Tuesday, December 18, 2012

A Victorian Christmas Advent Calendar - 1889






“There, at last, you see it’s done,
Could you make a better one?
Nose and chin, and mouth and eyes,
At a show he’d take a prize.
I should like it understood,
Too, that he is very good;
Though he has such saucy eyes,
Still he never, never cries.
Mouth he has, yet never talks;
Two strong legs, but takes no walks;
He is always good as gold,
For he never feels the cold.
Such a baby few have met,
For he doesn’t hungry get:
Never drinks, and cannot eat -
But he sadly feels the heat!
When the sun shines, strange to say,
Very soon he goes away,
For if you the truth must know,
He is only made of snow!”


From ‘A Snow Baby’ by Graham Clifton Bingham (classmark 1889)

Latest to read: In the Name of Love by Sam Mukherjee




In Toronto’s most opulent brothel, Paradise, a pimp named Sultan falls in love with a prostitute, Salma. They are captured trying to escape the brothel and are brought to Nadira, the ruthless owner of Paradise. She orders Salma to be sold at a flesh fair and Sultan brutally mutilated.

Several years later, Rimana Sen, a young Indian woman, is thrilled to be recruited by a company in Canada and pleased to escape her mother’s expectations of marriage. On the flight to Canada, she meets Jug Ducati, a young Canadian. By the time their flight arrives in Toronto, they are well on their way to falling in love. At the airport, Rimana is whisked away by a couple of shady men, so when Jug does not hear from her, he begins to worry. He enlists the support of his two best friends, the daredevil Omar Khazana, and the over-cautious movie buff, Mark Willis, and begins to search for her. They are stunned to discover that Rimana has been sold to a Middle Eastern buyer and are introduced to the sinister underworld of international human trafficking and sexual slavery.

With Nadira’s goons and corrupt police hot on their heels, Jug and his friends realize that their only chance to escape Nadira’s clutches is to seek help from Sultan, her archenemy. Sultan offers them protection and uses them to trap his nemesis. But can they survive Nadira’s wrath and cunning, as well as Sultan’s lust for revenge, or will they simply become pawns in another gangster’s world?

Visit: http://www.sammukherjee.com/ for more details

Friday, December 14, 2012

Philosophy of the month



The 'Godfather of World Music' influenced the Beatles, the Grateful Dead and more...



Article courtesy: www.rollingstone.com


Ravi Shankar, the sitar master who helped popularize Indian music in the 1960s, influencing hippie culture and musicians from the Beatles and the Grateful Dead to John Coltrane, has died, the prime minister's office of India confirmed to The Associated Press. According to the Times of India, Shankar passed away in a San Diego hospital, where he had been in treatment since last week after complaining of difficulty breathing. He was 92.

2012 In Memoriam: Musicians We Lost
Dubbed the Godfather of World Music by his most famous student, George Harrison, Shankar learned to play several Indian classical instruments in his teens and began touring abroad in the 1950s, introducing Indian ragas to audiences in Europe and the U.S. Shankar met Harrison in 1966 at a friend's house, where the Beatle approached him about learning to play the sitar after he'd used one on "Norwegian Wood (This Bird Has Flown)." Under Shankar's tutelage, Harrison became proficient in the instrument and played it on the Sgt. Pepper's Lonely Hearts Club Band song "Within You Without You," further igniting interest in ragas and Shankar's work among Beatles fans.

"When George became my student, I got a new audience: the younger generation," Shankar told Rolling Stone in 1997. "And, of course, they came like a flood because the whole thing happened with the hippie movement and this interest in Indian culture. Unfortunately it got all mixed up with drugs and Kamasutra and all that. I was like a rock star . . . I never said one shouldn't take drugs or drink alcohol, but associating drugs with our music and culture, that's something I always fought. I was telling them to come without being high on drugs. I said, 'Give me the chance to make you high through out music,' which it does, really. I think it's good I made that stand, and that's why I'm still here today."

Shankar was also a teacher to jazz icon John Coltrane, who was so influenced by the musician that he named his own son Ravi.

As his popularity rose, Shankar performed at the Monterey Pop Festival in 1967 and Woodstock two years later. In 1971, Shankar and Harrison organized the Concert for Bangladesh, which helped raise money for refugees fleeing that country for India and set the example for future all-star benefits like Live Aid.

A three-time Grammy winner, Shankar continued to tour into the 2000s with his daughter Anoushka, also a sitar player. He is also the father of singer-songwriter Norah Jones.


Watch Shankar and Harrison playing sitar together in 1968 at link below:

http://www.youtube.com/watch?feature=player_embedded&v=RxI6IkH9Mvo#!

Professor Shonku and the Golden Chance by Satyajit Ray (Final Part), Translated By Victor Ghoshe



Part 3:


Ist July.

We have shifted to Savedra castle from the hotel. But a strange thing happened before we shifted, which made all of us a little tensed. The hotel management was mostly responsible for it, and we had to be very rude to him for that — let me write in details.
Even in the small sized hotels, it never happens, that the room 'A' key would also open room 'B'; here on the very first day I discovered that the lock of Krole's room could easily be opened by Saunder's Room keys. We all were annoyed, but the area around the hotel was so beautiful and so quite, we decided to stay there.
Today in the morning Krole came to my room shouting and using German slangs for the hotel manager — he was very angry, I gave him a glass of water first and after he calmed down a bit, I learned that last night someone entered his room and left everything at sixes and sevens.
'Could he take anything?' I asked anxiously — 'No, he couldn’t, but it was quite easy for him, just think, had the diary been there with me, what would have happened?
One thing I forgot to mention, that in London, Krole copied a part of the diary where the 'gold making process' was explained, in coded script and kept the diary in his bank locker. We had distributed those papers amongst ourselves; each of us had three A4 sheets to carry. Now I think — had this safety measure not been taken what could have happened!
Saunders went straight to the manager's room and started scolding him vehemently. The gentleman was almost in tears, he said that since the hotel's inauguration - twenty-six years ago, no such thing happened there. When we interrogated the night watchman - Pedro, he said one tourist came looking for a room last night, it was one a.m. and when he told him that there was no room available in the hotel, the tourist then took a seat and offered him a cigarette. Pedro couldn't refuse the expensive French cigarette. And with just one drag of that cigarette he fall asleep and wake up only in the morning. 'How did he look?' Krole asked, ‘The face was covered with beard and moustache and a dark glass', replied Pedro. He also said that the thief must have climbed up on the second floor balcony by the water pipe and once he reached the balcony, the stairs were just a few meters through the passage.
Now – at this point of conversation I asked Krole that so much happened in his room and how come he didn't wake up?
He said last night he had taken two sleeping pills, as he wanted to have some good sleep before we start the work.
As Krole didn't loose any money or any of his belongings and we were also leaving the hotel, we decided to not to think about it any more. The manager said he would inform the police, and would ask them to enquire about all the new tourists who visited the place within the last couple of days.
After reaching the castle, we have inspected around and seen the entire castle thoroughly in the daylight. The plan of the castle was quite complex and one really cannot get a clear idea at one go. Quite frankly — had Pablo not been there with us, we would have lost our way innumerable times. We already heard that one of the eastern rooms on the 1st floor was locked. Today we saw it. There was quite huge a lock hanging on the door. Though we tried a lot but could not have any luck opening it.
'It would be funny to try any of our keys to open this lock'. Said Krole 'anyway we are going to stay here, so one day we would try with a hammer or something heavy to break this open. Saunders seemed a little morose since yesterday. He has this thought that there is some connection between the gypsy lady's forecast and the comments made by the spirit. He said Madame Reneta said, 'I see death' and yesterday the spirit communicated 'the price of gold is the price of life.' Now friends, if I see my life is at stake, then I would leave this project immediately and not only that — even Mustafa's life is equally priceless to me.
But Krole was very optimistic — he said, ‘don’t think much about the gypsy lady’s forecast. Gold cannot have any connection with death. And what Zabir Hayan’s spirit meant was —Alchemic gold is a priceless thing’.
Exactly at 12 noon we started our experiment by setting fire in the oven.
The proceedings were very simple — it only required time and patience. Today we had to burn different plants and collect their ashes. The other thing we did was to weight the ingredients (especially lead, sulphur and table salt) and put them into different containers. Oh! Yes! Another thing the rainwater had been stored in the oval shaped water tank by Pablo.
Its 10 pm. We all have slept in shifts because at least two of us should always be there in the laboratory. Pablo ‘s duty was to guard the place through the night so he also slept for a couple of hours in the after noon.

4 th July

Nothing worth mentioning had happened over the last three days, that's why I didn't write. Today's scheduled work is also going fine. But in the afternoon something exciting happened which I think is mentionable — I heard the sound of Saunders' alarm clock from the next room at 12.30 p.m. and understood he would come to work and I would have to sleep now, though I knew I could not sleep, as my nerves were very much awakened, but I had to maintain the routine, so I left the laboratory immediately after Saunders entered and decided to survey the castle within these three hours.
Unknowingly I walked directly towards the closed door on the 1st floor.
One thing was really disturbing me - why would only one room among the twenty-six rooms of this castle be locked?
After climbing the stairs of the 1st floor, I walked through the dark passage towards the closed door. The door was huge — ten feet in height and four & half feet in width. Decorative copper plates were fitted on the door. Intricate designs on the lock were also quite visible. I was carrying a torch and after searching the door from top to bottom with its light I found a thin crack. I was in a dilemma - if I put the torchlight through the crack then I do not have a place to put my eyes through.
Finally I took off my spectacles and put my right eye on the crack.
I never thought that I would be able to see anything inside a locked, dark room. But even through that 1/4th inch narrow crack I could see that the room was not at all dark, possibly light was coming through some skylight or through a window. I could also understand that the light had a yellow tint in it — most probably the walls were painted in yellow or the window had yellow glass fitted.
No further investigation was possible for me; I knew only one person could help me; I came out of the castle in search of that other person.
It didn't take much time to find out Pablo. He was sitting under an oak tree in the compound of the castle and trying to set up a catch for hedgehogs. He said he had seen one in the bushes around the oak tree. I said, 'let the hedgehog wait for some more time to get captured, and you come and do a small work for me.'
I showed him the room and asked him to go up on the third floor and find out whether there was any sky-light or something like that on that room or not.
Pablo came back in ten minutes; totally out of breath; his eyes were twinkling in excitement “professor - come with me!” he breathed.
He did not leave my hand until we reached the second floor terrace; he was literally pulling me by my hand. The moment we reached on the terrace he pointed his finger towards a specific direction and shouted “there’s the sky-light, see what all magnificent things are there in that room.'
I looked through the skylight and got so excited that I immediately broke the glass of the skylight; collected some rope; helped Pablo to climb down. And got the shock of my life when finally Pablo climbed up to me with three golden statues in his hand.
He was holding one life size squirrel, one owl and one rose — when I rubbed them with my handkerchief the blinding glitter suggested that they were undoubtedly made of 100% pure gold.
And of course there was no doubt about the fact that the gold was made by the thirteenth century Spanish alchemist Manuel Savedra. Surely enough, now I know why did he call himself an artist, because he was not only a great alchemist but also a goldsmith of a class. Even the famous Italian goldsmith Benvenutu Chellini's works would seem very dull in front of these works of art, I thought.

5th July

Initially I thought I would not show these objects to Saunders and Krole. But keeping Saunders' depression in mind I showed them the statues.
Actually Saunders lost his excitements with in two days since we started our work — one primary reason for that was …as a scientist it is quite tough to accept the methodology of alchemy on a serious note. I can understand this and respect the feeling. But being an Indian, I can't ignore things like spirits, ghosts, mantras and chants etc. In my own life I had come across so many things for which science does not have any explanation. But Saunders is a pure Englishman; he does not believe in any 'Mumbo Jumbos'.
But, now Saunders' attitude has changed and the only reason for that is the gold, made by Savedra.
We have displayed the statues on a shelf in our laboratory. I don't know how much the beauty of the room is enhanced, but surely I can say that the chances of a visit by robbers are now much higher. Anyway all three of us are carrying weapons.
Saunders is a crack shot hunter, Krole is also good with his pistol and I always carry my annihilin gun in my pocket. So there is no reason to be afraid of.
Pablo is guarding the compound in the nights; he could finally catch the hedgehog, so he is very happy with both his mongoose and hedgehog.
It seems that it will take two more days for us to finish the work. Today that 'semi-liquid thing' (as mentioned in the diary) has been made. It looks quite peculiar. Its colour appears to be different from different angles. And possibly for the existence of mercury all the colours have a silver tint.

6th July

Today something serious has happened which made us to believe that someone is still following us. In the morning when Pablo came to us with the news — we followed him to the garden and found some unknown footprints. And they were almost everywhere. Some of them were very close to our laboratory's window. Strangely enough Pablo could hear nothing. But then again it's not very surprising at all, as there are many ways to enter the castle compound, other than the main gate. The seven hundred year old wall is broken in many places. Anyone can enter through any of those broken parts; can hide behind the bushes and keep an eye on our activities. Now onwards Pablo should be more cautious.
It is 9 a.m and I have just started writing my diary after finishing the coffee. Its time for Krole to go to sleep, but I am not sure whether any of us can sleep tonight. Today it is scheduled to mix the semi-liquid substance with rainwater and to purify it for seven hours continuously. After that we need to pray to our gods and goddesses and try all the metal stuff we are carrying, into that semi liquid substance to check whether we are successful or not. If the result doesn't satisfy us, we do not know what would be our next step. Probably we would have to act as good boys and go back home. I do not know why? But I have a feeling that our experiment is going towards success.

