āĻŦিāϏ্āĻŽৃāϤি āĻŦāϞিāϞে āĻāĻāĻি āĻ āĻাāĻŦাāϤ্āĻŽāĻ āĻ āĻŦāϏ্āĻĨা āĻŦোāĻাāϝ় āĻ āϤাāĻšা āύāϝ়, āĻ āĻেāĻĒ্āϰāĻাāϰ āĻাāĻŦাāϤ্āĻŽāĻ āĻŦিāϏ্āĻŽৃāϤি। āύāĻšিāϞে "āĻŦিāϏ্āĻŽৃāϤি āĻাāĻিāϝ়া āĻāĻ া' āĻāĻĨাāĻা āĻŦ্āϝāĻŦāĻšাāϰ āĻšāĻāϤেāĻ āĻĒাāϰে āύা। āĻāϰূāĻĒ āĻ āĻŦāϏ্āĻĨাāϝ় āϏ্āĻĒāώ্āĻ āϝে āĻিāĻু āĻŽāύে āĻĒāĻĄ়ে āϤাāĻšা āύāϝ়, āĻিāύ্āϤু āϧীāϰে āϧীāϰে āĻĒুāϰাāϤāύ āĻāĻĨা āĻŽāύে āĻĒāĻĄ়িāϞে āϝেāĻŽāύāϤāϰ āĻŽāύেāϰ āĻাāĻŦāĻি āĻšāϝ়, āĻ āύেāĻāĻা āϏেāĻāϰূāĻĒ āĻাāĻŦāĻŽাāϤ্āϰ āĻ āύুāĻāĻŦ āĻāϰা āϝাāϝ়। āϝে-āϏāĻāϞ āϏ্āĻŽৃāϤি āϏ্āĻŦাāϤāύ্āϤ্āϰ্āϝ āĻĒāϰিāĻšাāϰ āĻāϰিāϝ়া āĻāĻাāϰাāϰ āĻšāĻāϝ়াāĻে, āϝাāĻšাāĻĻিāĻāĻে āĻĒৃāĻĨāĻ āĻāϰিāϝ়া āĻিāύিāĻŦাāϰ āĻো āύাāĻ, āĻāĻŽাāĻĻেāϰ āĻšৃāĻĻāϝ়েāϰ āĻেāϤāύāϰাāĻ্āϝেāϰ āĻŦāĻšিāϰ্āĻাāĻে āϝাāĻšাāϰা āĻŦিāϏ্āĻŽৃāϤি-āĻŽāĻšাāϏাāĻāϰāϰূāĻĒে āϏ্āϤāĻŦ্āϧ āĻšāĻāϝ়া āĻļāϝ়āύ āĻāĻে, āϤাāĻšাāϰা āϝেāύ āĻāĻ-āĻāĻ āϏāĻŽāϝ়ে āĻāĻ্āĻāϞ āĻ āϤāϰāĻ্āĻিāϤ āĻšāĻāϝ়া āĻāĻ ে; āϤāĻāύ āĻāĻŽাāĻĻেāϰ āĻেāϤāύāĻšৃāĻĻāϝ় āϏেāĻ āĻŦিāϏ্āĻŽৃāϤি-āϤāϰāĻ্āĻেāϰ āĻāĻাāϤ āĻ āύুāĻāϰ āĻāϰিāϤে āĻĨাāĻে, āϤাāĻšাāĻĻেāϰ āϰāĻšāϏ্āϝāĻŽāϝ় āĻ āĻাāϧ āĻĒ্āϰāĻŦāϞ āĻ āϏ্āϤিāϤ্āĻŦ āĻāĻĒāϞāĻŦ্āϧ āĻšāϝ়, āϏেāĻ āĻŽāĻšা āĻŦিāϏ্āĻŽৃāϤি, āĻ āϤি āĻŦিāĻĒুāϞāϤাāϰ āĻ্āϰāύ্āĻĻāύāϧ্āĻŦāύি āĻļুāύিāϤে āĻĒাāĻāϝ়া āϝাāϝ়।
āĻļāϰā§āĻাāϞেāϰ āϏূāϰ্āϝাāϞোāĻে āĻāĻŽাāϰ āĻāĻāϰূāĻĒ āĻ āĻŦāϏ্āĻĨা āĻšāϝ়। āĻĻুāĻ-āĻāĻāĻা āĻীāĻŦāύেāϰ āĻāĻāύা, āĻĻুāĻ-āĻāĻāĻা āĻ āϤীāϤāĻাāϞেāϰ āĻŽāϧুāϰ āĻļāϰ⧠āĻŽāύে āĻĒāĻĄ়ে, āĻিāύ্āϤু āϏেāĻāϏāĻ্āĻে āϝে-āϏāĻāϞ āĻļāϰā§āĻাāϞ āĻŽāύে āĻĒāĻĄ়ে āύা, āϝে-āϏāĻāϞ āĻāĻāύা āĻুāϞিāϝ়া āĻিāϝ়াāĻি, āϏেāĻāĻুāϞিāĻ āϝেāύ āĻ āϧিāĻ āĻŽāύে āĻĒāĻĄ়ে। āĻŦāĻāϰ āϤিāύ-āĻাāϰেāϰ āĻĒূāϰ্āĻŦে āĻāĻāĻি āĻļāϰā§āĻাāϞ āĻāĻŽি āĻ āύ্āϤāϰেāϰ āϏāĻšিāϤ āĻāĻĒāĻোāĻ āĻāϰিāϝ়াāĻিāϞাāĻŽ। āĻŦāĻĄ়িāϰ āĻĒ্āϰাāύ্āϤে āĻāĻāĻি āĻোāĻ্āĻ āĻāϰে āĻāĻāĻি āĻোāĻ্āĻ āĻĄেāϏ্āĻেāϰ āϏāĻŽ্āĻŽুāĻে āĻŦাāϏ āĻāϰিāϤাāĻŽ। āĻāϰāĻ āĻĻুāĻি-āĻāĻāĻি āĻোāĻ্āĻ āĻāύāύ্āĻĻ āĻāĻŽাāϰ āĻāĻļেāĻĒাāĻļে āĻāύাāĻোāύা āĻāϰিāϤ। āϏে āĻŦā§āϏāϰ āϝেāύ āĻāĻŽাāϰ āϏāĻŽāϏ্āϤ āĻীāĻŦāύ āĻুāĻি āϞāĻāϝ়াāĻিāϞ। āĻāĻŽি āϏেāĻ āĻāϰāĻুāĻুāϰ āĻŽāϧ্āϝে āĻĨাāĻিāϝ়াāĻ āĻāĻāϤে āĻ্āϰāĻŽāĻŖ āĻāϰিāϤাāĻŽ, āĻāĻŦং āĻŦāĻšিāϰ্āĻāĻāϤেāϰ āĻŽāϧ্āϝে āĻĨাāĻিāϝ়াāĻ āĻāϰেāϰ āĻিāϤāϰāĻুāĻুāϰ āĻŽāϧ্āϝে āϝে āϏ্āύেāĻšāĻĒ্āϰেāĻŽেāϰ āĻŦিāύ্āĻĻুāĻুāĻু āĻিāϞ āϤাāĻšা āĻāĻাāύ্āϤ āĻāĻ্āϰāĻšেāϰ āϏāĻšিāϤ āĻāĻĒāĻোāĻ āĻāϰিāϤাāĻŽ। āĻāĻŽি āϝেāύ āĻāĻāĻĒ্āϰāĻাāϰ āĻāϤ্āĻŽāĻŦিāϏ্āĻŽৃāϤি āĻšāĻāϝ়া āĻĢুāĻিāϝ়া āĻāĻ িāϝ়াāĻে; āϤাāĻšাāϰ āĻĒ্āϰāϤ্āϝেāĻ āϏুāĻুāĻŽাāϰ āĻŦāĻ্āĻিāĻŽাāϰ āϞেāĻļāĻুāĻুāϰ āĻŽāϧ্āϝে āĻ āĻĒāϰিāϏীāĻŽ āĻĒ্āϰেāĻŽেāϰ āĻāϤিāĻšাāϏ āϝেāύ āϞিāĻĒিāĻŦāĻĻ্āϧ āĻšāĻāϝ়াāĻে। āϤাāĻšাāϰ āϏāϰ্āĻŦাāĻ্āĻেāϰ āϏুāĻোāĻŽāϞ āϏুāĻোāϞāϤাāϰ āĻŽāϧ্āϝে, āĻŦিāĻļেāώāϤ āϤাāĻšাāϰ āĻŦুāĻেāϰ āĻŽাāĻāĻাāύāĻিāϤে āϝেāĻাāύে āĻাāϰি āĻĻিāĻেāϰ āϰāĻেāϰ āĻোāϰ āĻ āϤি āϧীāϰে āϧীāϰে āύāϰāĻŽ āĻšāĻāϝ়া āĻāĻেāĻŦাāϰে āĻŽোāϞাāϝ়েāĻŽ āϏাāĻĻা āĻšāĻāϝ়া āĻāϏিāϝ়াāĻে- āϝেāύ āĻ āύāύ্āϤāĻাāϞেāϰ āϏāϝāϤ্āύ āϏোāĻšাāĻেāϰ āĻুāĻŽ্āĻŦāύ āϞাāĻিāϝ়া āĻāĻে। āĻ āϤিāĻļāϝ় āĻāĻļ্āĻāϰ্āϝ! āĻāĻāĻি āĻোāĻĒāύ āĻāĻšāϰী āĻাঁāĻĒা āĻāĻāĻি āĻোāĻĒāύ āϏāĻŽ্āĻĒāĻĻ āϤাāĻšাāϰ āĻāϰ āϏāύ্āĻĻেāĻš āύাāĻ। āĻāĻšা āĻেāϞেāĻŽাāύুāώেāϰ āĻ āĻĒāϰিāĻŽāύ āĻšৃāĻĻāϝ়েāϰ āĻŽোāĻšāĻŽাāϤ্āϰ āύāĻšে। āĻāĻāύ āϏে āĻŦিāϏ্āĻŽāϝ়েāϰ āĻāύāύ্āĻĻ āĻāϞিāϝ়া āĻেāĻে। āĻāĻāύ āĻāĻāĻা āĻ āύাāĻĻৃāϤ āĻŦুāύোāϞāϤাāϰ āĻŦেāĻুāύি āĻĢুāϞāĻে āύিāϤাāύ্āϤ āϝā§āĻিāĻ্āĻিā§ āĻŽāύে āĻšāϝ়। āĻĢুāϞ āϤো āĻĢুāĻিāĻŦাāϰāĻ āĻāĻĨা। āĻĢুāĻ āϏুāύ্āĻĻāϰ āĻŦāĻে āĻāĻŦং āĻ āύেāĻ āĻĢুāϞ āĻĻুāϰ্āϞāĻāĻ āĻŦāĻে, āĻিāύ্āϤু āϤাāĻšাāϰ āĻŽāϧ্āϝে āϏেāĻ āύিāĻŦিāĻĄ় āĻŦিāϏ্āĻŽāϝ়েāϰ āϏ্āĻĨাāύ āύাāĻ। āĻিāĻ্āώুāĻেāϰ āϝāĻāύ āĻিāĻ্āώা āĻŦāϰাāĻĻ্āĻĻ āĻšāĻāϝ়া āϝাāϝ়, āϤāĻāύ āϤাāĻšাāϰ āĻāϰ āĻৃāϤāĻ্āĻāϤা āĻāύ্āĻŽে āύা। āĻļিāĻļুāĻাāϞে āĻāĻŽāϰা āĻাāϞো āĻāϰিāϝ়া āĻাāύিāϤাāĻŽ āύা āĻাāϰি āĻĻিāĻেāϰ āĻ āĻ āϏীāĻŽ āϏৌāύ্āĻĻāϰ্āϝ āĻāĻŽাāϤেāϰ āύিāϤ্āϝāϝ়িāĻŽিāϤ āĻŦāϰাāĻĻ্āĻĻ। āĻāύāύী āϝেāĻŽāύ āĻĒ্āϰāϤি āĻ্āώুāĻĻ্āϰ āĻাāĻে āĻ āĻāϏ্āϰ āϏ্āύেāĻšেāϰ āĻĻ্āĻŦাāϰা āĻāĻŽাāĻĻিāĻāĻে āĻ āύুāĻ্āώāĻŖ āĻāĻāύ্āύ āĻāϰিāϝ়া āϰাāĻেāύ, āϤাāĻšাāϰ āĻŽāϧ্āϝে āĻ āύেāĻāĻাāĻ āĻāĻŽাāĻĻেāϰ āĻāĻŦāĻļ্āϝāĻেāϰ āĻ āϤিāϰিāĻ্āϤ, āϤাāĻšাāϰ āĻ āύেāĻāĻা āĻāĻŽাāĻĻেāϰ āύāĻāϰে āĻĒāĻĄ়ে āύা, āϤাāĻšাāϰ āĻ āύেāĻāĻা āĻāĻŽাāϰ āĻ āĻŦāĻšেāϞে āĻ্āϰāĻšāĻŖ āĻāϰি, āĻিāύ্āϤু āĻāĻĻাāϰ āĻŽাāϤৃāϏ্āύেāĻšেāϰ āϤাāĻšাāϤে āĻিāĻুāĻ āĻāϏে āϝাāϝ় āύা-- āĻāĻšাāĻ āϏেāĻāϰূāĻĒ।
āĻāĻļ্āĻŦিāύ āϏāĻĒ্āϤāĻŽীāĻĒূāĻা ā§§ā§Žā§Žā§¯।
Source - Internet
Bengali Story edited by Victor ghoshe
āĻšাāϰিā§ে āϝাāĻā§া āĻāϞ্āĻĒāĻাāĻা / āĻŦাāĻ্āĻাāϞীāϰ āĻšাāϏিāϰ āĻāϞ্āĻĒ।
āĻšাāĻে āĻāĻāĻি āĻĒ্āϰāĻাāĻŖ্āĻĄ āĻŦোā§াāϞ āĻŽাāĻ āĻāĻ িā§াāĻে। āĻāĻ āĻĢāĻীāϰ āĻাāĻŦিāϞ, āĻāĻ āĻŦোā§াāϞ āĻŽাāĻāĻাāϰ āĻĒেāĻি āĻĻিā§া āϝāĻĻি āĻাāϰāĻি āĻাāϤ āĻাāĻāϤে āĻĒাāϰিāϤাāĻŽ! āϏে āĻŽাāĻেāϰ āĻĻোāĻাāύেāϰ āĻাāĻে āĻĻাঁā§াāĻā§া āϰāĻšিāϞ। āĻāĻāĻāύ āĻাāώী āĻāϏিā§া āĻŽাāĻāĻি āĻিāύিā§া āϞāĻāϞ। āĻŽুāϏাāĻĢিāϰ āϤাāĻšাāϰ āĻĒিāĻে āĻĒিāĻে āϝাāĻāϤে āϞাāĻিāϞ। āϞোāĻāĻি āϝāĻāύ āĻŦাā§িāϰ āϧাāϰে āĻāϏিā§াāĻে āϤāĻāύ āĻŽুāϏাāĻĢিāϰ āϤাāĻšাāϰ āύিāĻāĻে āϝাāĻā§া āĻŦāϞিāϞ, ‘āϏাāĻšেāĻŦ! āĻāĻŽি āĻŽুāϏাāĻĢিāϰ āϞোāĻ। āĻিāĻ্āώা āĻāϰিā§া āĻাāĻ। āĻোāύোāĻĻিāύ āĻাāϞো āĻাāĻā§া āĻšā§ āύা। āĻāĻ āĻšাāĻে āϝাāĻā§া āϝāĻāύ āĻ āĻŦā§ āĻŽাāĻāĻি āĻĻেāĻিāϞাāĻŽ, āĻŽāύে āĻŦā§ āĻāĻ্āĻা āĻšāĻāϞ āĻāĻ āĻŽাāĻāĻিāϰ āĻĒেāĻি āĻĻিā§া āϝāĻĻি āĻাāϰāĻি āĻাāϤ āĻাāĻāϤে āĻĒাāϰিāϤাāĻŽ! āϤাāĻ āĻāĻĒāύাāϰ āĻĒিāĻে āĻĒিāĻে āĻāϏিā§াāĻি। āĻĻā§া āĻāϰিā§া āϝāĻĻি āĻāĻŽাāϰ āĻŽāύেāϰ āĻāĻ্āĻা āĻĒূāϰāĻŖ āĻāϰেāύ āĻŦā§āĻ āϏুāĻী āĻšāĻāĻŦ।’
āϞোāĻāĻি āĻŦā§āĻ āĻĻā§াāϞু। āϏে āĻুāĻŦ āĻāĻĻāϰ āĻāϰিā§া āĻŽুāϏাāĻĢিāϰāĻে āĻāύিā§া āĻŦৈāĻ āĻāĻাāύাā§ āĻŦāϏাāĻāϞ। āϤাāϰāĻĒāϰ āĻŽাāĻāĻি āĻিāϤāϰে āϞāĻā§া āĻিā§া āϤাāĻšাāϰ āĻŦāĻāĻে āĻŽুāϏাāĻĢিāϰেāϰ āϏāĻŽāϏ্āϤ āĻāĻāύা āĻŦāϞিā§া āĻšুāĻুāĻŽ āĻāϰিāϞ, ‘āĻāĻ āĻŽাāĻāĻিāϰ āĻĒেāĻি āĻŦেāĻļ āĻĒুāϰু āĻāϰিā§া āĻাāĻিāĻŦে। āĻĒেāĻিāĻাāύা āĻŽুāϏাāĻĢিāϰāĻে āĻĻিāϤে āĻšāĻāĻŦে।’
āĻāĻŽāύ āϏāĻŽā§ āϞোāĻāĻিāϰ āĻāĻāĻি āĻāϰু āĻুāĻিā§া āĻেāϞ। āϏে āϤাā§াāϤাā§ি āĻāϰুāĻিāϰ āĻĒিāĻে āĻĒিāĻে āĻĻৌā§াāĻāϞ।
āĻŽাāĻ āĻুāĻিāϤে āĻুāĻিāϤে āĻাāώীāϰ āĻŦāĻ āĻাāĻŦিāϞ, ‘āĻŦাā§িāϤে āĻাāϞো āĻিāĻু āĻাāĻŦাāϰ āĻĒাāĻ āĻāϰিāϞে āĻāĻŽাāϰ āϏ্āĻŦাāĻŽী āĻāĻŽāύি āĻāϰিā§া āĻŽুāϏাāĻĢিāϰ āϞāĻā§া āĻāϏে। āĻŽুāϰāĻীāϰ āϰাāύāĻা, āĻŽাāĻেāϰ āĻĒেāĻিāĻা āϏāĻŦ āϏāĻŽā§āĻ āĻŽুāϏাāĻĢিāϰāĻĻেāϰ āĻĻিā§া āĻাāĻā§াā§। āĻāĻ āĻŦā§ āĻŽাāĻেāϰ āĻĒেāĻিāĻাāύাāĻ āĻŽুāϏাāĻĢিāϰāĻে āĻাāĻā§াāĻāĻŦে। āϝেāĻŽāύ āĻāϰিā§াāĻ āĻšোāĻ āĻŽুāϏাāĻĢিāϰāĻে āĻāĻ āϤাā§াāĻāĻŦ।’
āĻāĻ āĻāĻĨা āĻাāĻŦিā§া āĻŦāĻāĻি āĻাāϞি āĻĒাāĻাāϰ āĻāĻĒāϰ āĻĒুāϤাāĻাāύা āĻāώিāϤে āĻāϰāĻŽ্āĻ āĻāϰিāϞ āĻāϰ āϏুāϰ āĻāϰিā§া āĻাঁāĻĻিāϤে āϞাāĻিāϞ।
āĻ āύেāĻāĻ্āώāĻŖ āĻাāύ্āύা āĻļুāύিā§া āĻŽুāϏাāĻĢিāϰ āĻাāĻŦিāϞ, āύা āĻাāύি āĻŦāĻāĻিāϰ āĻি āĻšāĻā§াāĻে। āϏে āĻŦাā§িāϰ āĻিāϤāϰ āĻāϏিā§া āĻিāĻ্āĻাāϏা āĻāϰিāϞ, ‘āĻŽা āĻāύāύী! āϤুāĻŽি āĻাঁāĻĻিāϤেāĻ āĻেāύ? āϤোāĻŽাāϰ āĻি āĻšāĻā§াāĻে?’
āĻŦāĻāĻি āĻŦāϞিāϞ, ‘āĻŦাāĻŦাāϰে! āϏে āĻāĻĨা āϤোāĻŽাāĻে āĻŦāϞিāĻŦাāϰ āύā§। āĻāĻŽাāϰ āϏ্āĻŦাāĻŽী āĻŽাāύা āĻāϰিā§াāĻেāύ।’
āĻŽুāϏাāĻĢিāϰ āĻŦāϞিāϞ, ‘āĻŽা! āĻāĻŽি āϤোāĻŽাāϰ āĻেāϞে। āĻāĻŽাāϰ āĻাāĻে āĻোāύো āĻāĻĨা āĻোāĻĒāύ āĻāϰিāĻ āύা।’
āĻŦāĻāĻি āϤāĻāύ āĻāϧেāĻ āĻাঁāĻĻিā§া āĻāϧেāĻ āĻাঁāĻĻিāĻŦাāϰ āĻাāύ āĻāϰিā§া āĻŦāϞিāϞ, ‘āĻāĻŽাāϰ āϏ্āĻŦাāĻŽী āĻŦাā§িāϰ āĻিāϤāϰে āĻāϏিā§া āĻāĻŽাāĻে āĻŦāϞিāϞ, āĻāĻ āĻŽুāϏাāĻĢিāϰ āĻŦā§āĻ āϞোāĻী। āĻāĻŽাāĻĻেāϰ āĻĒুāϤাāĻাāύা āĻĒাāĻাā§ āϧাāϰ āĻĻিā§া āĻোāĻা āĻāϰিā§া āϰাāĻ। āĻŽুāϏাāĻĢিāϰেāϰ āĻāϞাāϰ āĻিāϤāϰ āĻĻিā§া āĻĸুāĻাāĻā§া āĻĻিāĻŦ। āϝাāĻšাāϤে āϏে āĻāϰ āĻাāĻšাāϰāĻ āĻŽাāĻ āĻĻেāĻিā§া āϞোāĻ āĻāϰিāϤে āύা āĻĒাāϰে। āϤাāĻ āĻāĻŽি āĻাঁāĻĻিāϤেāĻি। āĻšাā§! āĻšাā§! āĻāĻŽাāϰ āϏ্āĻŦাāĻŽী āĻāĻ āĻŽোāĻা āĻĒুāϤা āϤোāĻŽাāϰ āĻāϞাāϰ āĻিāϤāϰে āĻĸুāĻাāĻāϞে āύিāĻļ্āĻā§ āϤুāĻŽি āĻŽāϰিā§া āϝাāĻāĻŦে, āϤাāĻ āĻāĻŽি āĻাঁāĻĻিāϤেāĻি। āĻিāύ্āϤু āϏ্āĻŦাāĻŽীāϰ āĻšুāĻুāĻŽ āϤো āĻāĻŽাāĻে āĻŽাāύিāϤেāĻ āĻšāĻāĻŦে।’
āĻļুāύিā§া āĻŽুāϏাāĻĢিāϰেāϰ āϤো āĻāĻ্āώুāϏ্āĻĨিāϰ। āϏে āĻŦāϞিāϞ, ‘āĻŽা āĻāύāύী! āϤুāĻŽি āĻāĻāĻু āĻāϏ্āϤে āĻāϏ্āϤে āĻĒুāϤা āĻāώ। āĻāĻŽি āĻāĻāύāĻ āĻāϞিā§া āϝাāĻāϤেāĻি।’ āĻāĻ āĻŦāϞিā§া āĻŽুāϏাāĻĢিāϰ āϤাā§াāϤাā§ি āϞাāĻ ি-āĻŦোঁāĻāĻা āϞāĻā§া āĻĻে āĻāĻŽ্āĻĒāĻ। āĻāĻŽāύ āϏāĻŽā§ āĻŦাā§িāϰ āĻāϰ্āϤা āĻĢিāϰিā§া āĻāϏিā§া āĻĻেāĻে āĻাāĻাāϰি āĻāϰে āĻŽুāϏাāĻĢিāϰ āύাāĻ। āĻŦāĻāĻে āĻিāĻ্āĻাāϏা āĻāϰিāϞ, ‘āĻŽুāϏাāĻĢিāϰ āĻāϞিā§া āĻেāϞ āĻেāύ?’
āĻŦāĻ āύāĻĨ āύাā§িāϤে āύাā§িāϤে āĻŦāϞিāϞ, ‘āϤুāĻŽি āĻŦাā§ি āĻšāĻāϤে āĻāϞিā§া āĻেāϞে āĻŽুāϏাāĻĢিāϰ āĻŦāϞে āĻি, ‘āϤোāĻŽাāĻĻেāϰ āĻĒুāϤাāĻা āĻāĻŽাāĻে āĻĻাāĻ।’ āĻĻেāĻ āϤো, āĻāĻŽাāĻĻেāϰ āĻāĻāĻা āĻŽাāϤ্āϰ āĻĒুāϤা। āϤা āĻŽুāϏাāĻĢিāϰāĻে āĻĻেāĻ āĻেāĻŽāύ āĻāϰিā§া? āĻĒুāϤা āĻĻেāĻ āύাāĻ āĻŦāϞিā§া āĻŽুāϏাāĻĢিāϰ āϰাāĻিā§া āĻāϞিā§া āĻেāϞ।’ āϏ্āĻŦাāĻŽী āĻŦāϞিāϞ, ‘āϏাāĻŽাāύ্āϝ āĻĒুāϤাāĻা āĻĻিāϞেāĻ āĻĒাāϰিāϤে। āĻāĻŽি āύা āĻšā§ āĻŦাāĻাāϰ āĻšāĻāϤে āĻāϰ āĻāĻāĻি āĻĒুāϤা āĻিāύিā§া āĻāύিāϤাāĻŽ। āĻļিāĻ্āĻীāϰ āĻĒুāϤাāĻা āĻāĻŽাāĻে āĻĻাāĻ, āĻāϰ āĻŽুāϏাāĻĢিāϰ āĻোāύ্ āĻĻিāĻে āĻিā§াāĻে āĻŦāϞ!’
āĻŦāĻ āĻĒুāϤাāĻি āϏ্āĻŦাāĻŽীāϰ āĻšাāϤে āĻĻিā§া āĻŦāϞিāϞ, ‘āĻŽুāϏাāĻĢিāϰ āĻāĻ āĻĻিāĻ āĻĻিā§া āĻিā§াāĻে।’ āĻĒুāϤাāĻি āĻšাāϤে āϞāĻā§া āϏে āϏেāĻ āĻĻিāĻে āĻĻৌā§াāĻā§া āĻāϞিāϞ। āĻাāύিāĻ āϝাāĻā§া āĻĻেāĻিāϞ, āĻŽুāϏাāĻĢিāϰ āĻ āύেāĻ āĻĻূāϰ āĻšāύ্ āĻšāύ্ āĻāϰিā§া āĻāϞিā§াāĻে। āϏে āĻĄাāĻিā§া āĻŦāϞিāϤে āϞাāĻিāϞ, ‘āĻ āĻŽুāϏাāĻĢিāϰ, āĻĻাঁā§াāĻ—āĻĻাঁā§াāĻ—āĻĒুāϤা āϞāĻā§া āϝাāĻ।’ āĻļুāύিā§া āĻŽুāϏাāĻĢিāϰ āĻāĻ িā§া āĻĒā§িā§া āĻĻৌā§। āĻাāώী āϝāϤāĻ āĻোāϰে āĻোāϰে āĻŦāϞে, ‘āĻ āĻŽুāϏাāĻĢিāϰ! āĻĒুāϤা āϞāĻā§া āϝাāĻ!—āĻĒুāϤা āϞāĻā§া āϝাāĻ! āĻŽুāϏাāĻĢিāϰ āĻāϰāĻ āĻোāϰে āĻোāϰে āĻĻৌā§াā§। āϏে āĻাāĻŦে āϏāϤ্āϝāĻ āĻাāώী āϤাāĻšাāϰ āĻāϞাā§ āĻĒুāϤা āĻĸুāĻাāĻāϤে āĻāϏিāϤেāĻে। āĻŦোঁāĻāĻা-āĻŦুঁāĻāĻি āĻŦāĻāϞে āĻĢেāϞিā§া āϏে āĻŽāϰিā§া āĻšāĻā§া āĻĻৌā§াā§।
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āĻĒāϞ্āϞীāĻāĻŦি āĻāϏীāĻŽুāĻĻ্āĻĻিāύেāϰ āϞেāĻা āĻŦাāĻ্āĻাāϞীāϰ āĻšাāϏিāϰ āĻāϞ্āĻĒ āĻāĻŽাāĻĻেāϰ āϏাāĻšিāϤ্āϝেāϰ āĻ āĻŽূāϞ্āϝ āϏāĻŽ্āĻŽāĻĻ। āĻিāύ্āϤু āϏেāĻ āĻ āĻŽূāϞ্āϝ āĻাāĻাāύা āĻāĻāύ āĻāϰ āĻুঁāĻে āĻĒাāĻā§া āϝাā§āύা। āĻŦাংāϞা āĻāĻাāĻĄেāĻŽি āĻেāύো āϝে āĻāĻুāϞো āĻĒুāύঃāĻŽুāĻĻ্āϰāύ āĻāϰāĻেāύ āύা āϤা āĻŦোāϧāĻāĻŽ্āϝ āύā§। āϏেāĻ āĻšাāϏিāϰ āϏিāύ্āĻĻুāĻ āĻĨেāĻে āĻāĻāĻি āĻāϞ্āĻĒ āĻāĻĒāύাāĻĻেāϰ āϏাāĻŽāύে āϤুāϞে āϧāϰāϞাāĻŽ।
Source: Internet
Monday, July 30, 2012
Rare Paintings of India
The Shore Temple, Mahabalipuram - 1825
Watercolour of the Shore Temple in Mahabalipuram, Tamil Nadu, by John Gantz, c. 1825. Inscribed: 'N W View of two ancient Temples by the Seaside. Mahabilipoorum. J. Gantz'.
John Gantz and his son Justinian ran a lithographic press, but are remembered best for their watercolours of flat-top houses and public buildings in and around Chennai (Madras), dating to the first half of the 19th century. Though not British-born, they both lived and died in India, in the service of the East India Company. Mamallapuram, a tiny village south of Chennai, was a flourishing port of the Pallava dynasty from the 5th - 8th centuries. The site is famous for a group of temples, a series of rock-cut caves and some monolithic sculptures created in the 7th century. This view shows the Shore Temple, built in the late 7th century by Rajasimha and is orientated east, towards the ocean. The temple consists of two spires; one contains a shrine for Vishnu and one for Shiva.
Copyright © The British Library Board
SHONKU AND THE GOLDEN CHANCE by Satyajit Ray, Translated by Victor Ghoshe
Part 1
24 the June
Today is the 'Midsummer Day'; I am sitting beside the 'Stonehenge' on the English Salisbury plain and writing my diary.
Stonehenge was build four thousand years back, exactly when the 'Bronze Age' was about to start in this part of the earth. Man had just learnt - how to use metal and was advancing very fast towards the new age civilizations.
Historically Egyptians, Indians, Mesopotamians, Persians walked on the path of civilization far before Europeans. But then again, I really don’t understand - how could one call those people uncivilized, who had built the Stonehenge four thousand years ago.
Huge stone pillars; brought from far away places; made to stand side by side; one pillar kept horizontally on every two consecutive pillars. Going side by side these ‘door like’ structures created a huge circle.
Even a couple of years back people used to think, that Stonehenge was a religious ceremony centre of a tribe called 'The Kelts'. But very recently archeologists have discovered that this was actually an observatory and if that is true, this is surely one of the oldest observatories of the world. Scientists have discovered a relation between these stone pillars and the movement of the sun, which becomes very clear especially on this day -the 'Midsummer Day'.
It's so amazing that without the help of the modern technology, how was it possible for those people to position these pillars so accurately.
Anyway my friend Krole has a different view- he believes ancient people knew some chemical formulae, which could temporarily reduce the weight of stones. And for that reason — building a ‘Pyramid’ or a Stonehenge was much easier in those days than now.
Willhelm Krole had always believed in the supernatural powers of ancient people. He had researched majorly on ancient magic, rituals, spiritualism, and witchcraft. He accompanied me in Tibet for our ‘Unicorn expedition’. a little far on my right, sitting on the grass, Krole is playing a flute. This unique flute is made of a human leg-bone, which he collected from a Tibetan monastery. And we could never imagine that such great German folk tune could be played with this weird instrument.