7th July

Extreme sadness.
All the slogging, all the efforts and endless patience has gone in vein, the liquid we made through the alchemic process could not turn any metal into gold. We tried everything we had with us in that liquid but nothing happened. Though one thing we could understand that this thing had some specialty; it should be cold by this time but whenever I take my hand close to it, it feels like innumerable invisible needles are pinning my hand from nowhere.
Savedra had clearly stated in his diary that this liquid couldn't be touched. Saunders had carried Mustafa out of the laboratory; he had gone to the garden and was sitting helplessly on a half broken bench. Krole was sitting on a stool and staring at the oval water tank as if he was in a trance. That bat was still hanging from the ceiling. It was there in the same place since it came inside on the very first day.
I could never realize Krole’s state of mind, that he was so shocked until he suddenly became furious about the bat.
Suddenly I saw him taking out his revolver. He abused the bat in German and before I could do anything he shot it. But surprisingly the dead bat didn't fall; it kept on hanging the same way, only droplets of blood started dripping from it's body on the floor.
Saunders heard the firing and ran straight up to the laboratory. He took a few seconds to understand the situation and then started scolding Krole violently.
I immediately went out of the laboratory. I was really feeling very tired after so many long working hours, night shifts and failure at the end. Generally, none of my expeditions were unsuccessful, but I think this time it was one.
7th July, 11 pm
The most shocking and memorable day in my life. All those spine-chilling events happened within ten minutes of Krole- Saunders's fight. Let me now describe how everything happened.
I went to the garden instead of going to my own room after coming out of the laboratory. Two-three minutes before there was a quick rainfall, but now the sun was shining bright on the sky. When I came out and looked at the eastern sky, 'Mull Hassen' the highest peak of Spain welcomed me. A beautiful pair of rainbows above the peak were adding amazing colours to the sky. Suddenly, a sound of a half-uttered cry brought me down on earth from the two beautiful rainbows. Following the sound I ran as fast as I could and found Pablo — lying on the grass; senseless. He had a black spot on his jaw and blood was dripping from this mouth.
The next moment some noises came from the direction of the laboratory. I ran again towards the noise; but I had to stop at the door.
Rufus Blackmore standing facing Krole and Saunders with a .38 colt revolver and with a devilish smile.
“ The moment you cross the door, you are a dead man”, he warned.
After saying this, he first collected the coded formula papers from the table and then he moved towards the shelf where the golden statues were kept.
I still shiver in horror to visualize what happened the next.
A hairy ball-like thing jumped out of Saunders's lap; traveled all the distance through air at the speed of thunder and attacked Blackmore. Blackmore’s revolver went out of control and got fired, Krole had a close shave as the bullet missed him by a few inches and broke a glass retort.
And with that, Blackmore lost his balance and fell into the tank at the center of the room. Mustafa went back to his master after taking his revenge by giving deep scratch marks on Blackmore's face with his claws. The moment Blackmore's body touched the liquid; he started trembling as if he got an electric shock and then remained motionless. All three of us kept watching with our three pairs of eyes wide open — the uncovered areas of Blackmore's body — like his neck, his face, his hands- they all were turning into dazzling gold — very fast.
Saunders whispered “the price of gold …the price of life”.

So in Savedra's alchemy living things are required to make gold instead of metals — like human beings, flowers, animals, birds anything living.
The ‘Blackmore’ we can see now, that owl, that squirrel, that rose — they all were mortal living things at some point of time.
Now, they will never talk, never move, and never age as they have all become immortal.




Translated by Victor Kalyan Ghoshe
From The Original Shonku story in bengali by Satyajit Ray

Wednesday, December 12, 2012

Smile of the month



A short story - Translated in Bengali from Russian

āĻ—ৃāĻšে āĻĒ্āĻ°āĻ¤্āĻ¯াāĻŦāĻ°্āĻ¤āĻ¨ – āĻ­াāĻ¸িāĻ˛ি āĻ—্āĻ°িāĻ—োāĻ°িā§ŸেāĻ­

‘āĻāĻ¸েāĻ›ে! āĻ…āĻŦāĻļেāĻˇে āĻ‰āĻĻā§Ÿ āĻšā§ŸেāĻ›ে āĻ¤াāĻ°!… āĻ¸াāĻ°া āĻ—াā§Ÿে āĻ§ুāĻ˛োāĻŽাāĻ–া?… āĻĻেāĻ°ি āĻšāĻ˛ো āĻ•েāĻ¨? āĻ•োāĻĨাā§Ÿ āĻ›িāĻ˛ে? āĻ…āĻĢিāĻ¸ে? āĻ•াāĻ˛ āĻĢোāĻ¨ āĻ•āĻ°ে āĻœেāĻ¨ে āĻ¨েāĻŦ।… āĻāĻ–াāĻ¨ে āĻĒা āĻĻিā§Ÿো āĻ¨া, āĻāĻ•āĻŸু āĻ†āĻ—েāĻ‡ āĻĒāĻ°িāĻˇ্āĻ•াāĻ° āĻ•āĻ°েāĻ›ি। āĻ“āĻ–াāĻ¨ে āĻ¯েā§Ÿো āĻ¨া, āĻ“āĻ–াāĻ¨ে āĻ¨োংāĻ°া। āĻœুāĻ¤া āĻ–ুāĻ˛ে āĻ¸্āĻ¯াāĻ¨্āĻĄেāĻ˛ āĻĒāĻ°ে āĻ¨াāĻ“। …āĻŦāĻ˛āĻ›, āĻ…āĻĢিāĻ¸ে āĻ›িāĻ˛ে āĻāĻ¤āĻ•্āĻˇāĻŖ? …āĻŦেāĻ¤āĻ¨ āĻāĻ¨েāĻ›? āĻ¤াāĻšāĻ˛ে āĻŦাāĻ¸াā§Ÿ āĻāĻ¸েāĻ› āĻ•েāĻ¨? āĻ িāĻ• āĻŦāĻ˛েāĻ›, āĻŸাāĻ•া āĻ›াā§œা āĻ¤োāĻŽাāĻ•ে āĻĒ্āĻ°ā§ŸোāĻœāĻ¨ āĻ¨েāĻ‡ āĻ•াāĻ°āĻ“। āĻŦ্āĻ¯āĻ¤িāĻ•্āĻ°āĻŽ āĻļুāĻ§ু āĻŦāĻ‰। āĻ¸ে āĻ¤োāĻŽাāĻ•ে āĻāĻ–āĻ¨ো āĻ¸āĻš্āĻ¯ āĻ•āĻ°ে āĻ¯াāĻš্āĻ›ে। āĻ•াāĻ°āĻŖ āĻ¸ে āĻŦোāĻ•া। …āĻŦāĻ¸ো। āĻ“āĻ–াāĻ¨ে āĻ¨া। āĻ•িāĻ¸েāĻ° āĻ“āĻĒāĻ°ে āĻŦāĻ¸েāĻ›, āĻ¸েāĻŸা āĻ˛āĻ•্āĻˇ āĻ•āĻ°েāĻ›? āĻĻাঁā§œিā§Ÿে āĻ°āĻ‡āĻ˛ে āĻ•েāĻ¨? āĻŽāĻ¨ে āĻšāĻš্āĻ›ে, āĻ¯েāĻ¨ āĻ•াāĻ°āĻ“ āĻŦাāĻ¸াā§Ÿ āĻŦেā§œাāĻ¤ে āĻ—েāĻ›! …āĻšুāĻĒ āĻ•āĻ°ে āĻ†āĻ›ো āĻ•েāĻ¨? āĻ¤োāĻŽাāĻ° āĻ¸āĻ™্āĻ—ে āĻ¤োāĻŽাāĻ° āĻŦāĻ‰ āĻ•āĻĨা āĻŦāĻ˛āĻ›ে āĻŦāĻ˛ে āĻŽāĻ¨ে āĻ¤ো āĻšā§Ÿ। āĻ¤ুāĻŽি āĻ•োāĻ¨ো āĻ•াāĻœেāĻ° āĻ•āĻĨা āĻ•ি āĻŦāĻ˛āĻ¤ে āĻĒাāĻ°ো āĻ¨া? āĻĒāĻ¤্āĻ°িāĻ•া āĻ°াāĻ–ো! āĻŽেāĻেāĻ¤ে āĻĢেāĻ˛āĻ˛ে āĻ•েāĻ¨! āĻ¤োāĻ˛ো! āĻ†āĻŽি āĻ¤োāĻŽাāĻ° āĻšাāĻ•āĻ°াāĻ¨ি āĻ¨āĻ‡। āĻŦāĻ‡ā§Ÿে āĻšাāĻ¤ āĻĻিā§Ÿো āĻ¨া। āĻ†āĻŽি āĻāĻ•েāĻŦাāĻ°ে āĻ¸িāĻ°িā§ŸাāĻ˛ āĻ•āĻ°ে āĻ¸াāĻœিā§Ÿে āĻ°েāĻ–েāĻ›ি। …āĻŸেāĻ˛িāĻ­িāĻļāĻ¨েāĻ° āĻ¸াāĻŽāĻ¨ে āĻĨেāĻ•ে āĻ¸āĻ°ে āĻāĻ¸ো! āĻ“āĻ¤ে āĻ•িāĻ›ুāĻ‡ āĻĻেāĻ–াāĻ° āĻ¨েāĻ‡। āĻ•ুāĻ•ুāĻ°েāĻ° āĻ—াā§Ÿে āĻšাāĻ¤ āĻĻিā§Ÿো āĻ¨া। āĻ“ āĻ¤ো āĻ¤োāĻŽাāĻ•ে āĻœ্āĻŦাāĻ˛াāĻ¤āĻ¨ āĻ•āĻ°āĻ›ে āĻ¨া! āĻ†āĻŦাāĻ° āĻĻাঁā§œাāĻ˛ে āĻ•েāĻ¨! āĻšাā§Ÿ! āĻˆāĻļ্āĻŦāĻ°েāĻ° āĻ…āĻļুāĻ­ āĻ¸ৃāĻˇ্āĻŸি! …āĻ•াāĻ°্āĻĒেāĻŸেāĻ° āĻ“āĻĒāĻ°ে āĻ“āĻ ো āĻ¨া। …āĻ†āĻŽাāĻ° āĻšোāĻ–েāĻ° āĻ¸াāĻŽāĻ¨ে āĻāĻĻিāĻ•-āĻ“āĻĻিāĻ• āĻšেঁāĻŸো āĻ¨া। āĻ…āĻ¸āĻš্āĻ¯ āĻāĻ•েāĻŦাāĻ°ে! …āĻ•োāĻ¨ো āĻāĻ•āĻŸা āĻ•াāĻœ āĻ–ুঁāĻœে āĻ¨াāĻ“। āĻŦ্āĻ¯াāĻ˛āĻ•āĻ¨িāĻ¤ে āĻ¯েā§Ÿো āĻ¨া! āĻ•ে āĻœাāĻ¨ে, āĻšā§ŸāĻ¤ো āĻĒā§œে āĻ¯াāĻŦে āĻ“āĻ–াāĻ¨ āĻĨেāĻ•ে। āĻ¤িāĻ¨āĻ¤āĻ˛াā§Ÿ āĻ¤ো! …āĻāĻ‡ āĻĻ্āĻ¯াāĻ–ো, āĻŦāĻ˛েāĻ›িāĻ˛াāĻŽ āĻ¨া! āĻ িāĻ•āĻ‡ āĻĒā§œে āĻ—েāĻ›ে! āĻŽāĻ¨ে āĻšāĻš্āĻ›ে, āĻŦেঁāĻšে āĻ†āĻ›ে। āĻ­াāĻ—্āĻ¯িāĻ¸! āĻ†āĻ° āĻļুā§Ÿে āĻĨেāĻ•ে āĻ­াāĻ¨ āĻ•āĻ°āĻ¤ে āĻšāĻŦে āĻ¨া। āĻ“āĻ ো। āĻ†āĻ° āĻ¤ুāĻŽি āĻ¯েāĻšেāĻ¤ু āĻ¨িāĻšেāĻ‡ āĻāĻ–āĻ¨, āĻ°ুāĻŸি āĻ•িāĻ¨ে āĻ¨িā§Ÿে āĻāĻ¸ো āĻĻোāĻ•াāĻ¨ āĻĨেāĻ•ে। …āĻšাā§Ÿ, āĻ āĻ•ী āĻ•āĻĒাāĻ˛ āĻ†āĻŽাāĻ°! …āĻŦাāĻ¸াā§Ÿ āĻĢিāĻ°ে āĻĻāĻ°āĻœাāĻ° āĻ¸াāĻŽāĻ¨েāĻ° āĻĒাāĻĒোāĻļে āĻĒা āĻ­াāĻ˛ো āĻ•āĻ°ে āĻ˜āĻˇে āĻ¨েāĻŦে!’

Archive - The 1st Bollywood vellain to endorse a consumer product


Friday, September 21, 2012

Professor Shonku and the Golden Chance by Satyajit Ray, Translated By Victor Ghoshe


Part 2

26th June
As far as our equipments were concerned we didn’t want to take any chances, so we bought everything from London.The famous - rather infamous 'Chorebazar of London is on the 'Porto Bello Street' — we spent some two and half hours there and collected lots of earthen potteries, glass flasks and retorts — exactly like those which we see in old Hollywood movies. One of Saunders' friend is a renowned film producer; a few years back he produced a thriller, and the story revolved around Alchemy - for which he made lots of earthen potteries and cooking accessories; luckily Saunders could hire some of those equipments, from the production manager.
Saunders took Mustafa along. And I am sure even if Krole wouldn't have mentioned mustafa, Saunders would still bring Mustafa, because he can't stay away from Mustafa for long.

Personally speaking, I was not very enthusiastic about making artificial gold and not even interested in the gold itself. My excitement was all about visiting this part of Spain, as I had never been here. Saunders was not engaged in any important project so he was also quite excited about the outing. And what do I write about Krole - he was so excited, he couldn't even sit quietly for a while. This moment he is reading the manuscript, the next moment he is walking briskly in the drawing room and the next moment he is drawing some gibberish diagrams in his notebook. I tried to peep once; the diagrams seemed somewhat like 'The Tantric Mandalas.'

It was five pm in the evening; I was packing and the calling bell rang — after a while I heard someone opening the door and then a familiar voice. It must be that American gentleman who was competing with Krole in the auctions. I was quite intrigued and immediately went down. Saunders was already there and made our guest comfortable in the drawing room. Krole also came down within a minute. It seemed that he could also identified the guest’s voice.

Our guest took out three visiting cards from his vest pocket and handed them over to three of us. The name written on the card was — Rufus H. Blackmore.
'Rufus Blackmore ?' Krole exclaimed 'are you the person who wrote the book named “Black art and white magic”?'
'Yes Sir, I am the one.'

I was observing him thoroughly - long face, very pale skin, shoulder-touching black hair, and very calm eyes — but of course we knew which can also have fire at times as we have seen in the 'Calling wood Auction House'.
The gentleman put his hand into the right pocket of his blazer and took three silver balls out, which were as big as table tennis balls. And showed us at least twenty five different tricks with them within a couple of seconds. The shining balls were disappearing and reappearing so amazingly that none of us could make out what was happening. We should agree that the tricks were really great. Finally when he took out the three balls out of our pockets, then we couldn't help clapping.

'Your magic deserves a huge round of applause!' said Willhelm Krole.

'You haven't seen even one tenth of my genius.' Said Rufus with a very dry smile. These are all mediocre magic, do you want to know what my real magic is?' Blackmore gave a little pause and then held one of the three balls with the first finger and the thumb of his right hand and announced — 'This ball is made of silver and the silver is made by me. You can't get silver — more pure than this in the whole world.'
All three of us kept quiet…Blackmore's eyes twinkled in excitement.

'Half of the Alchemy magic is in my hands now' said Blackmore, 'but even after three years of experiment I have not yet been successful in making artificial gold. I believe Savedra explained everything in his diary. I came to know about Savedra's diary from my Alchemist guru. And when I came to know that it was on auction at Calling Woods, I immediately flew from Sanfransisco. I thought I would get it for just a few dollars, but I could never think that professor Krole would be so excited to acquire it. I could overbid him that day, but I thought when we would get introduced and he would learn about my work, possibly he would give me the diary for the same price. I think professor Krole has bought the diary for his collection, like any other collector of scriptures and manuscripts. But I am an Alchemist myself - the best in America, why America? Possibly the only original Alchemist of this world. My guru has died. So now I am the only one in this world who can use that diary properly. I got the money with me and I want the diary.'
Rufus Blackmore then took out a beautiful leather wallet from his blazer pocket; took out a bundle of ten-pound notes from that and put them on the center table.

Krole talked first.
'You take the money back Mr. Blackmore. I do not wish to give away the diary.'
'You are taking a wrong decision professor Krole'.
'Possibly not. You may be a magician, but there is no proof that you are an Alchemist. And of course we are not ready to believe that you have made the silver, which these balls are made of.'

Rufus Blackmore was silent for a few seconds. Then he gave a killer's look at all of us; took the money from the table; got up and said, 'You must have read, ninety nine per cent pure silver has been successfully made in a laboratory - but no one could make hundred per cent pure silver in the world — except this one, which I made.
He looked at Krole and threw one of those three balls towards him, which landed on Krole's lap.
'I know All three of you are scientists,’ Blackmore carried on. ‘At least check out whether I am right or wrong — analyze this silver, you have two days time; I am staying at 'Woldorf Hotel'; room No.four twenty nine. If you change your mind and decide to sell the diary to me, give me a call. And if you do not sell it to me then let me tell you one thing, making artificial gold is not your cup of tea.'

After this dramatic lecture he didn't wait for a moment and walked firmly towards the door. But what he did while going out of the door was quite an offence. Mustafa was sitting on the threshold. Blackmore kicked him with his sharp toed patent leather shoe, so hard that he flew three feet away from the place where he was. Saunders jumped up crying, 'what the hell!!' and ran after him, but Rufus was already out on the road. Krole tried to make Saunders calm. And said, 'I think
this guy is insane, let's not get into any complication.'

Mustafa was crying loud in pain and anger. Saunders finally had to take him in his lap to cool him down. I was thinking if Alchemists are like this, then the subject should be kept aside, but there is no way out now as the day after tomorrow we are starting for Granada in another two days. God only knows what is going to happen.

Montefrio, 29th June
It's raining. The way clouds have covered the sky, it seems that they are not going to clear up in coming two-three days. Krole thinks it's a good sign and it could not be better, because one of the most important ingredients of the experiment is automatically being collected.
A huge plastic container has been kept on the second floor terrace of the Savedra castle. And we are sure that it will be full before evening.
We are not staying in the castle. We found a hotel close by and have checked in. No one stays in the Savedra Castle now. And no one knows since when it's been abandoned. But Savedra family is quite well known in Montefrio. We asked the first person we met in Montefrio, where the castle was, and he promptly gave us a detailed direction. As we took a stopover in Granada and rested well, we all were quite fresh, so we did not waste any time and followed his direction. We had to take a left turn from the Montefrio Post Office and started driving through a narrow hilly road. We reached the second landmark in ten minutes; it was ruins of a medieval Moorish inn. From eight to fifteenth century the Moors had reigned over this part of Spain. And those Arabic Muslims had left their marks everywhere, the well-known Al-Hambra palace of Granada is just one of them to mention.

Beside the ruins of the inn a boy was standing under a tree with a Mongoose on his shoulder. He came up to us as our taxi stopped. When asked about the castle, he told us that no one stays there. We had to explain that we did not want to meet anyone there; we only wanted to see the castle. He said if we could take him with us in the car he would show us the way easily, he also added that he could be a good guide to us. We did not have any problem with the proposal, so we took him along.
The boy was quite chirpy; he flooded us with a load of information about himself. His name is Pablo, he had five brothers and seven sisters; he is the youngest and is unemployed. His father has a liquor shop; three of his brothers are working in that shop. One of the other two brothers run a fruit shop. The fifth one plays guitar in a restaurant. All his sisters got married. Pablo knows the history of Montefrio very well; how old the palaces and castles were; which king used to live in which palace; which king died in which year, he knows everything. He also shared that he used to earn some pocket money by working as a tourist guide, but as he studied only up to the fourth standard he could not get good work.
His actual hobby is to catch animals and to train them. He caught the mongoose only three days back and it had already started obeying his orders.
He was on the front seat and kept on narrating his biography. On the backseat of the taxi, we three discussed in a low voice that we would offer him to be with us and help us in our basic requirements for the few days we are going to stay here. And of course we would pay him for that. But till that time we didn't see the castle and we didn't know whether it would be possible for us to start our experiment there or not.

After another fifteen minute's drive through a forest we reached at a little open space, where Pablo asked to stop the car. 'We have to walk from here,' He said. 'How far?' asked Krole 'just about two minutes' replied Pablo.

If not exactly in two minutes, but we reached in front of a huge iron gate within five minutes of a fairly troublesome walk through the bushes and shrubs. It was surely not a very huge castle but quite enough for hundred people to live in it.
There was no canal around the castle. A path twisted, turned through the compound gate and took us to the main entrance of the house. Pablo could guess that we wanted to enter inside the castle — he said at least one thousand bats reside there in that house along with innumerable rats and snakes.
Saunders asked him how did he know so much about the castle.
Pablo replied 'Once I entered the castle following a 'Salamander', Oh! God! What pain it caused!! It made me run up and down and finally took me to the terrace.
Salamander is a reptile from the chameleon class and is often seen in this part of Spain.

'What else have you seen there in the castle?' asked Krole. Pablo said he had seen nothing much — a few broken chairs and tables, some old weapons on the walls. Ceilings were mostly broken and hanging dangerously. Amongst all the rooms were like this, but only one was locked so he couldn't see what was inside. But surprisingly there was a kitchen in the castle, which had a lot of earthen utensils - he had taken one bowl from those and gifted it to his mother.
Now, this made all of us very excited 'can you take us to the kitchen? ´ Krole asked in a low yet very sharp voice.
'Why not?' said Pablo, 'come with me'!

We went with Pablo and found that our guess was not wrong at all.
There was no doubt about the fact that seven hundred years back one of the South Eastern rooms of the Savedra castle had been used as a laboratory of an Alchemist.
Oven, water tank on the floor, earthen pottery, glass retorts and tubes-everything was there though all of them were covered by the layers of dusts of the last seven centuries. There was a medieval air pump also — which Krole checked and certified that it was fine and would work for us as well. We all had seen pictures of laboratories, exactly like this in so many alchemy books, the only difference was — the people who were going to work there were from the twentieth century. At the same time the other true fact was — now it was not only Krole, Saunders and I were also getting into the 'medieval time-frame' mentally. And I was sure that those alchemists also used to feel the same excitement, which I was feeling in my veins.

We hired Pablo for thousand Pesetas a day , which is close to our Indian 100 Rupees.
He would clean up the Laboratory within a day so that we can start our work from the day after. He also would have to clean-up two more rooms because we all three have to stay in the castle only. As once the process of gold making starts we would not be able to leave Savendra Caste. Pablo would bring our food; sleeping would not be a problem as all three of us have sleeping bags.
We went back to the hotel at 1:30 p.m. And it started raining within half an hour, immediately we sent Pablo to the castle with the container. Now it's 8:30 pm and the rain has stopped. This place is quite dry but it's sheer luck that we had this encounter with a sudden rainfall.
Krole and Saunders had just called me to say that they are ready for dinner. O-ho! I forgot to mention one thing in my diary — the ball which Rufas Blackmore had given us — we tested it before coming here and came to know that the silver was hundred percent pure. So now we cannot call him a magician anymore; he has been successful as an alchemist as well. Now we need to overtake him by making hundred percent pure gold. And we all three are confident about that.

30th June (0:30 hrs)
We have just returned from Savedra castle after spending two hours in our Alchemic laboratory. We had to perform an important ritual before we started our experiment, as per Savedra's instructions. Now I am going to write about it, but before that, let me write something else — the spirit of tenth century Arabian Alchemist gave his blessings to us. Tomorrow exactly at twelve noon our manual air pump would start working. All ingredients have been collected in sufficient quantities and a new big lock has also been arranged for the laboratory door, tomorrow we are going to shift in the castle. Pablo will also be there with us.

We have explained our business (to some extent) to him because he seemed so innocent, we thought we could have faith in him.

The new thing in the method of planchet to call upon the spirit of Zabir-Ibn-Hayan; which Krole used this time, was some Latin & Tibetan chants in the beginning, where Saunders did the Tibetan part and Krole did the Latin portion, after that Krole played some European religious tunes with his bone-flute. I must mention one thing that during this planchet there was another living thing in the room — he was none other than Mustafa. He has already killed three rats since we shifted to this castle. I am sure he is expecting more of them and that is why he is so happy.

After the chant and the flute, we all sat around a table and started thinking about Zabir-Ibn-Hayan. Krole and I, we both know the Arabian language pretty well, so we knew it would not be any problem to communicate with the spirit. The spirit would come through Krole as he was the medium. He was sitting with his eyes closed; Saunders and I were looking at Krole without even blinking our eyes. The light sources were only two candles; the flames where swaying very slowly with the wind and with that our three large shadows were also swaying on the wall.
After some fifteen odd minutes, there was a new shadow movement on the wall and as we looked up, we found a bat; hanging from the log of the ceiling. It was not a very uncommon thing to have a bat hanging from an old castle ceiling like this, but the uncommon thing with this bat was — it was also swaying like a pendulum and was staring at all of us. With the corner of my eye I could see that Mustafa was also staring at it.
There was a little change in Krole's body — to be precise a change in his posture. The upper part of his body had bent forward, towards the table and his lower body was moving upwards.
In two minutes time his posture took a shape as if Krole was in his 'Namaz'. Saunders and I could clearly see that his feet were not touching the floor any more and he was not sitting on the chair — his body was entirely suspended in the air.
From somewhere the smell of 'Itr' (an Arabic essence) was coming and the moment I recognized it, there was a little 'Thud' and I found a pearl 'prayer beads' on the table in front of Krole's head I could identify, that was a 'Tasbeeh', which is very popular among Muslim devotees.
Surprise was waiting for us — all the pearls came out individually; arranged themselves in a specific manner, which seemed to be a line written in Arabic, which read— 'be successful'.
After ten seconds the line got dismantled and again got arranged as a new line in Arabic — 'The price of gold'.
I started thinking what did the spirit mean by this and then for the third time the pearls got re-arranged to write —'The price of life'. And then all of a sudden they all vanished.
Krole's body then fell down on the chair with a heavy 'thud'. When I explained the writing to Saunders he said "Success, I understand, but 'the price of gold is the price of life?' What does that mean?"
Krole did not have any satisfactory answer for that, he said he was in a trance and he couldn’t remember what all he had done during the time.
In my opinion we do not need to get worried about the second and the third sentence — 'Be successful' is enough.
Even when we were coming out of the room after the planchet, the bat was still hanging from the ceiling.

Would it go tomorrow or it would stay in our laboratory permanently?

pls find the prev. part of this story in the July Issue of Megher Khata, and read the last part in the next issue.