The other person who accompanied me in my Tibet expedition is now sitting on my left and enjoying a cup of not-so-hot coffee. He is none other than my dear friend - Geologist Jeremy Saunders. Few days' back Saunders invited me to come to London. And Krole and me are now staying with him at his house in Hampstead. We have a plan to stay here for another seven days.
This year summer is truly great here — no rainfall; no drizzle - clear blue sky. Only bright sunrays are dripping through white clouds and spreading energy. Let me stop writing as Krole has stopped playing his flute. Its time - we need to go to a famous auction house in London with him now. He has got this information that a Thirteen-century Spanish manuscript of Alchemy is on auction there. Krole believes that he would get it for a throw away price, as no one takes interest in Alchemy now-a-days. Making gold in the laboratories is though an expensive affair but not impossible in this atomic age.
24 the June 10.30 pm
Peculiar experience in the auctions.
Our 'happy-go-lucky' Bavarian friend Krole is generally a quit guy, we never saw him getting excited, but today he went mad in the auctions. The manuscript - which he thought he would get for fifty pounds, finally cost him one thousand five hundred pounds; which is about twenty five thousand Indian Rupees. And it happened only because of one person; who was bidding hysterically to compete Krole; in the process he pushed the price of this bundle of old parchment paper to this height. It was easy to make out that he was an American from his dress and from the way he was talking. When finally Krole won, we could realize that he was disgusted, as he displayed a major frown on his forehead all the time.
Krole has got submerged in the manuscript since we came back from the auction house. Though the papers were very old but the handwriting was very clear and very easy to read. And of course, Krole knew Spanish very well.
As far as my knowledge is concerned, I know that, in the thirteenth century there was quite a stir in Spain about Alchemy. This was very much influenced by the Arabs; who made it popular in most of the European territories.
Gold is the king of all metals. It looks beautiful and it is also everlasting. Even in our 'Puranas' gold often stood for the sun and silver for moon. Through the centuries there were certain groups who kept on experimenting relentlessly to make gold from the cheaper metals like lead, copper etcetera. These were the people who were called the Alchemists.
In their methods they used to mix 'Mantra-s' and ‘Chanting’ with the scientific processes and for that reason, mainstream scientists never acknowledged them as scientists. Even in our country, people had practiced Alchemy. I know this well because I have an ancient Sanskrit manuscript called 'Dhanadaprakarantantrasara'. Surprisingly this manuscript furnishes many ways of making gold from cheaper metals, most of them mention a long list of ingredients and write about mixing them and heat them on fire. When this is done there are five to ten procedures to follow — upto this level it could have been fine, but after this when the manuscript mentioned that one has to chant a specific mantra for ten thousand times — it became too much for me. And probably that's the reason for which I had never tried Alchemy in my entire career.
But that really doesn't matter whether I have tried it or not — history had mentioned ‘Alchemists’ in almost every century. In Europe there were kings who had hired Alchemists and paid for their laboratories and all other expenses. With the hope that when they would need money those alchemists would make gold and help them with finances. But of course there is no such report available that someone actually did so.
Anyway, the point is — Krole strongly believes in Alchemy, otherwise he would not have spent so much money for the manuscript. When he was bidding, Saunders told me, “Krole believes - the gold he would make, would take care of all these expenses. And if we do not make much fun of him there are chances that we also get our shares."
25th June
Even in London I regularly go for my morning walks at 5 am sharp, as I do in Giridih, my hometown.
In London, during the summers, at 5 am there is a good amount of morning light. But the Englishmen do not get up early, so all the places are mostly empty around this time, especially my favorite walking place — Hampstead Heath. This ocean- like wavy Greenfield highly energizes me, if I walk there for an hour. When I come back Saunders is generally ready with the coffee. Krole gets up a little late — at 9 am, because he reads till late night.
Today I was surprised to see Krole walking in the drawing room anxiously; he had already made his coffee and sipping it in-between his brisk steps.
The moment he saw me, he stopped; stared at me for some time and asked “you are a Scorpio, right?” I said, “Yes”
Before your hair turned gray, were they black?
Yes again.
Do you have garlic in your food?
Yes…. sometimes!
Great!!! That says you got to be there, as Saunders is a Leo and I am a Taurian, his hair colour is pale, mine is golden and none of us eat garlic.
“What do you mean! is this a riddle?” I asked
“No riddle my dear friend, Manuel Savedra had mentioned in his manuscript that “to make gold in a laboratory, at least one human being who has all these three virtues has to be present during the experiment- so my dear Shonku you are in.”
“IN? Where? Is it going to happen here? In Hampstead? In this drawing room? WHERE?"
I was truly perplexed and was thinking whether Krole should be taken seriously or not.
Krole pointed his finger firmly towards the world atlas on the wall and said, 'four degree west by thirty seven point two degree north.'
I did not have to look at the map to say 'It's Spain I believe — Granada.'
'Right you are', said Krole, but to name the actual place you have to look at the map.
I stepped towards the wall; the place where my finger reached after calculating the latitude and longitude had 'Montefrio' written on it. Krole said Manuel Savedra — the writer of this manuscript used to live in Montefrio.
'Have you gone mad Krole?' I couldn't help saying— 'Do you believe that the seven hundred years old house still stands there? And above all if the manuscript has the procedure described, then we can do it in any laboratory, why do we need to go to Spain for that?
Krole was quite annoyed when he heard that. He put down his coffee mug on the table with a 'bang' and said - Shonku, you must know, that this is not an average scientific experiment, had it been somewhat like that, then it wouldn't have been important whether you eat garlic or not, whether the colour of your hair was black or not. Here in this kind of experiment - ‘time’, ‘geographical location’, even ‘physical and behavioral pattern’ of the researchers play important roles.
Believe me, these are all serious matters and for god's sake please do not underestimate these things. And what makes you think that seven hundred years old house would not exist! haven't you seen those pre-renaissance European castles? They are still standing tall in many places. Krole went on with his long lecture '… according to the manuscript, Savedra was from a very high-class family and the description of his residence suggests that it was a huge castle. Some part of it could be broken, but I am sure we will find at least one room in the whole castle, which can be used as our laboratory. And of course if people are staying there in the castle then we will have to negotiate with them. But I believe that, anything and everything is possible in this world — you only need to pay the price and Alchemy is……..
“What is it; which makes you people start an arguement so early in the morning"?
Saunders entered. Krole was so excited; he repeated our entire conversation to Saunders and ended with - “if we could go to Tibet in search of an imaginary animal, then why can't we go to Spain which is just a two hours plane journey from here and where there is a chance for us to create artificial gold?
Saunders did not argue — possibly because Krole was so excited. He said 'I do not mind going to Spain and I believe Shonku also doesn't mind, but may we know what are the equipments and ingredients your experiment require other than shonku in person.
'Time is more important than the ingredients. Savedra has suggested that one can start the experiment at 12pm, on any day within seven days before or after the Midsummer Day — because only in those few days the sun is strongest on the earth.
The ingredients are also easily available. Mercury and lead has always been mentioned in Alchemy all over the world they are mentioned by Savedra as well, apart from those — water, sulphur, table salt and quite a number of roots, leafs & barks of some specific plants.
The tools should all be earthen or made of glass. This is also a very common thing in Alchemy, other than these, we need a burner, an old 'air pump of a blacksmith’ and a water tank on the floor.
Water tank? Why? Asked Saunders.
To save rain water in that, but this is something new, I have never read this in any other Alchemy book, replied Krole.
Has he mentioned 'touchstone' I asked.
The concept of a touchstone is very popular in every part of the world. Some of the books of Alchemy, which I read, primarily focusses on making a touchstone and after that by the touch of that stone one can turn other metals into gold.
Krole said 'No! Savedra has not mentioned touchstone. The ingredients will react chemically and form a semi-solid stuff. That has to be purified in the rainwater and the liquid which comes out finally works as the catalyst. That means when other materials are brought in contact to that liquid they turn into gold.
Did Savedra succeed?' Saunders asked with sarcasm.
There was silence for some time and then Krole said in a grave voice “the manuscript is actually a diary and not written in a textbook format. The way his experiments proceeded his language became more and more poetic. Though he didn't write anything like 'today I made gold’ but towards the end he wrote — Krole picked up the manuscript from the top of the grand piano and read out loud “today I not only feel like the best magician or the like the best scientist of this world but I feel like - I am the best artist on this earth — who has a divine talent — and who can immortalize any creation of this universe….' Now you are free to interpret this.
Saunders and I looked at each other. Silence prevailed for some time again; I could understand that some of Krole's excitements had automatically been injected into Saunders' veins exactly the way it was happening to me. Saunders asked 'does any ritual or any chanting required in this process? And the way he asked the question, I could pretty well understood that he was trying to hide his excitement from us.
Krole took a long drag from his pipe; puffed out and said— 'a planchet has to be performed, prior to the commencement of our experiment.
'Planchet?' But whose spirit to call?
'The world famous alchemist Zabir-Ibn-Hayan's, you must have heard of this 10th century genius. It's just a normal blessing seeking process and as I am there, it wouldn't be problem at all.
We knew that Krole heads a planchet institution in Munich.
'And we need him.' Said Krole staring at the door. Following his line of vision we found Mustafa — the huge Persian cat of Saunders.
-'He means?' Saunders shouted loudly. I know Saunders is quite sensitive about cats, somewhat like me. Three years back when he came to my house in Giridih he tied a nice ribbon around my cat Newton's neck, as a gesture of his affection.
Krole said Savedra has strongly mentioned that a cat's presence in the laboratory is very important and always been very helpful for experiments. If not a cat, the second choice is an owl. But when we have a cat then why should we go for the second option?
Saunders or me, none of us promised Krole about the Spain trip, though Krole mentioned repeatedly that if this Midsummer Day passes by, then we have to wait for another year.
After the breakfast we three went to a fair in Hampstead Heath. This is an annual affair- it happens during the summers every year. Rows of stalls, gambling joints, merry-go-rounds, a large number of kids and a mixed crowd of all ages. We walked through all these and reached at a relatively open space where there was a very well-decorated caravan-like car which had -'Come and have your future told by Madame Reneta' written on it.
Madame herself was sitting inside the car and looking through the curtained window, she smiled and wished us good morning.
Gypsy fortunetellers like this are very common in this country — especially in the fairs. Krole immediately decided to visit her to see what was there in our fate. All three of us entered the caravan, as krole was quite hell-bent to know our future. Madame Reneta - a well built lady, was sitting in her well-decorated room and waiting for clients with her minimum equipments - one round shaped table, a vase holding a single red rose and a crystal ball. Generally what happens — these fortunetellers stare at their crystal balls and see their client's future events in the ball.
Krole did not waste time and said, 'Madame, could you please tell us whether anything remarkable is going to happen in our lives. We three are friends and are going to start a very important project soon.
Reneta put both her elbows on the table and concentrated on the crystal ball. We three were sitting around the table, on three chairs. The sound of 'Merry-go-round, giggles of kids, loud voices of the vendors were coming through the window. Krole was so excited he moved closer towards the ball.
'I see the sun rising ' Madame Reneta whispered in a very thick, husky voice. Krole suddenly stopped breathing - I am sure he was translating 'sun' into 'gold'.
'I see the sun rising for you,' Madame Reneta uttered again. 'And'....She stopped. My heart started beating faster. Situations like this transform elderly people to kids.
'And what?' Krole asked anxiously. He could not be patient any more. But Madame Reneta was indifferent; she covered the ball with her two hands from two sides possibly to have a clearer view of the future by guarding the daylight.
'And- ' the thick husky voice reverberated the caravan again 'And I see death. Yes death'
'Whose death?' Krole's voice trembled as he uttered the two words. He again started breathing very fast.
'A death of a radiant man.'
Madame Renata didn't say anything more.
When asked how does the 'radiant man' look — she replied 'his face is blurred'.
Saunders got up from his chair; Madame Reneta came out of her trance and raised her right hand with a smile. Saunders paid her a decent fee and we three came out of the caravan.
End of Part one
Read the Full Story in 3 parts, nest issue Sept'12
'Shobuj Nidhon' by Kingshuk Roy
Kinshuk roy is a Senior Marketing Professional in the corporate sector, he stays in Lucknow, Uttar Pradesh, India, with his wife and son.
Sunday, July 29, 2012
Neck Strain Rehabilitation Excercises, Juthika Bezboruah
1. Isometric Neck Extension : sit tall, eyes straight ahead. chin up. Clasp hands together and place them behind head. press back head into palms. Hold 5 seconds and release. do 3 of 5.
2. Isometric Neck side bend: sit tall, eyes straight ahead. chin up. place the palm at the side of the temple, and press temple into the palm. Hold 5 seconds and release. do 3 of 5 on each side.
3. Head Lift: neck curl: lie on your right side with you right arm lying strieght out, rest head on arm, then lift head slowly toward left shoulder. Hold for 5 sec. repeat 10 times. Switch to left side and repeat the excercise.
4. Neck extension on hands and knees: get on your hands and knees and look down on the floor. keep back streight and let your head slowly drop toward the chest. tuck your chin slightly and lift head up keeping neck leveled with the back. Hold for 5 sec. repeat 10 times.
5. Scapular Squeeze: while sitting or standing with your arms by your sides, sqeeze your shoulder blades together and hold for 5 sec. Do 3 sets of 10.
āĻĒ্āϰেāĻŽেāϰ āĻāϞ্āĻĒ (A love story) - 'āĻŦেঁāĻে āĻĨাāĻো āϏāϰ্āĻĻিāĻাāĻļি' by Saiyad Mujtaba Ali
āĻŦেঁāĻে āĻĨাāĻো āϏāϰ্āĻĻিāĻাāĻļি,
āϏৈā§āĻĻ āĻŽুāĻāϤāĻŦা āĻāϞী
āĻā§āĻ্āĻāϰ āϏāϰ্āĻĻি āĻšā§েāĻে। āύাāĻ āĻĻিā§ে āϝা āĻāϞ āĻŦেāϰāĻŽ্āύāĻ্āĻে āϤা āϏাāĻŽāϞাāύো āϰāĻŽ্āύāĻŽাāϞেāϰ āĻāϰ্āĻŽ āύā§। āĻĄāĻŦāϞ āϏাāĻāĻ āĻŦিāĻাāύাāϰ āĻাāĻĻāϰ āύিā§ে āĻāĻুāύেāϰ āĻাāĻে āĻŦāϏেāĻি। āĻšাঁāĻāĻি āĻāϰ āύাāĻ āĻাā§āĻি, āύাāĻ āĻাā§āĻি āĻāϰ āĻšাঁāĻāĻি। āĻŦিāĻাāύাāϰ āĻাāĻĻāϰেāϰ āĻ āϰ্āϧেāĻāĻাāύা āĻšā§ে āĻāϏেāĻে, āĻāĻāύ āĻŦেāĻে āĻŦেāĻে āĻļুāĻāύো āĻাā§āĻা āĻŦেāϰ āĻāϰāϤে āĻšāĻ্āĻে। āĻļীāϤেāϰ āĻĻেāĻļ, āĻĻোāϰ āĻাāύাāϞা āĻŦāύ্āϧ, āĻিāĻ্āĻু āĻোāϞাāϰ āĻāĻĒাā§ āύেāĻ। āĻাāύāϞা āĻুāϞāϞে āĻŽāύে āĻšā§ āĻৌāϰীāĻļāĻ্āĻāϰেāϰ āĻূā§োāĻি āϝেāύ āĻšিāĻŽাāϞ⧠āϤ্āϝাāĻ āĻāϰে āĻāĻŽাāϰ āĻāϰে āύাāĻ āĻāϞাāĻŦাāϰ āϤাāϞে āĻāĻেāύ। āĻাāύি, āĻāĻāĻ āϰāĻŽ্āύāĻŽাāϞে āĻŦাāϰāĻŦাāϰ āύাāĻ āĻাā§āϞে āϏāϰ্āĻĻি āĻŦেā§েāĻ āĻāϞে, āĻিāύ’ āĻāĻĒাā§ āĻি? āĻĻেāĻļে āĻšāϞে āϰāĻে āĻŦāϏে āĻŦাāĻāϰে āĻāϞা āĻŦাā§িā§ে āĻĻিā§ে āϏāĻļāĻŦ্āĻĻে āύাāĻ āĻাā§āϤুāĻŽ, āĻ āύোংāϰাāĻŽিāϰ āĻšাāϤ āĻĨেāĻে āϰāĻ্āώা āϤো āĻĒেāϤুāĻŽāĻ, āύাāĻāĻাāĻ āĻাāĻĒā§েāϰ āĻāώাā§ āĻā§ে āϝেāϤো āύা। āĻšāĻ াā§ āĻŽāύে āĻĒā§āϞ āĻĒāϰāĻļু āĻĻিāύ āĻāĻ āĻĄাāĻ্āϤাāϰেāϰ āϏāĻ্āĻে āĻ āĻĒেāϰাāϤে āĻāϞাāĻĒ āĻšā§েāĻে। āĻĄাāĻāϏাঁāĻāĻে āĻĄাāĻ্āϤাāϰ- āĻŽ্āϝুāύিāĻ āĻļāĻšāϰে āύাāĻŽ āĻāϰāϤে āĻĒাāϰাāĻা āĻাāĻ্āĻিāĻাāύি āĻāĻĨা āύā§। āϝāĻĻিāĻ āĻাāύি āĻĄাāĻ্āϤাāϰ āĻāϰāĻŦে āĻāĻু, āĻাāϰāĻŖ āĻāϰ্āĻŽāύ āĻাāώাāϤেāĻ āĻĒ্āϰāĻŦাāĻĻ āĻāĻে āĻāώুāϧ āĻেāϞে āϏāϰ্āĻĻি āϏাāϰে āϏাāϤ āĻĻিāύে, āύা āĻেāϞে āĻāĻ āϏāĻĒ্āϤাā§। āϤāĻŦু āĻেāϞুāĻŽ āϤাঁāϰ āĻŦাā§ী। āĻāĻŽাāϰ āĻেāĻšাāϰা āĻĻেāĻেāĻ āϤিāύি āĻŦুāĻāϤে āĻĒাāϰāϞেāύ āĻŦ্āϝাāĻĒাāϰāĻা āĻি। āĻāĻŽি āĻļুāϧাāϞাāĻŽ, āϏāϰ্āĻĻিāϰ āĻāώুāϧ āĻāĻে? āĻāĻĒāύাāϰ āĻĒ্āϰāĻĨāĻŽ āĻāĻŦং āĻুāĻŦ āϏāĻŽ্āĻāĻŦ āĻļেāώ āĻাāϰāϤীā§ āϰোāĻীāϰ āĻāĻāĻা āĻŦ্āϝāĻŦāϏ্āĻĨা āĻāϰে āĻĻিāύ। āĻāĻŽাāϰ āĻāĻ āύাāĻ āĻĻিā§ে āĻŦেāϰāĻŽ্āύāĻ্āĻে āϰাāĻāύ, āĻ āύ্āϝ āύাāĻ āĻĻিā§ে āĻāĻĄাāϰ। āĻĄাāĻ্āϤাāϰ āϝāĻĻিāĻ āĻāϰ্āĻŽāύ āϤāĻŦু āĻšাāϤ āĻĻু’āĻাāύি āĻāĻাāĻļেāϰ āĻĻিāĻে āϤুāϞে āϧāϰāϞেāύ āĻĢāϰাāϏিāϏ্ āĻাā§āĻĻাā§।
āĻŦāϞāϞেāύ, ‘āĻ āĻŦাāĻ āĻāϰāϞেāύ, āϏ্āϝাāϰ! āϏāϰ্āĻĻিāϰ āĻāώুāϧ āύেāĻ? āĻāϤ āĻাāύ? āϏāϰ্āĻĻিāϰ āĻāώুāϧ āĻšā§ āĻšাāĻাāϰো āϰāĻāĻŽেāϰ।’ āĻŦāϞে āĻāĻŽাāĻে āĻĒাāĻļেāϰ āĻāϰে āύিā§ে āĻিā§ে āĻুāϞāϞেāύ āϞাāϞ āĻেāϞ্āϞাāϰ āϏāĻĻāϰ āĻĻāϰāĻা āĻĒāϰিāĻŽাāĻŖ āĻāĻ āĻāϞāĻŽাāϰি। āĻৌāĻো, āĻোāϞ, āĻোāĻŽāϰ-āĻŽোāĻা, āĻĒেāĻ-āĻাāϰী āĻŦাāĻšাāύ্āύ āϰāĻāĻŽেāϰ āĻŦোāϤāϞ-āĻļিāĻļিāϤে āĻāϰ্āϤি। āύাāύা āϰāĻেāϰ āϞেāĻŦেāϞ āĻāϰ āϏেāĻুāϞোāϰ āĻāĻĒāϰ āϞেāĻা āϰā§েāĻে āĻŦিāĻāĻ āĻŦিāĻāĻ āϏāĻŦ āϞাāϤিāύ āύাāĻŽ। āĻāĻŦাāϰে āĻাāύāĻĻাāύী āĻিā§েāύীāĻ āĻাā§āĻĻাā§ āĻোāĻŽāϰে āĻĻু’āĻাঁāĻ āĻšā§ে āĻŦাāĻ āĻāϰে āĻŦাঁ āĻšাāϤāĻা āĻĒেāĻেāϰ āĻāĻĒāϰ āϰেāĻে āĻĄাāύ āĻšাāϤ āĻĻিā§ে āϤāϞোā§াāϰ āĻাāϞাāύোāϰ āĻাā§āĻĻাā§ āĻĻেāϰাāĻেāϰ āĻāĻ āĻĒ্āϰাāύ্āϤ āĻĨেāĻে āĻāϰেāĻ āĻĒ্āϰাāύ্āϤ āĻ āĻŦāϧি āĻĻেāĻিā§ে āĻŦāϞāϞেāύ, ‘āĻŦেāĻে āύিāύ, āĻŽāĻšাāϰাāĻ (āĻāĻĨাāĻা āĻāϰ্āĻŽāύ āĻাāώাā§ āĻাāϞু āĻāĻে) āϏāĻŦ āϏāϰ্āĻĻিāϰ āĻĻাāĻā§াāĻ।’ āĻāĻŽি āϏāύ্āĻĻিāĻ্āϧ āύā§āύে āϤাঁāϰ āĻĻিāĻে āϤাāĻাāϞুāĻŽ। āĻĄাāĻ্āϤাāϰ āĻŽুāĻāĻŦ্āϝাāĻĻāύ āĻāϰে āĻĒāϰিāϤোāώেāϰ āĻāώ⧠āĻšাāϏ্āϝ āĻĻিā§ে āĻাāϞেāϰ āĻĻুāĻি āĻোāϞ āĻোāϞāϤাāĻ āĻāϰে āĻĻিā§েāĻেāύ- āĻšা’ āĻা āϞেāĻে āĻĻিā§েāĻে āĻĻু’āĻাāύেāϰ āĻĄāĻাā§। āĻāĻāĻা āĻāώুāϧেāϰ āĻāĻāĻŽāĻে āϞাāϤিāύ āύাāĻŽ āĻ āϤি āĻāώ্āĻে āĻāĻ্āĻাāϰāĻŖ āĻāϰে āĻŦāϞāϞুāĻŽ, ‘āĻāϰ āĻŽাāύে āϤো āĻাāύিāύে।’ āϏāĻĻā§ āĻšাāϏি āĻšেāϏে āĻŦāϞāϞেāύ, ‘āĻāĻŽিāĻ āĻাāύিāύে, āϤāĻŦে āĻāĻুāĻু āĻাāύি, āĻ াāĻুāϰāĻŽা āĻŽাāϰ্āĻা āĻāĻু-āĻেঁāĻু āĻŽেāĻļাāύো āĻĻিāĻļী āĻĻাāĻā§াāĻ āĻŽাāϤ্āϰেāϰāĻ āϞāĻŽ্āĻŦা āϞāĻŽ্āĻŦা āϞাāϤিāύ āύাāĻŽ āĻšā§।’ āĻāĻŽি āĻļুāϧাāϞাāĻŽ, ‘āĻেāϞে āϏāϰ্āĻĻি āϏাāϰে?’ āĻŦāϞāϞেāύ, ‘āĻāϞাā§ āĻāĻāĻু āĻāϰাāĻŽ āĻŦোāϧ āĻšā§, āύাāĻেāϰ āϏুā§āϏুā§িāĻা āĻšā§āϤ āĻāĻāĻু āĻāϧāĻু āĻāĻŽে। āĻāĻŽি āĻāĻāύো āĻĒāϰāĻ āĻāϰে āĻĻেāĻিāύি। āϏāĻŦ āĻĒেāĻেāύ্āĻ āĻāώুāϧ-āύāĻŽুāύা āĻšিāϏাāĻŦে āĻŦিāύা āĻĒā§āϏাā§ āĻĒাāĻā§া। āϤāĻŦে āϏāϰ্āĻĻি āϏাāϰে āύা, āĻ āĻāĻĨা āĻাāύি।’ āĻāĻŽি āĻļুāϧাāϞুāĻŽ, ‘āϤāĻŦে āϝে āĻŦāϞāϞেāύ āϏāϰ্āĻĻিāϰ āĻāώুāϧ āĻāĻে?’ āĻŦāϞāϞেāύ, ‘āĻāĻāύো āĻŦāϞāĻি āĻāĻে āĻিāύ্āϤু āϏāϰ্āĻĻি āϏাāϰে āϏে āĻāĻĨা āĻŦāϞিāύি।’ āĻŦুāĻāϞুāĻŽ, āĻāϰ্āĻŽāύি āĻাāύ্āĻ āĻšেāĻেāϞেāϰ āĻĻেāĻļ। āĻŦāϞāϞুāĻŽ, ‘āĻ ’। āĻĢিāϏāĻĢিāϏ āĻāϰে āĻĄাāĻ্āϤাāϰ āĻŦāϞāϞেāύ, ‘āĻāϰেāĻāĻা āϤāϤ্āϤ্āĻŦāĻāĻĨা āĻāĻ āĻŦেāϞা āĻļিāĻে āύিāύ। āϝে āĻŦ্āϝাāĻŽোāϰ āĻĻেāĻāĻŦেāύ āϏাāϤাāύ্āύ āϰāĻāĻŽেāϰ āĻāώুāϧ, āĻŦুāĻে āύেāĻŦেāύ, āϏে āĻŦ্āϝাāĻŽো āĻāώুāϧে āϏাāϰে āύা।’ āϤāϤāĻ্āώāĻŖে āĻāĻŦাāϰ āĻāĻŽি āĻšাঁāĻ্āĻো āĻšাঁāĻ্āĻো āĻāϰāĻŽ্āĻ āĻāϰে āĻĻিā§েāĻি। āύাāĻ-āĻোāĻ āĻĻিā§ে āĻāĻŦাāϰ āϰাāĻāύ-āĻā§াāϰ āύা āĻāĻŦাāϰে āĻĒāĻĻ্āĻŽা-āĻŽেāĻāύা। āĻĄাāĻ্āϤাāϰ āĻĄāĻāύ āĻĻুāĻ āĻাāĻāĻেāϰ āϰāĻŽ্āύāĻŽাāϞ āĻāϰ āĻāĻāĻা āĻā§েāϏ্āĻ-āĻĒেāĻĒাāϰ āĻŦাāĻ্āϏেāĻ āĻāĻŽাāϰ āĻĻিāĻে āĻāĻিā§ে āĻĻিāϞেāύ। āϧাāĻ্āĻাāĻা āϏাāĻŽāϞে āĻāĻ ে āĻĒ্āϰাāĻŖāĻāϰে āĻāϰ্āĻŽāύ āϏāϰ্āĻĻিāĻে āĻ āĻিāϏāĻŽ্āĻĒাāϤ āĻĻিāϞুāĻŽ। āĻĻেāĻি, āĻĄাāĻ্āϤাāϰ āĻāĻŽাāϰ āĻĻিāĻে āϤাāĻিā§ে āĻŽিāĻāĻŽিāĻিā§ে āĻšাāϏāĻেāύ। āĻāĻŽাāϰ āĻŽুāĻে āĻšā§āϤ āĻāĻāĻু āĻŦিāϰāĻ্āϤি āĻĢুāĻে āĻāĻ েāĻিāϞ। āĻŦāϞāϞেāύ, ‘āϏāϰ্āĻĻি-āĻাāĻļিāϰ āĻুāĻŖāĻ āĻāĻে।’ āĻāĻŽি āĻŦāϞāϞুāĻŽ, ‘āĻāĻু, āĻšাāϤী, āĻāĻŖ্āĻা!’ āĻŦāϞāϞেāύ, ‘āϤāϰ্āĻāĻŽা āĻāϰে āĻŦāϞুāύ।’ āĻāĻŽি āĻŦāϞāϞুāĻŽ, ‘āĻāĻুāϰ’ āϞাāϤিāύ āύাāĻŽ āĻাāύিāύে; ‘āĻšাāϤী’ āĻšāϞ ‘āĻāϞেāĻĢাāύ্āĻ’ āĻāϰ ‘āĻāĻŖ্āĻা’ āĻŽাāύে ‘āĻāϏ্āύāĻে’। ‘āĻŽাāύে! āĻāϰ āĻŦুāĻে āĻĻāϰāĻাāϰ āύেāĻ; āĻāĻুāϞো āĻāĻুāĻŦাāĻ্āϝ।’
āĻāĻাāĻļ āĻĒাāύে āĻšাāύি āϝুāĻāϞāĻুāϰāĻŽ্āύ āĻŦāϞāϞেāύ, ‘āĻ āĻĻ্āĻুāϤ āĻাāώা! āĻšাāϤি āĻāϰ āĻāĻŖ্āĻা āĻাāϞাāĻাāϞি āĻšā§ āĻি āĻāϰে! āĻāĻāĻা āĻāϞ্āĻĒ āĻļুāύāĻŦেāύ? āϏāĻ্āĻে āĻāϰāĻŽ āĻŦ্āϰাāύ্āĻĄি?’ āĻāĻŽি āĻŦāϞāϞুāĻŽ, ‘āĻĒ্āϰāĻĨāĻŽāĻাāĻ āĻāϞুāĻ। āĻŽিāĻ্āϏ্ āĻāϰা āĻাāϞো āύā§।’ āĻĄাāĻ্āϤাāϰ āĻŦāϞāϞেāύ, āĻāĻŽি āĻĄাāĻ্āϤাāϰি āĻļিāĻেāĻি āĻŦাāϰ্āϞিāύে। āĻŦāĻāϰ āϤিāύেāĻ āĻĒ্āϰ্āϝাāĻāĻিāϏ āĻāϰাāϰ āĻĒāϰ āĻāĻāĻĻিāύ āĻিā§েāĻি āϏ্āĻেāĻļāύে, āĻŦāύ্āϧুāĻে āĻŦিāĻĻেā§ āĻĻিāϤে। āĻĢেāϰাāϰ āϏāĻŽā§ āϏ্āĻেāĻļāύ-āϰেāϏ্āϤোāϰাঁā§ āĻĸুāĻেāĻি āĻāĻāĻা āĻŦ্āϰাāύ্āĻĄি āĻাāĻŦ āĻŦāϞে! āĻĸুāĻেāĻ āĻĨāĻŽāĻে āĻĻাঁā§াāϞুāĻŽ। āĻĻেāĻি, āĻāĻ āĻোāĻŖে āĻāĻ āĻ āĻĒāϰূāĻĒ āϏুāύ্āĻĻāϰী। āĻ āϤ্āϝāύ্āϤ āϏাāĻĻা āϏিāĻĻে āĻŦেāĻļāĻূāώা-āĻāϰীāĻŦ āĻŦāϞāϞেāĻ āĻāϞে- āĻāϰ āϤাāĻ āĻŦোāϧ āĻšā§ āϏৌāύ্āĻĻāϰ্āϝāĻা āĻĒেā§েāĻে āϤাāϰ āĻāϰāĻŽ āĻোāϞāϤাāĻ। āύāϰ্āĻĨāϏী āĻĻেāĻেāĻেāύ? āϤāĻŦে āĻŦুāĻāϤেāύ āĻšāĻŦ-āĻšāĻŦ āϏāύ্āϧ্āϝাā§ āϤাāϰ āĻāϞ āĻি āϰāĻāĻŽ āύীāϞ āĻšā§-āϤাāϰāĻ āĻŽāϤ āϏুāύ্āĻĻāϰীāϰ āĻোāĻ। āĻĻāĻ্āώিāĻŖ āĻāĻাāϞীāϤে āĻāĻāύো āĻিā§েāĻেāύ? āύা? āϤāĻŦে āĻŦুāĻāϤেāύ āϏেāĻাāύে āϏোāύাāϞি āϰোāĻĻে āϰূāĻĒাāϞী āĻĒ্āϰāĻাāĻĒāϤিāϰ āĻি āϰাāĻিāĻŖী। āϤাāĻ āĻŽāϤ āϤাঁāϰ āĻŦ্āϞāύ্āĻĄ āĻুāϞ। āĻĄাāύā§ুāĻŦ āύāĻĻী āĻĻেāĻāĻেāύ? āύা? āϤা āĻšāϞে āĻāĻŽাāϰ āϏāĻŦ āĻŦāϰ্āĻŖāύাāĻ āĻŦৃāĻĨা। āĻāĻŽি āĻŦāϞāϞুāĻŽ, ‘āĻŦāϞে āϝাāύ, āϰāϏāĻ্āϰāĻšāĻŖে āĻāĻŽাāϰ āĻāĻŖাāĻŽাāϤ্āϰ āĻ āϏুāĻŦিāϧে āĻšāĻ্āĻে āύা।’ ‘āύা, āĻĨাāĻ। āĻāϰāĻāĻŽ āĻŦেā§াāϰিং āĻĒোāϏ্āĻেāϰ āĻŦāϰ্āĻŖāύা āĻĻিāϤে āĻāĻŽাāϰ āĻŽāύ āĻŽাāύে āύা। āĻāĻŽāϰা āĻĄাāĻ্āϤাāϰ-āĻŦāĻĻ্āϝি āĻŽাāύুāώ, āĻাāώা āĻŦাāĻŦāĻĻে āĻŽুāĻ্āϝ-āϏুāĻ্āϝু। āĻ āύেāĻ āĻŽেāĻšāύāϤ āĻāϰে āϝে āĻāĻāĻি āĻŽাāϤ্āϰ āĻŦāϰ্āĻŖāύা āĻāĻŦ্āĻাā§ āĻāύেāĻি āϏেāĻāĻেāĻ āϝāĻĻি āύা āĻŦোāĻেāύ āϤāĻŦে āĻāĻŽাāϰ āĻļোāĻāĻা āĻোāĻĨাā§ āϰাāĻি āĻŦāϞুāύ āϤো।’
āĻাāϤāϰ āĻšā§ে āĻŦāϞāϞুāĻŽ, ‘āύিāϰাāĻļ āĻāϰāĻŦেāύ āύা।’ ‘āϤāĻŦে āĻāϞুāĻ āϤ্āϰিāϞেāĻেāĻĄ্ āϰেāϏ। āĻĄাāύā§ুāĻŦ āύāĻĻীāϰ āĻļাāύ্āϤ-āĻĒ্āϰāĻļাāύ্āϤ āĻাāĻŦāĻাāύা āϤাঁāϰ āĻŽুāĻেāϰ āĻāĻĒāϰ। āĻ āĻĨāĻ āĻাāύেāύ, āĻĄাāύā§ুāĻŦ āĻ āĻāĻীāϰ āύāĻĻী āύā§। āĻāϰ āĻĄাāύā§ুāĻŦেāϰ āĻā§āĻĒāϤ্āϤিāϏ’āϞ āĻĻেāĻেāĻেāύ। āύা। āϤাāĻšāϞে āĻŦুāĻāϤেāύ āϏেāĻাāύে āϤāύ্āĻŦāĻ āĻĄাāύā§ুāĻŦ āϝে āϰāĻāĻŽ āϞাāĻুāĻ āĻŽেā§েāϰ āĻŽāϤ āĻঁāĻে āĻŦেঁāĻে āĻāĻĒāύ āĻļāϰীāϰ āĻĸাāĻāϤে āĻŦ্āϝāϏ্āϤ, āĻ-āĻŽেā§েāϰ āĻŽুāĻে āϤেāĻŽāύি āĻā§াāύো āϰā§েāĻে āϞāĻ্āĻাāϰ āĻেāĻŽāύ āϝেāύ āĻāĻāĻা āĻঁāĻুāĻŦাঁāĻু āĻাāĻŦ। ‘āĻāĻ āϞāĻ্āĻা āĻাāĻŦāĻাāϰ āĻāĻĒāϰāĻ āĻāĻŽি āĻŦিāĻļেāώ āĻāϰে āĻোāϰ āĻĻিāϤে āĻাāĻ। āĻāĻĒāύি āύিāĻļ্āĻā§āĻ āϞāĻ্āώ্āϝ āĻāϰেāĻেāύ, āϞāĻ্āĻা-āĻļāϰāĻŽ āĻŦāϞāϤে āĻāĻŽāϰা āϝা āĻিāĻু āĻŦুāĻি āϏে āϏāĻŦ āĻŽāϧ্āϝāϝুāĻেāϰ āĻĒুāϰāĻŽ্āύāύো āĻāϞ্āĻĒ āĻĨেāĻে। āĻŦেā§াāϤ্āϰিāĻে āĻĻাāύেāϤ্āĻŽāĻে āĻĻেāĻে āϞাāĻুāĻ āĻšাāϏি āĻšেāϏেāĻিāϞেāύ- āĻāĻŽāϰা āϤাāĻ āύিā§ে āĻāϞ্āĻĒāύাāϰ āĻাāϞ āĻŦুāύি। āĻāĻāĻেāϰ āĻĻিāύে āĻāϏāĻŦ āϤো āĻāϰ āĻŦাāϰ্āϞিāύ āĻļāĻšāϰে āĻĒাāĻā§া āϝাā§ āύা। āĻŽāϧ্āϝāϝুāĻেāϰ āύাāĻāĻāĻĻেāϰ āĻļিāĻাāϞāϰি āĻেāĻে āĻāϰ āϝাāĻŦাāϰ āϏāĻŽā§ āϏāĻ্āĻে āύিā§ে āĻিā§েāĻে āĻŽেā§েāĻĻেāϰ āĻŽুāĻ āĻĨেāĻে āϏāĻŦ āϞāĻ্āĻা āϏāĻŦ āĻŦ্āϰীā§া। ‘āĻিāύ’ āĻāĻĒāύাāĻĻেāϰ āĻĻেāĻļে āύিāĻļ্āĻā§āĻ āĻāĻāύো āĻāĻ āĻŽāϧুāϰ āĻিāύিāϏāĻি āĻĻেāĻāϤে āĻĒাāĻā§া āϝাā§ āĻāϰ āϤাāϰ āĻেā§েāĻ āύিāĻļ্āĻā§, āĻāĻĒāύাāĻĻেāϰ āĻĻেāĻļেāϰ āϞোāĻ āĻāĻাāύো āĻ āĻ্āϰāĻĒāĻļ্āĻাā§ āĻŦিāĻŦেāĻāύা āύা āĻāϰে āĻĒ্āϰāĻĨāĻŽ āĻĻāϰ্āĻļāύেāĻ āĻĒ্āϰেāĻŽে āĻĒā§ে। ‘āϤাāĻ āĻāĻĒāύি āĻŦিāĻļ্āĻŦাāϏ āĻāϰāĻŦেāύ, āĻিāύ’ āĻāĻŽি āύিāĻে āĻāĻāύো āĻ িāĻ āĻāϰāϤে āĻĒাāϰিāύি, āĻি āĻāϰে āϝে āĻāĻŽাāϰ āϤāĻāύ āĻŽāύে āĻš’āϞ āĻ-āĻŽেā§েāĻে āύা āĻĒেāϞে āĻāĻŽাāϰ āĻāϞāĻŦে āύা। ‘āĻšাāϏāϞেāύ āύা āϝে? āϤাāϰ āĻĨেāĻেāĻ āĻŦুāĻāϞুāĻŽ, āĻāĻĒāύি āĻā§াāĻিāĻŦāĻšাāϞ, āĻāĻĒāύি āĻāĻŽাāĻে āĻŦিāĻļ্āĻŦাāϏ āĻāϰāϤে āĻĒেāϰেāĻেāύ; āĻিāύ’ āĻāϰ্āĻŽāύāϰা āĻāĻŽাāϰ āĻ-āĻ āĻŦāϏ্āĻĨাāϰ āĻāĻĨা āĻļুāύে āĻšাāϏে। āĻāϰ āĻšাāϏāĻŦেāĻ āĻŦা āύা āĻেāύ? āĻেāύা āύেāĻ, āĻļোāύা āύেāĻ, āĻŦিāĻĻ্āϝাāĻŦুāĻĻ্āϧিāϤে āĻŽেā§েāĻা āĻšā§āϤ āĻ āĻĢিāϏāĻŦā§েāϰ āĻেā§েāĻ āĻāĻাāĻ, āĻšā§āϤ āĻŽাāϤাāϞāĻĻেāϰ āĻāĻĄ্āĻĄাā§ āĻŦিā§াāϰ āĻŦিāĻ্āϰি āĻāϰে āĻĒā§āϏা āĻাāĻŽাā§, āĻিāĻŽ্āĻŦা āĻāĻ āϤো āĻšāϤে āĻĒাāϰে āϝে āϤাāϰ āĻŦিā§ে āĻšā§ে āĻিā§েāĻে। āĻ āϏāĻŦ āĻোāύো āĻিāĻুāϰ āϤāϤ্āϤ্āĻŦ-āϤাāĻŦাāĻļ āύা āĻāϰে āĻāĻ āĻāĻāĻাā§ āĻŽāύāϏ্āĻĨিāϰ āĻāϰে āĻĢেāϞা, āĻ-āĻŽেā§ে āύা āĻšāϞে āĻāĻŽাāϰ āĻāϞāĻŦে āύা! āĻāĻŽি āĻি āĻাāĻŽāĻেā§াāϞিāϰ āĻেāĻ্āĻিāϏāĻাāύ, āύা āĻšাāĻাāϰো āĻĒ্āϰেāĻŽেāϰ āĻĄāύ্ āĻুā§াāύ্?