Thursday, September 20, 2012

Smile of the month



An amazing result of a great study

Sri Yantra created in an electronic sound field (tonoscope) during an experiment by Dr. Jenny. Same experience is sensed when the Sri Chakra patern 'dematerializes', apearing to disolve into a blissful all encompassing web of spoken mantras



Idea of the month - 'Let's play handball'




Article of the month - Salil Choudhuri, The Immortal Musician


āĻ¸āĻ˛িāĻ˛ āĻšৌāĻ§ুāĻ°ী




‘āĻ­াāĻ˛ āĻļিāĻ˛্āĻĒী āĻšāĻ¤ে āĻšāĻ˛ে āĻ­াāĻ˛ āĻ°াঁāĻ§িāĻ¯়ে āĻ“ āĻ­াāĻ˛ āĻŽāĻ¨েāĻ° āĻŽাāĻ¨ুāĻˇ āĻšāĻ¤ে āĻšāĻŦে। āĻ°াāĻ¨্āĻ¨া āĻšāĻ“āĻ¯়া āĻšাāĻ‡ āĻ†āĻ°্āĻŸিāĻ¸্āĻŸিāĻ•। āĻĻেāĻ– āĻ¨া āĻ†āĻŽি āĻ¯ে āĻĻিāĻ¨ āĻ•āĻˇা āĻŽাংāĻ¸ āĻ°াঁāĻ§ি āĻŦাāĻš্āĻšাāĻ°া āĻ¸ে āĻĻিāĻ¨ āĻ•āĻ¤ āĻ­াāĻ¤ āĻ–াāĻ¯়!’ āĻ•āĻĨাāĻ—ুāĻ˛ি āĻ¸āĻ˛িāĻ˛ āĻšৌāĻ§ুāĻ°ীāĻ°। āĻ¸āĻŦ্āĻœিāĻ° āĻ¸āĻ™্āĻ—ে āĻ¸āĻ িāĻ• āĻ‰āĻĒāĻ•āĻ°āĻŖ āĻ¨া āĻĻিāĻ˛ে āĻ¯েāĻŽāĻ¨ āĻ°াāĻ¨্āĻ¨া āĻ¸ুāĻ¸্āĻŦাāĻĻু āĻšāĻ¯় āĻ¨া, āĻ¤েāĻŽāĻ¨āĻ‡ āĻ¸ুāĻ°েāĻ° āĻœাāĻĻুāĻ•āĻ° āĻ¸āĻ˛িāĻ˛ āĻšৌāĻ§ুāĻ°ী āĻœাāĻ¨āĻ¤েāĻ¨ āĻ•āĻĨা āĻ“ āĻ¸ুāĻ°েāĻ° āĻ—āĻ­ীāĻ° āĻ°āĻ¸াāĻ¯়āĻ¨। āĻ¤াঁāĻ° āĻ¸েāĻ‡ āĻ¸āĻŦ āĻ•াāĻ˛āĻœāĻ¯়ী āĻ—াāĻ¨ āĻ†āĻœāĻ“ āĻŽাāĻ¨ুāĻˇেāĻ° āĻŽāĻ¨ে āĻšিāĻ° āĻ¸āĻŦুāĻœ।

āĻœāĻ¨্āĻŽ āĻĻāĻ•্āĻˇিāĻŖ ā§¨ā§Ē āĻĒāĻ°āĻ—āĻ¨াāĻ° āĻ—াāĻœীāĻĒুāĻ°ে āĻŽাāĻŽাāĻ° āĻŦাāĻĄ়িāĻ¤ে ā§§ā§¯ā§¨ā§Ģ āĻ¸াāĻ˛েāĻ° ā§§ā§¯ āĻ¨āĻ­েāĻŽ্āĻŦāĻ°। āĻŦাāĻŦা āĻšিāĻ•িā§ŽāĻ¸āĻ• āĻœ্āĻžাāĻ¨েāĻ¨্āĻĻ্āĻ°āĻ¨াāĻĨ āĻšৌāĻ§ুāĻ°ী, āĻŽা āĻŦিāĻ­াāĻŦāĻ¤ী āĻĻেāĻŦী।

āĻ¸াāĻ°া āĻœীāĻŦāĻ¨ে āĻĒেāĻ¯়েāĻ›েāĻ¨ āĻŦāĻšু āĻĒুāĻ°āĻ¸্āĻ•াāĻ°। āĻĢিāĻ˛্āĻŽāĻĢেāĻ¯়াāĻ° āĻ…্āĻ¯াāĻ“āĻ¯়াāĻ°্āĻĄ (ā§§ā§¯ā§Ģā§­), āĻŦিāĻāĻĢāĻœেāĻ āĻ…্āĻ¯াāĻ“āĻ¯়াāĻ°্āĻĄ (ā§§ā§¯ā§­ā§¨), āĻ¨িāĻœেāĻ° āĻĒāĻ°িāĻšাāĻ˛āĻ¨াāĻ¯় ‘āĻĒিāĻž্āĻœāĻ°ে āĻ•ে āĻĒāĻž্āĻ›ী’āĻ° āĻœāĻ¨্āĻ¯ āĻ‰āĻ¤্āĻ¤āĻ°āĻĒ্āĻ°āĻĻেāĻļ āĻœাāĻ°্āĻ¨াāĻ˛িāĻ¸্āĻŸ āĻ…্āĻ¯াāĻ“āĻ¯়াāĻ°্āĻĄ (ā§§ā§¯ā§Žā§Ģ), āĻ†āĻ˛াāĻ‰āĻĻ্āĻĻিāĻ¨ āĻ¸্āĻŽৃāĻ¤ি āĻĒুāĻ°āĻ¸্āĻ•াāĻ° (ā§§ā§¯ā§Žā§Ģ), āĻ¸āĻ™্āĻ—ীāĻ¤ āĻ¨াāĻŸāĻ• āĻ…্āĻ¯াāĻ•াāĻĄেāĻŽি āĻ…্āĻ¯াāĻ“āĻ¯়াāĻ°্āĻĄ (ā§§ā§¯ā§Žā§Ž), āĻ•্āĻ°িāĻ¯়েāĻŸিāĻ­ āĻŽিāĻ‰āĻœিāĻ•েāĻ° āĻœāĻ¨্āĻ¯ āĻŽāĻšাāĻ°াāĻˇ্āĻŸ্āĻ° āĻ—ৌāĻ°āĻŦ āĻĒুāĻ°āĻ¸্āĻ•াāĻ° (ā§§ā§¯ā§¯ā§Ļ) āĻ‰āĻ˛্āĻ˛েāĻ–āĻ¯োāĻ—্āĻ¯।

āĻ¤াঁāĻ° āĻ—াāĻ¨ āĻŦাংāĻ˛া āĻ›াāĻĄ়াāĻ“ āĻŽাāĻ˛āĻ¯়াāĻ˛āĻŽ, āĻ¤াāĻŽিāĻ˛, āĻ¤েāĻ˛েāĻ—ু, āĻ•āĻ¨্āĻ¨āĻĄ়, āĻ—ুāĻœāĻ°াāĻ¤ি, āĻŽāĻ°াāĻ ি, āĻ“āĻĄ়িāĻ¯়া, āĻ…āĻ¸āĻŽিāĻ¯়া āĻ“ āĻĒāĻž্āĻœাāĻŦি āĻ­াāĻˇাāĻ¯় āĻĒāĻ°িāĻŦেāĻļিāĻ¤ āĻšāĻ¯়েāĻ›িāĻ˛।

āĻ¸্āĻ¤্āĻ°ী āĻ¸āĻŦিāĻ¤া āĻšৌāĻ§ুāĻ°ীāĻ° āĻ•āĻĨাāĻ¯়: āĻ“ঁāĻ° āĻœāĻ¨্āĻŽāĻĻিāĻ¨ে āĻŦাāĻĄ়িāĻ¤ে āĻŦāĻšু āĻŽাāĻ¨ুāĻˇ āĻ†āĻ¸āĻ¤েāĻ¨। āĻ¸āĻŦাāĻ‡āĻ•ে āĻšāĻ¯়āĻ¤ো āĻšিāĻ¨āĻ¤াāĻŽāĻ“ āĻ¨া। āĻ†āĻŽি āĻšāĻŸি āĻ—ুāĻ¨ে āĻšাঁāĻĄ়িāĻ¤ে āĻšাāĻ¯়েāĻ° āĻœāĻ˛ āĻŦāĻ¸াāĻ¤াāĻŽ। āĻ¸āĻ•াāĻ˛ āĻĨেāĻ•ে āĻĒাāĻ¯়েāĻ¸েāĻ° āĻ–োঁāĻœ āĻ•āĻ°āĻ¤েāĻ¨। āĻĒাāĻ¯়েāĻ¸ āĻ–েāĻ¤ে āĻ–ুāĻŦ āĻ­াāĻ˛āĻŦাāĻ¸āĻ¤েāĻ¨। āĻ…āĻ¤্āĻ¯āĻ¨্āĻ¤ āĻĒ্āĻ°িāĻ¯় āĻ›িāĻ˛ āĻ›াāĻ¤ু-āĻŽুāĻĄ়ি। āĻ¸াāĻ°া āĻŽুāĻ–ে āĻ›াāĻ¤ু āĻŽেāĻ–ে āĻ¯āĻ–āĻ¨ āĻ–েāĻ¤েāĻ¨ āĻ¸েāĻŸি āĻ›িāĻ˛ āĻĻেāĻ–াāĻ° āĻŽāĻ¤ো।

āĻ¸āĻ˛িāĻ˛েāĻ° ā§Ŧā§ĻāĻ¤āĻŽ āĻœāĻ¨্āĻŽāĻĻিāĻ¨āĻŸি āĻ–ুāĻŦ āĻ‰āĻ˛্āĻ˛েāĻ–āĻ¯োāĻ—্āĻ¯। āĻ†āĻŽাāĻĻেāĻ° ‘āĻ†āĻ•াāĻļāĻĻীāĻĒ’ āĻĢ্āĻ˛্āĻ¯াāĻŸে āĻĻ্āĻŦিāĻœেāĻ¨āĻĻা, āĻŦāĻ¨āĻļ্āĻ°ী, āĻ•্āĻ¯াāĻ˛āĻ•াāĻŸা āĻ•āĻ¯়্āĻ¯াāĻ°েāĻ° āĻ›েāĻ˛েāĻŽেāĻ¯়েāĻ°া, āĻ†āĻŽাāĻĻেāĻ° āĻĻāĻ˛েāĻ° āĻ›েāĻ˛েāĻŽেāĻ¯়েāĻ°া, āĻ†āĻŽাāĻ° āĻĻুāĻ‡ āĻ›েāĻ˛ে āĻ¸ুāĻ•াāĻ¨্āĻ¤ āĻ“ āĻ¸āĻž্āĻœāĻ¯় āĻāĻŦং āĻĻুāĻ‡ āĻŽেāĻ¯়ে āĻ…āĻ¨্āĻ¤āĻ°া āĻ“ āĻ¸āĻž্āĻšাāĻ°ীāĻ•ে āĻ¨িāĻ¯়ে āĻ¸ে āĻĻিāĻ¨েāĻ° āĻĒāĻ°িāĻŦেāĻļ āĻ›িāĻ˛ āĻ—āĻŽāĻ—āĻŽে। āĻ†āĻ° āĻ›িāĻ˛ āĻ…āĻ­িāĻœিāĻ¤েāĻ° āĻ›েāĻ˛ে āĻ…āĻŽিāĻ¤। āĻšāĻ াā§Ž āĻ…āĻŽিāĻ¤āĻ•ে āĻĄেāĻ•ে āĻ¸āĻ˛িāĻ˛ āĻšুāĻĒি āĻšুāĻĒি āĻŦāĻ˛āĻ˛েāĻ¨, ‘āĻāĻ•āĻŸা āĻŦাāĻ˛্āĻŦ āĻ•িāĻ¨ে āĻ¨িāĻ¯়ে āĻ†āĻ¯়, āĻ–ুāĻŦ āĻĻāĻ°āĻ•াāĻ°।’ āĻ¸েāĻŸিāĻ•ে āĻāĻ•āĻŸি āĻ˛্āĻ¯াāĻŽ্āĻĒāĻ¸্āĻŸ্āĻ¯াāĻ¨্āĻĄে āĻ†āĻŸāĻ•ে āĻĻিāĻ˛েāĻ¨। āĻœāĻ¨্āĻŽāĻĻিāĻ¨েāĻ° āĻ…āĻ¨ুāĻˇ্āĻ াāĻ¨ āĻļুāĻ°ু। āĻ¸āĻ˛িāĻ˛ āĻŦāĻ˛āĻ˛েāĻ¨, ‘āĻ¸āĻŦ āĻ†āĻ˛ো āĻ¨িāĻ­িāĻ¯়ে āĻĻাāĻ“। āĻļুāĻ§ু āĻ“āĻ‡ āĻŦাāĻ˛্āĻŦ āĻœ্āĻŦāĻ˛āĻŦে।’ āĻ•েāĻ• āĻ•াāĻŸা āĻšāĻ˛। āĻŦ্āĻ¯াāĻĒাāĻ°āĻŸা āĻ¸āĻ•āĻ˛েāĻ° āĻŦুāĻে āĻ“āĻ াāĻ° āĻ†āĻ—ে āĻŦāĻ˛āĻ˛েāĻ¨, ‘āĻĻেāĻ– āĻ†āĻŽাāĻ° āĻœāĻ¨্āĻŽāĻĻিāĻ¨ āĻĒাāĻ˛āĻ¨ āĻšāĻš্āĻ›ে। āĻŦāĻ˛āĻ¤ো āĻ•āĻ¤ āĻ“āĻ¯়াāĻŸেāĻ° āĻŦাāĻ˛্āĻŦ āĻœ্āĻŦāĻ˛āĻ›ে?’ āĻŦāĻ¨āĻļ্āĻ°ী āĻ¸ে āĻĻিāĻ¨ āĻ“ঁāĻ•ে āĻ•েāĻ• āĻ–াāĻ‡āĻ¯়েāĻ›িāĻ˛।

āĻ“ঁāĻ° āĻœāĻ¨্āĻŽāĻĻিāĻ¨ে āĻ‰āĻĒāĻ¸্āĻĨিāĻ¤ āĻĨাāĻ•āĻ¤ āĻĻেāĻŦāĻœ্āĻ¯োāĻ¤ি, āĻ˛াāĻ˛্āĻŸু (āĻ—িāĻŸাāĻ°), āĻŦাāĻĒি (āĻ—িāĻŸাāĻ°), āĻ¤াāĻĒāĻ¸ (āĻ…্āĻ¯াāĻ•োāĻ°্āĻĄিāĻ¯়াāĻ¨)। āĻ†āĻ¸āĻ˛ে āĻ¸āĻ˛িāĻ˛ āĻšৌāĻ§ুāĻ°ীāĻ° āĻŽিāĻ‰āĻœিāĻ•েāĻ° āĻĻāĻ˛ āĻĨাāĻ•āĻ˛েāĻ‡ āĻ¸েāĻ–াāĻ¨ে āĻ¸ৃāĻˇ্āĻŸি āĻšāĻ¤ āĻ¸্āĻŦāĻ°্āĻ—। āĻ†āĻ¸āĻ¤েāĻ¨ āĻ…āĻ°ুāĻŖ āĻ­াāĻĻুāĻĄ়ি। āĻšāĻ˛āĻ¤ āĻļাāĻ¸্āĻ¤্āĻ°ীāĻ¯় āĻ¸āĻ™্āĻ—ীāĻ¤েāĻ° āĻ…āĻ¨ুāĻˇ্āĻ াāĻ¨।

āĻ†āĻŽি āĻĒ্āĻ°āĻŦাāĻ¸ী āĻŦাāĻ™াāĻ˛ি। āĻ›োāĻŸāĻŦেāĻ˛া āĻĨেāĻ•েāĻ‡ āĻ•āĻ˛āĻ•াāĻ¤া āĻ†āĻŽাāĻ° āĻ•াāĻ›ে āĻāĻ•āĻŦাāĻ°ে āĻ¨āĻ¤ুāĻ¨ āĻāĻ• āĻļāĻšāĻ°। āĻŽাāĻে āĻŽাāĻে āĻŽা-āĻŦাāĻŦা āĻ“ āĻ­াāĻ‡āĻĻেāĻ° āĻ¸āĻ™্āĻ—ে āĻŽাāĻŽাāĻŦাāĻĄ়ি āĻ•োāĻ¨্āĻ¨āĻ—āĻ°ে āĻ¯েāĻ¤াāĻŽ। āĻ•āĻ–āĻ¨āĻ“ āĻ•āĻ–āĻ¨āĻ“ āĻ•āĻ˛āĻ•াāĻ¤াāĻ° āĻšাংāĻ“āĻ¯়াāĻ¤ে āĻ˛াāĻž্āĻš āĻ…āĻĨāĻŦা āĻĄিāĻ¨াāĻ° āĻ•āĻ°āĻ¤াāĻŽ। āĻ•িāĻ¨্āĻ¤ু āĻ†āĻŽাāĻ° āĻ¸্āĻŦাāĻŽী āĻ¸āĻ˛িāĻ˛ āĻšৌāĻ§ুāĻ°ীāĻ° āĻšোāĻ– āĻĻিāĻ¯়ে āĻ†āĻŽি āĻĻেāĻ–āĻ˛াāĻŽ āĻāĻ• āĻ¸āĻ™্āĻ—ীāĻ¤েāĻ° āĻļāĻšāĻ°āĻ•ে। āĻ†āĻ° āĻ¸ে āĻļāĻšāĻ°েāĻ° āĻ¨াāĻŽ āĻ•āĻ˛āĻ•াāĻ¤া।

ā§§ā§¯ā§Ģā§¨āĻ¤ে āĻ¨িāĻœেāĻ° āĻ—āĻ˛্āĻĒ ‘āĻĻো āĻŦিāĻ˜া āĻœāĻŽিāĻ¨’ āĻ¨িāĻ¯়ে āĻŦিāĻŽāĻ˛ āĻ°াāĻ¯়েāĻ° āĻĄাāĻ•ে āĻ—েāĻ˛েāĻ¨ āĻŽুāĻŽ্āĻŦāĻ‡। āĻāĻ°āĻ‡ āĻŦাংāĻ˛া āĻ›āĻŦি ‘āĻ°িāĻ•্āĻ¸াāĻ“āĻ¯়াāĻ˛া’ āĻŽুāĻ•্āĻ¤ি āĻĒেāĻ¯়েāĻ›িāĻ˛ ā§§ā§¯ā§Ģā§ĢāĻ¤ে। āĻĒāĻ°েāĻ° āĻŦāĻ›āĻ° ‘āĻœাāĻ—āĻ¤ে āĻ°āĻšো’āĻ° āĻĒাāĻļাāĻĒাāĻļি āĻŦিāĻŽāĻ˛ āĻ°াāĻ¯়েāĻ° āĻ›āĻŦি ‘āĻŽāĻ§ুāĻŽāĻ¤ি’ āĻ“ঁāĻ° āĻœীāĻŦāĻ¨ে āĻāĻ•āĻŸা ‘āĻŸাāĻ°্āĻ¨িং āĻĒāĻ¯়েāĻ¨্āĻŸ’।

āĻĨাāĻ•āĻ¤াāĻŽ āĻŽুāĻŽ্āĻŦāĻ‡āĻ¤ে। āĻāĻ• āĻĻিāĻ¨ āĻ…āĻ˛ āĻ‡āĻ¨্āĻĄিāĻ¯়া āĻ°েāĻĄিāĻ“ āĻĨেāĻ•ে āĻ¸āĻ˛িāĻ˛ āĻšৌāĻ§ুāĻ°ীāĻ° āĻ•āĻĨাāĻ¤েāĻ‡ (ā§§ā§¯ā§Ģā§Ž) āĻĢোāĻ¨ āĻāĻ˛ āĻ†āĻŽাāĻ° āĻ•াāĻ›ে। āĻ°āĻŽ্āĻ¯āĻ—ীāĻ¤ি āĻ—াāĻ‡āĻ¤ে āĻšāĻŦে। āĻ—াāĻ‡āĻ˛াāĻŽ ‘āĻšāĻ˛ুāĻĻ āĻ—াঁāĻĻাāĻ° āĻĢুāĻ˛’ āĻ—াāĻ¨āĻŸি। āĻ¸ে āĻĻিāĻ¨ āĻĨেāĻ•ে āĻ†āĻŽাāĻ° āĻ¨াāĻŽেāĻ° āĻ†āĻ—ে ‘āĻļিāĻ˛্āĻĒী’ āĻļāĻŦ্āĻĻāĻŸি āĻ¯ুāĻ•্āĻ¤ āĻšāĻ˛। ‘āĻšāĻ˛ুāĻĻ āĻ—াঁāĻĻাāĻ° āĻĢুāĻ˛’ āĻ—াāĻ¨āĻŸিāĻ° āĻ•āĻĨা āĻ“ āĻ¸ুāĻ° āĻ¸āĻ˛িāĻ˛ āĻšৌāĻ§ুāĻ°ীāĻ°। āĻ¸েāĻ‡ āĻĒ্āĻ°āĻĨāĻŽ āĻ“ঁāĻ° āĻ—াāĻ¨ āĻŦাংāĻ˛াāĻ¯় āĻ°েāĻ•āĻ°্āĻĄিং āĻ•āĻ°āĻ˛াāĻŽ। āĻ•āĻĨা, āĻ¸ুāĻ°, āĻ›āĻ¨্āĻĻ āĻ¨িāĻ¯়ে āĻ¨িāĻ°āĻ¨্āĻ¤āĻ° āĻ—āĻŦেāĻˇāĻŖা āĻ›িāĻ˛ āĻ“ঁāĻ° āĻ°āĻ•্āĻ¤ে। āĻ¸ুāĻ°েāĻ° āĻŦ্āĻ¯াāĻĒাāĻ°ে āĻŦāĻ˛ি, ‘āĻŽāĻ§ুāĻŽāĻ¤ি’ āĻ¸িāĻ¨েāĻŽাāĻ° ‘āĻ˜āĻĄ়ি āĻ˜āĻĄ়ি āĻŽোāĻ°া āĻĻিāĻ˛ āĻ§āĻĄ়āĻ•ে’ āĻ—াāĻ¨āĻŸিāĻ° āĻŦ্āĻ¯াāĻ•āĻ—্āĻ°াāĻ‰āĻ¨্āĻĄ āĻŽিāĻ‰āĻœিāĻ• āĻĻিāĻ¯়ে āĻŦাঁāĻ§āĻ˛েāĻ¨ ‘āĻšāĻ˛ুāĻĻ āĻ—াঁāĻĻাāĻ° āĻĢুāĻ˛’ āĻ—াāĻ¨āĻŸিāĻ•ে। āĻāĻ‡ āĻ¸িāĻ¨েāĻŽাāĻ¯় ā§§ā§§āĻŸি āĻ—াāĻ¨েāĻ° āĻ¸ুāĻ° āĻĻিāĻ¯়েāĻ›িāĻ˛েāĻ¨। ā§§ā§¯ā§Ģā§­-āĻ¤ে āĻ—াāĻ¨েāĻ° āĻœāĻ¨্āĻ¯ āĻ˛āĻ¤াāĻœি āĻ“ āĻ¸ুāĻ°েāĻ° āĻœāĻ¨্āĻ¯ āĻ¸āĻ˛িāĻ˛ āĻĒ্āĻ°āĻĨāĻŽ āĻĢিāĻ˛্āĻŽāĻĢেāĻ¯়াāĻ° āĻ…্āĻ¯াāĻ“āĻ¯়াāĻ°্āĻĄ āĻĒাāĻ¨।

ā§§ā§­ āĻŦāĻ›āĻ° āĻŦāĻ¯়āĻ¸, āĻ›াāĻ¤্āĻ°āĻœীāĻŦāĻ¨েāĻ° āĻāĻ• āĻĒāĻ°āĻŽ āĻ…āĻ§্āĻ¯াāĻ¯়। āĻŦāĻ™্āĻ—āĻŦাāĻ¸ী āĻ•āĻ˛েāĻœ āĻĨেāĻ•ে āĻ¸āĻ˛িāĻ˛ āĻšৌāĻ§ুāĻ°ীāĻ° āĻ•ৃāĻˇāĻ• āĻ†āĻ¨্āĻĻোāĻ˛āĻ¨ āĻļুāĻ°ু। āĻ¤েāĻ­াāĻ—া āĻ†āĻ¨্āĻĻোāĻ˛āĻ¨েāĻ° āĻœāĻ¨্āĻ¯ āĻ¸ুāĻ°ে āĻ•āĻĨাāĻ¯় āĻĒ্āĻ°āĻĨāĻŽ āĻ—াāĻ¨ ‘āĻšেāĻ‡ āĻ¸াāĻŽাāĻ˛ো āĻ§াāĻ¨ āĻšো’ āĻ‰āĻĻ্āĻŦেāĻ˛িāĻ¤ āĻ•āĻ°ে āĻ¤ুāĻ˛āĻ˛ āĻ†āĻ¨্āĻĻোāĻ˛āĻ¨āĻ•াāĻ°ী-āĻ¸āĻš āĻ†āĻĒাāĻŽāĻ° āĻœāĻ¨āĻ¸াāĻ§াāĻ°āĻŖāĻ•ে। āĻŽাāĻ¨ুāĻˇেāĻ° āĻŽāĻ¨ে āĻļিāĻšāĻ°āĻŖ āĻœাāĻ—াāĻ¨ো ‘āĻ†āĻ° āĻ¯ুāĻĻ্āĻ§ āĻ¨āĻ¯়, āĻ†āĻ° āĻ°āĻ•্āĻ¤ āĻ¨āĻ¯়’, ‘āĻ“ āĻ†āĻ˛োāĻ° āĻĒāĻĨ āĻ¯াāĻ¤্āĻ°ী’, ‘āĻĒ্āĻ°াāĻ¨্āĻ¤āĻ°েāĻ° āĻ—াāĻ¨ āĻ†āĻŽাāĻ°’, ‘āĻ…āĻŦাāĻ• āĻĒৃāĻĨিāĻŦী’, ‘āĻ°াāĻ¨াāĻ°’, ‘āĻāĻĄ়েāĻ° āĻ•াāĻ›ে āĻ°েāĻ–ে āĻ—েāĻ˛াāĻŽ āĻ†āĻŽাāĻ° āĻ িāĻ•াāĻ¨া’, ‘āĻ•োāĻ¨āĻ“ āĻāĻ• āĻ—াঁāĻ¯়েāĻ° āĻŦāĻ§ূ’, ‘āĻāĻ•āĻŸি āĻŽোāĻ°āĻ—েāĻ° āĻ•াāĻšিāĻ¨ি’ āĻāĻŽāĻ¨ āĻ•āĻ¤ āĻļāĻ¤ āĻ—াāĻ¨ āĻŽাāĻ¨ুāĻˇāĻ•ে āĻ˜ুāĻŽ āĻĨেāĻ•ে āĻœাāĻ—িāĻ¯়ে āĻ¤ুāĻ˛āĻ˛। āĻ¯া āĻ†āĻœāĻ“ āĻļুāĻ¨āĻ˛ে āĻŦা āĻ—াāĻ‡āĻ˛ে āĻŽāĻ¨ āĻ‰āĻœ্āĻœীāĻŦিāĻ¤ āĻšāĻ¯়। āĻ†āĻ°āĻ“ āĻāĻ•āĻŸি āĻ‰āĻ˛্āĻ˛েāĻ–āĻ¯োāĻ—্āĻ¯ āĻ—াāĻ¨ ‘āĻāĻ‡ āĻ°োāĻ•ো, āĻĒৃāĻĨিāĻŦীāĻ° āĻ—াāĻĄ়িāĻŸা āĻĨাāĻŽাāĻ“’। āĻ†āĻ§ুāĻ¨িāĻ• āĻŦাংāĻ˛া āĻ“ āĻšিāĻ¨্āĻĻি āĻ—াāĻ¨ āĻ›াāĻĄ়াāĻ“ āĻŦāĻšু āĻ¸িāĻ¨েāĻŽা āĻāĻŦং āĻ˛োāĻ•āĻ¸ুāĻ°েāĻ° āĻ—াāĻ¨ āĻŽাāĻ¨ুāĻˇেāĻ° āĻœীāĻŦāĻ¨āĻ•ে āĻ†āĻ°āĻ“ āĻ—āĻ¤িāĻŽāĻ¯় āĻ•āĻ°ে āĻ¤ুāĻ˛েāĻ›ে।