‘āĻাāĻŦāĻি āĻāϰ āĻŽাāĻĨাāϰ āĻুāϞ āĻিঁā§āĻি-āĻোāύ্ āĻ āĻুāĻšাāϤে āĻোāύ্ āĻ āĻিāϞাā§ āĻঁāϰ āϏāĻ্āĻে āĻāϞাāĻĒ āĻāϰা āϝাā§। ‘āĻিāĻুāϤেāĻ āĻোāύো āĻšāĻĻিāĻļ āĻĒাāĻ্āĻিāύে, āĻāĻŽাāĻĻেāϰ āĻŽাāĻāĻাāύে āϤিāύāĻাāύা āĻŽাāϤ্āϰ āĻোāĻ্āĻ āĻেāĻŦিāϞেāϰ āϝে āĻāϤ্āϤাāϞ āϏāĻŽুāĻĻ্āϰ āϏেāĻা āĻĒেāϰিā§ে āĻঁāϰ āĻাāĻে āĻĒৌঁāĻāĻ āĻি āĻĒ্āϰāĻাāϰে। āĻĒ্āϰāĻŦাāĻĻ āĻāĻে, āĻĒ্āϰেāĻŽে āĻĒā§āϞে āĻŦোāĻা āύাāĻি āĻŦুāĻĻ্āϧিāĻŽাāύ āĻšā§ে āϝাā§- āĻĒ্āϰিā§াāĻে āĻĒাāĻā§াāϰ āĻāύ্āϝ āϤāĻāύ āϤাāϰ āĻĢāύ্āĻĻি-āĻĢিāĻিāϰ āĻāϰ āĻāĻŦিāώ্āĻাāϰ āĻৌāĻļāϞ āĻĻেāĻে āĻĒাঁāĻāĻāύেāϰ āϤাāĻ āϞেāĻে āϝাā§, āĻāϰ āĻŦুāĻĻ্āϧিāĻŽাāύ āύাāĻি āĻĒ্āϰেāĻŽে āĻĒā§āϞে āĻšā§ে āϝাā§ āĻāĻāĻĻāĻŽ āĻāĻŦেāĻ-āĻāĻŽāύ āϏāĻŦ āĻা- āϤāĻāύ āĻāϰে āĻŦāϏে āϝে āĻĻāĻļāĻāύ āϤাāĻ্āĻāĻŦ āύা āĻŽেāύে āϝাā§āύা, āĻ āϞোāĻāĻা āĻ-āϏāĻŦ āĻĒাāĻāϞাāĻŽি āĻāϰāĻে āĻি āĻāϰে!
‘āĻ āĻীāĻŦāύে āϏেāĻ āϏেāĻĻিāύ āĻāĻŽি āĻĒ্āϰāĻĨāĻŽ āĻāĻŦিāώ্āĻাāϰ āĻāϰāϞুāĻŽ āϝে āĻāĻŽি āĻŦুāĻĻ্āϧিāĻŽাāύ, āĻাāϰāĻŖ āĻĒূāϰ্āĻŖ āĻāĻāĻāĻŖ্āĻা āϧāϰে āĻেāĻŦেāĻ āĻāĻŽি āϏাāĻŽাāύ্āϝāϤāĻŽ āĻৌāĻļāϞ āĻāĻŦিāώ্āĻাāϰ āĻāϰāϤে āĻĒাāϰāϞুāĻŽ āύা, āĻāϞাāĻĒ āĻāϰি āĻোāύ্ āĻাā§āĻĻাā§। āĻিāύ’ āĻāĻšেāύ āĻšৃāĻĻā§াāĻিāϰাāĻŽ āϤāϤ্āϤ্āĻŦ āĻāĻŦিāώ্āĻাāϰ āĻāϰেāĻ āĻŽāύ āĻিāĻুāĻŽাāϤ্āϰ āĻāϞ্āϞাāϏিāϤ āĻšāϞ āύা। āϤāĻāύ āĻŦāϰāĻ্āĻ āĻŦোāĻা āĻŦāύāϤে āĻĒাāϰāϞেāĻ āĻšā§āϤ āĻোāύো āĻāĻāĻা āĻৌāĻļāϞ āĻŦেāϰিā§ে āϝেāϤ। ‘āĻĢ্āϰāϞাāĻāύ āĻāĻ ে āĻĻাঁā§াāϞেāύ। āĻি āĻāϰ āĻāϰি। āĻĒিāĻু āύিāϞুāĻŽ। āϤিāύি āĻিā§ে āĻāĻ āϞেāύ āĻŽ্āϝুāύিāĻেāϰ āĻাā§িāϤে। āĻāĻŽিāĻ āĻুāĻে āĻিā§ে āĻিāĻিāĻ āĻাāĻāϞুāĻŽ āĻŽ্āϝুāύিāĻেāϰ। āĻিāύ’ āĻāϏে āĻĻেāĻি āϏে āĻাāĻŽāϰাāϰ āĻāĻāĻা āϏিāĻāĻ āĻāϰ্āϤি āĻšā§ে āĻিā§েāĻে। āĻāϰো āĻĒ্āϰāĻŽাāĻŖ āĻšā§ে āĻেāϞ, āĻāĻŽি āĻŦুāĻĻ্āϧিāĻŽাāύ, āĻাāϰāĻŖ āĻ āĻāĻĨা āϏāĻŦাāĻ āĻাāύে, āĻŦুāĻĻ্āϧিāĻŽাāύāĻে āĻāĻāĻŦাāύ āϏাāĻšাāϝ্āϝ āĻāϰāϞে āĻ-āĻĒৃāĻĨিāĻŦীāϤে āĻŦোāĻাāĻĻেāϰ āĻāϰ āĻŦাঁāĻāϤে āĻšāϤ āύা। āĻāĻŽি āĻāĻāĻŦাāύেāϰ āĻাāĻ āĻĨেāĻে āĻোāύো āϏাāĻšাāϝ্āϝ āĻĒেāϞুāĻŽ āύা।’ āĻāĻŽি āĻŦāϞāϞুāĻŽ, ‘āĻāĻāĻŦাāύāĻে āĻĻোāώ āĻĻিāĻ্āĻেāύ āĻেāύ? āĻāϤো āĻāύ্āĻĻāϰ্āĻĒ āĻ াāĻুāϰেāϰ āĻĄিāĻĒাāϰ্āĻāĻŽেāύ্āĻ।’ āĻŦāϞāϞেāύ, ‘āϤাāϤেāĻ āĻŦা āĻি āϞাāĻ? āϤিāύি āϤো āĻ āύ্āϧ। āĻŽেā§েāĻাāĻে āĻŦাāύিā§ে āĻĻিā§েāĻেāύ āϤাঁāϰāĻ āĻŽāϤ āĻ āύ্āϧ। āĻāĻ āϝে āĻāĻŽি āĻāĻāĻা āĻāϤ āĻŦā§ āĻ ্āϝাāĻĒāϞো, āĻāĻŽাāϰ āĻĻিāĻে āĻāĻāĻŦাāϰেāϰ āϤāϰে āĻĢিāϰেāĻ āϤাāĻাāϞো āύা। āĻঁāĻে āĻĄেāĻে āĻšāĻŦে-’ āĻāĻŽি āĻŦāϞāϞুāĻŽ, ‘āĻāĻু’, ‘āĻšাāϤী’, ‘āĻāĻŖ্āĻা’। āĻāĻŦাāϰ āĻĄাāĻ্āϤাāϰ āĻŦাāĻāϞা āĻāĻুāĻাāĻāĻŦ্āϝেāϰ āĻāĻĻāϰ āĻŦুāĻāϞেāύ।
āĻŦāϞāϞেāύ, ‘āĻāĻšা-āĻšা-āĻšা।’ āϤাāϰāĻĒāϰ āĻāϰ্āĻŽāύ āĻāĻ্āĻাāϰāĻŖে āĻŦāϞāϞেāύ, ‘āĻāĻļু, āĻšাāĻি, āĻāĻŖ্āĻা! āĻাāϏা āĻাāϞাāĻাāϞ।’ āĻāĻŽি āĻŦāϞāϞুāĻŽ, āĻোāĻŽāϰাāϤে āĻāĻāĻāύেāϰ āϏিāĻ āĻিāϞ āϤো āϰā§েāĻ āĻেāϞ। āĻĒ্āϰāĻŦাāϏে āύিā§āĻŽ āύাāϏিāϤ্āĻŽ। āĻāĻĒāύি āĻোāύো āĻāϤিāĻে āϧাāĻ্āĻা āϧাāĻ্āĻি āĻāϰে-’ āĻŦāϞāϞেāύ, ‘āϤাāĻ্āĻāĻŦ āĻāϰāϞেāύ। āĻāĻি āĻāĻĒāύাāϰ āĻāύ্āĻĄিā§াāύ āĻ্āϰেāύ, āύা āϏাāĻāĻŦেāϰিā§াāĻাāĻŽী āĻĒ্āϰিāĻāύাāϰ-āĻ্āϝাāύ! āĻেāĻাāϰ āĻĒāϤ্āϰāĻĒাāĻ āĻাāĻŽāϰা āĻĨেāĻে āĻŦেāϰ āĻāϰে āĻĻেāĻŦে āύা?’ ‘āĻĻাঁā§িā§ে āϰāĻāϞুāĻŽ āĻŦাāĻāϰেāϰ āĻāϰিāĻĄāϰে āĻ াā§। āĻĻেāĻি āĻŽেā§েāĻি āϝāĻĻি āĻাāύাāĻাāĻŽāϰাā§ āϝাā§। āϏ্āĻেāĻļāύে āϤো āĻেā§েāĻে āĻļুāϧু āĻāĻĢি। āĻāĻŖ্āĻাāϰ āĻĒāϰ āĻāĻŖ্āĻা āĻাāĻāϞ, āĻāϤ āϞোāĻ āĻāϤ āĻাāĻŽāϰা āĻĨেāĻে āĻāĻ āϞো āύাāĻŽāϞো āĻিāύ’ āĻāĻŽাāϰ āϏ্āĻŦāϰ্āĻāĻĒুāϰী āĻĨেāĻে āĻোāύো- (āĻāĻুāĻŦাāĻ্āϝ)- āύাāĻŽāϞো āύা। āϏāĻŦ āĻŦ্āϝাāĻা āύিāĻļ্āĻā§āĻ āϝাāĻ্āĻে āĻŽ্āϝুāύিāĻ। āĻāϰ āĻোāĻĨাāĻ āϝেāϤে āĻĒাāϰে āύা? āĻŽ্āϝুāύিāĻ āĻি āĻĒāϰীāϏ্āĻĨাāύ āύা āĻŽ্āϝুāύিāĻেāϰ āĻĢুāĻāĻĒāĻĨ āϏোāύা āĻĻিā§ে āĻā§া? āĻ āĻŦাāĻ āĻāϰāϞে āĻāĻ āĻāĻĄিā§āĻāĻুāϞো। ‘āĻĒ্āϰেāĻŽে āĻĒā§āϞে āύাāĻি āĻ্āώুāϧাāϤৃāώ্āĻŖা āϞোāĻĒāĻĒাā§। āĻāĻāĻŦেāϞাāϰ āĻāύ্āϝ āĻšā§āϤ āĻĒাā§। āĻāĻŽি āϞাāĻ্āĻ āĻাāĻāύি, āĻāĻĻিāĻে āĻĄিāύাāϰেāϰ āϏāĻŽā§ āĻšā§ে āĻিā§েāĻে- āĻāĻŽাāϰ āĻĒেāĻেāϰ āĻিāϤāϰ āĻšুāϞুāϧ্āĻŦāύি āĻেāĻে āĻāĻ েāĻে। āĻāĻŽāύ āϏāĻŽā§ āĻŽা āĻŽেāϰিāϰ āĻāϰāĻŽ্āύāĻŖা āĻšāϞ। āĻŽেā§েāĻি āĻāϞāϞ āĻাāύা-āĻাāĻŽāϰাāϰ āĻĻিāĻে। āĻāĻŽি āĻāϞāϞুāĻŽ āĻ িāĻ āĻĒিāĻāύে āĻĒিāĻāύে। āĻāĻšা, āϝāĻĻি āĻāĻāĻা āĻšোঁāĻāĻ āĻেā§ে āĻāĻŽাāϰ āĻāĻĒāϰ āĻĒā§ে āϝাā§। āĻĻুāϤ্āϤোāϰ, āϤাāϰāĻ āĻāĻĒাā§ āύেāĻ- āĻঁāĻু āĻšিāϞেāϰ āĻুāϤো āĻšāϞে āĻাā§িāϰ āĻাঁāĻĒুāύিāϤে āĻĒā§ে āϝাāĻā§াāϰ āϏāĻŽ্āĻাāĻŦāύা āĻĨাāĻে- āĻ āĻĒāϰেāĻে āĻ্āϰেāĻĒāϏোāϞ্। ‘āĻ িāĻ āĻĒিāĻāύে āĻĒিāĻāύে āĻিā§ে āĻাāύা-āĻাāĻŽāϰাā§ āĻĸুāĻāϞুāĻŽ। āĻā§েāĻাāϰāĻা āĻাāĻŦāϞে āϏ্āĻŦাāĻŽী-āϏ্āϤ্āϰী। āύা āĻšāϞে āϤāϰāĻŽ্āύāĻŖ āϤāϰāĻŽ্āύāĻŖী āĻ āϰāĻāĻŽ āĻŽুāĻ āĻুāĻŽāϏো āĻāϰে āĻাāύা-āĻাāĻŽāϰাā§ āĻĸুāĻāĻŦে āĻেāύ? āĻŦāϏāϞো āĻিā§ে āĻāĻāĻ āĻেāĻŦিāϞে- āĻŽুāĻোāĻŽুāĻি। āĻšে āĻŽা āĻŽেāϰী, āύāϤ্āϰāĻĻাāĻŽ āĻিāϰ্āĻেā§ āϤোāĻŽাāϰ āĻāύ্āϝ āĻāĻŽি āĻāĻāĻļ’āĻা āĻŽোāĻŽāĻŦাāϤি āĻŽাāύāϤ āĻāϰāϞুāĻŽ। āĻĻā§া āĻāϰো, āĻŽা āĻāĻāĻা āĻিāĻু āĻĢিāĻিāϰ āĻŦাā§āϞাāĻ āĻāϞাāĻĒ āĻāϰāĻŦাāϰ। ‘āĻŦুāĻĻ্āϧিāĻŽাāύ, āĻŦুāĻĻ্āϧিāĻŽাāύ, āĻোāύো āϏāύ্āĻĻেāĻš āύেāĻ āĻāĻŽি āĻŦুāĻĻ্āϧিāĻŽাāύ! āĻোāύো āĻĢিāĻিāϰāĻ āĻুāĻāϞো āύা, āĻ āĻĨāĻ āĻŽেā§েāĻি āĻŦāϏে āĻāĻে āĻāĻŽাāϰ āĻĨেāĻে āĻĻু’āĻšাāϤ āĻĻূāϰে āĻāĻŦং āĻŽুāĻোāĻŽুāĻি! āĻĻু’āĻšাāϤ āύা āĻšā§ে āĻĻু’āϞāĻ্āώ āϝোāĻāύāĻ āĻšāϤে āĻĒাāϰāϤ- āĻোāύো āĻĢাāϰাāĻ āĻš’āϤ āύা। ‘āĻাāύাāϞা āĻĻিā§ে āĻāĻ āĻāĻāĻা āĻā§āϞাāϰ āĻুঁā§ো āĻāϏে āĻেāĻŦিāϞেāϰ āĻāĻĒāϰ āĻĒā§āϞ। āĻŽেā§েāĻি āĻুāϰāĻŽ্āύ āĻুāĻāĻে āϏেāĻĻিāĻে āϤাāĻাāϤেāĻ āĻāĻŽি āĻāĻিāϤি āĻাāύাāϞা āĻŦāύ্āϧ āĻāϰāϤে āĻিā§ে āĻāϰে āĻĢেāϞāϞুāĻŽ āĻāϰেāĻ āĻাāύ্āĻĄ। āĻ াāϏ āĻāϰে āĻাāύাāϞাāĻা āĻŦুā§ো āĻāĻুāϞেāϰ āĻāĻĒāϰ āĻĒā§ে āϏেāĻাāĻে āĻĻিāϞ āĻĨেā§āϞে। āĻĢিāύāĻি āĻĻিā§ে āϰāĻ্āϤ। ‘āĻŽা-āĻŽেāϰীāϰ āĻ āϏীāĻŽ āĻĻā§া āĻাāύ্āĻĄāĻা āϝে āĻāĻāϞো। āĻŽেā§েāĻি āϤā§াāĻ āĻāϰে āϞাāĻĢ āĻĻিā§ে āĻŦāϏāϞ, “āĻĻাঁā§াāύ āĻāĻŽি āĻŦ্āϝাāύ্āĻĄেāĻ āύিā§ে āĻāϏāĻি।” ‘āĻāĻŽি āύিāĻে āĻĄাāĻ্āϤাāϰ, āĻŦিāĻŦেāĻāύা āĻāϰāĻŽ্āύāύ āĻ āĻŦāϏ্āĻĨাāĻা। āϰāĻŽ্āύāĻŽাāϞ āĻĻিā§ে āĻেāĻĒে āϧāϰāϞুāĻŽ āĻāĻুāϞāĻাāĻে। āĻŽেā§েāĻি āĻুāĻে āύিā§ে āĻāϞ āĻাāĻŽāϰা āĻĨেāĻে āĻĢাāϰ্āϏ্āĻ āĻāĻĄেāϰ āĻŦ্āϝাāύ্āĻĄেāĻ। āϤাāϰāĻĒāϰ āĻāĻুāϞāĻাāϰ āϤāĻĻাāϰāĻি āĻāϰāϞ āĻļাāϏ্āϤ্āϰāϏāĻŽ্āĻŽāϤ āĻĄাāĻ্āϤাāϰি āĻĒāĻĻ্āϧāϤিāϤে। āĻŦুāĻāϞুāĻŽ āĻŽেāĻĄিāĻেāϞ āĻāϞেāĻে āĻĒā§ে! āĻাāύু āĻĄাāĻ্āϤাāϰ āĻĢাāϰ্āϏ্āĻ āĻāĻĄেāϰ āĻŦ্āϝাāύ্āĻĄেāĻ āĻŦā§ে āĻŦেā§াā§ āύা āĻāϰ āĻāύাā§ি āϞোāĻ āĻāϰāĻāĻŽ āĻŦ্āϝাāύ্āĻĄেāĻ āĻŦাঁāϧāϤে āĻĒাāϰে āύা। ‘āĻāĻŽি āϤো, ‘āύা, āύা’ ‘āĻāĻĒāύি āĻেāύ āĻŽিāĻে āĻŽিāĻে’, ‘āϧāύ্āϝāĻŦাāĻĻ, āϧāύ্āϝāĻŦাāĻĻ’, ‘āĻঃ, āĻŦāĻĄ্āĻĄ āϞাāĻāĻে’, ‘āĻāϤেāĻ āĻšāĻŦে’, ‘āĻŦ্āϝāϏ āĻŦাāϏ’ āĻāϰেāĻ āϝাāĻ্āĻি āĻāϰ āϏেāĻ āϞিāϞিāϰ āĻŽāϤো āϏাāĻĻা āĻšাāϤেāϰ āĻĒāϰāĻļ āĻĒাāĻ্āĻি। āϏে āĻি āϰāĻāĻŽ āĻŽāĻāĻŽāϞেāϰ āĻšাāϤ āĻাāύেāύ? āĻŦāϞāĻি, āĻāĻĒāύি āĻāĻāύো āϰাāĻāϞ্āϝাāύ্āĻĄে āĻিā§েāĻেāύ? āύা? āĻĨাāĻ, āĻুāϞেāĻ āĻিā§েāĻিāϞুāĻŽ, āĻĒ্āϰāϤিāĻ্āĻা āĻāϰāĻি, āĻāĻĒāύাāĻে āĻোāύো āĻŦāϰ্āĻŖāύা āĻĻেāĻŦ āύা। ‘āĻĒ্āϰāĻĨāĻŽ āĻĒāϰāĻļে āϏāϰ্āĻŦাāĻ্āĻে āĻŦিāĻĻ্āϝুā§ āĻেāϞে āϝাā§, āĻŦāϞে āύা? āĻŦā§ āĻাঁāĻি āĻāĻĨা। āĻāĻŽি āĻĄাāĻ্āϤাāϰ āĻŽাāύুāώ, āĻāĻŽাāϰ āĻšাāϤে āĻোāύো āĻĒ্āϰāĻাāϰেāϰ āϏ্āĻĒāϰ্āĻļ āĻাāϤāϰāϤা āĻĨাāĻাāϰ āĻāĻĨা āύ⧠āϤāĻŦু āĻāĻŽাāϰ āĻী āĻ āĻŦāϏ্āĻĨাāĻা āĻšā§েāĻিāϞ āĻāĻĒāύাāĻে āϏেāĻা āĻŦোāĻাāĻ āĻী āĻāϰে? āĻŽেā§েāĻি āĻŦোāϧāĻšā§ āĻেāϰ āĻĒেā§েāĻিāϞ, āĻাāϰāĻŖ āĻāĻāĻŦাāϰ āĻāĻিāϤেāϰ āϤāϰে āĻŦ্āϝাāύ্āĻĄেāĻ āĻŦাঁāϧা āĻŦāύ্āϧ āĻāϰে āĻāĻŽাāϰ āĻĻিāĻে āĻŽাāĻĨা āϤুāϞে āϤাāĻিā§েāĻিāϞ। āϤাāϤে āĻিāϞ āĻŦিāϏ্āĻŽā§, āĻĒ্āϰāĻļ্āύ āĻāĻŦং āĻšā§āϤ āĻŦা āĻāĻāĻুāĻাāύি, āĻ āϤি āϏাāĻŽাāύ্āϝ āĻুāĻļীāϰ āĻিāϞিāĻŽিāϞি। āϤāĻŦে āĻি āĻāĻŽাāϰ āĻšাāϤেāϰ āϏ্āĻĒāϰ্āĻļ-? āĻোāύ্ āϏাāĻšāϏে āĻ āĻŦিāĻļ্āĻŦাāϏ āĻŽāύেāϰ āĻোāĻŖে āĻ াঁāĻ āĻĻিāĻ, āĻŦāϞুāύ।’ āĻāĻŽি āĻুāύ্ āĻুāύ্ āĻāϰে āĻŦāϞāϞুāĻŽ, “āĻā§ āĻāϰে āϤāĻŦু āĻā§ āĻেāύ āϤোāϰ āϝাā§ āύা, āĻšাā§ āĻীāϰāĻŽ্āύāĻĒ্āϰেāĻŽ āĻšাā§ āϰে।” āĻĄাāĻ্āϤাāϰ āĻŦāϞāϞেāύ, ‘āĻোāĻļা āĻŽেāϞāĻĄি āϤো। āĻŽাāύেāĻাāĻ āĻŦāϞুāύ।’ āĻŦāϞāϞুāĻŽ, ‘āĻāĻĢ্āĻাāϰ āĻāĻ। āĻāĻĒāύি āĻāϞ্āĻĒāĻা āĻļেāώ āĻāϰāĻŽ্āύāύ।’
āĻŦāϞāϞেāύ, ‘āĻāϞ্āĻĒ āύā§, āϏ্āϝাāϰ, āĻীāĻŦāύāĻŽāϰāĻŖেāϰ āĻāĻĨা āĻšāĻ্āĻে।’ āĻāĻŽি āĻļুāϧাāϞুāĻŽ, ‘āĻেāύ, āϏেāĻĒ্āĻিāĻেāϰ āĻā§ āĻিāϞ āύাāĻি?’ āϰাāĻেāϰ āĻাāĻŦ āĻāϰে āĻŦāϞāϞেāύ, ‘āĻā§োāϰোāĻĒে āĻāϏে āĻāĻĒāύাāϰ āĻি āϏāĻŦ āϰāϏāĻāϏ āĻļুāĻিā§ে āĻিā§েāĻে? āĻāĻŽাāĻে āĻšেāύেāĻে āĻĒ্āϰেāĻŽেāϰ āĻŦাāĻŖ āĻāϰ āĻāĻĒāύি āĻŦāϞāĻেāύ āĻāύ্āĻিāϏেāĻĒ্āĻিāĻ্ āĻāύ।’ āĻāĻŽি āĻŦāϞāϞুāĻŽ, ‘āĻ āĻĒāϰাāϧ āύেāĻŦেāύ āύা।’ āĻŦāϞāϞেāύ, āϤাāϰāĻĒāϰ āĻāĻŽি āϏুāϝোāĻ āĻĒেā§ে āĻāϰāĻŽ্āĻ āĻāϰāϞুāĻŽ āύাāύা āϰāĻāĻŽেāϰ āĻāĻĨা āĻāĻāϤে। āĻোāϞ āĻোāϞ। āĻāĻŽি āϝে āĻĒāϰিāĻā§ āĻāϰাāϰ āĻāύ্āϝ āĻাāύ āĻāĻŦুāϞ āϏেāĻা āĻĸেāĻে āĻেāĻĒে। āϏāĻ্āĻে āϏāĻ্āĻে āĻāĻāύো āύূāύāĻা āĻāĻিā§ে āĻĻি, āĻāĻāύো āĻ্āϰুā§েāĻāĻা āϏāϰিā§ে āύি, āĻāĻāύো āĻŦা āĻŦāϞি, ‘āĻŽাāĻāĻা āĻাāϏা āĻেāĻেāĻে, āĻāĻĒāύি āĻāĻāĻা āĻাāύ āύা’; āĻāĻšে āĻাāύāϏাāĻŽা, āĻāĻĻিāĻে-, āĻāϤ্āϝাāĻĻি। ‘āĻāϰে āĻāϰে āϏুāύ্āĻĻāϰীāϰ āĻŽāύāĻা āĻāĻāĻু āĻŽোāϞাā§েāĻŽ āĻāϰāϤে āĻĒেāϰেāĻি āĻŦāϞে āĻŽāύে āĻāĻāĻু āĻ্āώীāĻŖ āĻāĻļাāϰ āϏāĻ্āĻাāϰ āĻšāϞ। āĻŽেā§েāĻি āϞাāĻুāĻ āĻŦāĻে āĻিāύ্āϤু āĻাāϰী āĻāĻĻ্āϰ! āĻāĻŽাāϰ āĻ্āϝাāĻāϰ āĻ্āϝাāĻāϰ āĻাāύ āĻĒেāϤে āĻļুāύāϞো, āĻĻু’āĻāĻāĻŦাāϰ āĻŦāϏ্āύাāĻļ্ āĻāϰāϞো, āϏে āϝা āĻোāϞাāĻĒি- āĻāĻĒāύি āĻāĻāύো, āύা āĻĨাāĻ। ‘āĻিāύ’ āĻেāϞ āĻŽাāϤ্āϰ āĻāĻāĻি āĻ āĻŽāϞেāĻ āĻāϰ āĻĻু’āϏ্āϞাāĻāĻ āϰāĻŽ্āύāĻি। āύিāĻļ্āĻā§āĻ āĻāϰীāĻŦ। āĻ্āώীāĻŖ āĻāĻļাāĻাāϰ āĻাā§ে āĻāĻāĻু āĻāϤ্āϤি āϞাāĻāϞ।’ āĻāĻŽāύ āϏāĻŽā§ āĻĄাāĻ্āϤাāϰেāϰ āĻ ্āϝাāϏিāϏ্āĻাāύ্āĻ āĻāϏে āĻাāύāϞো āϰāĻŽ্āύāĻী āĻāϏেāĻে। āĻĄাāĻ্āϤাāϰ āĻŦāϞāϞেāύ, ‘āĻāĻāĻুāύি āĻāϏāĻি।’ āĻĢিāϰে āĻāϏে āĻোāύো āĻূāĻŽিāĻা āύা āĻĻিā§েāĻ āĻŦāϞāϞেāύ, ‘āĻŽ্āϝুāύিāĻে āύাāĻŦāϞুāĻŽ āĻāĻ āĻŦāϏ্āϤ্āϰে। āĻāĻŽāύ āĻাāύ āĻāϰে āĻেāĻে āĻĒā§āϞুāĻŽ āϝাāϤে āĻŽেā§েāĻি āĻŽāύে āĻāϰে āĻāĻŽি āĻ্āϝাāύ āĻĨেāĻে āĻŽাāϞ āύাāĻŽাāϤে āĻেāϞুāĻŽ। āϝāĻāύ ‘āĻুāĻĄ্ āĻŦাāĻ’ āĻŦāϞে āĻšাāϤ āĻŦাā§াāϞুāĻŽ āϤāĻāύ āϏে āĻāĻāĻŦাāϰ āĻāĻŽাāϰ āĻĻিāĻে āϤাāĻিā§েāĻিāϞ। āĻĒ্āϰেāĻŽে āĻĒā§āϞে āύাāĻি āĻŽাāύুāώেāϰ āĻĒাāĻা āĻāĻাā§- āĻšāĻŦেāĻ āĻŦা, āĻিāύ্āϤু āĻ āĻāĻĨা āύিāĻļ্āĻā§ āĻাāύি āĻŽাāύুāώ āϤāĻāύ āĻোāĻে āĻŽুāĻে āĻāĻŽāύ āϏāĻŦ āύāϤুāύ āĻাāώা āĻĒā§āϤে āĻĒাāϰে āϝাāϰ āĻāύ্āϝ āĻোāύো āĻļāĻŦ্āĻĻāϰূāĻĒ āĻŽুāĻāϏ্āĻĨ āĻāϰāϤে āĻšā§ āύা। āϤāĻŦে āϏে āĻĒā§াāϤে āĻুāϞ āĻĨাāĻে āĻŦিāϏ্āϤāϰ, āĻাāĻāϤāϞীā§ āĻāύāϤ্āĻŽাāϰ। “āĻāĻŽি āĻĻেāĻāϞুāĻŽ āϞেāĻা āϰā§েāĻে ‘āĻŦিāώাāĻĻ’ āĻিāύ্āϤু āĻĒā§āϞুāĻŽ, ‘āĻāĻ āĻি āĻļেāώ?” āĻāĻŽিāĻ āĻ āĻŦাāĻ āĻšā§ে āĻļুāϧাāϞুāĻŽ, ‘āĻŦাāϰ্āϞিāύ āĻĨেāĻে āĻŽ্āϝুāύিāĻ āĻ āĻŦāϧি āĻšাāĻŽāϞা āĻāϰে āϏ্āĻেāĻļāύে āĻেāĻ āĻেā§ে āĻĻিāϞেāύ?’ āĻĄাāĻ্āϤাāϰāĻĻেāϰ āĻŦাঁāĻা āĻšাāϏি āĻšেāϏে āĻŦāϞāϞেāύ, āĻāĻĻāĻĒেāĻ āύা। āĻিāύ্āϤু āĻি āĻāϰ āĻĻāϰāĻাāϰ āĻĒিāĻু āύিā§ে? āĻŽেāĻĄিāĻেāϞ āĻāϞেāĻে āĻĒā§ে, āĻāϤেāĻ āĻŦ্āϝāϏ্। āϏেāĻĻিāύāĻ āĻেāϞুāĻŽ āĻŽেāĻĄিāĻেāϞ āĻāϞেāĻেāϰ āϰেāϏ্āϤোāϰাঁā§। āϞাāĻ্āĻ āĻেāϤে āύিāĻļ্āĻā§āĻ āĻāϏāĻŦে। āĻāĻŦাāϰে āĻŽেā§েāĻি āĻāϰ āϞāĻ্āĻা āĻĻিā§ে āĻŽāύেāϰ āĻাāĻŦāĻĸাāĻāϤে āĻĒাāϰāϞ āύা। āĻāĻŽাāĻে āĻĻেāĻা āĻŽাāϤ্āϰ āĻāĻĒāύ āĻ āĻাāύাāϤে āĻেā§াāϰ āĻেā§ে āĻāĻ ে āĻĻাঁā§িā§ে āĻšাāϤ āĻŦাā§াāϞো, āϏāĻ্āĻে āϏāĻ্āĻে āϏāĻŽāϏ্āϤ āĻŽুāĻে āϝে āĻুāĻļি āĻā§িā§ে āĻĒā§āϞ āϤা āĻĻেāĻে āĻāĻŽাāϰ āĻŽāύে āĻāϰ āĻোāύো āϏāύ্āĻĻেāĻš āϰāĻāϞ āύা, āĻāĻāĻŦাāύ āĻŽাāĻে āĻŽাāĻে āĻŦুāĻĻ্āϧিāĻŽাāύāĻেāĻ āϏাāĻšাāϝ্āϝ āĻāϰেāύ। ‘āϤāϤāĻ্āώāĻŖে āĻŽেā§েāĻি āϤাāϰ āĻāĻĒāύ-āĻšাāϰা āĻāĻāϰāĻŖāĻাāĻে āϏাāĻŽāϞে āύিā§েāĻে- āϞāĻ্āĻা āĻāϏে āĻāĻŦাāϰ āϏāĻŽāϏ্āϤ āĻŽুāĻ āĻĸেāĻে āĻĢেāϞেāĻে।’ āĻĄাāĻ্āϤাāϰ āĻাāύিāĻāĻ্āώāĻŖ āĻেāĻŦে āύিā§ে āĻŦāϞāϞেāύ, āĻāĻাāύেāĻ āϝāĻĻি āĻļেāώ āĻāϰা āϝেāϤ āϤāĻŦে āĻŽāύ্āĻĻ āĻšāϤ āύা āĻিāύ্āϤু āϏāϰ্āĻĻি-āĻাāĻļিāϰ āϤো āϤা āĻšāϞে āĻোāύো āĻšিāϞ্āϞে āĻšā§ āύা। āϤাāĻ āĻāĻŽিā§েāϏāĻŽিā§ে āϤাā§াāϤাā§ি āĻļেāώ āĻāϰে āĻĻি।’ āĻāĻŽি āĻŦāϞāϞুāĻŽ, ‘āĻāĻŽাāĻŦেāύ āύা! āϤাāϞāĻা āĻāĻāĻু āĻĻ্āϰāĻŽ্āύāϤ āĻāϰে āĻĻিāύ। āĻāĻŽাāĻĻেāϰ āĻĻেāĻļেāϰ āĻāϏ্āϤাāĻĻāϰা āĻĒ্āϰāĻĨāĻŽ āĻাāύিāĻāĻে āĻাāύ āĻāϰেāύ āĻŦিāϞāĻŽ্āĻŦিāϤ āĻāĻāϤাāϞে, āĻļেāώ āĻāϰেāύ āĻĻ্āϰāĻŽ্āύāϤ āϤাāϞে।’ āĻĄাāĻ্āϤাāϰ āĻŦāϞāϞেāύ, ‘āĻĻুঃāĻিāύী āĻŽেā§ে, āĻŦাāĻĒ-āĻŽা āύেāĻ! āĻāĻ āĻাāύ্āĻĄাāϰ āĻĒিāϏিāϰ āĻŦাā§ীāϤে āĻŽাāύুāώ āĻšā§েāĻে। āĻĻু’āĻŽুāĻ ো āĻেāϤে āĻĻেā§ āĻĒāϰāϤে āĻĻেā§, āĻŦ্āϝāϏ্। āĻāϞেāĻেāϰ āĻĢিāĻāĻি āĻĒāϰ্āϝāύ্āϤ āĻŦেāĻাāϰী āϝোāĻাā§ āĻāϰে āĻŽাāϏ্āĻাāϰি āĻāϰে। ‘āϤাāϤে āĻāĻŽাāϰ āĻিāĻু āĻŦāϞাāϰ āύেāĻ। āĻিāύ’ āĻāĻŽাāϰ āĻোāϰāϤāϰ āĻāĻĒāϤ্āϤি āĻāĻাāĻŦে āĻŦুā§ী āĻāĻŽāύি āύāĻāϰāĻŦāύ্āĻĻী āĻāϰে āϰেāĻেāĻে āϝে, āĻāĻিāϤা āĻšāϰিāĻŖীāϰ āĻŽāϤ āϏāĻŽāϏ্āϤāĻ্āώāĻŖ āϏে āĻĄাāĻāύে āĻŦাঁā§ে āϤাāĻাā§, āĻ āĻŦুāĻি āĻĒিāϏি āĻĻেāĻে āĻĢেāϞāϞে, āϏে āĻĒāϰāĻĒুāϰāĻŽ্āύāώেāϰ āϏāĻ্āĻে āĻāĻĨা āĻāĻāĻে। āĻāĻŽি āϤো āĻŦিāĻĻ্āϰোāĻš āĻāϰে āĻŦāϞāϞুāĻŽ, ‘āĻāĻি āĻŦুāĻাāϰাāϰ āĻšাāϰেāĻŽ, āύা āϤুāϰ্āĻী āĻĒাāĻļাāϰ āĻেāύাāύা? āĻ āĻ āϤ্āϝাāĻাāϰ āĻāĻŽি āĻিāĻুāϤেāĻ āϏāĻāĻŦ āύা।’ āĻāĻা āĻļুāϧু āĻāĻŽাāϰ āĻšাāϤ āϧāϰে āĻŦāϞে, ‘āĻĒāϏ্āύীāĻ, āĻĒ্āϞীāĻ, āϤুāĻŽি āĻāĻāĻু āĻŦāϰāĻĻাāϏ্āϤ āĻāϰে āύাāĻ, āĻāĻŽি āϤোāĻŽাāĻে āĻšাāϰাāϤে āĻাāĻāύে।’ āĻāϰ āĻŦেāĻļী āϏে āĻāĻ্āĻāύো āĻিāĻু āĻŦāϞেāύি। āĻāĻ āĻŽোāĻাāĻŽে āĻĒৌঁāĻāϤে āĻāĻŽাāϰ āϞেāĻেāĻিāϞ āĻাā§া āĻāĻāĻি āĻŽাāϏ। āĻŦিāĻŦেāĻāύা āĻāϰāĻŽ্āύāύ। āϏাāϤ āĻĻিāύ āϞেāĻেāĻিāϞ āĻĒ্āϰেāĻŽ āύিāĻŦেāĻĻāύ āĻāϰāϤে। āĻĒāύেāϰো āĻĻিāύ āϞেāĻেāĻিāϞ āĻšাāϤāĻাāύি āĻুঁāϤে। āϤাāϰো āĻāĻ āϏāĻĒ্āϤাāĻš āĻĒāϰে āϏে āĻāĻŽাā§ āĻŦāϞāϞে āĻেāύ āϏে āĻāĻŽāύ āĻā§ে āĻā§ে āĻĄাāĻāύে āĻŦাঁā§ে āϤাāĻাā§। ‘āĻĨিā§েāĻাāϰ āϏিāύেāĻŽা āĻŽাāĻĨাā§ āĻĨাāĻুāĻ, āĻāĻŽাāϰ āϏāĻ্āĻে āϰাāϏ্āϤাā§ āĻĒāϰ্āϝāύ্āϤ āĻŦেāϰāϤে āϰাāĻী āĻšā§ āύা- āĻĒাāĻে āĻĒিāϏি āĻĻেāĻে āĻĢেāϞে। āĻāĻŽি āĻāĻāĻĻিāύ āĻĨাāĻāϤে āύা āĻĒেāϰে āĻŦāϞāϞুāĻŽ āϤোāĻŽাāϰ āĻĒিāϏিāϰ āĻুāĻāύāĻুāĻĒ্āϞেāĻ āĻāĻে āύাāĻি āϝে āϤাāϰা āĻŽ্āϝুāύিāĻেāϰ āϏāĻŦ āϏ্āĻ্āϰ্āϝাāĻেāĻিāĻ āĻĒā§েāύ্āĻে āĻĻাঁā§িā§ে āϤোāĻŽাāϰ āĻāĻĒāϰ āύāĻāϰ āϰাāĻāĻে? āĻāϤ্āϤāϰে āĻļুāϧু āĻাāϤāϰ āϏ্āĻŦāϰে āĻŦāϞে, āĻĒ্āϞীāĻ, āĻĒ্āϞীāĻ।’ āϝা-āĻিāĻু āĻāϞাāĻĒ āĻĒāϰিāĻā§, āĻāύিāώ্āĻ āϤা āĻāϤ্āĻŽীā§āϤা āϏāĻŦ āĻ āĻāϞেāĻ āϰেāϏ্āϤোāϰাঁā§ āĻŦāϏে। āϏেāĻাāύে āϏাāϰ্āĻĄিāύ-āĻিāύেāϰ āĻিāϤāϰ āĻŽাāĻেāϰ āĻŽāϤ। āĻেā§াāϰে āĻেā§াāϰে āĻ াāϏাāĻ াāϏি āĻিāύ’ āϤাāϰ āĻšাāϤে āϝে āĻšাāϤāĻাāύা āϰাāĻāĻŦ āϤাāϰāĻ āĻāĻĒাā§ āύেāĻ। āĻেāĻ āϝāĻĻি āĻĻেāĻে āĻĢেāϞে।’ āĻāĻŽি āĻŦāϞāϞুāĻŽ, ‘āϏāĻŽুāĻে āϰā§েāĻে āϏুāϧা āĻĒাāϰাāĻŦাāϰ āύাāĻাāϞ āύা āĻĒাā§ āϤāĻŦু āĻঁāĻি āϤাāϰ āĻেāĻŽāύে āϏāϰাāĻŦ āĻুāĻšেāϞিāĻাāϰ āĻāĻ āĻŦাāϧা āϰে।’ āĻĄাāĻ্āϤাāϰ āĻŦāϞāϞেāύ, ‘āĻŽাāύে āĻŦāϞুāύ।’ āĻāĻŽি āĻŦāϞāϞুāĻŽ, ‘āĻāĻĒ āϝাāĻā§ে, āĻĒāϰে āĻŦāϞāĻŦো।’ āĻĄাāĻ্āϤাāϰ āĻŦāϞāϞেāύ, ‘āϏেāĻ āĻিā§েāϰ āĻŽাāĻāĻাāύে, āĻিāĻŽ্āĻŦা āĻāϰিāĻĄāϰে āĻĻাঁā§িā§ে āĻĻাঁā§িā§ে āĻāϞাāĻĒāĻাāϰি। āĻāϰিāĻĄāϰে āĻāĻĨা āĻāĻā§া āϝাā§ āĻĒ্āϰাāĻŖ āĻুāϞে, āĻিāύ’ āϤāĻŦু āĻāĻŽি āϰেāϏ্āϤোāϰাঁāϰ āĻিā§āĻ āĻĒāĻāύ্āĻĻ āĻāϰāϤুāĻŽ āĻŦেāĻļী, āĻাāϰāĻŖ āϏেāĻাāύে āĻĻৈāĻŦাā§, āĻ্āĻŦāĻিā§ āĻāĻāύো āĻāĻা āϤাāϰ āĻোāĻ্āĻ āĻুāϤোāĻি āĻĻিā§ে āĻāĻŽাāϰ āĻĒাā§েāϰ āĻāĻĒāϰ āĻĻিāϤ āĻাāĻĒ।’ ‘āϤাāϰ āĻŽাāϧুāϰ্āϝ āĻāĻĒāύাāĻে āĻি āĻāϰে āĻŦোāĻাāĻ? āĻāĻাāĻে āĻĒāϰে āύিāĻŦিā§āϤāϰ āĻāϰে āĻিāύেāĻি āĻিāύ’ āϏেāĻ āĻĒাā§েāϰ āĻাāĻĒ āϝে āĻāĻŽাāĻে āĻāϤ āĻāĻĨা āĻŦāϞেāĻে, āĻāϤ āĻāĻļ্āĻŦাāϏ āĻĻিā§েāĻে āϏেāĻা āĻি āĻāϰে āĻŦোāĻাāĻ?’ ‘āĻšā§āϤ āϤাāϰ āĻেāύা āĻোāύো āĻāĻ āĻোāĻāϰা āϏ্āĻুāĻĄেāύ্āĻ āĻāϏে āĻšাāϏিāĻŽুāĻে āϤাāĻে āĻĻুāĻি āĻāĻĨা āĻŦāϞāϞে। āĻ āϤ্āϝāύ্āϤ āĻšাāϰ্āĻŽāϞেāϏ āĻāĻŽি āĻিāύ’ āĻšিংāϏেā§ āĻāϰāĻāϰ। āĻেāĻŦিāϞেāϰ āĻāĻĒāϰ āϰাāĻা āĻāĻŽাāϰ āĻšাāϤ āĻĻুāĻো āĻাঁāĻĒāϤে āĻāϰāĻŽ্āĻ āĻāϰāĻে, āĻāĻŽি āĻāϰ āύিāĻেāĻে āϏাāĻŽāϞাāϤে āĻĒাāϰāĻিāύে- ‘āĻāĻŽāύ āϏāĻŽā§ āϏেāĻ āĻĒাā§েāϰ āĻŽৃāĻĻু āĻাāĻĒ। āϏāĻŦ āϏংāĻļā§েāϰ āĻ āĻŦāϏাāύ, āϏāĻŦ āĻĻুঃāĻ āĻ āύ্āϤāϰ্āϧাāύ।’ āĻĄাāĻ্āϤাāϰ āĻŦāϞāϞেāύ, ‘āϤাāĻ āĻāĻŽাāϰ āĻĻুঃāĻ āĻāϰ āĻŦেāĻĻāύাāϰ āĻ āĻŦāϧি āϰāĻāϞ āύা। āĻāĻ āĻŦিāϰাāĻ āĻŽ্āϝুāύিāĻ āĻļāĻšāϰেāϰ āϞāĻ্āώ āϞāĻ্āώ āύāϰāύাāϰী āύিāĻৃāϤে āĻŽāύেāϰ āĻাāϰ āύাāĻŽাāĻ্āĻে, āύিāώ্āĻ ুāϰ āϏংāϏাāϰে āϞā§āĻŦাāϰ āĻļāĻ্āϤি āĻāĻে āĻ āύ্āϝেāϰ āϏāĻ্āĻāϏুāĻ āϏ্āĻĒāϰ্āĻļāϏুāĻ āĻĨেāĻে āĻāĻšāϰāĻŖ āĻāϰে āύিāĻ্āĻে, āĻāϰ āĻāĻŽি āϤাāϰāĻ āĻŽাāĻāĻাāύে āĻāĻŽāύ āĻিāĻুāĻ āĻāϰে āĻāĻ āϤে āĻĒাāϰāĻিāύে āϝাāϤে āĻāϰে āĻāĻাāĻে āĻ āύ্āϤāϤ āĻāĻāĻŦাāϰেāϰ āĻŽāϤ āĻাāĻে āĻেāύে āĻāύāϤে āĻĒাāϰি! ‘āĻļেāώāĻাā§ āĻāϰ āϏāĻāϤে āύা āĻĒেāϰে āĻāĻāĻĻিāύ āĻāĻাāĻে āĻিāĻু āύা āĻŦāϞে āĻĢিāϰে āĻেāϞুāĻŽ āĻŦাāϰ্āϞিāύ। āϏেāĻাāύ āĻĨেāĻে āϞিāĻে āĻাāύāϞুāĻŽ, ‘āĻāϰāĻāĻŽ āĻাāĻে āĻĨেāĻে āύা āĻĒাāĻā§াāϰ āĻĻুঃāĻ āĻāĻŽাāϰ āĻĒāĻ্āώে āϏāĻš্āϝ āĻāϰা āĻ āϏāĻŽ্āĻāĻŦ āĻšā§ে āĻāĻ েāĻে- āĻāĻŽাāϰ āύাāϰ্āĻāϏ āĻāĻāĻĻāĻŽ āĻেāĻে। āϤোāĻŽাāϰ āĻাāĻ āĻĨেāĻে āĻŦিāĻĻাā§ āύিā§ে āĻāϏা āĻāĻŽাāϰ āĻিāĻুāϤেāĻ āĻšā§ে āĻāĻ āϤ āύা- āϤোāĻŽাāϰ āĻŽুāĻেāϰ āĻাāϤāϰ āĻāĻŦি āĻāĻŽাāϰ āĻāϞে āĻāϏাāϰ āϏāĻŦ āĻļāĻ্āϤি āύāώ্āĻ āĻāϰে āĻĢেāϞāϤ।’ āĻāĻŽি āĻŦāϞāϞুāĻŽ, ‘āĻāĻĒāύি āϤো āĻĻাāϰāĻŽ্āύāĻŖ āϞোāĻ āĻŽāĻļাāĻ। āϤāĻŦে, āĻš্āϝাঁ, āĻāĻĒāύাāĻĻেāϰ āύীāĻāĻļেāĻ āĻŦāϞেāĻেāύ, āĻā§া āύা āĻšāϞে āĻĒ্āϰেāĻŽ āĻŽেāϞে āύা।’ āĻĄাāĻ্āϤাāϰ āĻŦāϞāϞেāύ, ‘āĻ িāĻ āĻāϞ্āĻো! āĻā§া āĻšāϤে āĻĒাāϰāϞে āĻāĻŽি āĻŽ্āϝুāύিāĻ āĻĨেāĻে āĻĒাāϞাāϤুāĻŽ āύা। āĻĒāϞাā§āύ āĻিāύিāϏāĻা āĻি āĻŦীāϰেāϰ āϞāĻ্āώāĻŖ? āϤা āϏে āĻāĻĨা āĻĨাāĻ। ‘āĻāϤ্āϤāϰ āĻĒেāϞুāĻŽ āϏāĻ্āĻে āϏāĻ্āĻেāĻ। āϏে āĻিāĻ িāĻি āĻāĻŽি āĻāϤāĻŦাāϰ āĻĒā§েāĻি āϝে āϤাāϰ āĻĢুāϞāϏ্āĻāĻĒ āĻāĻŽা āĻĒāϰ্āϝāύ্āϤ āĻāĻŽাāϰ āĻŽুāĻāϏāϤ্āĻŽ āĻšā§ে āĻিā§েāĻে। āĻāĻŦং āϤাāϰ āĻেā§েāĻ āĻŦā§ āĻāĻĨা, āϏে āĻিāĻ িāĻিāϰ āĻŦāĻ্āϤāĻŦ্āϝ āĻāĻŽাāϰ āĻাāĻে āϏāĻŽ্āĻĒূāϰ্āĻŖ āĻ āĻŦিāĻļ্āĻŦাāϏ্āϝ āĻ েāĻāϞো।’ āĻāĻĒāύাāĻĻেāϰ āĻĻেāĻļে āĻ āĻŦিāĻļ্āĻŦাāϏ্āϝ āĻŦāϞে āĻোāύো āĻিāύিāϏ āύেāĻ- āĻিāĻিāϰিāĻে āĻŽাāĻĨাā§ āϤুāϞে āύিā§ে āĻāĻĒāύাāĻĻেāϰ āĻĻেāĻļে āĻšাāϤী āĻšাāĻŽেāĻļাāĻ āϰাāĻা āĻŦাāύাā§। āĻিāύ’ āĻāϰ্āĻŽāύিāϤে āϤো āϏে āϰāĻāĻŽ āĻāϤিāĻš্āϝ āύেāĻ। āĻিāĻ িāϤে āϞেāĻা āĻিāϞ- āĻŦেāĻļী āϞিāĻāĻŦ āύা- āĻāĻŽাāϰāĻ āĻ āϏāĻš্āϝ āĻšā§ে āĻāĻ েāĻে। āϤাāĻ āϏ্āĻĨিāϰ āĻāϰেāĻি, āϤোāĻŽাāϰ āĻāĻ্āĻাāĻŽāϤ āϤোāĻŽাā§ āĻāĻŽাā§ āĻāĻāĻŦাāϰ āύিāĻৃāϤে āĻĻেāĻা āĻšāĻŦে। āϤাāϰāĻĒāϰ āĻŦিāĻĻাā§। āϝāϤ āĻĻিāύ āĻĒিāϏি āĻāĻেāύ āϤāϤāĻĻিāύ āĻāĻŽি āĻāϰ āĻোāύো āĻĒāύ্āĻĨা āĻুঁāĻে āĻĒাāĻ্āĻিāύে। āϤুāĻŽি āĻāϏāĻে āĻŦুāϧāĻŦাāϰ āĻĻিāύ āĻāĻŽাāĻĻেāϰ āĻŦাā§ীāϰ āϏাāĻŽāύে āĻĢুāĻāĻĒাāϤে āĻ āĻĒেāĻ্āώা āĻāϰো। āĻāĻŽি āϤোāĻŽাāĻে āĻāĻŽাāϰ āĻāϰে āύিā§ে āĻāϏāĻŦ।” āĻĄাāĻ্āϤাāϰ āĻŦāϞāϞেāύ, ‘āĻŦিāĻļ্āĻŦাāϏ āĻšā§ āĻāĻĒāύাāϰ! āϝে āĻŽেā§ে āĻĒিāϏিāϰ āĻā§ে āĻāĻŽাāϰ āϏāĻ্āĻে āĻāϞেāĻ āϰেāϏেāϤ্āĻŽাāϰাঁā§ āĻŦাāĻāϰে āĻĒāϰ্āϝāύ্āϤ āϝেāϤে āϰাāĻী āĻšāϤ āύা, āϏে āĻāĻŽাāĻে āĻĄেāĻে āύিā§ে āϝাāĻ্āĻে āĻāĻĒāύ āĻāϰে?’ āĻāĻŽি āĻŦāϞāϞুāĻŽ, āĻĒীāϰিāϤী-āϏাā§āϰে āĻĄোāĻŦাāϰ āĻĒূāϰ্āĻŦে āϝে āϰাāϧা āϏাāĻĒেāϰ āĻāĻŦিāĻŽাāϤ্āϰ āĻĻেāĻেāĻ āĻ āĻ্āĻাāύ āĻšāϤেāύ āϏেāĻ āϰাāϧাāĻ āĻ āĻিāϏাāϰে āϝাāĻā§াāϰ āϏāĻŽā§ āĻāĻĒāύ āĻšাāϤ āĻĻিā§ে āĻĒāĻĨেāϰ āĻĒাāĻļেāϰ āϏাāĻĒেāϰ āĻĢāĻŖা āĻেāĻĒে āϧāϰেāĻেāύ āĻĒাāĻে āϏাāĻĒেāϰ āĻŽাāĻĨাāϰ āĻŽāĻŖিāϰ āĻāϞোāĻে āĻেāĻ āĻেāĻ āϤাঁāĻে āĻĻেāĻে āĻĢেāϞে।’ āĻĄাāĻ্āϤাāϰ āĻŦāϞāϞেāύ, ‘āϤাāĻ āĻŦāĻে। āϤāĻŦে āĻি āύা āĻāĻŽি āϰাāϧাāϰ āĻĒ্āϰেāĻŽāĻাāĻšিāύী āĻāĻāύো āĻĒā§িāύি। āϏে āĻāĻĨা āĻĨাāĻ। ‘āĻāĻŽি āĻŽ্āϝুāύিāĻে āĻĒৌঁāĻāϞুāĻŽ āĻŦুāϧāĻŦাāϰ āϏāύ্āϧ্āϝেāϰ āĻĻিāĻে। āĻā§āϞাāϰ āĻুঁā§োā§ āϏāϰ্āĻŦাāĻ্āĻ āĻĸেāĻে āĻিā§েāĻিāϞ āĻŦāϞে āĻĸুāĻāϞুāĻŽ āĻāĻāĻা āĻĒাāĻŦāϞিāĻ āĻŦাāĻĨে āϏ্āύাāύ āĻāϰāϤে। āĻাāĻŦে āĻŦāϏে āϏāϰ্āĻŦāĻļāϰীāϰ āĻĄāϞাāĻ-āĻŽāϞাāĻ āĻāϰে āĻāϰ āĻāϰāĻŽ āĻāϞে āϏেāĻĻ্āϧ āĻšā§ে āĻিংāϰিāĻাāϰ āĻŽāϤ āϞাāϞ āĻšā§ে āϝāĻāύ āĻŦেāϰāϞুāĻŽ āϤāĻāύ āĻāϰ āĻšাāϤে āĻŦেāĻļী āϏāĻŽā§ āύেāĻ। āĻ āĻĨāĻ āĻাāĻŦ āĻĨেāĻে āĻāϰāĻāĻŽ āĻšুāĻ āĻāϰে āĻ াāύ্āĻĄাā§ āĻŦেāϰāϞে āϝে āϏāĻ্āĻে āϏāĻ্āĻে āĻāĻĒ্ āĻāϰে āϏāϰ্āĻĻি āĻšā§ āϏে āĻāĻĨাāĻ āĻাāύি। āĻাāύāĻা āύা āĻāϰāϞেāĻ āϝে āĻšāϤ āϏে āϤāϤ্āϤ্āĻŦāĻা āĻŦুāĻāϤে āĻĒাāϰāϞুāĻŽ āϰাāϏāϤ্āĻŽাā§ āĻŦেāϰিā§ে āĻিāύ’ āϤāĻāύ āĻāϰ āĻāĻĢāϏোāϏ āĻāϰে āĻোāύো āĻĢাā§āĻĻা āύেāĻ। āϏেāĻ āĻĄিāϏেāĻŽ্āĻŦāϰেāϰ āĻļীāϤে āĻāϞāϞুāĻŽ āĻāĻাāϰ āĻŦাā§িāϰ āĻĻিāĻে- āĻŽা-āĻŽেāϰীāϰ āĻāĻĒāϰ āĻāϰāϏা āĻāϰে, āϝে āĻ āϝাāϤ্āϰাā§ āϏāϰ্āĻĻিāĻা āύাāĻ āĻšāϤে āĻĒাāϰে।