āĻ¤িāĻ¨িāĻ‡ āĻ¤ো āĻ¸েāĻ‡ āĻŽাāĻ¨ুāĻˇ āĻ¯িāĻ¨ি āĻāĻ•āĻ§াāĻ°ে āĻ¸ুāĻ°āĻ•াāĻ°, āĻ—ীāĻ¤িāĻ•াāĻ°, āĻ—াāĻ¯়āĻ• āĻ“ āĻ•āĻŦি āĻ¯িāĻ¨ি āĻ†āĻŽাāĻĻেāĻ° āĻœীāĻŦāĻ¨ে āĻ—াāĻ¨েāĻ° āĻĒāĻĨ āĻĻেāĻ–িāĻ¯়ে āĻ—িāĻ¯়েāĻ›েāĻ¨। āĻ¸োāĻ¨াāĻ°āĻĒুāĻ°েāĻ° āĻ•োāĻĻাāĻ˛িāĻ¯়া āĻ—্āĻ°াāĻŽে āĻĻিāĻĻিāĻŽাāĻ° āĻ¸āĻ™্āĻ—ে āĻĨাāĻ•āĻ¤েāĻ‡ āĻ•ৃāĻˇāĻ• āĻ†āĻ¨্āĻĻোāĻ˛āĻ¨েāĻ° āĻ¸āĻ™্āĻ—ে āĻœāĻĄ়িāĻ¯়ে āĻĒāĻĄ়েāĻ›িāĻ˛েāĻ¨ āĻ†āĻ°āĻ“ āĻ¨িāĻŦিāĻĄ় āĻ­াāĻŦে। āĻ¸āĻ­া āĻšāĻ˛াāĻ•াāĻ˛ীāĻ¨ āĻ¯ে āĻ¸āĻŦ āĻœাāĻ—āĻ°āĻŖেāĻ° āĻ—াāĻ¨ āĻŦেঁāĻ§েāĻ›েāĻ¨, āĻ¸ুāĻ° āĻ•āĻ°েāĻ›েāĻ¨ āĻ¤াāĻ° āĻ‰āĻĻাāĻšāĻ°āĻŖ āĻ‰āĻœ্āĻœ্āĻŦāĻ˛। ā§§ā§¯ā§Ēā§Ŧ-āĻāĻ° ā§¨ā§¯ āĻœুāĻ˛াāĻ‡ āĻļāĻšিāĻĻ āĻŽিāĻ¨াāĻ°েāĻ° āĻ¨ীāĻšে āĻ•āĻ¯়েāĻ• āĻ˛āĻ•্āĻˇ āĻŽাāĻ¨ুāĻˇেāĻ° āĻ¸াāĻŽāĻ¨ে āĻŦাāĻŦাāĻ° āĻĻেāĻ“āĻ¯়া āĻšাāĻ°āĻŽোāĻ¨িāĻ¯়াāĻŽে āĻ¸ে āĻĻিāĻ¨ āĻ¯ে āĻ¸āĻŦ āĻ—াāĻ¨ āĻ—েāĻ¯়েāĻ›িāĻ˛েāĻ¨ āĻ¤াāĻ¤ে āĻŽাāĻ¨ুāĻˇ āĻ•াঁāĻ§ে āĻ•āĻ°ে āĻ•āĻ¸āĻŦাāĻ° āĻŦাāĻĄ়িāĻ¤ে āĻĒৌঁāĻ›ে āĻĻিāĻ¯়েāĻ›িāĻ˛েāĻ¨ āĻ¸āĻ˛িāĻ˛ āĻšৌāĻ§ুāĻ°ীāĻ•ে।

āĻ•āĻ¨্āĻ¯া āĻ…āĻ¨্āĻ¤āĻ°া āĻšৌāĻ§ুāĻ°ীāĻ° āĻ•āĻĨাāĻ¯়: āĻ†āĻŽাāĻ° āĻĒ্āĻ°াāĻ°্āĻĨāĻ¨া āĻāĻ‡ āĻ°āĻ•āĻŽ āĻŦাāĻŦা-āĻŽা āĻ¯েāĻ¨ āĻœāĻ¨্āĻŽ-āĻœāĻ¨্āĻŽাāĻ¨্āĻ¤āĻ° āĻ§āĻ°ে āĻĒাāĻ‡। āĻ›োāĻŸāĻŦেāĻ˛াāĻ° āĻ•āĻĨা āĻ–ুāĻŦ āĻŽāĻ¨ে āĻĒāĻĄ়ে। āĻ†āĻŽি āĻ•োāĻ¨āĻ“ āĻ—াāĻ¨ āĻ•āĻ°āĻ˛েāĻ‡ āĻ†āĻŽাāĻ•ে āĻ•োāĻ˛ে āĻ¤ুāĻ˛ে āĻ¨িāĻ¤েāĻ¨ āĻŦাāĻŦা। āĻ¸েāĻŸাāĻ‡ āĻ›িāĻ˛ āĻ†āĻŽাāĻ° āĻļ্āĻ°েāĻˇ্āĻ  āĻĒুāĻ°āĻ¸্āĻ•াāĻ°। āĻ¯āĻ–āĻ¨ āĻ†āĻŽাāĻ•ে āĻŦāĻ˛āĻ¤েāĻ¨, āĻ›োāĻŸ āĻ†āĻŽ্āĻŽা āĻ•ে? āĻ†āĻŽি āĻ›ুāĻŸ্āĻŸে āĻšāĻ˛ে āĻ†āĻ¸āĻ¤াāĻŽ āĻŦাāĻŦাāĻ° āĻ•াāĻ›ে। āĻĒāĻ°ে āĻ¯āĻ–āĻ¨ āĻ†āĻŽাāĻ° āĻŦোāĻ¨ āĻ¸āĻž্āĻšাāĻ°ীāĻ° āĻœāĻ¨্āĻŽ āĻšāĻ˛ āĻ¤āĻ–āĻ¨āĻ“ āĻŦাāĻŦা āĻŦāĻ˛āĻ¤েāĻ¨ āĻ“āĻ‡ āĻ•āĻĨাāĻ—ুāĻ˛ো। āĻŦোāĻ¨ āĻ†āĻ° āĻ†āĻŽি āĻĻু’āĻœāĻ¨েāĻ‡ āĻĻৌāĻĄ়ে āĻ†āĻ¸āĻ¤াāĻŽ। āĻ†āĻ° āĻŦোāĻ¨েāĻ° āĻ¸āĻ™্āĻ—ে āĻ†āĻŽাāĻ° āĻāĻ—āĻĄ়া āĻ˛েāĻ—ে āĻ¯েāĻ¤।

āĻŦাāĻŦা āĻŦāĻ˛āĻ¤েāĻ¨, āĻ¸াāĻ§āĻ¨া āĻ•āĻ°ে āĻ¯াāĻ“। āĻŽাāĻ¨ুāĻˇ āĻāĻ• āĻĻিāĻ¨ āĻ িāĻ• āĻŦুāĻāĻ¤ে āĻĒাāĻ°āĻŦে। āĻ•িāĻ¨্āĻ¤ু āĻāĻ–āĻ¨ āĻ¯া āĻ¸āĻŦ āĻĻেāĻ–ি āĻ¤া āĻ¯েāĻ¨ āĻŽেāĻ˛াāĻ¤ে āĻĒাāĻ°ি āĻ¨া। āĻ¤āĻŦুāĻ“ āĻŽāĻ¨েāĻ° āĻļাāĻ¨্āĻ¤ি, āĻŦাāĻŦা-āĻŽাāĻ¯়েāĻ° āĻ†āĻĻāĻ°্āĻļ āĻŽেāĻ¨ে āĻšāĻ˛েāĻ›ি।

āĻŦাāĻŦাāĻ•ে āĻ¤ো āĻ­োāĻ˛া āĻ¯াāĻ¯় āĻ¨া। āĻ¤āĻŦুāĻ“ āĻāĻ‡ āĻ¨āĻ­েāĻŽ্āĻŦāĻ° āĻŽাāĻ¸ āĻŦাāĻŦাāĻ° āĻœāĻ¨্āĻŽ āĻŽাāĻ¸। āĻ…āĻ¨েāĻ• āĻ¸্āĻŽৃāĻ¤ি, āĻ…āĻ¨েāĻ• āĻĢোāĻ¨, āĻ…āĻ¨েāĻ• āĻŽাāĻ¨ুāĻˇেāĻ° āĻļুāĻ­েāĻš্āĻ›া...। āĻ¸āĻ˛িāĻ˛ āĻšৌāĻ§ুāĻ°ী āĻĢাāĻ‰āĻ¨্āĻĄেāĻļāĻ¨ āĻ…āĻĢ āĻŽিāĻ‰āĻœিāĻ•-āĻāĻ° āĻĒāĻ•্āĻˇ āĻĨেāĻ•ে ‘āĻ¸āĻ˛িāĻ˛ āĻ°āĻšāĻ¨া āĻ¸ংāĻ•āĻ˛āĻ¨’-āĻāĻ° āĻ•াāĻœ āĻšāĻ˛āĻ›ে। āĻĨাāĻ•āĻ›ে āĻ¸াāĻ°া āĻœীāĻŦāĻ¨ে āĻŦাংāĻ˛াāĻ¯় āĻ¸ুāĻ° āĻ•āĻ°া āĻ¯াāĻŦāĻ¤ীāĻ¯় āĻ—াāĻ¨। āĻ¸িāĻ¨েāĻŽা, āĻ†āĻ§ুāĻ¨িāĻ•, āĻ…āĻĒ্āĻ°āĻ•াāĻļিāĻ¤ āĻŦাংāĻ˛া āĻ—াāĻ¨-āĻ¸āĻš āĻ¨াāĻ¨া āĻœাāĻ¯়āĻ—া āĻĨেāĻ•ে āĻ†āĻŽāĻ°া āĻ¯া āĻ¸ংāĻ—্āĻ°āĻš āĻ•āĻ°āĻ¤ে āĻĒেāĻ°েāĻ›ি āĻ¸āĻŦāĻ‡ āĻ°াāĻ–াāĻ° āĻšেāĻˇ্āĻŸা āĻ•āĻ°āĻ›ি āĻ¤াāĻ¤ে। āĻ¸āĻ™্āĻ—ে āĻĨাāĻ•āĻ›ে āĻ¸ুāĻ•াāĻ¨্āĻ¤ āĻ­āĻŸ্āĻŸাāĻšাāĻ°্āĻ¯েāĻ° āĻ•āĻŦিāĻ¤াāĻ¯় āĻ¸ুāĻ° āĻĻেāĻ“āĻ¯়া āĻ¸েāĻ‡ āĻ¸āĻŦ āĻ—াāĻ¨, āĻ¸ুāĻ­াāĻˇ āĻŽুāĻ–োāĻĒাāĻ§্āĻ¯াāĻ¯়েāĻ° ‘āĻ…āĻ—্āĻ¨ি āĻ•োāĻŖেāĻ° āĻ¤āĻ˛্āĻ˛াāĻŸ’, āĻ…āĻ¨্āĻ¨āĻĻাāĻļāĻ™্āĻ•āĻ° āĻ°াāĻ¯়েāĻ° āĻ˛েāĻ–া āĻ†āĻŽাāĻ° āĻ›োāĻŸāĻŦেāĻ˛াāĻ° āĻ—াāĻ¨ ‘āĻ¤েāĻ˛েāĻ° āĻļিāĻļি āĻ­াāĻ™āĻ˛ো āĻŦāĻ˛ে’ āĻ›াāĻĄ়া āĻŦāĻšু āĻ•āĻŦিāĻ¤াāĻ“ āĻĨাāĻ•āĻ›ে āĻ¯েāĻ–াāĻ¨ে āĻŦাāĻŦাāĻ° āĻ•াāĻœ āĻ•োāĻ¨āĻ“ āĻ¨া āĻ•োāĻ¨āĻ“ āĻ­াāĻŦে āĻœāĻĄ়িāĻ¯়ে āĻ†āĻ›ে।

āĻ•āĻ˛্āĻ¯াāĻŖ āĻ¸েāĻ¨āĻŦāĻ°াāĻŸ-āĻāĻ° āĻ•āĻĨাāĻ¯়: āĻ¸āĻ˛িāĻ˛ āĻšৌāĻ§ুāĻ°ীāĻ° āĻ¸āĻ™্āĻ—ে āĻ†āĻŽাāĻ° āĻ¸āĻŽ্āĻĒāĻ°্āĻ• āĻ—ুāĻ°ু-āĻļিāĻˇ্āĻ¯েāĻ°। āĻ¯āĻ–āĻ¨ āĻ•āĻ¯়্āĻ¯াāĻ° āĻļুāĻ°ু āĻ•āĻ°ি āĻ¤āĻ–āĻ¨ āĻ¤িāĻ¨ি āĻ…āĻ­িāĻ­াāĻŦāĻ• āĻšিāĻ¸েāĻŦে āĻĒāĻĨ āĻĻেāĻ–িāĻ¯়েāĻ›েāĻ¨। āĻ†āĻŽাāĻĻেāĻ° āĻĒ্āĻ°āĻĨāĻŽ āĻ•্āĻ¯াāĻ¸েāĻŸ ‘āĻāĻ™্āĻ•াāĻ°’ āĻ“ঁāĻ° āĻ¨িāĻœেāĻ° āĻ•োāĻŽ্āĻĒাāĻ¨ি āĻ¸িāĻāĻŽāĻ†āĻ° (āĻ¸েāĻ¨্āĻŸাāĻ° āĻĢāĻ° āĻŽিāĻ‰āĻœিāĻ• āĻ°িāĻšাāĻ°্āĻ¸) āĻĨেāĻ•ে āĻĒ্āĻ°āĻ•াāĻļিāĻ¤ āĻšāĻ¯়। āĻ¨িāĻœেāĻ‡ āĻ‰āĻĻ্āĻ¯োāĻ•্āĻ¤া āĻ›িāĻ˛েāĻ¨। ā§ĒāĻŸি āĻ—াāĻ¨ āĻ›িāĻ˛ āĻ“ঁāĻ° āĻ¸ুāĻ°ে āĻ“ āĻ•āĻĨাāĻ¯়। āĻ•āĻ¯়্āĻ¯াāĻ°েāĻ° āĻ…āĻ¨ুāĻˇ্āĻ াāĻ¨ে āĻ¸āĻŽāĻŦেāĻ¤ āĻ—াāĻ¨েāĻ° āĻœāĻ¨্āĻ¯ āĻ¸āĻŦ āĻ¸āĻŽāĻ¯় āĻĄাāĻ•āĻ¤েāĻ¨। āĻŽāĻšāĻĄ়া āĻšāĻ˛āĻ¤ āĻāĻ•āĻŸাāĻ¨া। āĻšাāĻ¤ে āĻ•āĻ˛āĻŽে āĻļিāĻ–িāĻ¯়েāĻ›েāĻ¨ āĻ¸āĻ™্āĻ—ীāĻ¤ āĻĒāĻ°িāĻŦেāĻļāĻ¨ āĻ•āĻ°া āĻĨেāĻ•ে āĻ¸āĻ™্āĻ—ীāĻ¤ āĻĒāĻ°িāĻšাāĻ˛āĻ¨াāĻ° āĻ¯াāĻŦāĻ¤ীāĻ¯় āĻ–ুঁāĻŸিāĻ¨াāĻŸি। āĻāĻ•āĻŸি āĻ¸্āĻŽৃāĻ¤ি āĻ†āĻœ āĻŦāĻĄ় āĻŽāĻ¨ে āĻĒāĻĄ়āĻ›ে āĻ¤াঁāĻ° āĻāĻ‡ āĻœāĻ¨্āĻŽ āĻŽাāĻ¸ে।

āĻāĻ• āĻ°āĻŦিāĻŦাāĻ°ে āĻŽāĻ¨্āĻŸুāĻĻাāĻ° (āĻ˜োāĻˇ) āĻ¸āĻ™্āĻ—ে āĻ—িāĻ¯়েāĻ›িāĻ˛াāĻŽ āĻ¸āĻ˛িāĻ˛ āĻšৌāĻ§ুāĻ°ীāĻ° āĻ†āĻ•াāĻļāĻĻীāĻĒ āĻĢ্āĻ˛্āĻ¯াāĻŸে। āĻ¸েāĻ–াāĻ¨ে āĻ—াāĻ¨āĻŦাāĻœāĻ¨া āĻ¨িāĻ¯়েāĻ‡ āĻ•āĻĨাāĻŦাāĻ°্āĻ¤া āĻšāĻ˛āĻ˛। āĻ¤াāĻ°āĻ‡ āĻŽāĻ§্āĻ¯ে āĻŽāĻ¨ে āĻšāĻ¯় āĻ¤িāĻ¨ি āĻŦুāĻে āĻ—িāĻ¯়েāĻ›িāĻ˛েāĻ¨ āĻ†āĻŽাāĻĻেāĻ° āĻĻāĻ˛েāĻ° āĻ¯া āĻ•িāĻ›ু, āĻ¸āĻŦ āĻ—াāĻ¨ āĻĻিāĻ¯়ে āĻ˜েāĻ°া। āĻšāĻ াā§ŽāĻ‡ āĻĒāĻ°েāĻ° āĻĻিāĻ¨ āĻŦিāĻ•েāĻ˛ে āĻ¨িāĻœে āĻ—াāĻĄ়ি āĻšাāĻ˛িāĻ¯়ে āĻšāĻ˛ে āĻāĻ˛েāĻ¨ āĻ†āĻŽাāĻĻেāĻ° āĻļিāĻ¯়াāĻ˛āĻĻāĻšেāĻ° āĻŦৈāĻ āĻ•āĻ–াāĻ¨াāĻ° āĻŦাāĻĄ়িāĻ¤ে। āĻĻāĻ˛েāĻ° āĻ›েāĻ˛েāĻŽেāĻ¯়েāĻ°া āĻšেāĻŽাāĻ™্āĻ— āĻŦিāĻļ্āĻŦাāĻ¸েāĻ° ‘āĻœāĻ¨ āĻŦ্āĻ°াāĻ‰āĻ¨’, ‘āĻœāĻ¨ āĻšেāĻ¨āĻ°ি’, ‘āĻļāĻ™্āĻ– āĻšিāĻ˛’ āĻļোāĻ¨াāĻ˛। āĻ—াāĻ¨ āĻļুāĻ¨ে āĻ¤িāĻ¨ি āĻ‰āĻš্āĻ›্āĻŦāĻ¸িāĻ¤। āĻ•āĻ¯়েāĻ•āĻŸি āĻ¸āĻ˛িāĻ˛āĻĻাāĻ°āĻ“ āĻ—াāĻ¨ āĻļোāĻ¨াāĻ¨ো āĻšāĻ˛। āĻŦ্āĻ¯āĻ¸ āĻ†āĻ° āĻ•āĻĨা āĻ¨āĻ¯়। āĻ—াāĻ¨ āĻšāĻ˛āĻ˛ āĻŦিāĻ•েāĻ˛ āĻĒাঁāĻšāĻŸা āĻĨেāĻ•ে āĻ°াāĻ¤ āĻ¸াāĻĄ়ে āĻāĻ—াāĻ°োāĻŸা āĻĒāĻ°্āĻ¯āĻ¨্āĻ¤। āĻ¸āĻ˛িāĻ˛āĻĻা āĻ¤āĻ–āĻ¨ āĻŽāĻ§্āĻ¯ āĻ—āĻ—āĻ¨ে, āĻ†āĻ° āĻ†āĻŽি āĻ¨িāĻ¤াāĻ¨্āĻ¤āĻ‡ āĻ¸াāĻ§াāĻ°āĻŖ āĻāĻ• āĻŽাāĻ¨ুāĻˇ। āĻ¯āĻ¤ āĻĻিāĻ¨ āĻŦেঁāĻšেāĻ›িāĻ˛েāĻ¨ āĻ¤āĻ¤ āĻĻিāĻ¨āĻ‡ āĻ…āĻ­িāĻ­াāĻŦāĻ•েāĻ° āĻŽāĻ¤ো āĻ†āĻŽাāĻĻেāĻ° āĻĒāĻ°াāĻŽāĻ°্āĻļ āĻĻিāĻ¯়ে āĻ—িāĻ¯়েāĻ›েāĻ¨।