āĻāĻŽি āĻŦāϞāϞুāĻŽ, ‘āĻāĻŽāϰা āĻŦাāĻāϞাā§ āĻŦāϞি, ‘āĻĻুāϰ্āĻāĻা āĻŦāϞে āĻুāϞে āĻĒā§āϞুāĻŽ’।’ āĻĄাāĻ্āϤাāϰ āĻŦāϞāϞেāύ, ‘āϏাā§ে āĻāĻাāϰোāĻাāϰ āϏāĻŽā§ āĻিā§ে āĻĻাঁā§াāϞুāĻŽ āĻāĻŦাāϰ āĻŦাā§িāϰ āϏাāĻŽāύেāϰ āϰাāϏāϤ্āĻŽাā§। āĻেāĻŽ্āĻĒাāϰেāĻাāϰ āϤāĻāύ āĻļূāύ্āϝেāϰāĻ āύীāĻে- āĻāĻĒāύাāĻĻেāϰ āĻĒাāĻāϞা āĻĢাāϰāύ্āĻšাāĻāĻেāϰ āĻšিāϏেāĻŦে āĻŦāϤ্āϰিāĻļেāϰ āĻĸেāϰ āύীāĻে! āϰাāϏ্āϤাā§ āĻāĻ āĻĢুāĻ āĻŦāϰāĻĢ। āĻāĻাāĻļ āĻŽেāĻাāĻ্āĻāύ্āύ, āĻāϰ āĻāĻŽাāϰ āĻāϤুāϰ্āĻĻিāĻে āϝে āĻšিāĻŽ āĻāύাāϤে āϞাāĻāϞো āϤাāϰ āϏāĻ্āĻে āϤুāϞāύা āĻĻিā§ে āĻŦāϞāϤে āĻĒাāϰি āĻāĻŽাāĻে āϝেāύ āĻেāĻ āĻāĻāĻা āĻŦিāϰাāĻ āĻĢ্āϰিāĻিāĻĄেāϰেāϰ āĻিāϤāϰ āϤাāϞাāĻŦāύ্āϧ āĻāϰে āϰেāĻে āĻĻিāϞ। āϤিāύ āĻŽিāύিāĻ āϝেāϤে āύা āϝেāϤে āύাāĻŽāϞ āĻŽুāώāϞāϧাāϰে…āĻŦৃāώ্āĻি āύā§-āϏāϰ্āĻĻ্āĻĻি। āϏāĻ্āĻে āϏāĻ্āĻে āĻĄাāĻāύাāĻŽাāĻāĻ āĻĢাāĻাāϰ āĻšাঁāĻি-āĻšাঁāĻ্āĻো, āĻšাঁāĻ্āĻো, āĻšাঁāĻ্āĻো। āĻāĻĒāύাāϰ āĻāĻāĻেāϰ āϏāϰ্āĻĻি āϤাāϰ āϤুāϞāύাā§ āύāϏ্āϝি, āĻ āϰ্āĻĨাā§ āύāϏ্āϝিāϰ āĻোঁāĻাā§ āύাāĻŽাāύো āĻā§াāĻ āĻĢোঁāĻা āĻāϞ। āĻšাঁāĻি āĻāϰ āĻāϞ, āĻāϞ āĻāϰ āĻšাঁāĻি। ‘āĻি āĻāϰি, āĻি āĻāϰি āĻাāĻŦāĻি, āĻāĻŽāύ āϏāĻŽā§ āĻāĻা āĻāϏে āύিঃāĻļāĻŦ্āĻĻে āĻāĻŽাāϰ āĻšাāϤ āϧāϰāϞো- āĻŦāϰāĻĢেāϰ āĻুঁā§োāϰ āĻāĻĒāϰ āĻĒাā§েāϰ āĻļāĻŦ্āĻĻ āĻļোāύা āϝাā§ āύা। āϤাāϰ āĻāĻĒāϰ āϏে āĻĒāϰেāĻে āϏেāĻ āĻ্āϰেāĻĒāϏোāϞেāϰ āĻুāϤো- āĻŦেāĻাāϰীāϰ āĻŽাāϤ্āϰ āĻ āĻāĻ āĻোā§াāĻ āϏāĻŽ্āĻŦāϞ! ‘āĻোāύো āĻāĻĨা āύা āĻŦāϞে āĻāĻŽাāĻে āύিā§ে āĻāϞāϞ āϤাāϰ āϏāĻ্āĻে। āĻĢ্āϞ্āϝাāĻেāϰ āĻĻāϰāĻা āĻুāϞে, āĻāϰিāĻĄāϰেāϰ āĻাāύিāĻāĻে āĻĒেāϰিā§েāĻ āϤাāϰ āĻাāĻŽāϰা। āύিঃāĻļāĻŦ্āĻĻে āĻāĻŽাāĻে āϏে āĻĸুāĻিā§ে āĻĻāϰāĻাā§ āĻিāϞ āĻĻিā§ে āĻŽাāĻĨা āύিāĻু āĻāϰে āĻāĻŽাāϰ āϏাāĻŽāύে āĻĻাঁā§িā§ে āϰāĻāϞ। ‘āĻāĻাāϰ āĻোāϞাāĻĒি āĻŽুāĻ āĻĄাāĻ্ āĻĒāύিāϰেāϰ āĻŽāϤ āĻšāϞāĻĻে, āĻুāĻāĻুāĻে āϞাāϞ āĻ োঁāĻ āĻĻুāĻি āĻŦāϞু āĻĄাāύā§ুāĻŦেāϰ āĻŽāϤ āĻāύ āĻŦেāĻুāύি- āύীāϞ- āĻā§ে, āĻāϤ্āϤেāĻāύাā§। ‘āĻāϰ āϏāĻ্āĻে āϏāĻ্āĻে āĻļুāϰāĻŽ্āύ āĻšāϞ āĻāĻŦাāϰ āĻāĻŽাāϰ āϏেāĻ āĻĄাāĻāύাāĻŽাāĻāĻ āĻĢাāĻাāύো āĻš্āϝাঁāĻ্āĻো, āĻšাঁāĻ্āĻো। ‘āĻāĻা āĻāĻŽাāĻে āϧāϰে āύিā§ে āĻāĻŽাāϰ āĻŽাāĻĨা āĻুঁāĻে āĻĻিāϞ āĻŦিāĻাāύাā§। āĻŽাāĻĨাāϰ āĻāĻĒāϰ āĻাāĻĒাāϞো āĻŦাāϞিāĻļ āĻāϰ āϏāĻŦ āĻ’āĻাāύা āϞেāĻĒ-āĻāĻŽ্āĻŦāϞ। āĻŦুāĻāϤে āĻĒাāϰāϞুāĻŽ āĻেāύ, āĻĒাāĻļেāϰ āĻāϰে āĻĒিāϏি āϝāĻĻি āĻļুāύāϤে āĻĒাāύ āϤāĻŦেāĻ āĻšā§েāĻে। āĻāĻŽি āĻĒ্āϰাāĻŖāĻĒāĻŖ āĻšাঁāĻি āĻাāĻĒাāĻŦাāϰ āĻেāώ্āĻা āĻāϰāĻি āĻāϰ āϞেāĻĒ-āĻāĻŽ্āĻŦāϞেāϰ āĻিāϤāϰ āĻŦāĻŽ্-āĻļেāϞ্ āĻĢাāĻাāĻ্āĻি। ‘āĻāϤāĻ্āώāĻŖ āĻ āϰāĻāĻŽ āĻেāĻেāĻিāϞ āĻŦāϞāϤে āĻĒাāϰāĻŦ āύা। āĻšাঁāĻিāϰ āĻļāĻŦ্āĻĻ āĻিāĻুāϤেāĻ āĻĨাāĻŽāĻে āύা। āĻāĻা āĻļুāϧু āĻāĻŽ্āĻŦāϞ āĻাāĻĒাāĻ্āĻে, āĻāĻŽাāϰ āĻĻāĻŽ āĻŦāύ্āϧ āĻšāĻŦাāϰ āĻāĻĒāĻ্āϰāĻŽ āĻিāύ’ āύিāĻŦিā§ āĻĒুāϞāĻে āĻŦাāϰ āĻŦাāϰ āĻāĻŽাāϰ āϏāϰ্āĻŦāĻļāϰীāϰ āĻļিāĻšāϰিāϤ āĻšāĻ্āĻে- āĻāĻাāϰ āĻšাāϤেāϰ āĻাāĻĒ āĻĒেā§ে। ‘āĻāĻŽāύ āϏāĻŽā§ āĻĻāϰāĻাā§ āϧাāĻ্āĻা āĻāϰ āύাāϰীāĻāĻŖ্āĻ েāϰ āϤীāĻŦ্āϰ āĻীā§āĻাāϰ, ‘āĻĻāϰāĻা āĻোāϞ।’ ‘āĻĒিāϏি!’ ‘āĻāϰ āϞুāĻিā§ে āĻĨেāĻে āϞাāĻ āύেāĻ। āĻāĻŽি āϞেāĻĒেāϰ āĻিāϤāϰ āĻĨেāĻে āĻŦেāϰāϞুāĻŽ। āĻāĻা āĻā§ে āĻিāϰāĻŽি āĻিā§েāĻে, āĻাāĻেāϰ āĻāĻĒāϰ āύেāϤিā§ে āĻĒā§েāĻে।
‘āĻāĻŽি āĻĻāϰāĻা āĻুāϞে āĻĻিāϞুāĻŽ। āϏাāĻ্āώাā§ āĻļāĻুāύিāϰ āĻŽāϤ āĻŦীāĻā§āϏ āĻāĻ āĻŦুā§ী āĻāϰে āĻĸুāĻে āĻāĻŽাāϰ āĻĻিāĻে āύা āϤাāĻিā§েāĻ āĻāĻাāĻে āĻŦāϞāϞো, ‘āĻাāϞ āϏāĻাāϞেāĻ āϤুāĻ āĻ-āĻŦাā§ি āĻাā§āĻŦি’। ‘āϏāĻ্āĻে āϏāĻ্āĻে āĻāϰ āĻি āϏāĻŦ āĻŦāĻুāύি āĻĻিā§েāĻিāϞ, āĻেāύ্āύা, āĻেāϞেāĻ্āĻাāϰি, āĻļোāĻŦাāϰ āĻāϰে āĻĒāϰāĻĒুāϰāĻŽ্āύāώ’, ‘āϰাāϏāϤ্āĻŽাāϰ āĻŽেā§েāϰ āĻŦ্āϝাāĻাāϰ’, āĻāĻ āϏāĻŦ, āϏে āĻāĻŽাāϰ āĻāϰ āĻŽāύে āύেāĻ। āĻŦুā§ী āĻāĻŽাāϰ āĻĻিāĻে āϤাāĻাā§ āύা, āĻাāϞেāϰ āĻāĻĒāϰ āĻাāϞ āĻā§āĻে āϝেāύ āĻ’ āĻāĻি āĻĒিā§াāύোāϰ āĻāĻ āĻĒ্āϰাāύ্āϤ āĻĨেāĻে āĻāϰেāĻ āĻĒ্āϰাāύ্āϤ āĻ āĻŦāϧি āĻেāĻ āĻāĻ্āĻুāϞ āĻাāϞাāĻ্āĻে। ‘āĻāĻŽি āĻĨাāĻāϤে āĻĒাāϰāϞুāĻŽ āύা। āĻŦুā§ীāϰ āĻĻুāĻ āĻŦাāĻšু āĻĻু’āĻšাāϤ āĻĻিā§ে āĻেāĻĒে āϧāϰে āĻŦāϞāϞুāĻŽ, ‘āĻāĻŽাāϰ āύাāĻŽ āĻĒেāĻাāϰ āϏেāϞ্āĻŦাāĻ। āĻŦাāϰ্āϞিāύে āĻĄাāĻ্āϤাāϰি āĻāϰি। āĻāĻĻ্āϰāĻāϰেāϰ āĻেāϞে। āĻāĻĒāύাāϰ āĻাāĻāĻিāĻে āĻŦিā§ে āĻāϰāϤে āĻাāĻ’।’ āĻĄাāĻ্āϤাāϰ āĻŦāϞāϞেāύ, āĻŽাāĻŽেāϰী āϏাāĻ্āώী āĻāĻŽি āĻāĻাāĻে āĻŦিā§ে āĻāϰাāϰ āĻĒ্āϰāϏāϤ্āĻŽাāĻŦ āĻāϤāĻĻিāύ āĻāϰিāύি āĻĒাāĻে āϏে ‘āύা’ āĻŦāϞে āĻŦāϏে। āĻāĻŽি āĻ āĻĒেāĻ্āώা āĻāϰেāĻিāϞুāĻŽ āĻĒāϰিāĻā§āĻা āĻāύাāĻŦাāϰ āĻāύ্āϝ। āĻŦিā§েāϰ āĻĒ্āϰāϏāϤ্āĻŽাāĻŦāĻা āĻāĻŽাāϰ āĻŽুāĻ āĻĻিā§ে āϝে āϤāĻāύ āĻি āĻāϰে āĻŦেāϰিā§ে āĻেāϞ āĻāĻŽি āĻāĻāĻ āĻŦুāĻে āĻāĻ āϤে āĻĒাāϰিāύি। ‘āĻĒিāϏি āĻāĻŽাāϰ āĻĻিāĻে āĻšাāĻŦাāϰ āĻŽāϤো āϤাāĻাāϞো- āĻāĻ āĻŦিāĻā§ āĻāĻā§া āĻšা āĻāϰে। āĻĒাāĻা āĻĻু’āĻŽিāύিāĻ āϤাāϰ āϞেāĻেāĻিāϞ āĻŦ্āϝাāĻĒাāϰāĻা āĻŦুāĻāϤে। āϤাāϰāĻĒāϰ āĻĢুāĻে āĻāĻ āϞ āĻŽুāĻেāϰ āĻāĻĒāϰ āĻুāĻļীāϰ āĻĒā§āϞা āĻāϞāĻ। āϏেāĻা āĻĻেāĻāϤে āĻāϰো āĻŦীāĻā§āϏ! āĻŽুāĻেāϰ āĻুঁāĻāĻাāύো āĻāĻŦā§ো āĻĨেāĻŦā§ো āĻাāϞ, āĻাāĻা-āĻোāϰা-āύাāĻ-āĻŽুāĻ-āĻ োঁāĻ āϝেāύ āĻāϰāĻ āĻŦিāĻৃāϤ āĻšā§ে āĻেāϞ। ‘āĻāĻŽাāĻে āĻā§িā§ে āϧāϰে āĻি āϝেāύ āĻŦāϞāϞে āĻ িāĻ āĻŦুāĻāϤে āĻĒাāϰāϞুāĻŽ āύা। āϤাāϰāĻĒāϰ āĻšāĻ াā§ āĻāĻŽাāĻে āĻেā§ে āĻĻিā§ে āĻুāĻāϞ āĻāϰিāĻĄāϰেāϰ āĻĻিāĻে। āĻীā§āĻাāϰ āĻāϰে āĻাāĻে āϝেāύ āĻĄাāĻāĻে। ‘āĻāĻা āϤāĻāύো āĻ āĻৈāϤāύ্āϝ।’
‘āĻŦুā§ী āĻĢিāϰে āĻāϞ āĻŦুā§োāĻে āύিā§ে। āĻŦুā§ো āĻŦ্āϝাāĻĒাāϰāĻা āĻŦুāĻে āύিā§েāĻে āĻāĻ āĻāϰে। āϤাāϰ āĻেāĻšাāϰাāĻা āĻুāĻļীāϰ āĻĒিāĻāύে āĻĻেāĻāϞুāĻŽ āϏেāĻ āĻীāϤ āĻাāĻŦ-āĻāĻাāϰ āĻŽুāĻে āϝেāĻা āĻ āώ্āĻāĻĒ্āϰāĻšāϰ āϞেāĻĒা āĻĨাāĻে। āĻŦুāĻāϞুāĻŽ, āĻĒিāϏিāϰ āĻĻাāĻĒāĻে āĻ āĻŦাā§িāϰ āϏāĻāϞেāϰāĻ āĻāĻŖ্āĻ āĻļ্āĻŦাāϏ। ‘āĻŽāύে āĻšāϞ āĻŦুā§ো āĻুāĻļী āĻšā§েāĻে, āĻāĻা āϝে āĻ āĻŦাā§িāϰ āĻ āϤ্āϝাāĻাāϰ āĻĨেāĻে āύিāώ্āĻৃāϤি āĻĒেā§েāĻে āϤাāϰ āĻāύ্āϝ। āĻšাā§, āϤাāϰ āϤো āύিāώ্āĻৃāϤি āύেāĻ।’
āĻĄাāĻ্āϤাāϰ āĻŦāϞāϞেāύ, ‘āϏেāĻ āĻĻুāĻĒুāϰ āϰাāϤে āĻā§াāĻāύ āĻāϞ, āĻļ্āϝাāĻŽ্āĻĒেāύ āĻāϞ। āĻšোāĻেāϞ āĻĨেāĻে āϏāϏেāĻ্ āĻāĻ্āϞেāĻ্ āĻāϞ। āĻšৈ āĻšৈ āϰৈ āϰৈ। āĻāĻা āϏāĻŽ্āĻŦিāϤে āĻĢিāϰেāĻে। āĻŦুā§ো āĻļ্āϝাāĻŽ্āĻĒেāύ āĻাāύāĻে āĻāϞেāϰ āĻŽāϤো। āĻŦুā§ী āĻāĻ āĻেāϞাāϏেāĻ āĻং। āĻāĻŽাāĻে āĻā§িā§ে āĻļুāϧু āĻাঁāĻĻে āĻāϰ āĻāĻাāϰ āĻŦাāĻĒেāϰ āĻāĻĨা āϏ্āĻŽāϰāĻŖ āĻāϰে āĻŦāϞে, āĻাāĻ āĻŦেঁāĻে āĻĨাāĻāϞে āĻāĻ āϏে āĻী āĻুāĻļীāĻাāĻ āύা āĻšāϤ। ‘āĻāϰ āĻāĻা? āĻāĻŽাāĻে āĻāĻāĻŦাāϰ āĻļুāϧু āĻাāύে āĻাāύে āĻŦāϞāϞ, ‘āĻীāĻŦāύে āĻāĻ āĻĒ্āϰāĻĨāĻŽ āĻļ্āϝাāĻŽ্āĻĒেāύ āĻাāĻ্āĻি। āϤুāĻŽি āĻāĻŽাāϰ āĻāĻĒāϰ āĻāĻāĻু āύāĻāϰ āϰেāĻো।’ āĻĄাāĻ্āϤাāϰ āĻā§āϏাāĻšিāϤ āĻšā§ে āĻāϰো āĻি āϝেāύ āĻŦāϞāϤে āϝাāĻ্āĻিāϞেāύ āĻāĻŽāύ āϏāĻŽā§ āĻāϏ্āϤে āĻāϏ্āϤে āĻĻāϰāĻা āĻুāϞে āĻāϰে āĻĸুāĻāϞেāύ āĻāĻ āϏুāύ্āĻĻāϰী- āĻšাঁ, āϏুāύ্āĻĻāϰী āĻŦāĻে। āĻāĻ āϞāĻšāĻŽাā§ āĻāĻŽি āύāϰ্āĻĨ āϏীāϰ āĻāύ āύীāϞ āĻāϞ, āĻĻāĻ্āώিāĻŖ āĻāĻাāϞিāϰ āϏোāύাāϞি āϰোāĻĻে āϰূāĻĒাāϞি āĻĒ্āϰāĻাāĻĒāϤি, āĻĄাāύā§ুāĻŦেāϰ āĻļাāύ্āϤ-āĻĒ্āϰāĻļাāύ্āϤ āĻāĻŦি, āϏেāĻ āĻĄাāύā§ুāĻŦেāϰāĻ āϞāĻ্āĻাāĻļীāϞ āĻĻেāĻšāĻ্āĻāύ্āĻĻ āϰাāĻāϞ্āϝাāύ্āĻĄেāϰ āĻļ্āϝাāĻŽāϞিā§া āĻŽোāĻšāύীā§া āĻāύ্āĻĻ্āϰāĻাāϞ āϏāĻŦ āĻিāĻুāĻ āĻĻেāĻāϤে āĻĒেāϞুāĻŽ। āĻāϰ āϏে āĻী āϞাāĻুāĻ āĻšাāϏি āĻšেāϏে āĻāĻŽাāϰ āĻĻিāĻে āϤিāύি āĻšাāϤ āĻŦাā§াāϞেāύ। āĻāĻŽি āĻŽাāĻĨা āύীāĻু āĻāϰে āĻĢāϰাāϏিāϏ āĻাā§āĻĻাā§ āϤাঁāϰ āĻāĻŽ্āĻĒāĻ āĻāϰাāĻ্āĻুāϞি-āĻĒ্āϰাāύ্āϤে āĻāώ্āĻ āϏ্āĻĒāϰ্āĻļ āĻāϰে āĻŽāύে āĻŽāύে āĻŦāϞāϞুāĻŽ, ‘āĻŦেঁāĻে āĻĨাāĻো āϏāϰ্āĻĻি-āĻাāĻļি āĻিāϰāĻীāĻŦী āĻšā§ে āϤুāĻŽি।’
āϏৈā§āĻĻ āĻŽুāĻāϤāĻŦা āĻāϞী
āĻā§āĻ্āĻāϰ āϏāϰ্āĻĻি āĻšā§েāĻে। āύাāĻ āĻĻিā§ে āϝা āĻāϞ āĻŦেāϰāĻŽ্āύāĻ্āĻে āϤা āϏাāĻŽāϞাāύো āϰāĻŽ্āύāĻŽাāϞেāϰ āĻāϰ্āĻŽ āύā§। āĻĄāĻŦāϞ āϏাāĻāĻ āĻŦিāĻাāύাāϰ āĻাāĻĻāϰ āύিā§ে āĻāĻুāύেāϰ āĻাāĻে āĻŦāϏেāĻি। āĻšাঁāĻāĻি āĻāϰ āύাāĻ āĻাā§āĻি, āύাāĻ āĻাā§āĻি āĻāϰ āĻšাঁāĻāĻি। āĻŦিāĻাāύাāϰ āĻাāĻĻāϰেāϰ āĻ āϰ্āϧেāĻāĻাāύা āĻšā§ে āĻāϏেāĻে, āĻāĻāύ āĻŦেāĻে āĻŦেāĻে āĻļুāĻāύো āĻাā§āĻা āĻŦেāϰ āĻāϰāϤে āĻšāĻ্āĻে। āĻļীāϤেāϰ āĻĻেāĻļ, āĻĻোāϰ āĻাāύাāϞা āĻŦāύ্āϧ, āĻিāĻ্āĻু āĻোāϞাāϰ āĻāĻĒাā§ āύেāĻ। āĻাāύāϞা āĻুāϞāϞে āĻŽāύে āĻšā§ āĻৌāϰীāĻļāĻ্āĻāϰেāϰ āĻূā§োāĻি āϝেāύ āĻšিāĻŽাāϞ⧠āϤ্āϝাāĻ āĻāϰে āĻāĻŽাāϰ āĻāϰে āύাāĻ āĻāϞাāĻŦাāϰ āϤাāϞে āĻāĻেāύ। āĻাāύি, āĻāĻāĻ āϰāĻŽ্āύāĻŽাāϞে āĻŦাāϰāĻŦাāϰ āύাāĻ āĻাā§āϞে āϏāϰ্āĻĻি āĻŦেā§েāĻ āĻāϞে, āĻিāύ’ āĻāĻĒাā§ āĻি? āĻĻেāĻļে āĻšāϞে āϰāĻে āĻŦāϏে āĻŦাāĻāϰে āĻāϞা āĻŦাā§িā§ে āĻĻিā§ে āϏāĻļāĻŦ্āĻĻে āύাāĻ āĻাā§āϤুāĻŽ, āĻ āύোংāϰাāĻŽিāϰ āĻšাāϤ āĻĨেāĻে āϰāĻ্āώা āϤো āĻĒেāϤুāĻŽāĻ, āύাāĻāĻাāĻ āĻাāĻĒā§েāϰ āĻāώাā§ āĻā§ে āϝেāϤো āύা। āĻšāĻ াā§ āĻŽāύে āĻĒā§āϞ āĻĒāϰāĻļু āĻĻিāύ āĻāĻ āĻĄাāĻ্āϤাāϰেāϰ āϏāĻ্āĻে āĻ āĻĒেāϰাāϤে āĻāϞাāĻĒ āĻšā§েāĻে। āĻĄাāĻāϏাঁāĻāĻে āĻĄাāĻ্āϤাāϰ- āĻŽ্āϝুāύিāĻ āĻļāĻšāϰে āύাāĻŽ āĻāϰāϤে āĻĒাāϰাāĻা āĻাāĻ্āĻিāĻাāύি āĻāĻĨা āύā§। āϝāĻĻিāĻ āĻাāύি āĻĄাāĻ্āϤাāϰ āĻāϰāĻŦে āĻāĻু, āĻাāϰāĻŖ āĻāϰ্āĻŽāύ āĻাāώাāϤেāĻ āĻĒ্āϰāĻŦাāĻĻ āĻāĻে āĻāώুāϧ āĻেāϞে āϏāϰ্āĻĻি āϏাāϰে āϏাāϤ āĻĻিāύে, āύা āĻেāϞে āĻāĻ āϏāĻĒ্āϤাā§। āϤāĻŦু āĻেāϞুāĻŽ āϤাঁāϰ āĻŦাā§ী। āĻāĻŽাāϰ āĻেāĻšাāϰা āĻĻেāĻেāĻ āϤিāύি āĻŦুāĻāϤে āĻĒাāϰāϞেāύ āĻŦ্āϝাāĻĒাāϰāĻা āĻি। āĻāĻŽি āĻļুāϧাāϞাāĻŽ, āϏāϰ্āĻĻিāϰ āĻāώুāϧ āĻāĻে? āĻāĻĒāύাāϰ āĻĒ্āϰāĻĨāĻŽ āĻāĻŦং āĻুāĻŦ āϏāĻŽ্āĻāĻŦ āĻļেāώ āĻাāϰāϤীā§ āϰোāĻীāϰ āĻāĻāĻা āĻŦ্āϝāĻŦāϏ্āĻĨা āĻāϰে āĻĻিāύ। āĻāĻŽাāϰ āĻāĻ āύাāĻ āĻĻিā§ে āĻŦেāϰāĻŽ্āύāĻ্āĻে āϰাāĻāύ, āĻ āύ্āϝ āύাāĻ āĻĻিā§ে āĻāĻĄাāϰ। āĻĄাāĻ্āϤাāϰ āϝāĻĻিāĻ āĻāϰ্āĻŽāύ āϤāĻŦু āĻšাāϤ āĻĻু’āĻাāύি āĻāĻাāĻļেāϰ āĻĻিāĻে āϤুāϞে āϧāϰāϞেāύ āĻĢāϰাāϏিāϏ্ āĻাā§āĻĻাā§।
āĻŦāϞāϞেāύ, ‘āĻ āĻŦাāĻ āĻāϰāϞেāύ, āϏ্āϝাāϰ! āϏāϰ্āĻĻিāϰ āĻāώুāϧ āύেāĻ? āĻāϤ āĻাāύ? āϏāϰ্āĻĻিāϰ āĻāώুāϧ āĻšā§ āĻšাāĻাāϰো āϰāĻāĻŽেāϰ।’ āĻŦāϞে āĻāĻŽাāĻে āĻĒাāĻļেāϰ āĻāϰে āύিā§ে āĻিā§ে āĻুāϞāϞেāύ āϞাāϞ āĻেāϞ্āϞাāϰ āϏāĻĻāϰ āĻĻāϰāĻা āĻĒāϰিāĻŽাāĻŖ āĻāĻ āĻāϞāĻŽাāϰি। āĻৌāĻো, āĻোāϞ, āĻোāĻŽāϰ-āĻŽোāĻা, āĻĒেāĻ-āĻাāϰী āĻŦাāĻšাāύ্āύ āϰāĻāĻŽেāϰ āĻŦোāϤāϞ-āĻļিāĻļিāϤে āĻāϰ্āϤি। āύাāύা āϰāĻেāϰ āϞেāĻŦেāϞ āĻāϰ āϏেāĻুāϞোāϰ āĻāĻĒāϰ āϞেāĻা āϰā§েāĻে āĻŦিāĻāĻ āĻŦিāĻāĻ āϏāĻŦ āϞাāϤিāύ āύাāĻŽ। āĻāĻŦাāϰে āĻাāύāĻĻাāύী āĻিā§েāύীāĻ āĻাā§āĻĻাā§ āĻোāĻŽāϰে āĻĻু’āĻাঁāĻ āĻšā§ে āĻŦাāĻ āĻāϰে āĻŦাঁ āĻšাāϤāĻা āĻĒেāĻেāϰ āĻāĻĒāϰ āϰেāĻে āĻĄাāύ āĻšাāϤ āĻĻিā§ে āϤāϞোā§াāϰ āĻাāϞাāύোāϰ āĻাā§āĻĻাā§ āĻĻেāϰাāĻেāϰ āĻāĻ āĻĒ্āϰাāύ্āϤ āĻĨেāĻে āĻāϰেāĻ āĻĒ্āϰাāύ্āϤ āĻ āĻŦāϧি āĻĻেāĻিā§ে āĻŦāϞāϞেāύ, ‘āĻŦেāĻে āύিāύ, āĻŽāĻšাāϰাāĻ (āĻāĻĨাāĻা āĻāϰ্āĻŽāύ āĻাāώাā§ āĻাāϞু āĻāĻে) āϏāĻŦ āϏāϰ্āĻĻিāϰ āĻĻাāĻā§াāĻ।’ āĻāĻŽি āϏāύ্āĻĻিāĻ্āϧ āύā§āύে āϤাঁāϰ āĻĻিāĻে āϤাāĻাāϞুāĻŽ। āĻĄাāĻ্āϤাāϰ āĻŽুāĻāĻŦ্āϝাāĻĻāύ āĻāϰে āĻĒāϰিāϤোāώেāϰ āĻāώ⧠āĻšাāϏ্āϝ āĻĻিā§ে āĻাāϞেāϰ āĻĻুāĻি āĻোāϞ āĻোāϞāϤাāĻ āĻāϰে āĻĻিā§েāĻেāύ- āĻšা’ āĻা āϞেāĻে āĻĻিā§েāĻে āĻĻু’āĻাāύেāϰ āĻĄāĻাā§। āĻāĻāĻা āĻāώুāϧেāϰ āĻāĻāĻŽāĻে āϞাāϤিāύ āύাāĻŽ āĻ āϤি āĻāώ্āĻে āĻāĻ্āĻাāϰāĻŖ āĻāϰে āĻŦāϞāϞুāĻŽ, ‘āĻāϰ āĻŽাāύে āϤো āĻাāύিāύে।’ āϏāĻĻā§ āĻšাāϏি āĻšেāϏে āĻŦāϞāϞেāύ, ‘āĻāĻŽিāĻ āĻাāύিāύে, āϤāĻŦে āĻāĻুāĻু āĻাāύি, āĻ াāĻুāϰāĻŽা āĻŽাāϰ্āĻা āĻāĻু-āĻেঁāĻু āĻŽেāĻļাāύো āĻĻিāĻļী āĻĻাāĻā§াāĻ āĻŽাāϤ্āϰেāϰāĻ āϞāĻŽ্āĻŦা āϞāĻŽ্āĻŦা āϞাāϤিāύ āύাāĻŽ āĻšā§।’ āĻāĻŽি āĻļুāϧাāϞাāĻŽ, ‘āĻেāϞে āϏāϰ্āĻĻি āϏাāϰে?’ āĻŦāϞāϞেāύ, ‘āĻāϞাā§ āĻāĻāĻু āĻāϰাāĻŽ āĻŦোāϧ āĻšā§, āύাāĻেāϰ āϏুā§āϏুā§িāĻা āĻšā§āϤ āĻāĻāĻু āĻāϧāĻু āĻāĻŽে। āĻāĻŽি āĻāĻāύো āĻĒāϰāĻ āĻāϰে āĻĻেāĻিāύি। āϏāĻŦ āĻĒেāĻেāύ্āĻ āĻāώুāϧ-āύāĻŽুāύা āĻšিāϏাāĻŦে āĻŦিāύা āĻĒā§āϏাā§ āĻĒাāĻā§া। āϤāĻŦে āϏāϰ্āĻĻি āϏাāϰে āύা, āĻ āĻāĻĨা āĻাāύি।’ āĻāĻŽি āĻļুāϧাāϞুāĻŽ, ‘āϤāĻŦে āϝে āĻŦāϞāϞেāύ āϏāϰ্āĻĻিāϰ āĻāώুāϧ āĻāĻে?’ āĻŦāϞāϞেāύ, ‘āĻāĻāύো āĻŦāϞāĻি āĻāĻে āĻিāύ্āϤু āϏāϰ্āĻĻি āϏাāϰে āϏে āĻāĻĨা āĻŦāϞিāύি।’ āĻŦুāĻāϞুāĻŽ, āĻāϰ্āĻŽāύি āĻাāύ্āĻ āĻšেāĻেāϞেāϰ āĻĻেāĻļ। āĻŦāϞāϞুāĻŽ, ‘āĻ ’। āĻĢিāϏāĻĢিāϏ āĻāϰে āĻĄাāĻ্āϤাāϰ āĻŦāϞāϞেāύ, ‘āĻāϰেāĻāĻা āϤāϤ্āϤ্āĻŦāĻāĻĨা āĻāĻ āĻŦেāϞা āĻļিāĻে āύিāύ। āϝে āĻŦ্āϝাāĻŽোāϰ āĻĻেāĻāĻŦেāύ āϏাāϤাāύ্āύ āϰāĻāĻŽেāϰ āĻāώুāϧ, āĻŦুāĻে āύেāĻŦেāύ, āϏে āĻŦ্āϝাāĻŽো āĻāώুāϧে āϏাāϰে āύা।’ āϤāϤāĻ্āώāĻŖে āĻāĻŦাāϰ āĻāĻŽি āĻšাঁāĻ্āĻো āĻšাঁāĻ্āĻো āĻāϰāĻŽ্āĻ āĻāϰে āĻĻিā§েāĻি। āύাāĻ-āĻোāĻ āĻĻিā§ে āĻāĻŦাāϰ āϰাāĻāύ-āĻā§াāϰ āύা āĻāĻŦাāϰে āĻĒāĻĻ্āĻŽা-āĻŽেāĻāύা। āĻĄাāĻ্āϤাāϰ āĻĄāĻāύ āĻĻুāĻ āĻাāĻāĻেāϰ āϰāĻŽ্āύāĻŽাāϞ āĻāϰ āĻāĻāĻা āĻā§েāϏ্āĻ-āĻĒেāĻĒাāϰ āĻŦাāĻ্āϏেāĻ āĻāĻŽাāϰ āĻĻিāĻে āĻāĻিā§ে āĻĻিāϞেāύ। āϧাāĻ্āĻাāĻা āϏাāĻŽāϞে āĻāĻ ে āĻĒ্āϰাāĻŖāĻāϰে āĻāϰ্āĻŽāύ āϏāϰ্āĻĻিāĻে āĻ āĻিāϏāĻŽ্āĻĒাāϤ āĻĻিāϞুāĻŽ। āĻĻেāĻি, āĻĄাāĻ্āϤাāϰ āĻāĻŽাāϰ āĻĻিāĻে āϤাāĻিā§ে āĻŽিāĻāĻŽিāĻিā§ে āĻšাāϏāĻেāύ। āĻāĻŽাāϰ āĻŽুāĻে āĻšā§āϤ āĻāĻāĻু āĻŦিāϰāĻ্āϤি āĻĢুāĻে āĻāĻ েāĻিāϞ। āĻŦāϞāϞেāύ, ‘āϏāϰ্āĻĻি-āĻাāĻļিāϰ āĻুāĻŖāĻ āĻāĻে।’ āĻāĻŽি āĻŦāϞāϞুāĻŽ, ‘āĻāĻু, āĻšাāϤী, āĻāĻŖ্āĻা!’ āĻŦāϞāϞেāύ, ‘āϤāϰ্āĻāĻŽা āĻāϰে āĻŦāϞুāύ।’ āĻāĻŽি āĻŦāϞāϞুāĻŽ, ‘āĻāĻুāϰ’ āϞাāϤিāύ āύাāĻŽ āĻাāύিāύে; ‘āĻšাāϤী’ āĻšāϞ ‘āĻāϞেāĻĢাāύ্āĻ’ āĻāϰ ‘āĻāĻŖ্āĻা’ āĻŽাāύে ‘āĻāϏ্āύāĻে’। ‘āĻŽাāύে! āĻāϰ āĻŦুāĻে āĻĻāϰāĻাāϰ āύেāĻ; āĻāĻুāϞো āĻāĻুāĻŦাāĻ্āϝ।’
āĻāĻাāĻļ āĻĒাāύে āĻšাāύি āϝুāĻāϞāĻুāϰāĻŽ্āύ āĻŦāϞāϞেāύ, ‘āĻ āĻĻ্āĻুāϤ āĻাāώা! āĻšাāϤি āĻāϰ āĻāĻŖ্āĻা āĻাāϞাāĻাāϞি āĻšā§ āĻি āĻāϰে! āĻāĻāĻা āĻāϞ্āĻĒ āĻļুāύāĻŦেāύ? āϏāĻ্āĻে āĻāϰāĻŽ āĻŦ্āϰাāύ্āĻĄি?’ āĻāĻŽি āĻŦāϞāϞুāĻŽ, ‘āĻĒ্āϰāĻĨāĻŽāĻাāĻ āĻāϞুāĻ। āĻŽিāĻ্āϏ্ āĻāϰা āĻাāϞো āύā§।’ āĻĄাāĻ্āϤাāϰ āĻŦāϞāϞেāύ, āĻāĻŽি āĻĄাāĻ্āϤাāϰি āĻļিāĻেāĻি āĻŦাāϰ্āϞিāύে। āĻŦāĻāϰ āϤিāύেāĻ āĻĒ্āϰ্āϝাāĻāĻিāϏ āĻāϰাāϰ āĻĒāϰ āĻāĻāĻĻিāύ āĻিā§েāĻি āϏ্āĻেāĻļāύে, āĻŦāύ্āϧুāĻে āĻŦিāĻĻেā§ āĻĻিāϤে। āĻĢেāϰাāϰ āϏāĻŽā§ āϏ্āĻেāĻļāύ-āϰেāϏ্āϤোāϰাঁā§ āĻĸুāĻেāĻি āĻāĻāĻা āĻŦ্āϰাāύ্āĻĄি āĻাāĻŦ āĻŦāϞে! āĻĸুāĻেāĻ āĻĨāĻŽāĻে āĻĻাঁā§াāϞুāĻŽ। āĻĻেāĻি, āĻāĻ āĻোāĻŖে āĻāĻ āĻ āĻĒāϰূāĻĒ āϏুāύ্āĻĻāϰী। āĻ āϤ্āϝāύ্āϤ āϏাāĻĻা āϏিāĻĻে āĻŦেāĻļāĻূāώা-āĻāϰীāĻŦ āĻŦāϞāϞেāĻ āĻāϞে- āĻāϰ āϤাāĻ āĻŦোāϧ āĻšā§ āϏৌāύ্āĻĻāϰ্āϝāĻা āĻĒেā§েāĻে āϤাāϰ āĻāϰāĻŽ āĻোāϞāϤাāĻ। āύāϰ্āĻĨāϏী āĻĻেāĻেāĻেāύ? āϤāĻŦে āĻŦুāĻāϤেāύ āĻšāĻŦ-āĻšāĻŦ āϏāύ্āϧ্āϝাā§ āϤাāϰ āĻāϞ āĻি āϰāĻāĻŽ āύীāϞ āĻšā§-āϤাāϰāĻ āĻŽāϤ āϏুāύ্āĻĻāϰীāϰ āĻোāĻ। āĻĻāĻ্āώিāĻŖ āĻāĻাāϞীāϤে āĻāĻāύো āĻিā§েāĻেāύ? āύা? āϤāĻŦে āĻŦুāĻāϤেāύ āϏেāĻাāύে āϏোāύাāϞি āϰোāĻĻে āϰূāĻĒাāϞী āĻĒ্āϰāĻাāĻĒāϤিāϰ āĻি āϰাāĻিāĻŖী। āϤাāĻ āĻŽāϤ āϤাঁāϰ āĻŦ্āϞāύ্āĻĄ āĻুāϞ। āĻĄাāύā§ুāĻŦ āύāĻĻী āĻĻেāĻāĻেāύ? āύা? āϤা āĻšāϞে āĻāĻŽাāϰ āϏāĻŦ āĻŦāϰ্āĻŖāύাāĻ āĻŦৃāĻĨা। āĻāĻŽি āĻŦāϞāϞুāĻŽ, ‘āĻŦāϞে āϝাāύ, āϰāϏāĻ্āϰāĻšāĻŖে āĻāĻŽাāϰ āĻāĻŖাāĻŽাāϤ্āϰ āĻ āϏুāĻŦিāϧে āĻšāĻ্āĻে āύা।’ ‘āύা, āĻĨাāĻ। āĻāϰāĻāĻŽ āĻŦেā§াāϰিং āĻĒোāϏ্āĻেāϰ āĻŦāϰ্āĻŖāύা āĻĻিāϤে āĻāĻŽাāϰ āĻŽāύ āĻŽাāύে āύা। āĻāĻŽāϰা āĻĄাāĻ্āϤাāϰ-āĻŦāĻĻ্āϝি āĻŽাāύুāώ, āĻাāώা āĻŦাāĻŦāĻĻে āĻŽুāĻ্āϝ-āϏুāĻ্āϝু। āĻ āύেāĻ āĻŽেāĻšāύāϤ āĻāϰে āϝে āĻāĻāĻি āĻŽাāϤ্āϰ āĻŦāϰ্āĻŖāύা āĻāĻŦ্āĻাā§ āĻāύেāĻি āϏেāĻāĻেāĻ āϝāĻĻি āύা āĻŦোāĻেāύ āϤāĻŦে āĻāĻŽাāϰ āĻļোāĻāĻা āĻোāĻĨাā§ āϰাāĻি āĻŦāϞুāύ āϤো।’
āĻাāϤāϰ āĻšā§ে āĻŦāϞāϞুāĻŽ, ‘āύিāϰাāĻļ āĻāϰāĻŦেāύ āύা।’ ‘āϤāĻŦে āĻāϞুāĻ āϤ্āϰিāϞেāĻেāĻĄ্ āϰেāϏ। āĻĄাāύā§ুāĻŦ āύāĻĻীāϰ āĻļাāύ্āϤ-āĻĒ্āϰāĻļাāύ্āϤ āĻাāĻŦāĻাāύা āϤাঁāϰ āĻŽুāĻেāϰ āĻāĻĒāϰ। āĻ āĻĨāĻ āĻাāύেāύ, āĻĄাāύā§ুāĻŦ āĻ āĻāĻীāϰ āύāĻĻী āύā§। āĻāϰ āĻĄাāύā§ুāĻŦেāϰ āĻā§āĻĒāϤ্āϤিāϏ’āϞ āĻĻেāĻেāĻেāύ। āύা। āϤাāĻšāϞে āĻŦুāĻāϤেāύ āϏেāĻাāύে āϤāύ্āĻŦāĻ āĻĄাāύā§ুāĻŦ āϝে āϰāĻāĻŽ āϞাāĻুāĻ āĻŽেā§েāϰ āĻŽāϤ āĻঁāĻে āĻŦেঁāĻে āĻāĻĒāύ āĻļāϰীāϰ āĻĸাāĻāϤে āĻŦ্āϝāϏ্āϤ, āĻ-āĻŽেā§েāϰ āĻŽুāĻে āϤেāĻŽāύি āĻā§াāύো āϰā§েāĻে āϞāĻ্āĻাāϰ āĻেāĻŽāύ āϝেāύ āĻāĻāĻা āĻঁāĻুāĻŦাঁāĻু āĻাāĻŦ। ‘āĻāĻ āϞāĻ্āĻা āĻাāĻŦāĻাāϰ āĻāĻĒāϰāĻ āĻāĻŽি āĻŦিāĻļেāώ āĻāϰে āĻোāϰ āĻĻিāϤে āĻাāĻ। āĻāĻĒāύি āύিāĻļ্āĻā§āĻ āϞāĻ্āώ্āϝ āĻāϰেāĻেāύ, āϞāĻ্āĻা-āĻļāϰāĻŽ āĻŦāϞāϤে āĻāĻŽāϰা āϝা āĻিāĻু āĻŦুāĻি āϏে āϏāĻŦ āĻŽāϧ্āϝāϝুāĻেāϰ āĻĒুāϰāĻŽ্āύāύো āĻāϞ্āĻĒ āĻĨেāĻে। āĻŦেā§াāϤ্āϰিāĻে āĻĻাāύেāϤ্āĻŽāĻে āĻĻেāĻে āϞাāĻুāĻ āĻšাāϏি āĻšেāϏেāĻিāϞেāύ- āĻāĻŽāϰা āϤাāĻ āύিā§ে āĻāϞ্āĻĒāύাāϰ āĻাāϞ āĻŦুāύি। āĻāĻāĻেāϰ āĻĻিāύে āĻāϏāĻŦ āϤো āĻāϰ āĻŦাāϰ্āϞিāύ āĻļāĻšāϰে āĻĒাāĻā§া āϝাā§ āύা। āĻŽāϧ্āϝāϝুāĻেāϰ āύাāĻāĻāĻĻেāϰ āĻļিāĻাāϞāϰি āĻেāĻে āĻāϰ āϝাāĻŦাāϰ āϏāĻŽā§ āϏāĻ্āĻে āύিā§ে āĻিā§েāĻে āĻŽেā§েāĻĻেāϰ āĻŽুāĻ āĻĨেāĻে āϏāĻŦ āϞāĻ্āĻা āϏāĻŦ āĻŦ্āϰীā§া। ‘āĻিāύ’ āĻāĻĒāύাāĻĻেāϰ āĻĻেāĻļে āύিāĻļ্āĻā§āĻ āĻāĻāύো āĻāĻ āĻŽāϧুāϰ āĻিāύিāϏāĻি āĻĻেāĻāϤে āĻĒাāĻā§া āϝাā§ āĻāϰ āϤাāϰ āĻেā§েāĻ āύিāĻļ্āĻā§, āĻāĻĒāύাāĻĻেāϰ āĻĻেāĻļেāϰ āϞোāĻ āĻāĻাāύো āĻ āĻ্āϰāĻĒāĻļ্āĻাā§ āĻŦিāĻŦেāĻāύা āύা āĻāϰে āĻĒ্āϰāĻĨāĻŽ āĻĻāϰ্āĻļāύেāĻ āĻĒ্āϰেāĻŽে āĻĒā§ে। ‘āϤাāĻ āĻāĻĒāύি āĻŦিāĻļ্āĻŦাāϏ āĻāϰāĻŦেāύ, āĻিāύ’ āĻāĻŽি āύিāĻে āĻāĻāύো āĻ িāĻ āĻāϰāϤে āĻĒাāϰিāύি, āĻি āĻāϰে āϝে āĻāĻŽাāϰ āϤāĻāύ āĻŽāύে āĻš’āϞ āĻ-āĻŽেā§েāĻে āύা āĻĒেāϞে āĻāĻŽাāϰ āĻāϞāĻŦে āύা। ‘āĻšাāϏāϞেāύ āύা āϝে? āϤাāϰ āĻĨেāĻেāĻ āĻŦুāĻāϞুāĻŽ, āĻāĻĒāύি āĻā§াāĻিāĻŦāĻšাāϞ, āĻāĻĒāύি āĻāĻŽাāĻে āĻŦিāĻļ্āĻŦাāϏ āĻāϰāϤে āĻĒেāϰেāĻেāύ; āĻিāύ’ āĻāϰ্āĻŽāύāϰা āĻāĻŽাāϰ āĻ-āĻ āĻŦāϏ্āĻĨাāϰ āĻāĻĨা āĻļুāύে āĻšাāϏে। āĻāϰ āĻšাāϏāĻŦেāĻ āĻŦা āύা āĻেāύ? āĻেāύা āύেāĻ, āĻļোāύা āύেāĻ, āĻŦিāĻĻ্āϝাāĻŦুāĻĻ্āϧিāϤে āĻŽেā§েāĻা āĻšā§āϤ āĻ āĻĢিāϏāĻŦā§েāϰ āĻেā§েāĻ āĻāĻাāĻ, āĻšā§āϤ āĻŽাāϤাāϞāĻĻেāϰ āĻāĻĄ্āĻĄাā§ āĻŦিā§াāϰ āĻŦিāĻ্āϰি āĻāϰে āĻĒā§āϏা āĻাāĻŽাā§, āĻিāĻŽ্āĻŦা āĻāĻ āϤো āĻšāϤে āĻĒাāϰে āϝে āϤাāϰ āĻŦিā§ে āĻšā§ে āĻিā§েāĻে। āĻ āϏāĻŦ āĻোāύো āĻিāĻুāϰ āϤāϤ্āϤ্āĻŦ-āϤাāĻŦাāĻļ āύা āĻāϰে āĻāĻ āĻāĻāĻাā§ āĻŽāύāϏ্āĻĨিāϰ āĻāϰে āĻĢেāϞা, āĻ-āĻŽেā§ে āύা āĻšāϞে āĻāĻŽাāϰ āĻāϞāĻŦে āύা! āĻāĻŽি āĻি āĻাāĻŽāĻেā§াāϞিāϰ āĻেāĻ্āĻিāϏāĻাāύ, āύা āĻšাāĻাāϰো āĻĒ্āϰেāĻŽেāϰ āĻĄāύ্ āĻুā§াāύ্?
‘āĻাāĻŦāĻি āĻāϰ āĻŽাāĻĨাāϰ āĻুāϞ āĻিঁā§āĻি-āĻোāύ্ āĻ āĻুāĻšাāϤে āĻোāύ্ āĻ āĻিāϞাā§ āĻঁāϰ āϏāĻ্āĻে āĻāϞাāĻĒ āĻāϰা āϝাā§। ‘āĻিāĻুāϤেāĻ āĻোāύো āĻšāĻĻিāĻļ āĻĒাāĻ্āĻিāύে, āĻāĻŽাāĻĻেāϰ āĻŽাāĻāĻাāύে āϤিāύāĻাāύা āĻŽাāϤ্āϰ āĻোāĻ্āĻ āĻেāĻŦিāϞেāϰ āϝে āĻāϤ্āϤাāϞ āϏāĻŽুāĻĻ্āϰ āϏেāĻা āĻĒেāϰিā§ে āĻঁāϰ āĻাāĻে āĻĒৌঁāĻāĻ āĻি āĻĒ্āϰāĻাāϰে। āĻĒ্āϰāĻŦাāĻĻ āĻāĻে, āĻĒ্āϰেāĻŽে āĻĒā§āϞে āĻŦোāĻা āύাāĻি āĻŦুāĻĻ্āϧিāĻŽাāύ āĻšā§ে āϝাā§- āĻĒ্āϰিā§াāĻে āĻĒাāĻā§াāϰ āĻāύ্āϝ āϤāĻāύ āϤাāϰ āĻĢāύ্āĻĻি-āĻĢিāĻিāϰ āĻāϰ āĻāĻŦিāώ্āĻাāϰ āĻৌāĻļāϞ āĻĻেāĻে āĻĒাঁāĻāĻāύেāϰ āϤাāĻ āϞেāĻে āϝাā§, āĻāϰ āĻŦুāĻĻ্āϧিāĻŽাāύ āύাāĻি āĻĒ্āϰেāĻŽে āĻĒā§āϞে āĻšā§ে āϝাā§ āĻāĻāĻĻāĻŽ āĻāĻŦেāĻ-āĻāĻŽāύ āϏāĻŦ āĻা- āϤāĻāύ āĻāϰে āĻŦāϏে āϝে āĻĻāĻļāĻāύ āϤাāĻ্āĻāĻŦ āύা āĻŽেāύে āϝাā§āύা, āĻ āϞোāĻāĻা āĻ-āϏāĻŦ āĻĒাāĻāϞাāĻŽি āĻāϰāĻে āĻি āĻāϰে!
‘āĻ āĻীāĻŦāύে āϏেāĻ āϏেāĻĻিāύ āĻāĻŽি āĻĒ্āϰāĻĨāĻŽ āĻāĻŦিāώ্āĻাāϰ āĻāϰāϞুāĻŽ āϝে āĻāĻŽি āĻŦুāĻĻ্āϧিāĻŽাāύ, āĻাāϰāĻŖ āĻĒূāϰ্āĻŖ āĻāĻāĻāĻŖ্āĻা āϧāϰে āĻেāĻŦেāĻ āĻāĻŽি āϏাāĻŽাāύ্āϝāϤāĻŽ āĻৌāĻļāϞ āĻāĻŦিāώ্āĻাāϰ āĻāϰāϤে āĻĒাāϰāϞুāĻŽ āύা, āĻāϞাāĻĒ āĻāϰি āĻোāύ্ āĻাā§āĻĻাā§। āĻিāύ’ āĻāĻšেāύ āĻšৃāĻĻā§াāĻিāϰাāĻŽ āϤāϤ্āϤ্āĻŦ āĻāĻŦিāώ্āĻাāϰ āĻāϰেāĻ āĻŽāύ āĻিāĻুāĻŽাāϤ্āϰ āĻāϞ্āϞাāϏিāϤ āĻšāϞ āύা। āϤāĻāύ āĻŦāϰāĻ্āĻ āĻŦোāĻা āĻŦāύāϤে āĻĒাāϰāϞেāĻ āĻšā§āϤ āĻোāύো āĻāĻāĻা āĻৌāĻļāϞ āĻŦেāϰিā§ে āϝেāϤ। ‘āĻĢ্āϰāϞাāĻāύ āĻāĻ ে āĻĻাঁā§াāϞেāύ। āĻি āĻāϰ āĻāϰি। āĻĒিāĻু āύিāϞুāĻŽ। āϤিāύি āĻিā§ে āĻāĻ āϞেāύ āĻŽ্āϝুāύিāĻেāϰ āĻাā§িāϤে। āĻāĻŽিāĻ āĻুāĻে āĻিā§ে āĻিāĻিāĻ āĻাāĻāϞুāĻŽ āĻŽ্āϝুāύিāĻেāϰ। āĻিāύ’ āĻāϏে āĻĻেāĻি āϏে āĻাāĻŽāϰাāϰ āĻāĻāĻা āϏিāĻāĻ āĻāϰ্āϤি āĻšā§ে āĻিā§েāĻে। āĻāϰো āĻĒ্āϰāĻŽাāĻŖ āĻšā§ে āĻেāϞ, āĻāĻŽি āĻŦুāĻĻ্āϧিāĻŽাāύ, āĻাāϰāĻŖ āĻ āĻāĻĨা āϏāĻŦাāĻ āĻাāύে, āĻŦুāĻĻ্āϧিāĻŽাāύāĻে āĻāĻāĻŦাāύ āϏাāĻšাāϝ্āϝ āĻāϰāϞে āĻ-āĻĒৃāĻĨিāĻŦীāϤে āĻŦোāĻাāĻĻেāϰ āĻāϰ āĻŦাঁāĻāϤে āĻšāϤ āύা। āĻāĻŽি āĻāĻāĻŦাāύেāϰ āĻাāĻ āĻĨেāĻে āĻোāύো āϏাāĻšাāϝ্āϝ āĻĒেāϞুāĻŽ āύা।’ āĻāĻŽি āĻŦāϞāϞুāĻŽ, ‘āĻāĻāĻŦাāύāĻে āĻĻোāώ āĻĻিāĻ্āĻেāύ āĻেāύ? āĻāϤো āĻāύ্āĻĻāϰ্āĻĒ āĻ াāĻুāϰেāϰ āĻĄিāĻĒাāϰ্āĻāĻŽেāύ্āĻ।’ āĻŦāϞāϞেāύ, ‘āϤাāϤেāĻ āĻŦা āĻি āϞাāĻ? āϤিāύি āϤো āĻ āύ্āϧ। āĻŽেā§েāĻাāĻে āĻŦাāύিā§ে āĻĻিā§েāĻেāύ āϤাঁāϰāĻ āĻŽāϤ āĻ āύ্āϧ। āĻāĻ āϝে āĻāĻŽি āĻāĻāĻা āĻāϤ āĻŦā§ āĻ ্āϝাāĻĒāϞো, āĻāĻŽাāϰ āĻĻিāĻে āĻāĻāĻŦাāϰেāϰ āϤāϰে āĻĢিāϰেāĻ āϤাāĻাāϞো āύা। āĻঁāĻে āĻĄেāĻে āĻšāĻŦে-’ āĻāĻŽি āĻŦāϞāϞুāĻŽ, ‘āĻāĻু’, ‘āĻšাāϤী’, ‘āĻāĻŖ্āĻা’। āĻāĻŦাāϰ āĻĄাāĻ্āϤাāϰ āĻŦাāĻāϞা āĻāĻুāĻাāĻāĻŦ্āϝেāϰ āĻāĻĻāϰ āĻŦুāĻāϞেāύ।
āĻŦāϞāϞেāύ, ‘āĻāĻšা-āĻšা-āĻšা।’ āϤাāϰāĻĒāϰ āĻāϰ্āĻŽāύ āĻāĻ্āĻাāϰāĻŖে āĻŦāϞāϞেāύ, ‘āĻāĻļু, āĻšাāĻি, āĻāĻŖ্āĻা! āĻাāϏা āĻাāϞাāĻাāϞ।’ āĻāĻŽি āĻŦāϞāϞুāĻŽ, āĻোāĻŽāϰাāϤে āĻāĻāĻāύেāϰ āϏিāĻ āĻিāϞ āϤো āϰā§েāĻ āĻেāϞ। āĻĒ্āϰāĻŦাāϏে āύিā§āĻŽ āύাāϏিāϤ্āĻŽ। āĻāĻĒāύি āĻোāύো āĻāϤিāĻে āϧাāĻ্āĻা āϧাāĻ্āĻি āĻāϰে-’ āĻŦāϞāϞেāύ, ‘āϤাāĻ্āĻāĻŦ āĻāϰāϞেāύ। āĻāĻি āĻāĻĒāύাāϰ āĻāύ্āĻĄিā§াāύ āĻ্āϰেāύ, āύা āϏাāĻāĻŦেāϰিā§াāĻাāĻŽী āĻĒ্āϰিāĻāύাāϰ-āĻ্āϝাāύ! āĻেāĻাāϰ āĻĒāϤ্āϰāĻĒাāĻ āĻাāĻŽāϰা āĻĨেāĻে āĻŦেāϰ āĻāϰে āĻĻেāĻŦে āύা?’ ‘āĻĻাঁā§িā§ে āϰāĻāϞুāĻŽ āĻŦাāĻāϰেāϰ āĻāϰিāĻĄāϰে āĻ াā§। āĻĻেāĻি āĻŽেā§েāĻি āϝāĻĻি āĻাāύাāĻাāĻŽāϰাā§ āϝাā§। āϏ্āĻেāĻļāύে āϤো āĻেā§েāĻে āĻļুāϧু āĻāĻĢি। āĻāĻŖ্āĻাāϰ āĻĒāϰ āĻāĻŖ্āĻা āĻাāĻāϞ, āĻāϤ āϞোāĻ āĻāϤ āĻাāĻŽāϰা āĻĨেāĻে āĻāĻ āϞো āύাāĻŽāϞো āĻিāύ’ āĻāĻŽাāϰ āϏ্āĻŦāϰ্āĻāĻĒুāϰী āĻĨেāĻে āĻোāύো- (āĻāĻুāĻŦাāĻ্āϝ)- āύাāĻŽāϞো āύা। āϏāĻŦ āĻŦ্āϝাāĻা āύিāĻļ্āĻā§āĻ āϝাāĻ্āĻে āĻŽ্āϝুāύিāĻ। āĻāϰ āĻোāĻĨাāĻ āϝেāϤে āĻĒাāϰে āύা? āĻŽ্āϝুāύিāĻ āĻি āĻĒāϰীāϏ্āĻĨাāύ āύা āĻŽ্āϝুāύিāĻেāϰ āĻĢুāĻāĻĒāĻĨ āϏোāύা āĻĻিā§ে āĻā§া? āĻ āĻŦাāĻ āĻāϰāϞে āĻāĻ āĻāĻĄিā§āĻāĻুāϞো। ‘āĻĒ্āϰেāĻŽে āĻĒā§āϞে āύাāĻি āĻ্āώুāϧাāϤৃāώ্āĻŖা āϞোāĻĒāĻĒাā§। āĻāĻāĻŦেāϞাāϰ āĻāύ্āϝ āĻšā§āϤ āĻĒাā§। āĻāĻŽি āϞাāĻ্āĻ āĻাāĻāύি, āĻāĻĻিāĻে āĻĄিāύাāϰেāϰ āϏāĻŽā§ āĻšā§ে āĻিā§েāĻে- āĻāĻŽাāϰ āĻĒেāĻেāϰ āĻিāϤāϰ āĻšুāϞুāϧ্āĻŦāύি āĻেāĻে āĻāĻ েāĻে। āĻāĻŽāύ āϏāĻŽā§ āĻŽা āĻŽেāϰিāϰ āĻāϰāĻŽ্āύāĻŖা āĻšāϞ। āĻŽেā§েāĻি āĻāϞāϞ āĻাāύা-āĻাāĻŽāϰাāϰ āĻĻিāĻে। āĻāĻŽি āĻāϞāϞুāĻŽ āĻ িāĻ āĻĒিāĻāύে āĻĒিāĻāύে। āĻāĻšা, āϝāĻĻি āĻāĻāĻা āĻšোঁāĻāĻ āĻেā§ে āĻāĻŽাāϰ āĻāĻĒāϰ āĻĒā§ে āϝাā§। āĻĻুāϤ্āϤোāϰ, āϤাāϰāĻ āĻāĻĒাā§ āύেāĻ- āĻঁāĻু āĻšিāϞেāϰ āĻুāϤো āĻšāϞে āĻাā§িāϰ āĻাঁāĻĒুāύিāϤে āĻĒā§ে āϝাāĻā§াāϰ āϏāĻŽ্āĻাāĻŦāύা āĻĨাāĻে- āĻ āĻĒāϰেāĻে āĻ্āϰেāĻĒāϏোāϞ্। ‘āĻ িāĻ āĻĒিāĻāύে āĻĒিāĻāύে āĻিā§ে āĻাāύা-āĻাāĻŽāϰাā§ āĻĸুāĻāϞুāĻŽ। āĻā§েāĻাāϰāĻা āĻাāĻŦāϞে āϏ্āĻŦাāĻŽী-āϏ্āϤ্āϰী। āύা āĻšāϞে āϤāϰāĻŽ্āύāĻŖ āϤāϰāĻŽ্āύāĻŖী āĻ āϰāĻāĻŽ āĻŽুāĻ āĻুāĻŽāϏো āĻāϰে āĻাāύা-āĻাāĻŽāϰাā§ āĻĸুāĻāĻŦে āĻেāύ? āĻŦāϏāϞো āĻিā§ে āĻāĻāĻ āĻেāĻŦিāϞে- āĻŽুāĻোāĻŽুāĻি। āĻšে āĻŽা āĻŽেāϰী, āύāϤ্āϰāĻĻাāĻŽ āĻিāϰ্āĻেā§ āϤোāĻŽাāϰ āĻāύ্āϝ āĻāĻŽি āĻāĻāĻļ’āĻা āĻŽোāĻŽāĻŦাāϤি āĻŽাāύāϤ āĻāϰāϞুāĻŽ। āĻĻā§া āĻāϰো, āĻŽা āĻāĻāĻা āĻিāĻু āĻĢিāĻিāϰ āĻŦাā§āϞাāĻ āĻāϞাāĻĒ āĻāϰāĻŦাāϰ। ‘āĻŦুāĻĻ্āϧিāĻŽাāύ, āĻŦুāĻĻ্āϧিāĻŽাāύ, āĻোāύো āϏāύ্āĻĻেāĻš āύেāĻ āĻāĻŽি āĻŦুāĻĻ্āϧিāĻŽাāύ! āĻোāύো āĻĢিāĻিāϰāĻ āĻুāĻāϞো āύা, āĻ āĻĨāĻ āĻŽেā§েāĻি āĻŦāϏে āĻāĻে āĻāĻŽাāϰ āĻĨেāĻে āĻĻু’āĻšাāϤ āĻĻূāϰে āĻāĻŦং āĻŽুāĻোāĻŽুāĻি! āĻĻু’āĻšাāϤ āύা āĻšā§ে āĻĻু’āϞāĻ্āώ āϝোāĻāύāĻ āĻšāϤে āĻĒাāϰāϤ- āĻোāύো āĻĢাāϰাāĻ āĻš’āϤ āύা। ‘āĻাāύাāϞা āĻĻিā§ে āĻāĻ āĻāĻāĻা āĻā§āϞাāϰ āĻুঁā§ো āĻāϏে āĻেāĻŦিāϞেāϰ āĻāĻĒāϰ āĻĒā§āϞ। āĻŽেā§েāĻি āĻুāϰāĻŽ্āύ āĻুāĻāĻে āϏেāĻĻিāĻে āϤাāĻাāϤেāĻ āĻāĻŽি āĻāĻিāϤি āĻাāύাāϞা āĻŦāύ্āϧ āĻāϰāϤে āĻিā§ে āĻāϰে āĻĢেāϞāϞুāĻŽ āĻāϰেāĻ āĻাāύ্āĻĄ। āĻ াāϏ āĻāϰে āĻাāύাāϞাāĻা āĻŦুā§ো āĻāĻুāϞেāϰ āĻāĻĒāϰ āĻĒā§ে āϏেāĻাāĻে āĻĻিāϞ āĻĨেā§āϞে। āĻĢিāύāĻি āĻĻিā§ে āϰāĻ্āϤ। ‘āĻŽা-āĻŽেāϰীāϰ āĻ āϏীāĻŽ āĻĻā§া āĻাāύ্āĻĄāĻা āϝে āĻāĻāϞো। āĻŽেā§েāĻি āϤā§াāĻ āĻāϰে āϞাāĻĢ āĻĻিā§ে āĻŦāϏāϞ, “āĻĻাঁā§াāύ āĻāĻŽি āĻŦ্āϝাāύ্āĻĄেāĻ āύিā§ে āĻāϏāĻি।” ‘āĻāĻŽি āύিāĻে āĻĄাāĻ্āϤাāϰ, āĻŦিāĻŦেāĻāύা āĻāϰāĻŽ্āύāύ āĻ āĻŦāϏ্āĻĨাāĻা। āϰāĻŽ্āύāĻŽাāϞ āĻĻিā§ে āĻেāĻĒে āϧāϰāϞুāĻŽ āĻāĻুāϞāĻাāĻে। āĻŽেā§েāĻি āĻুāĻে āύিā§ে āĻāϞ āĻাāĻŽāϰা āĻĨেāĻে āĻĢাāϰ্āϏ্āĻ āĻāĻĄেāϰ āĻŦ্āϝাāύ্āĻĄেāĻ। āϤাāϰāĻĒāϰ āĻāĻুāϞāĻাāϰ āϤāĻĻাāϰāĻি āĻāϰāϞ āĻļাāϏ্āϤ্āϰāϏāĻŽ্āĻŽāϤ āĻĄাāĻ্āϤাāϰি āĻĒāĻĻ্āϧāϤিāϤে। āĻŦুāĻāϞুāĻŽ āĻŽেāĻĄিāĻেāϞ āĻāϞেāĻে āĻĒā§ে! āĻাāύু āĻĄাāĻ্āϤাāϰ āĻĢাāϰ্āϏ্āĻ āĻāĻĄেāϰ āĻŦ্āϝাāύ্āĻĄেāĻ āĻŦā§ে āĻŦেā§াā§ āύা āĻāϰ āĻāύাā§ি āϞোāĻ āĻāϰāĻāĻŽ āĻŦ্āϝাāύ্āĻĄেāĻ āĻŦাঁāϧāϤে āĻĒাāϰে āύা। ‘āĻāĻŽি āϤো, ‘āύা, āύা’ ‘āĻāĻĒāύি āĻেāύ āĻŽিāĻে āĻŽিāĻে’, ‘āϧāύ্āϝāĻŦাāĻĻ, āϧāύ্āϝāĻŦাāĻĻ’, ‘āĻঃ, āĻŦāĻĄ্āĻĄ āϞাāĻāĻে’, ‘āĻāϤেāĻ āĻšāĻŦে’, ‘āĻŦ্āϝāϏ āĻŦাāϏ’ āĻāϰেāĻ āϝাāĻ্āĻি āĻāϰ āϏেāĻ āϞিāϞিāϰ āĻŽāϤো āϏাāĻĻা āĻšাāϤেāϰ āĻĒāϰāĻļ āĻĒাāĻ্āĻি। āϏে āĻি āϰāĻāĻŽ āĻŽāĻāĻŽāϞেāϰ āĻšাāϤ āĻাāύেāύ? āĻŦāϞāĻি, āĻāĻĒāύি āĻāĻāύো āϰাāĻāϞ্āϝাāύ্āĻĄে āĻিā§েāĻেāύ? āύা? āĻĨাāĻ, āĻুāϞেāĻ āĻিā§েāĻিāϞুāĻŽ, āĻĒ্āϰāϤিāĻ্āĻা āĻāϰāĻি, āĻāĻĒāύাāĻে āĻোāύো āĻŦāϰ্āĻŖāύা āĻĻেāĻŦ āύা। ‘āĻĒ্āϰāĻĨāĻŽ āĻĒāϰāĻļে āϏāϰ্āĻŦাāĻ্āĻে āĻŦিāĻĻ্āϝুā§ āĻেāϞে āϝাā§, āĻŦāϞে āύা? āĻŦā§ āĻাঁāĻি āĻāĻĨা। āĻāĻŽি āĻĄাāĻ্āϤাāϰ āĻŽাāύুāώ, āĻāĻŽাāϰ āĻšাāϤে āĻোāύো āĻĒ্āϰāĻাāϰেāϰ āϏ্āĻĒāϰ্āĻļ āĻাāϤāϰāϤা āĻĨাāĻাāϰ āĻāĻĨা āύ⧠āϤāĻŦু āĻāĻŽাāϰ āĻী āĻ āĻŦāϏ্āĻĨাāĻা āĻšā§েāĻিāϞ āĻāĻĒāύাāĻে āϏেāĻা āĻŦোāĻাāĻ āĻী āĻāϰে? āĻŽেā§েāĻি āĻŦোāϧāĻšā§ āĻেāϰ āĻĒেā§েāĻিāϞ, āĻাāϰāĻŖ āĻāĻāĻŦাāϰ āĻāĻিāϤেāϰ āϤāϰে āĻŦ্āϝাāύ্āĻĄেāĻ āĻŦাঁāϧা āĻŦāύ্āϧ āĻāϰে āĻāĻŽাāϰ āĻĻিāĻে āĻŽাāĻĨা āϤুāϞে āϤাāĻিā§েāĻিāϞ। āϤাāϤে āĻিāϞ āĻŦিāϏ্āĻŽā§, āĻĒ্āϰāĻļ্āύ āĻāĻŦং āĻšā§āϤ āĻŦা āĻāĻāĻুāĻাāύি, āĻ āϤি āϏাāĻŽাāύ্āϝ āĻুāĻļীāϰ āĻিāϞিāĻŽিāϞি। āϤāĻŦে āĻি āĻāĻŽাāϰ āĻšাāϤেāϰ āϏ্āĻĒāϰ্āĻļ-? āĻোāύ্ āϏাāĻšāϏে āĻ āĻŦিāĻļ্āĻŦাāϏ āĻŽāύেāϰ āĻোāĻŖে āĻ াঁāĻ āĻĻিāĻ, āĻŦāϞুāύ।’ āĻāĻŽি āĻুāύ্ āĻুāύ্ āĻāϰে āĻŦāϞāϞুāĻŽ, “āĻā§ āĻāϰে āϤāĻŦু āĻā§ āĻেāύ āϤোāϰ āϝাā§ āύা, āĻšাā§ āĻীāϰāĻŽ্āύāĻĒ্āϰেāĻŽ āĻšাā§ āϰে।” āĻĄাāĻ্āϤাāϰ āĻŦāϞāϞেāύ, ‘āĻোāĻļা āĻŽেāϞāĻĄি āϤো। āĻŽাāύেāĻাāĻ āĻŦāϞুāύ।’ āĻŦāϞāϞুāĻŽ, ‘āĻāĻĢ্āĻাāϰ āĻāĻ। āĻāĻĒāύি āĻāϞ্āĻĒāĻা āĻļেāώ āĻāϰāĻŽ্āύāύ।’
āĻŦāϞāϞেāύ, ‘āĻāϞ্āĻĒ āύā§, āϏ্āϝাāϰ, āĻীāĻŦāύāĻŽāϰāĻŖেāϰ āĻāĻĨা āĻšāĻ্āĻে।’ āĻāĻŽি āĻļুāϧাāϞুāĻŽ, ‘āĻেāύ, āϏেāĻĒ্āĻিāĻেāϰ āĻā§ āĻিāϞ āύাāĻি?’ āϰাāĻেāϰ āĻাāĻŦ āĻāϰে āĻŦāϞāϞেāύ, ‘āĻā§োāϰোāĻĒে āĻāϏে āĻāĻĒāύাāϰ āĻি āϏāĻŦ āϰāϏāĻāϏ āĻļুāĻিā§ে āĻিā§েāĻে? āĻāĻŽাāĻে āĻšেāύেāĻে āĻĒ্āϰেāĻŽেāϰ āĻŦাāĻŖ āĻāϰ āĻāĻĒāύি āĻŦāϞāĻেāύ āĻāύ্āĻিāϏেāĻĒ্āĻিāĻ্ āĻāύ।’ āĻāĻŽি āĻŦāϞāϞুāĻŽ, ‘āĻ āĻĒāϰাāϧ āύেāĻŦেāύ āύা।’ āĻŦāϞāϞেāύ, āϤাāϰāĻĒāϰ āĻāĻŽি āϏুāϝোāĻ āĻĒেā§ে āĻāϰāĻŽ্āĻ āĻāϰāϞুāĻŽ āύাāύা āϰāĻāĻŽেāϰ āĻāĻĨা āĻāĻāϤে। āĻোāϞ āĻোāϞ। āĻāĻŽি āϝে āĻĒāϰিāĻā§ āĻāϰাāϰ āĻāύ্āϝ āĻাāύ āĻāĻŦুāϞ āϏেāĻা āĻĸেāĻে āĻেāĻĒে। āϏāĻ্āĻে āϏāĻ্āĻে āĻāĻāύো āύূāύāĻা āĻāĻিā§ে āĻĻি, āĻāĻāύো āĻ্āϰুā§েāĻāĻা āϏāϰিā§ে āύি, āĻāĻāύো āĻŦা āĻŦāϞি, ‘āĻŽাāĻāĻা āĻাāϏা āĻেāĻেāĻে, āĻāĻĒāύি āĻāĻāĻা āĻাāύ āύা’; āĻāĻšে āĻাāύāϏাāĻŽা, āĻāĻĻিāĻে-, āĻāϤ্āϝাāĻĻি। ‘āĻāϰে āĻāϰে āϏুāύ্āĻĻāϰীāϰ āĻŽāύāĻা āĻāĻāĻু āĻŽোāϞাā§েāĻŽ āĻāϰāϤে āĻĒেāϰেāĻি āĻŦāϞে āĻŽāύে āĻāĻāĻু āĻ্āώীāĻŖ āĻāĻļাāϰ āϏāĻ্āĻাāϰ āĻšāϞ। āĻŽেā§েāĻি āϞাāĻুāĻ āĻŦāĻে āĻিāύ্āϤু āĻাāϰী āĻāĻĻ্āϰ! āĻāĻŽাāϰ āĻ্āϝাāĻāϰ āĻ্āϝাāĻāϰ āĻাāύ āĻĒেāϤে āĻļুāύāϞো, āĻĻু’āĻāĻāĻŦাāϰ āĻŦāϏ্āύাāĻļ্ āĻāϰāϞো, āϏে āϝা āĻোāϞাāĻĒি- āĻāĻĒāύি āĻāĻāύো, āύা āĻĨাāĻ। ‘āĻিāύ’ āĻেāϞ āĻŽাāϤ্āϰ āĻāĻāĻি āĻ āĻŽāϞেāĻ āĻāϰ āĻĻু’āϏ্āϞাāĻāĻ āϰāĻŽ্āύāĻি। āύিāĻļ্āĻā§āĻ āĻāϰীāĻŦ। āĻ্āώীāĻŖ āĻāĻļাāĻাāϰ āĻাā§ে āĻāĻāĻু āĻāϤ্āϤি āϞাāĻāϞ।’ āĻāĻŽāύ āϏāĻŽā§ āĻĄাāĻ্āϤাāϰেāϰ āĻ ্āϝাāϏিāϏ্āĻাāύ্āĻ āĻāϏে āĻাāύāϞো āϰāĻŽ্āύāĻী āĻāϏেāĻে। āĻĄাāĻ্āϤাāϰ āĻŦāϞāϞেāύ, ‘āĻāĻāĻুāύি āĻāϏāĻি।’ āĻĢিāϰে āĻāϏে āĻোāύো āĻূāĻŽিāĻা āύা āĻĻিā§েāĻ āĻŦāϞāϞেāύ, ‘āĻŽ্āϝুāύিāĻে āύাāĻŦāϞুāĻŽ āĻāĻ āĻŦāϏ্āϤ্āϰে। āĻāĻŽāύ āĻাāύ āĻāϰে āĻেāĻে āĻĒā§āϞুāĻŽ āϝাāϤে āĻŽেā§েāĻি āĻŽāύে āĻāϰে āĻāĻŽি āĻ্āϝাāύ āĻĨেāĻে āĻŽাāϞ āύাāĻŽাāϤে āĻেāϞুāĻŽ। āϝāĻāύ ‘āĻুāĻĄ্ āĻŦাāĻ’ āĻŦāϞে āĻšাāϤ āĻŦাā§াāϞুāĻŽ āϤāĻāύ āϏে āĻāĻāĻŦাāϰ āĻāĻŽাāϰ āĻĻিāĻে āϤাāĻিā§েāĻিāϞ। āĻĒ্āϰেāĻŽে āĻĒā§āϞে āύাāĻি āĻŽাāύুāώেāϰ āĻĒাāĻা āĻāĻাā§- āĻšāĻŦেāĻ āĻŦা, āĻিāύ্āϤু āĻ āĻāĻĨা āύিāĻļ্āĻā§ āĻাāύি āĻŽাāύুāώ āϤāĻāύ āĻোāĻে āĻŽুāĻে āĻāĻŽāύ āϏāĻŦ āύāϤুāύ āĻাāώা āĻĒā§āϤে āĻĒাāϰে āϝাāϰ āĻāύ্āϝ āĻোāύো āĻļāĻŦ্āĻĻāϰূāĻĒ āĻŽুāĻāϏ্āĻĨ āĻāϰāϤে āĻšā§ āύা। āϤāĻŦে āϏে āĻĒā§াāϤে āĻুāϞ āĻĨাāĻে āĻŦিāϏ্āϤāϰ, āĻাāĻāϤāϞীā§ āĻāύāϤ্āĻŽাāϰ। “āĻāĻŽি āĻĻেāĻāϞুāĻŽ āϞেāĻা āϰā§েāĻে ‘āĻŦিāώাāĻĻ’ āĻিāύ্āϤু āĻĒā§āϞুāĻŽ, ‘āĻāĻ āĻি āĻļেāώ?” āĻāĻŽিāĻ āĻ āĻŦাāĻ āĻšā§ে āĻļুāϧাāϞুāĻŽ, ‘āĻŦাāϰ্āϞিāύ āĻĨেāĻে āĻŽ্āϝুāύিāĻ āĻ āĻŦāϧি āĻšাāĻŽāϞা āĻāϰে āϏ্āĻেāĻļāύে āĻেāĻ āĻেā§ে āĻĻিāϞেāύ?’ āĻĄাāĻ্āϤাāϰāĻĻেāϰ āĻŦাঁāĻা āĻšাāϏি āĻšেāϏে āĻŦāϞāϞেāύ, āĻāĻĻāĻĒেāĻ āύা। āĻিāύ্āϤু āĻি āĻāϰ āĻĻāϰāĻাāϰ āĻĒিāĻু āύিā§ে? āĻŽেāĻĄিāĻেāϞ āĻāϞেāĻে āĻĒā§ে, āĻāϤেāĻ āĻŦ্āϝāϏ্। āϏেāĻĻিāύāĻ āĻেāϞুāĻŽ āĻŽেāĻĄিāĻেāϞ āĻāϞেāĻেāϰ āϰেāϏ্āϤোāϰাঁā§। āϞাāĻ্āĻ āĻেāϤে āύিāĻļ্āĻā§āĻ āĻāϏāĻŦে। āĻāĻŦাāϰে āĻŽেā§েāĻি āĻāϰ āϞāĻ্āĻা āĻĻিā§ে āĻŽāύেāϰ āĻাāĻŦāĻĸাāĻāϤে āĻĒাāϰāϞ āύা। āĻāĻŽাāĻে āĻĻেāĻা āĻŽাāϤ্āϰ āĻāĻĒāύ āĻ āĻাāύাāϤে āĻেā§াāϰ āĻেā§ে āĻāĻ ে āĻĻাঁā§িā§ে āĻšাāϤ āĻŦাā§াāϞো, āϏāĻ্āĻে āϏāĻ্āĻে āϏāĻŽāϏ্āϤ āĻŽুāĻে āϝে āĻুāĻļি āĻā§িā§ে āĻĒā§āϞ āϤা āĻĻেāĻে āĻāĻŽাāϰ āĻŽāύে āĻāϰ āĻোāύো āϏāύ্āĻĻেāĻš āϰāĻāϞ āύা, āĻāĻāĻŦাāύ āĻŽাāĻে āĻŽাāĻে āĻŦুāĻĻ্āϧিāĻŽাāύāĻেāĻ āϏাāĻšাāϝ্āϝ āĻāϰেāύ। ‘āϤāϤāĻ্āώāĻŖে āĻŽেā§েāĻি āϤাāϰ āĻāĻĒāύ-āĻšাāϰা āĻāĻāϰāĻŖāĻাāĻে āϏাāĻŽāϞে āύিā§েāĻে- āϞāĻ্āĻা āĻāϏে āĻāĻŦাāϰ āϏāĻŽāϏ্āϤ āĻŽুāĻ āĻĸেāĻে āĻĢেāϞেāĻে।’ āĻĄাāĻ্āϤাāϰ āĻাāύিāĻāĻ্āώāĻŖ āĻেāĻŦে āύিā§ে āĻŦāϞāϞেāύ, āĻāĻাāύেāĻ āϝāĻĻি āĻļেāώ āĻāϰা āϝেāϤ āϤāĻŦে āĻŽāύ্āĻĻ āĻšāϤ āύা āĻিāύ্āϤু āϏāϰ্āĻĻি-āĻাāĻļিāϰ āϤো āϤা āĻšāϞে āĻোāύো āĻšিāϞ্āϞে āĻšā§ āύা। āϤাāĻ āĻāĻŽিā§েāϏāĻŽিā§ে āϤাā§াāϤাā§ি āĻļেāώ āĻāϰে āĻĻি।’ āĻāĻŽি āĻŦāϞāϞুāĻŽ, ‘āĻāĻŽাāĻŦেāύ āύা! āϤাāϞāĻা āĻāĻāĻু āĻĻ্āϰāĻŽ্āύāϤ āĻāϰে āĻĻিāύ। āĻāĻŽাāĻĻেāϰ āĻĻেāĻļেāϰ āĻāϏ্āϤাāĻĻāϰা āĻĒ্āϰāĻĨāĻŽ āĻাāύিāĻāĻে āĻাāύ āĻāϰেāύ āĻŦিāϞāĻŽ্āĻŦিāϤ āĻāĻāϤাāϞে, āĻļেāώ āĻāϰেāύ āĻĻ্āϰāĻŽ্āύāϤ āϤাāϞে।’ āĻĄাāĻ্āϤাāϰ āĻŦāϞāϞেāύ, ‘āĻĻুঃāĻিāύী āĻŽেā§ে, āĻŦাāĻĒ-āĻŽা āύেāĻ! āĻāĻ āĻাāύ্āĻĄাāϰ āĻĒিāϏিāϰ āĻŦাā§ীāϤে āĻŽাāύুāώ āĻšā§েāĻে। āĻĻু’āĻŽুāĻ ো āĻেāϤে āĻĻেā§ āĻĒāϰāϤে āĻĻেā§, āĻŦ্āϝāϏ্। āĻāϞেāĻেāϰ āĻĢিāĻāĻি āĻĒāϰ্āϝāύ্āϤ āĻŦেāĻাāϰী āϝোāĻাā§ āĻāϰে āĻŽাāϏ্āĻাāϰি āĻāϰে। ‘āϤাāϤে āĻāĻŽাāϰ āĻিāĻু āĻŦāϞাāϰ āύেāĻ। āĻিāύ’ āĻāĻŽাāϰ āĻোāϰāϤāϰ āĻāĻĒāϤ্āϤি āĻāĻাāĻŦে āĻŦুā§ী āĻāĻŽāύি āύāĻāϰāĻŦāύ্āĻĻী āĻāϰে āϰেāĻেāĻে āϝে, āĻāĻিāϤা āĻšāϰিāĻŖীāϰ āĻŽāϤ āϏāĻŽāϏ্āϤāĻ্āώāĻŖ āϏে āĻĄাāĻāύে āĻŦাঁā§ে āϤাāĻাā§, āĻ āĻŦুāĻি āĻĒিāϏি āĻĻেāĻে āĻĢেāϞāϞে, āϏে āĻĒāϰāĻĒুāϰāĻŽ্āύāώেāϰ āϏāĻ্āĻে āĻāĻĨা āĻāĻāĻে। āĻāĻŽি āϤো āĻŦিāĻĻ্āϰোāĻš āĻāϰে āĻŦāϞāϞুāĻŽ, ‘āĻāĻি āĻŦুāĻাāϰাāϰ āĻšাāϰেāĻŽ, āύা āϤুāϰ্āĻী āĻĒাāĻļাāϰ āĻেāύাāύা? āĻ āĻ āϤ্āϝাāĻাāϰ āĻāĻŽি āĻিāĻুāϤেāĻ āϏāĻāĻŦ āύা।’ āĻāĻা āĻļুāϧু āĻāĻŽাāϰ āĻšাāϤ āϧāϰে āĻŦāϞে, ‘āĻĒāϏ্āύীāĻ, āĻĒ্āϞীāĻ, āϤুāĻŽি āĻāĻāĻু āĻŦāϰāĻĻাāϏ্āϤ āĻāϰে āύাāĻ, āĻāĻŽি āϤোāĻŽাāĻে āĻšাāϰাāϤে āĻাāĻāύে।’ āĻāϰ āĻŦেāĻļী āϏে āĻāĻ্āĻāύো āĻিāĻু āĻŦāϞেāύি। āĻāĻ āĻŽোāĻাāĻŽে āĻĒৌঁāĻāϤে āĻāĻŽাāϰ āϞেāĻেāĻিāϞ āĻাā§া āĻāĻāĻি āĻŽাāϏ। āĻŦিāĻŦেāĻāύা āĻāϰāĻŽ্āύāύ। āϏাāϤ āĻĻিāύ āϞেāĻেāĻিāϞ āĻĒ্āϰেāĻŽ āύিāĻŦেāĻĻāύ āĻāϰāϤে। āĻĒāύেāϰো āĻĻিāύ āϞেāĻেāĻিāϞ āĻšাāϤāĻাāύি āĻুঁāϤে। āϤাāϰো āĻāĻ āϏāĻĒ্āϤাāĻš āĻĒāϰে āϏে āĻāĻŽাā§ āĻŦāϞāϞে āĻেāύ āϏে āĻāĻŽāύ āĻā§ে āĻā§ে āĻĄাāĻāύে āĻŦাঁā§ে āϤাāĻাā§। ‘āĻĨিā§েāĻাāϰ āϏিāύেāĻŽা āĻŽাāĻĨাā§ āĻĨাāĻুāĻ, āĻāĻŽাāϰ āϏāĻ্āĻে āϰাāϏ্āϤাā§ āĻĒāϰ্āϝāύ্āϤ āĻŦেāϰāϤে āϰাāĻী āĻšā§ āύা- āĻĒাāĻে āĻĒিāϏি āĻĻেāĻে āĻĢেāϞে। āĻāĻŽি āĻāĻāĻĻিāύ āĻĨাāĻāϤে āύা āĻĒেāϰে āĻŦāϞāϞুāĻŽ āϤোāĻŽাāϰ āĻĒিāϏিāϰ āĻুāĻāύāĻুāĻĒ্āϞেāĻ āĻāĻে āύাāĻি āϝে āϤাāϰা āĻŽ্āϝুāύিāĻেāϰ āϏāĻŦ āϏ্āĻ্āϰ্āϝাāĻেāĻিāĻ āĻĒā§েāύ্āĻে āĻĻাঁā§িā§ে āϤোāĻŽাāϰ āĻāĻĒāϰ āύāĻāϰ āϰাāĻāĻে? āĻāϤ্āϤāϰে āĻļুāϧু āĻাāϤāϰ āϏ্āĻŦāϰে āĻŦāϞে, āĻĒ্āϞীāĻ, āĻĒ্āϞীāĻ।’ āϝা-āĻিāĻু āĻāϞাāĻĒ āĻĒāϰিāĻā§, āĻāύিāώ্āĻ āϤা āĻāϤ্āĻŽীā§āϤা āϏāĻŦ āĻ āĻāϞেāĻ āϰেāϏ্āϤোāϰাঁā§ āĻŦāϏে। āϏেāĻাāύে āϏাāϰ্āĻĄিāύ-āĻিāύেāϰ āĻিāϤāϰ āĻŽাāĻেāϰ āĻŽāϤ। āĻেā§াāϰে āĻেā§াāϰে āĻ াāϏাāĻ াāϏি āĻিāύ’ āϤাāϰ āĻšাāϤে āϝে āĻšাāϤāĻাāύা āϰাāĻāĻŦ āϤাāϰāĻ āĻāĻĒাā§ āύেāĻ। āĻেāĻ āϝāĻĻি āĻĻেāĻে āĻĢেāϞে।’ āĻāĻŽি āĻŦāϞāϞুāĻŽ, ‘āϏāĻŽুāĻে āϰā§েāĻে āϏুāϧা āĻĒাāϰাāĻŦাāϰ āύাāĻাāϞ āύা āĻĒাā§ āϤāĻŦু āĻঁāĻি āϤাāϰ āĻেāĻŽāύে āϏāϰাāĻŦ āĻুāĻšেāϞিāĻাāϰ āĻāĻ āĻŦাāϧা āϰে।’ āĻĄাāĻ্āϤাāϰ āĻŦāϞāϞেāύ, ‘āĻŽাāύে āĻŦāϞুāύ।’ āĻāĻŽি āĻŦāϞāϞুāĻŽ, ‘āĻāĻĒ āϝাāĻā§ে, āĻĒāϰে āĻŦāϞāĻŦো।’ āĻĄাāĻ্āϤাāϰ āĻŦāϞāϞেāύ, ‘āϏেāĻ āĻিā§েāϰ āĻŽাāĻāĻাāύে, āĻিāĻŽ্āĻŦা āĻāϰিāĻĄāϰে āĻĻাঁā§িā§ে āĻĻাঁā§িā§ে āĻāϞাāĻĒāĻাāϰি। āĻāϰিāĻĄāϰে āĻāĻĨা āĻāĻā§া āϝাā§ āĻĒ্āϰাāĻŖ āĻুāϞে, āĻিāύ’ āϤāĻŦু āĻāĻŽি āϰেāϏ্āϤোāϰাঁāϰ āĻিā§āĻ āĻĒāĻāύ্āĻĻ āĻāϰāϤুāĻŽ āĻŦেāĻļী, āĻাāϰāĻŖ āϏেāĻাāύে āĻĻৈāĻŦাā§, āĻ্āĻŦāĻিā§ āĻāĻāύো āĻāĻা āϤাāϰ āĻোāĻ্āĻ āĻুāϤোāĻি āĻĻিā§ে āĻāĻŽাāϰ āĻĒাā§েāϰ āĻāĻĒāϰ āĻĻিāϤ āĻাāĻĒ।’ ‘āϤাāϰ āĻŽাāϧুāϰ্āϝ āĻāĻĒāύাāĻে āĻি āĻāϰে āĻŦোāĻাāĻ? āĻāĻাāĻে āĻĒāϰে āύিāĻŦিā§āϤāϰ āĻāϰে āĻিāύেāĻি āĻিāύ’ āϏেāĻ āĻĒাā§েāϰ āĻাāĻĒ āϝে āĻāĻŽাāĻে āĻāϤ āĻāĻĨা āĻŦāϞেāĻে, āĻāϤ āĻāĻļ্āĻŦাāϏ āĻĻিā§েāĻে āϏেāĻা āĻি āĻāϰে āĻŦোāĻাāĻ?’ ‘āĻšā§āϤ āϤাāϰ āĻেāύা āĻোāύো āĻāĻ āĻোāĻāϰা āϏ্āĻুāĻĄেāύ্āĻ āĻāϏে āĻšাāϏিāĻŽুāĻে āϤাāĻে āĻĻুāĻি āĻāĻĨা āĻŦāϞāϞে। āĻ āϤ্āϝāύ্āϤ āĻšাāϰ্āĻŽāϞেāϏ āĻāĻŽি āĻিāύ’ āĻšিংāϏেā§ āĻāϰāĻāϰ। āĻেāĻŦিāϞেāϰ āĻāĻĒāϰ āϰাāĻা āĻāĻŽাāϰ āĻšাāϤ āĻĻুāĻো āĻাঁāĻĒāϤে āĻāϰāĻŽ্āĻ āĻāϰāĻে, āĻāĻŽি āĻāϰ āύিāĻেāĻে āϏাāĻŽāϞাāϤে āĻĒাāϰāĻিāύে- ‘āĻāĻŽāύ āϏāĻŽā§ āϏেāĻ āĻĒাā§েāϰ āĻŽৃāĻĻু āĻাāĻĒ। āϏāĻŦ āϏংāĻļā§েāϰ āĻ āĻŦāϏাāύ, āϏāĻŦ āĻĻুঃāĻ āĻ āύ্āϤāϰ্āϧাāύ।’ āĻĄাāĻ্āϤাāϰ āĻŦāϞāϞেāύ, ‘āϤাāĻ āĻāĻŽাāϰ āĻĻুঃāĻ āĻāϰ āĻŦেāĻĻāύাāϰ āĻ āĻŦāϧি āϰāĻāϞ āύা। āĻāĻ āĻŦিāϰাāĻ āĻŽ্āϝুāύিāĻ āĻļāĻšāϰেāϰ āϞāĻ্āώ āϞāĻ্āώ āύāϰāύাāϰী āύিāĻৃāϤে āĻŽāύেāϰ āĻাāϰ āύাāĻŽাāĻ্āĻে, āύিāώ্āĻ ুāϰ āϏংāϏাāϰে āϞā§āĻŦাāϰ āĻļāĻ্āϤি āĻāĻে āĻ āύ্āϝেāϰ āϏāĻ্āĻāϏুāĻ āϏ্āĻĒāϰ্āĻļāϏুāĻ āĻĨেāĻে āĻāĻšāϰāĻŖ āĻāϰে āύিāĻ্āĻে, āĻāϰ āĻāĻŽি āϤাāϰāĻ āĻŽাāĻāĻাāύে āĻāĻŽāύ āĻিāĻুāĻ āĻāϰে āĻāĻ āϤে āĻĒাāϰāĻিāύে āϝাāϤে āĻāϰে āĻāĻাāĻে āĻ āύ্āϤāϤ āĻāĻāĻŦাāϰেāϰ āĻŽāϤ āĻাāĻে āĻেāύে āĻāύāϤে āĻĒাāϰি! ‘āĻļেāώāĻাā§ āĻāϰ āϏāĻāϤে āύা āĻĒেāϰে āĻāĻāĻĻিāύ āĻāĻাāĻে āĻিāĻু āύা āĻŦāϞে āĻĢিāϰে āĻেāϞুāĻŽ āĻŦাāϰ্āϞিāύ। āϏেāĻাāύ āĻĨেāĻে āϞিāĻে āĻাāύāϞুāĻŽ, ‘āĻāϰāĻāĻŽ āĻাāĻে āĻĨেāĻে āύা āĻĒাāĻā§াāϰ āĻĻুঃāĻ āĻāĻŽাāϰ āĻĒāĻ্āώে āϏāĻš্āϝ āĻāϰা āĻ āϏāĻŽ্āĻāĻŦ āĻšā§ে āĻāĻ েāĻে- āĻāĻŽাāϰ āύাāϰ্āĻāϏ āĻāĻāĻĻāĻŽ āĻেāĻে। āϤোāĻŽাāϰ āĻাāĻ āĻĨেāĻে āĻŦিāĻĻাā§ āύিā§ে āĻāϏা āĻāĻŽাāϰ āĻিāĻুāϤেāĻ āĻšā§ে āĻāĻ āϤ āύা- āϤোāĻŽাāϰ āĻŽুāĻেāϰ āĻাāϤāϰ āĻāĻŦি āĻāĻŽাāϰ āĻāϞে āĻāϏাāϰ āϏāĻŦ āĻļāĻ্āϤি āύāώ্āĻ āĻāϰে āĻĢেāϞāϤ।’ āĻāĻŽি āĻŦāϞāϞুāĻŽ, ‘āĻāĻĒāύি āϤো āĻĻাāϰāĻŽ্āύāĻŖ āϞোāĻ āĻŽāĻļাāĻ। āϤāĻŦে, āĻš্āϝাঁ, āĻāĻĒāύাāĻĻেāϰ āύীāĻāĻļেāĻ āĻŦāϞেāĻেāύ, āĻā§া āύা āĻšāϞে āĻĒ্āϰেāĻŽ āĻŽেāϞে āύা।’ āĻĄাāĻ্āϤাāϰ āĻŦāϞāϞেāύ, ‘āĻ িāĻ āĻāϞ্āĻো! āĻā§া āĻšāϤে āĻĒাāϰāϞে āĻāĻŽি āĻŽ্āϝুāύিāĻ āĻĨেāĻে āĻĒাāϞাāϤুāĻŽ āύা। āĻĒāϞাā§āύ āĻিāύিāϏāĻা āĻি āĻŦীāϰেāϰ āϞāĻ্āώāĻŖ? āϤা āϏে āĻāĻĨা āĻĨাāĻ। ‘āĻāϤ্āϤāϰ āĻĒেāϞুāĻŽ āϏāĻ্āĻে āϏāĻ্āĻেāĻ। āϏে āĻিāĻ িāĻি āĻāĻŽি āĻāϤāĻŦাāϰ āĻĒā§েāĻি āϝে āϤাāϰ āĻĢুāϞāϏ্āĻāĻĒ āĻāĻŽা āĻĒāϰ্āϝāύ্āϤ āĻāĻŽাāϰ āĻŽুāĻāϏāϤ্āĻŽ āĻšā§ে āĻিā§েāĻে। āĻāĻŦং āϤাāϰ āĻেā§েāĻ āĻŦā§ āĻāĻĨা, āϏে āĻিāĻ িāĻিāϰ āĻŦāĻ্āϤāĻŦ্āϝ āĻāĻŽাāϰ āĻাāĻে āϏāĻŽ্āĻĒূāϰ্āĻŖ āĻ āĻŦিāĻļ্āĻŦাāϏ্āϝ āĻ েāĻāϞো।’ āĻāĻĒāύাāĻĻেāϰ āĻĻেāĻļে āĻ āĻŦিāĻļ্āĻŦাāϏ্āϝ āĻŦāϞে āĻোāύো āĻিāύিāϏ āύেāĻ- āĻিāĻিāϰিāĻে āĻŽাāĻĨাā§ āϤুāϞে āύিā§ে āĻāĻĒāύাāĻĻেāϰ āĻĻেāĻļে āĻšাāϤী āĻšাāĻŽেāĻļাāĻ āϰাāĻা āĻŦাāύাā§। āĻিāύ’ āĻāϰ্āĻŽāύিāϤে āϤো āϏে āϰāĻāĻŽ āĻāϤিāĻš্āϝ āύেāĻ। āĻিāĻ িāϤে āϞেāĻা āĻিāϞ- āĻŦেāĻļী āϞিāĻāĻŦ āύা- āĻāĻŽাāϰāĻ āĻ āϏāĻš্āϝ āĻšā§ে āĻāĻ েāĻে। āϤাāĻ āϏ্āĻĨিāϰ āĻāϰেāĻি, āϤোāĻŽাāϰ āĻāĻ্āĻাāĻŽāϤ āϤোāĻŽাā§ āĻāĻŽাā§ āĻāĻāĻŦাāϰ āύিāĻৃāϤে āĻĻেāĻা āĻšāĻŦে। āϤাāϰāĻĒāϰ āĻŦিāĻĻাā§। āϝāϤ āĻĻিāύ āĻĒিāϏি āĻāĻেāύ āϤāϤāĻĻিāύ āĻāĻŽি āĻāϰ āĻোāύো āĻĒāύ্āĻĨা āĻুঁāĻে āĻĒাāĻ্āĻিāύে। āϤুāĻŽি āĻāϏāĻে āĻŦুāϧāĻŦাāϰ āĻĻিāύ āĻāĻŽাāĻĻেāϰ āĻŦাā§ীāϰ āϏাāĻŽāύে āĻĢুāĻāĻĒাāϤে āĻ āĻĒেāĻ্āώা āĻāϰো। āĻāĻŽি āϤোāĻŽাāĻে āĻāĻŽাāϰ āĻāϰে āύিā§ে āĻāϏāĻŦ।” āĻĄাāĻ্āϤাāϰ āĻŦāϞāϞেāύ, ‘āĻŦিāĻļ্āĻŦাāϏ āĻšā§ āĻāĻĒāύাāϰ! āϝে āĻŽেā§ে āĻĒিāϏিāϰ āĻā§ে āĻāĻŽাāϰ āϏāĻ্āĻে āĻāϞেāĻ āϰেāϏেāϤ্āĻŽাāϰাঁā§ āĻŦাāĻāϰে āĻĒāϰ্āϝāύ্āϤ āϝেāϤে āϰাāĻী āĻšāϤ āύা, āϏে āĻāĻŽাāĻে āĻĄেāĻে āύিā§ে āϝাāĻ্āĻে āĻāĻĒāύ āĻāϰে?’ āĻāĻŽি āĻŦāϞāϞুāĻŽ, āĻĒীāϰিāϤী-āϏাā§āϰে āĻĄোāĻŦাāϰ āĻĒূāϰ্āĻŦে āϝে āϰাāϧা āϏাāĻĒেāϰ āĻāĻŦিāĻŽাāϤ্āϰ āĻĻেāĻেāĻ āĻ āĻ্āĻাāύ āĻšāϤেāύ āϏেāĻ āϰাāϧাāĻ āĻ āĻিāϏাāϰে āϝাāĻā§াāϰ āϏāĻŽā§ āĻāĻĒāύ āĻšাāϤ āĻĻিā§ে āĻĒāĻĨেāϰ āĻĒাāĻļেāϰ āϏাāĻĒেāϰ āĻĢāĻŖা āĻেāĻĒে āϧāϰেāĻেāύ āĻĒাāĻে āϏাāĻĒেāϰ āĻŽাāĻĨাāϰ āĻŽāĻŖিāϰ āĻāϞোāĻে āĻেāĻ āĻেāĻ āϤাঁāĻে āĻĻেāĻে āĻĢেāϞে।’ āĻĄাāĻ্āϤাāϰ āĻŦāϞāϞেāύ, ‘āϤাāĻ āĻŦāĻে। āϤāĻŦে āĻি āύা āĻāĻŽি āϰাāϧাāϰ āĻĒ্āϰেāĻŽāĻাāĻšিāύী āĻāĻāύো āĻĒā§িāύি। āϏে āĻāĻĨা āĻĨাāĻ। ‘āĻāĻŽি āĻŽ্āϝুāύিāĻে āĻĒৌঁāĻāϞুāĻŽ āĻŦুāϧāĻŦাāϰ āϏāύ্āϧ্āϝেāϰ āĻĻিāĻে। āĻā§āϞাāϰ āĻুঁā§োā§ āϏāϰ্āĻŦাāĻ্āĻ āĻĸেāĻে āĻিā§েāĻিāϞ āĻŦāϞে āĻĸুāĻāϞুāĻŽ āĻāĻāĻা āĻĒাāĻŦāϞিāĻ āĻŦাāĻĨে āϏ্āύাāύ āĻāϰāϤে। āĻাāĻŦে āĻŦāϏে āϏāϰ্āĻŦāĻļāϰীāϰ āĻĄāϞাāĻ-āĻŽāϞাāĻ āĻāϰে āĻāϰ āĻāϰāĻŽ āĻāϞে āϏেāĻĻ্āϧ āĻšā§ে āĻিংāϰিāĻাāϰ āĻŽāϤ āϞাāϞ āĻšā§ে āϝāĻāύ āĻŦেāϰāϞুāĻŽ āϤāĻāύ āĻāϰ āĻšাāϤে āĻŦেāĻļী āϏāĻŽā§ āύেāĻ। āĻ āĻĨāĻ āĻাāĻŦ āĻĨেāĻে āĻāϰāĻāĻŽ āĻšুāĻ āĻāϰে āĻ াāύ্āĻĄাā§ āĻŦেāϰāϞে āϝে āϏāĻ্āĻে āϏāĻ্āĻে āĻāĻĒ্ āĻāϰে āϏāϰ্āĻĻি āĻšā§ āϏে āĻāĻĨাāĻ āĻাāύি। āĻাāύāĻা āύা āĻāϰāϞেāĻ āϝে āĻšāϤ āϏে āϤāϤ্āϤ্āĻŦāĻা āĻŦুāĻāϤে āĻĒাāϰāϞুāĻŽ āϰাāϏāϤ্āĻŽাā§ āĻŦেāϰিā§ে āĻিāύ’ āϤāĻāύ āĻāϰ āĻāĻĢāϏোāϏ āĻāϰে āĻোāύো āĻĢাā§āĻĻা āύেāĻ। āϏেāĻ āĻĄিāϏেāĻŽ্āĻŦāϰেāϰ āĻļীāϤে āĻāϞāϞুāĻŽ āĻāĻাāϰ āĻŦাā§িāϰ āĻĻিāĻে- āĻŽা-āĻŽেāϰীāϰ āĻāĻĒāϰ āĻāϰāϏা āĻāϰে, āϝে āĻ āϝাāϤ্āϰাā§ āϏāϰ্āĻĻিāĻা āύাāĻ āĻšāϤে āĻĒাāϰে।
āĻāĻŽি āĻŦāϞāϞুāĻŽ, ‘āĻāĻŽāϰা āĻŦাāĻāϞাā§ āĻŦāϞি, ‘āĻĻুāϰ্āĻāĻা āĻŦāϞে āĻুāϞে āĻĒā§āϞুāĻŽ’।’ āĻĄাāĻ্āϤাāϰ āĻŦāϞāϞেāύ, ‘āϏাā§ে āĻāĻাāϰোāĻাāϰ āϏāĻŽā§ āĻিā§ে āĻĻাঁā§াāϞুāĻŽ āĻāĻŦাāϰ āĻŦাā§িāϰ āϏাāĻŽāύেāϰ āϰাāϏāϤ্āĻŽাā§। āĻেāĻŽ্āĻĒাāϰেāĻাāϰ āϤāĻāύ āĻļূāύ্āϝেāϰāĻ āύীāĻে- āĻāĻĒāύাāĻĻেāϰ āĻĒাāĻāϞা āĻĢাāϰāύ্āĻšাāĻāĻেāϰ āĻšিāϏেāĻŦে āĻŦāϤ্āϰিāĻļেāϰ āĻĸেāϰ āύীāĻে! āϰাāϏ্āϤাā§ āĻāĻ āĻĢুāĻ āĻŦāϰāĻĢ। āĻāĻাāĻļ āĻŽেāĻাāĻ্āĻāύ্āύ, āĻāϰ āĻāĻŽাāϰ āĻāϤুāϰ্āĻĻিāĻে āϝে āĻšিāĻŽ āĻāύাāϤে āϞাāĻāϞো āϤাāϰ āϏāĻ্āĻে āϤুāϞāύা āĻĻিā§ে āĻŦāϞāϤে āĻĒাāϰি āĻāĻŽাāĻে āϝেāύ āĻেāĻ āĻāĻāĻা āĻŦিāϰাāĻ āĻĢ্āϰিāĻিāĻĄেāϰেāϰ āĻিāϤāϰ āϤাāϞাāĻŦāύ্āϧ āĻāϰে āϰেāĻে āĻĻিāϞ। āϤিāύ āĻŽিāύিāĻ āϝেāϤে āύা āϝেāϤে āύাāĻŽāϞ āĻŽুāώāϞāϧাāϰে…āĻŦৃāώ্āĻি āύā§-āϏāϰ্āĻĻ্āĻĻি। āϏāĻ্āĻে āϏāĻ্āĻে āĻĄাāĻāύাāĻŽাāĻāĻ āĻĢাāĻাāϰ āĻšাঁāĻি-āĻšাঁāĻ্āĻো, āĻšাঁāĻ্āĻো, āĻšাঁāĻ্āĻো। āĻāĻĒāύাāϰ āĻāĻāĻেāϰ āϏāϰ্āĻĻি āϤাāϰ āϤুāϞāύাā§ āύāϏ্āϝি, āĻ āϰ্āĻĨাā§ āύāϏ্āϝিāϰ āĻোঁāĻাā§ āύাāĻŽাāύো āĻā§াāĻ āĻĢোঁāĻা āĻāϞ। āĻšাঁāĻি āĻāϰ āĻāϞ, āĻāϞ āĻāϰ āĻšাঁāĻি। ‘āĻি āĻāϰি, āĻি āĻāϰি āĻাāĻŦāĻি, āĻāĻŽāύ āϏāĻŽā§ āĻāĻা āĻāϏে āύিঃāĻļāĻŦ্āĻĻে āĻāĻŽাāϰ āĻšাāϤ āϧāϰāϞো- āĻŦāϰāĻĢেāϰ āĻুঁā§োāϰ āĻāĻĒāϰ āĻĒাā§েāϰ āĻļāĻŦ্āĻĻ āĻļোāύা āϝাā§ āύা। āϤাāϰ āĻāĻĒāϰ āϏে āĻĒāϰেāĻে āϏেāĻ āĻ্āϰেāĻĒāϏোāϞেāϰ āĻুāϤো- āĻŦেāĻাāϰীāϰ āĻŽাāϤ্āϰ āĻ āĻāĻ āĻোā§াāĻ āϏāĻŽ্āĻŦāϞ! ‘āĻোāύো āĻāĻĨা āύা āĻŦāϞে āĻāĻŽাāĻে āύিā§ে āĻāϞāϞ āϤাāϰ āϏāĻ্āĻে। āĻĢ্āϞ্āϝাāĻেāϰ āĻĻāϰāĻা āĻুāϞে, āĻāϰিāĻĄāϰেāϰ āĻাāύিāĻāĻে āĻĒেāϰিā§েāĻ āϤাāϰ āĻাāĻŽāϰা। āύিঃāĻļāĻŦ্āĻĻে āĻāĻŽাāĻে āϏে āĻĸুāĻিā§ে āĻĻāϰāĻাā§ āĻিāϞ āĻĻিā§ে āĻŽাāĻĨা āύিāĻু āĻāϰে āĻāĻŽাāϰ āϏাāĻŽāύে āĻĻাঁā§িā§ে āϰāĻāϞ। ‘āĻāĻাāϰ āĻোāϞাāĻĒি āĻŽুāĻ āĻĄাāĻ্ āĻĒāύিāϰেāϰ āĻŽāϤ āĻšāϞāĻĻে, āĻুāĻāĻুāĻে āϞাāϞ āĻ োঁāĻ āĻĻুāĻি āĻŦāϞু āĻĄাāύā§ুāĻŦেāϰ āĻŽāϤ āĻāύ āĻŦেāĻুāύি- āύীāϞ- āĻā§ে, āĻāϤ্āϤেāĻāύাā§। ‘āĻāϰ āϏāĻ্āĻে āϏāĻ্āĻে āĻļুāϰāĻŽ্āύ āĻšāϞ āĻāĻŦাāϰ āĻāĻŽাāϰ āϏেāĻ āĻĄাāĻāύাāĻŽাāĻāĻ āĻĢাāĻাāύো āĻš্āϝাঁāĻ্āĻো, āĻšাঁāĻ্āĻো। ‘āĻāĻা āĻāĻŽাāĻে āϧāϰে āύিā§ে āĻāĻŽাāϰ āĻŽাāĻĨা āĻুঁāĻে āĻĻিāϞ āĻŦিāĻাāύাā§। āĻŽাāĻĨাāϰ āĻāĻĒāϰ āĻাāĻĒাāϞো āĻŦাāϞিāĻļ āĻāϰ āϏāĻŦ āĻ’āĻাāύা āϞেāĻĒ-āĻāĻŽ্āĻŦāϞ। āĻŦুāĻāϤে āĻĒাāϰāϞুāĻŽ āĻেāύ, āĻĒাāĻļেāϰ āĻāϰে āĻĒিāϏি āϝāĻĻি āĻļুāύāϤে āĻĒাāύ āϤāĻŦেāĻ āĻšā§েāĻে। āĻāĻŽি āĻĒ্āϰাāĻŖāĻĒāĻŖ āĻšাঁāĻি āĻাāĻĒাāĻŦাāϰ āĻেāώ্āĻা āĻāϰāĻি āĻāϰ āϞেāĻĒ-āĻāĻŽ্āĻŦāϞেāϰ āĻিāϤāϰ āĻŦāĻŽ্-āĻļেāϞ্ āĻĢাāĻাāĻ্āĻি। ‘āĻāϤāĻ্āώāĻŖ āĻ āϰāĻāĻŽ āĻেāĻেāĻিāϞ āĻŦāϞāϤে āĻĒাāϰāĻŦ āύা। āĻšাঁāĻিāϰ āĻļāĻŦ্āĻĻ āĻিāĻুāϤেāĻ āĻĨাāĻŽāĻে āύা। āĻāĻা āĻļুāϧু āĻāĻŽ্āĻŦāϞ āĻাāĻĒাāĻ্āĻে, āĻāĻŽাāϰ āĻĻāĻŽ āĻŦāύ্āϧ āĻšāĻŦাāϰ āĻāĻĒāĻ্āϰāĻŽ āĻিāύ’ āύিāĻŦিā§ āĻĒুāϞāĻে āĻŦাāϰ āĻŦাāϰ āĻāĻŽাāϰ āϏāϰ্āĻŦāĻļāϰীāϰ āĻļিāĻšāϰিāϤ āĻšāĻ্āĻে- āĻāĻাāϰ āĻšাāϤেāϰ āĻাāĻĒ āĻĒেā§ে। ‘āĻāĻŽāύ āϏāĻŽā§ āĻĻāϰāĻাā§ āϧাāĻ্āĻা āĻāϰ āύাāϰীāĻāĻŖ্āĻ েāϰ āϤীāĻŦ্āϰ āĻীā§āĻাāϰ, ‘āĻĻāϰāĻা āĻোāϞ।’ ‘āĻĒিāϏি!’ ‘āĻāϰ āϞুāĻিā§ে āĻĨেāĻে āϞাāĻ āύেāĻ। āĻāĻŽি āϞেāĻĒেāϰ āĻিāϤāϰ āĻĨেāĻে āĻŦেāϰāϞুāĻŽ। āĻāĻা āĻā§ে āĻিāϰāĻŽি āĻিā§েāĻে, āĻাāĻেāϰ āĻāĻĒāϰ āύেāϤিā§ে āĻĒā§েāĻে।
‘āĻāĻŽি āĻĻāϰāĻা āĻুāϞে āĻĻিāϞুāĻŽ। āϏাāĻ্āώাā§ āĻļāĻুāύিāϰ āĻŽāϤ āĻŦীāĻā§āϏ āĻāĻ āĻŦুā§ী āĻāϰে āĻĸুāĻে āĻāĻŽাāϰ āĻĻিāĻে āύা āϤাāĻিā§েāĻ āĻāĻাāĻে āĻŦāϞāϞো, ‘āĻাāϞ āϏāĻাāϞেāĻ āϤুāĻ āĻ-āĻŦাā§ি āĻাā§āĻŦি’। ‘āϏāĻ্āĻে āϏāĻ্āĻে āĻāϰ āĻি āϏāĻŦ āĻŦāĻুāύি āĻĻিā§েāĻিāϞ, āĻেāύ্āύা, āĻেāϞেāĻ্āĻাāϰি, āĻļোāĻŦাāϰ āĻāϰে āĻĒāϰāĻĒুāϰāĻŽ্āύāώ’, ‘āϰাāϏāϤ্āĻŽাāϰ āĻŽেā§েāϰ āĻŦ্āϝাāĻাāϰ’, āĻāĻ āϏāĻŦ, āϏে āĻāĻŽাāϰ āĻāϰ āĻŽāύে āύেāĻ। āĻŦুā§ী āĻāĻŽাāϰ āĻĻিāĻে āϤাāĻাā§ āύা, āĻাāϞেāϰ āĻāĻĒāϰ āĻাāϞ āĻā§āĻে āϝেāύ āĻ’ āĻāĻি āĻĒিā§াāύোāϰ āĻāĻ āĻĒ্āϰাāύ্āϤ āĻĨেāĻে āĻāϰেāĻ āĻĒ্āϰাāύ্āϤ āĻ āĻŦāϧি āĻেāĻ āĻāĻ্āĻুāϞ āĻাāϞাāĻ্āĻে। ‘āĻāĻŽি āĻĨাāĻāϤে āĻĒাāϰāϞুāĻŽ āύা। āĻŦুā§ীāϰ āĻĻুāĻ āĻŦাāĻšু āĻĻু’āĻšাāϤ āĻĻিā§ে āĻেāĻĒে āϧāϰে āĻŦāϞāϞুāĻŽ, ‘āĻāĻŽাāϰ āύাāĻŽ āĻĒেāĻাāϰ āϏেāϞ্āĻŦাāĻ। āĻŦাāϰ্āϞিāύে āĻĄাāĻ্āϤাāϰি āĻāϰি। āĻāĻĻ্āϰāĻāϰেāϰ āĻেāϞে। āĻāĻĒāύাāϰ āĻাāĻāĻিāĻে āĻŦিā§ে āĻāϰāϤে āĻাāĻ’।’ āĻĄাāĻ্āϤাāϰ āĻŦāϞāϞেāύ, āĻŽাāĻŽেāϰী āϏাāĻ্āώী āĻāĻŽি āĻāĻাāĻে āĻŦিā§ে āĻāϰাāϰ āĻĒ্āϰāϏāϤ্āĻŽাāĻŦ āĻāϤāĻĻিāύ āĻāϰিāύি āĻĒাāĻে āϏে ‘āύা’ āĻŦāϞে āĻŦāϏে। āĻāĻŽি āĻ āĻĒেāĻ্āώা āĻāϰেāĻিāϞুāĻŽ āĻĒāϰিāĻā§āĻা āĻāύাāĻŦাāϰ āĻāύ্āϝ। āĻŦিā§েāϰ āĻĒ্āϰāϏāϤ্āĻŽাāĻŦāĻা āĻāĻŽাāϰ āĻŽুāĻ āĻĻিā§ে āϝে āϤāĻāύ āĻি āĻāϰে āĻŦেāϰিā§ে āĻেāϞ āĻāĻŽি āĻāĻāĻ āĻŦুāĻে āĻāĻ āϤে āĻĒাāϰিāύি। ‘āĻĒিāϏি āĻāĻŽাāϰ āĻĻিāĻে āĻšাāĻŦাāϰ āĻŽāϤো āϤাāĻাāϞো- āĻāĻ āĻŦিāĻā§ āĻāĻā§া āĻšা āĻāϰে। āĻĒাāĻা āĻĻু’āĻŽিāύিāĻ āϤাāϰ āϞেāĻেāĻিāϞ āĻŦ্āϝাāĻĒাāϰāĻা āĻŦুāĻāϤে। āϤাāϰāĻĒāϰ āĻĢুāĻে āĻāĻ āϞ āĻŽুāĻেāϰ āĻāĻĒāϰ āĻুāĻļীāϰ āĻĒā§āϞা āĻāϞāĻ। āϏেāĻা āĻĻেāĻāϤে āĻāϰো āĻŦীāĻā§āϏ! āĻŽুāĻেāϰ āĻুঁāĻāĻাāύো āĻāĻŦā§ো āĻĨেāĻŦā§ো āĻাāϞ, āĻাāĻা-āĻোāϰা-āύাāĻ-āĻŽুāĻ-āĻ োঁāĻ āϝেāύ āĻāϰāĻ āĻŦিāĻৃāϤ āĻšā§ে āĻেāϞ। ‘āĻāĻŽাāĻে āĻā§িā§ে āϧāϰে āĻি āϝেāύ āĻŦāϞāϞে āĻ িāĻ āĻŦুāĻāϤে āĻĒাāϰāϞুāĻŽ āύা। āϤাāϰāĻĒāϰ āĻšāĻ াā§ āĻāĻŽাāĻে āĻেā§ে āĻĻিā§ে āĻুāĻāϞ āĻāϰিāĻĄāϰেāϰ āĻĻিāĻে। āĻীā§āĻাāϰ āĻāϰে āĻাāĻে āϝেāύ āĻĄাāĻāĻে। ‘āĻāĻা āϤāĻāύো āĻ āĻৈāϤāύ্āϝ।’
‘āĻŦুā§ী āĻĢিāϰে āĻāϞ āĻŦুā§োāĻে āύিā§ে। āĻŦুā§ো āĻŦ্āϝাāĻĒাāϰāĻা āĻŦুāĻে āύিā§েāĻে āĻāĻ āĻāϰে। āϤাāϰ āĻেāĻšাāϰাāĻা āĻুāĻļীāϰ āĻĒিāĻāύে āĻĻেāĻāϞুāĻŽ āϏেāĻ āĻীāϤ āĻাāĻŦ-āĻāĻাāϰ āĻŽুāĻে āϝেāĻা āĻ āώ্āĻāĻĒ্āϰāĻšāϰ āϞেāĻĒা āĻĨাāĻে। āĻŦুāĻāϞুāĻŽ, āĻĒিāϏিāϰ āĻĻাāĻĒāĻে āĻ āĻŦাā§িāϰ āϏāĻāϞেāϰāĻ āĻāĻŖ্āĻ āĻļ্āĻŦাāϏ। ‘āĻŽāύে āĻšāϞ āĻŦুā§ো āĻুāĻļী āĻšā§েāĻে, āĻāĻা āϝে āĻ āĻŦাā§িāϰ āĻ āϤ্āϝাāĻাāϰ āĻĨেāĻে āύিāώ্āĻৃāϤি āĻĒেā§েāĻে āϤাāϰ āĻāύ্āϝ। āĻšাā§, āϤাāϰ āϤো āύিāώ্āĻৃāϤি āύেāĻ।’
āĻĄাāĻ্āϤাāϰ āĻŦāϞāϞেāύ, ‘āϏেāĻ āĻĻুāĻĒুāϰ āϰাāϤে āĻā§াāĻāύ āĻāϞ, āĻļ্āϝাāĻŽ্āĻĒেāύ āĻāϞ। āĻšোāĻেāϞ āĻĨেāĻে āϏāϏেāĻ্ āĻāĻ্āϞেāĻ্ āĻāϞ। āĻšৈ āĻšৈ āϰৈ āϰৈ। āĻāĻা āϏāĻŽ্āĻŦিāϤে āĻĢিāϰেāĻে। āĻŦুā§ো āĻļ্āϝাāĻŽ্āĻĒেāύ āĻাāύāĻে āĻāϞেāϰ āĻŽāϤো। āĻŦুā§ী āĻāĻ āĻেāϞাāϏেāĻ āĻং। āĻāĻŽাāĻে āĻā§িā§ে āĻļুāϧু āĻাঁāĻĻে āĻāϰ āĻāĻাāϰ āĻŦাāĻĒেāϰ āĻāĻĨা āϏ্āĻŽāϰāĻŖ āĻāϰে āĻŦāϞে, āĻাāĻ āĻŦেঁāĻে āĻĨাāĻāϞে āĻāĻ āϏে āĻী āĻুāĻļীāĻাāĻ āύা āĻšāϤ। ‘āĻāϰ āĻāĻা? āĻāĻŽাāĻে āĻāĻāĻŦাāϰ āĻļুāϧু āĻাāύে āĻাāύে āĻŦāϞāϞ, ‘āĻীāĻŦāύে āĻāĻ āĻĒ্āϰāĻĨāĻŽ āĻļ্āϝাāĻŽ্āĻĒেāύ āĻাāĻ্āĻি। āϤুāĻŽি āĻāĻŽাāϰ āĻāĻĒāϰ āĻāĻāĻু āύāĻāϰ āϰেāĻো।’ āĻĄাāĻ্āϤাāϰ āĻā§āϏাāĻšিāϤ āĻšā§ে āĻāϰো āĻি āϝেāύ āĻŦāϞāϤে āϝাāĻ্āĻিāϞেāύ āĻāĻŽāύ āϏāĻŽā§ āĻāϏ্āϤে āĻāϏ্āϤে āĻĻāϰāĻা āĻুāϞে āĻāϰে āĻĸুāĻāϞেāύ āĻāĻ āϏুāύ্āĻĻāϰী- āĻšাঁ, āϏুāύ্āĻĻāϰী āĻŦāĻে। āĻāĻ āϞāĻšāĻŽাā§ āĻāĻŽি āύāϰ্āĻĨ āϏীāϰ āĻāύ āύীāϞ āĻāϞ, āĻĻāĻ্āώিāĻŖ āĻāĻাāϞিāϰ āϏোāύাāϞি āϰোāĻĻে āϰূāĻĒাāϞি āĻĒ্āϰāĻাāĻĒāϤি, āĻĄাāύā§ুāĻŦেāϰ āĻļাāύ্āϤ-āĻĒ্āϰāĻļাāύ্āϤ āĻāĻŦি, āϏেāĻ āĻĄাāύā§ুāĻŦেāϰāĻ āϞāĻ্āĻাāĻļীāϞ āĻĻেāĻšāĻ্āĻāύ্āĻĻ āϰাāĻāϞ্āϝাāύ্āĻĄেāϰ āĻļ্āϝাāĻŽāϞিā§া āĻŽোāĻšāύীā§া āĻāύ্āĻĻ্āϰāĻাāϞ āϏāĻŦ āĻিāĻুāĻ āĻĻেāĻāϤে āĻĒেāϞুāĻŽ। āĻāϰ āϏে āĻী āϞাāĻুāĻ āĻšাāϏি āĻšেāϏে āĻāĻŽাāϰ āĻĻিāĻে āϤিāύি āĻšাāϤ āĻŦাā§াāϞেāύ। āĻāĻŽি āĻŽাāĻĨা āύীāĻু āĻāϰে āĻĢāϰাāϏিāϏ āĻাā§āĻĻাā§ āϤাঁāϰ āĻāĻŽ্āĻĒāĻ āĻāϰাāĻ্āĻুāϞি-āĻĒ্āϰাāύ্āϤে āĻāώ্āĻ āϏ্āĻĒāϰ্āĻļ āĻāϰে āĻŽāύে āĻŽāύে āĻŦāϞāϞুāĻŽ, ‘āĻŦেঁāĻে āĻĨাāĻো āϏāϰ্āĻĻি-āĻাāĻļি āĻিāϰāĻীāĻŦী āĻšā§ে āϤুāĻŽি।’
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