āĻŽৃāĻ¤্āĻ¯ুāĻ° āĻĒāĻ° āĻ•েāĻŸে āĻ—েāĻ›ে āĻĻেā§œ āĻĻāĻļāĻ•, āĻ¤াāĻ“ āĻŦাāĻ™্āĻ—াāĻ˛ীāĻ° āĻ¸āĻ™্āĻ—ীāĻ¤ āĻŽāĻ¨āĻ¨েāĻ° āĻ…āĻ¨āĻ¨্āĻ¤ āĻĒ্āĻ°āĻŦাāĻšে; āĻ†āĻœ-āĻ“ āĻ¸āĻ˛িāĻ˛ āĻšৌāĻ§ুāĻ°ী। āĻāĻ‡ āĻ¨াāĻŽāĻŸা āĻļুāĻ¨āĻ˛েāĻ‡ āĻ†āĻ¨āĻ¨্āĻĻে āĻ•েঁāĻĒে āĻ“āĻ ে āĻ°োāĻŽāĻ•ূāĻĒ! āĻ­েāĻ¸ে āĻ¯াā§Ÿ āĻ…āĻ¤ীāĻ¤ে। “āĻ¸ুāĻ°েāĻ°” āĻ¸েāĻ‡ “āĻāĻ°āĻāĻ° āĻāĻ°্āĻŖাāĻ°” “āĻ¤āĻ°āĻ˛িāĻ¤ āĻšāĻ¨্āĻĻ্āĻ°িāĻ•াāĻ°” –āĻ¤ে āĻŽāĻ¨ āĻāĻŸ āĻ•āĻ°ে āĻ¸্āĻ¨াāĻ¨ āĻ•āĻ°ে āĻĢেāĻ˛ে। āĻ¨āĻ­েāĻŽ্āĻŦāĻ° ā§§ā§¯, ā§§ā§¯ā§¨ā§¨, āĻŽāĻ¤াāĻ¨্āĻ¤āĻ°ে ā§§ā§¯ā§¨ā§Š। āĻĻিāĻ¨āĻŸা āĻŦাংāĻ˛া āĻ¸ংāĻ—ীāĻ¤েāĻ° āĻœāĻ—āĻ¤ে āĻāĻ•āĻŸা āĻ—ুāĻ°ুāĻ¤্āĻ¤্āĻŦāĻĒূāĻ°্āĻŖ āĻĻিāĻ¨। āĻļুāĻ§ু āĻŦাংāĻ˛াāĻ‡ āĻŦা āĻŦāĻ˛ি āĻ•েāĻ¨! āĻ¸াāĻ°া āĻ­াāĻ°āĻ¤েāĻ° āĻ¸ংāĻ—ীāĻ¤েāĻ° āĻœāĻ—āĻ¤েāĻ‡ āĻāĻ•āĻŸা āĻŽāĻšāĻ¤্āĻ¤্āĻŦāĻĒূāĻ°্āĻŖ āĻĻিāĻ¨। āĻšুāĻ—āĻ˛ী āĻœেāĻ˛াāĻ° āĻšāĻ°িāĻ¨াāĻ­ীāĻ° āĻŽাāĻšীāĻ¨āĻ—āĻ° āĻ—্āĻ°াāĻŽে āĻœāĻ¨্āĻŽ āĻāĻ‡ āĻ•িংāĻŦāĻĻāĻ¨্āĻ¤ী āĻ¸ুāĻ°āĻ•াāĻ°, āĻ—ীāĻ¤িāĻ•াāĻ°, āĻ¸াāĻšিāĻ¤্āĻ¯িāĻ• āĻāĻŦং āĻ•āĻŦিāĻ° । āĻ†āĻ¸াāĻŽেāĻ° āĻšা āĻŦাāĻ—াāĻ¨ে āĻŦাāĻŦা āĻĄাāĻ•্āĻ¤াāĻ° āĻ›িāĻ˛েāĻ¨। āĻŦাāĻŦাāĻ° āĻ¸ংāĻ—্āĻ°āĻšে āĻĨাāĻ•া āĻĒাāĻļ্āĻšাāĻ¤্āĻ¯ āĻ¸ংāĻ—ীāĻ¤ āĻļুāĻ¨ে āĻļুāĻ¨ে, āĻ¸ুāĻ°েāĻ° āĻŦীāĻœ āĻ¤ৈāĻ°ী āĻšā§Ÿ āĻ¤াঁāĻ° āĻŽāĻ¨āĻ¨ে। āĻ•ি āĻ›িāĻ˛ āĻ¤াঁāĻ° āĻŦাāĻŦাāĻ° āĻ¸ংāĻ—্āĻ°āĻšে? āĻŦāĻ˛āĻ¤ে āĻšā§Ÿ, āĻ•ি āĻ›িāĻ˛ āĻ¨া! āĻŽোāĻাāĻ°্āĻŸ, āĻŦিāĻ োāĻ­েāĻ¨,āĻš্āĻ¯াāĻ˛িāĻ•োāĻ­োāĻ¸্āĻ•ি, āĻšāĻĒিāĻ¨। āĻāĻ° āĻ¸āĻ™্āĻ—ে āĻ¯োāĻ— āĻšā§ŸেāĻ›িāĻ˛ āĻ“āĻ‡ āĻŦাāĻ—াāĻ¨ে āĻļোāĻ¨া- āĻ“āĻ˛া āĻŦিāĻŦিāĻ° āĻ—াāĻ¨, āĻļিāĻŦেāĻ° āĻ—াāĻœāĻ¨, āĻ¯াāĻ¤্āĻ°া, āĻĸāĻĒ āĻāĻ° āĻ—াāĻ¨, āĻ¸ুāĻ° āĻ†āĻ° āĻ—াā§ŸāĻ•ী। āĻĢāĻ˛ে, āĻ¨িāĻœেāĻ° āĻ…āĻœাāĻ¨্āĻ¤েāĻ‡ āĻ¤ৈāĻ°ী āĻšā§ŸেāĻ›িāĻ˛ āĻāĻ• āĻ…āĻ¨āĻŦāĻĻ্āĻ¯ āĻ¨িāĻœāĻ¸্āĻŦ āĻ¸ুāĻ°āĻ˛োāĻ•েāĻ°। āĻ•োāĻ˛āĻ•াāĻ¤াāĻ° āĻŦāĻ™্āĻ—āĻŦাāĻ¸ী āĻ•āĻ˛েāĻœ āĻĨেāĻ•ে āĻŦি āĻ āĻĒā§œাāĻ° āĻ¸āĻŽā§Ÿ āĻĨেāĻ•েāĻ‡ āĻ†āĻ‡. āĻĒি. āĻŸি. āĻ āĻ° āĻ¸ংāĻ¸্āĻĒāĻ°্āĻļে āĻ†āĻ¸া। ā§§ā§¯ā§Ēā§Ē āĻ¸াāĻ˛ে āĻ…āĻŦিāĻ­āĻ•্āĻ¤ āĻ•āĻŽিāĻ‰āĻ¨িāĻˇ্āĻŸ āĻĒাāĻ°্āĻŸিāĻ° āĻ¸āĻ™্āĻ—ে āĻ¯ুāĻ•্āĻ¤ āĻšāĻ¨। āĻŦাāĻŦাāĻ•ে āĻĻেāĻ–েāĻ›িāĻ˛েāĻ¨- āĻŦাāĻ—াāĻ¨েāĻ° āĻ•ুāĻ˛িāĻĻেāĻ° āĻ¨িā§Ÿে āĻ¨াāĻŸāĻ• āĻ•āĻ°āĻ¤ে। āĻ•ুāĻ˛িāĻĻেāĻ° āĻ¯āĻ¨্āĻ¤্āĻ°āĻŖা, āĻļোāĻˇāĻŖ āĻ¤াঁāĻ•ে āĻ¨াā§œা āĻĻিā§ŸেāĻ›িāĻ˛। ā§§ā§¯ā§Ēā§Ģ āĻ¸াāĻ˛ে āĻŦিāĻĻ্āĻ¯াāĻ§āĻ°ী āĻ¨āĻĻীāĻ° āĻŦাāĻ¨āĻ­াāĻ¸ী āĻ…āĻž্āĻšāĻ˛ āĻĻেāĻ–āĻ¤ে āĻ—িā§Ÿে āĻ˛িāĻ–েāĻ›িāĻ˛েāĻ¨, āĻĒ্āĻ°āĻĨāĻŽ āĻ—āĻŖāĻ¸āĻ™্āĻ—ীāĻ¤-“āĻĻেāĻļ āĻ­েāĻ¸েāĻ›ে āĻŦাāĻ¨েāĻ° āĻœāĻ˛ে”। āĻ†āĻ° āĻ¸েāĻ‡ āĻ—াāĻ¨, āĻ—াāĻ¨েāĻ° āĻœāĻ¨্āĻ¯ āĻ—াāĻ¨ āĻ¨ā§Ÿ।āĻŽাāĻ¨ুāĻˇেāĻ° āĻĒ্āĻ°ā§ŸোāĻœāĻ¨েāĻ° āĻœāĻ¨্āĻ¯ āĻāĻ‡ āĻ—াāĻ¨! āĻāĻ°āĻ•āĻŽ āĻ†āĻ°āĻ“ āĻ…āĻ¨েāĻ• āĻ—াāĻ¨, āĻ¤িāĻ¨ি āĻĒāĻ°āĻŦāĻ°্āĻ¤ী āĻ•াāĻ˛ে āĻ¤িāĻ¨ি āĻ˛িāĻ–েāĻ›েāĻ¨ āĻ†āĻ° āĻ¸ুāĻ° āĻĻিā§ŸেāĻ›েāĻ¨। āĻ¨িāĻ°্āĻŦাāĻ• āĻ¯ুāĻ—ে āĻšিāĻ¤্āĻ°া āĻ¸িāĻ¨েāĻŽাā§Ÿ āĻĒিā§ŸাāĻ¨ো āĻŦাāĻœিā§Ÿে āĻĒেāĻļাāĻ—āĻ¤ āĻœীāĻŦāĻ¨েāĻ° āĻļুāĻ°ু। ā§§ā§¯ā§Ēā§¯ āĻ¸াāĻ˛ে āĻ¤াঁāĻ° āĻ¸ুāĻ°াāĻ°োāĻĒিāĻ¤ āĻŦাংāĻ˛া āĻšāĻ˛āĻšিāĻ¤্āĻ° “āĻĒāĻ°িāĻŦāĻ°্āĻ¤āĻ¨” āĻŽুāĻ•্āĻ¤ি āĻĒাā§Ÿ। āĻœুāĻ˛াāĻ‡ ā§§ā§Ē, ā§§ā§¯ā§Ģā§¨ āĻ¸াāĻ˛ে āĻŦিā§Ÿে āĻ•āĻ°েāĻ¨ āĻœ্āĻ¯োāĻ¤ি āĻšৌāĻ§ুāĻ°ীāĻ•ে। āĻ¤িāĻ¨āĻŸি āĻ•āĻ¨্āĻ¯া āĻ¸āĻ¨্āĻ¤াāĻ¨āĻ“ āĻšā§Ÿ āĻ¤াঁāĻ°- āĻ…āĻ˛āĻ•া, āĻ¤ুāĻ˛িāĻ•া āĻ†āĻ° āĻ˛িāĻĒিāĻ•া! āĻ¸āĻ¨ – ā§§ā§¯ā§Ģā§Š! āĻ¸āĻĻ্āĻ¯ āĻŦিāĻŦাāĻšিāĻ¤ āĻ¸ংāĻ¸াāĻ°ে, āĻ…āĻ­াāĻŦেāĻ° āĻ¤াā§œāĻ¨াāĻ¤ে āĻĒাāĻ°্āĻŸিāĻ° āĻ­্āĻ°ুāĻ•ুāĻŸি āĻ‰āĻĒেāĻ•্āĻˇা āĻ•āĻ°ে āĻŦিāĻŽāĻ˛ āĻ°াā§ŸেāĻ° āĻĄাāĻ•ে āĻšāĻ˛ে āĻ¯াāĻ¨ āĻŦোāĻŽ্āĻŦেāĻ¤ে( āĻŽুāĻŽ্āĻŦাāĻ‡)। āĻ¤াঁāĻ° āĻ¨িāĻœেāĻ° āĻ˛েāĻ–া āĻ—āĻ˛্āĻĒ “āĻ°িāĻ•্āĻ¸াāĻ“ā§ŸাāĻ˛া” āĻĨেāĻ•ে āĻŦিāĻŽāĻ˛ āĻ°াā§Ÿ āĻ¤ৈāĻ°ী āĻ•āĻ°েāĻ¨ āĻ¸েāĻ‡ āĻŦিāĻ–্āĻ¯াāĻ¤ āĻšিāĻ¨্āĻĻী āĻšāĻ˛āĻšিāĻ¤্āĻ°- “āĻĻো āĻŦিāĻ˜া āĻœāĻŽিāĻ¨”। āĻ¤াāĻ°āĻĒāĻ°? āĻ†āĻ° āĻĢিāĻ°ে āĻ¤াāĻ•াāĻ¨ āĻ¨ি। āĻ¸ংāĻ—ীāĻ¤ āĻĒāĻ°িāĻšাāĻ˛āĻ• āĻ¨ৌāĻļাāĻĻ āĻāĻ•āĻŦাāĻ° āĻ¸āĻ˛িāĻ˛āĻĻাāĻ° āĻŽাāĻ•ে āĻœুāĻšু āĻŦীāĻšে āĻĻেāĻ–āĻ¤ে āĻĒেā§Ÿে, āĻ¸াāĻˇ্āĻŸাāĻ™্āĻ—ে āĻĒ্āĻ°āĻŖাāĻŽ āĻ•āĻ°েāĻ¨। āĻŦāĻ˛েāĻ›িāĻ˛েāĻ¨- āĻāĻŽāĻ¨ āĻ°āĻ¤্āĻ¨āĻ—āĻ°্āĻ­াāĻ•ে āĻĒ্āĻ°āĻŖাāĻŽ āĻ•āĻ°āĻ¤ে āĻĒেāĻ°ে āĻ¤িāĻ¨ি āĻ§āĻ¨্āĻ¯। āĻ†āĻ°āĻ“ āĻ¯োāĻ— āĻ•āĻ°েāĻ›িāĻ˛েāĻ¨- āĻ¸āĻ˛িāĻ˛āĻĻা āĻšāĻš্āĻ›েāĻ¨ āĻ¸ুāĻ°āĻ•াāĻ°āĻĻেāĻ° āĻ¸ুāĻ°āĻ•াāĻ°! āĻ¸াāĻ¤āĻŸি āĻ¸্āĻŦāĻ° āĻ›িāĻ˛ āĻ¤াঁāĻ° āĻšাāĻ¤েāĻ° āĻ–েāĻ˛াāĻ° āĻĒুāĻ¤ুāĻ˛। āĻŽৃāĻŖাāĻ˛ āĻ¸েāĻ¨ āĻŦāĻ˛েāĻ›িāĻ˛েāĻ¨- āĻ¸āĻ˛িāĻ˛āĻĻা āĻšāĻš্āĻ›েāĻ¨ āĻ†āĻ§ুāĻ¨িāĻ• āĻ¸āĻ™্āĻ—ীāĻ¤েāĻ° āĻŦ্āĻ¯াāĻ•āĻ°āĻŖ।āĻ¸্āĻŦāĻ¨াāĻŽāĻ§āĻ¨্āĻ¯ āĻ—াā§ŸিāĻ•া āĻ¸ুāĻšিāĻ¤্āĻ°া āĻŽিāĻ¤্āĻ° āĻŦāĻ˛েāĻ›িāĻ˛েāĻ¨- āĻ°āĻŦীāĻ¨্āĻĻ্āĻ°- āĻ¨āĻœāĻ°ুāĻ˛েāĻ° āĻĒāĻ°āĻ‡ āĻ¸āĻ˛িāĻ˛ āĻšৌāĻ§ুāĻ°ীāĻ° āĻ¸্āĻĨাāĻ¨। āĻ¸āĻ¨-ā§§ā§¯ā§Ģā§Ž। āĻ¸েāĻ‡ āĻŦিāĻ–্āĻ¯াāĻ¤ “āĻŽāĻ§ুāĻŽāĻ¤ী”! āĻœāĻ¨্āĻŽাāĻ¨্āĻ¤āĻ°েāĻ° āĻ“āĻĒāĻ° āĻŦোāĻ§āĻšā§Ÿ āĻĒ্āĻ°āĻĨāĻŽ āĻšিāĻ¨্āĻĻী āĻšāĻ˛āĻšিāĻ¤্āĻ°। āĻ—āĻ˛্āĻĒ-āĻ‹āĻ¤্āĻ¤্āĻŦিāĻ• āĻ˜āĻŸāĻ•। āĻĒāĻ°িāĻšাāĻ˛āĻ¨া- āĻŦিāĻŽāĻ˛ āĻ°াā§Ÿ। āĻ—ীāĻ¤িāĻ•াāĻ°- āĻļৈāĻ˛েāĻ¨্āĻĻ্āĻ°। ā§¨ā§Ļā§Ļā§­ āĻ¸াāĻ˛ে āĻĢাāĻ°āĻšা āĻ–াāĻ¨ āĻ¤ৈāĻ°ী āĻ•āĻ°েāĻ¨- āĻ“āĻŽ āĻļাāĻ¨্āĻ¤ি āĻ“āĻŽ। “āĻŽāĻ§ুāĻŽāĻ¤ী”āĻ° āĻ…āĻ¨েāĻ• āĻĒ্āĻ°āĻ­াāĻŦ āĻāĻ‡ āĻšāĻ˛āĻšিāĻ¤্āĻ°ে āĻĨাāĻ•āĻ˛েāĻ“, āĻ¤াঁāĻ°া āĻ¸্āĻŦীāĻ•াāĻ° āĻ•āĻ°েāĻ¨ āĻ¨ি, āĻ¸ে āĻ•āĻĨা! āĻ¯াāĻ•, āĻ¸ে āĻ•āĻĨা! āĻ¸āĻŦিāĻ¤া āĻšৌāĻ§ুāĻ°ীāĻ•ে āĻŦিā§Ÿে āĻ•āĻ°ে āĻŦোāĻŽ্āĻŦে āĻ›াā§œāĻ¤ে āĻŦাāĻ§্āĻ¯ āĻšāĻ¨ āĻāĻ‡ āĻ¸ুāĻ°āĻ•াāĻ°। āĻĒ্āĻ°āĻšুāĻ° āĻ—āĻ˛্āĻĒ āĻšাāĻ˛ু āĻ†āĻ›ে āĻāĻ‡ āĻ¨িā§Ÿে। āĻ•িāĻ¨্āĻ¤ু āĻĨাāĻ• āĻ¸ে āĻ•āĻĨা! āĻŽāĻ§ুāĻŽāĻ¤ীāĻ° āĻ•āĻĨা āĻšāĻš্āĻ›িāĻ˛। āĻŽুāĻ•েāĻļেāĻ° āĻ•āĻŖ্āĻ ে āĻ¸েāĻ‡ āĻŦিāĻ–্āĻ¯াāĻ¤ āĻ—াāĻ¨! “āĻĻিāĻ˛ āĻ¤ā§œāĻĒ āĻ¤ā§œāĻĒ” ! āĻŦāĻ˛া āĻšā§Ÿ, āĻšāĻ˛াāĻŖ্āĻĄেāĻ° āĻ§াāĻ¨ āĻ•াāĻŸাāĻ° āĻ—াāĻ¨েāĻ° āĻ˛ā§Ÿ āĻŦাā§œিā§Ÿে āĻāĻ‡ āĻ—াāĻ¨ āĻ¤িāĻ¨ি āĻ¤ৈāĻ°ী āĻ•āĻ°েāĻ›িāĻ˛েāĻ¨। āĻ•িāĻ¨্āĻ¤ু, āĻ¤াāĻ¤ে āĻ•ি āĻ¯াā§Ÿ āĻ†āĻ¸ে? āĻ†āĻŽāĻ°া āĻ¤ো āĻĒেā§ŸেāĻ›ি, āĻ¸েāĻ‡ āĻ•াāĻ˛āĻœā§Ÿী āĻ—াāĻ¨!!!! āĻĢিāĻ˛্āĻŽāĻĢেā§ŸাāĻ° āĻĒুāĻ°āĻ¸্āĻ•াāĻ° āĻĒেā§ŸেāĻ›িāĻ˛ āĻāĻ‡ āĻ›āĻŦিāĻŸি- āĻļুāĻ§ুāĻŽাāĻ¤্āĻ° āĻ¸ুāĻ°েāĻ° āĻœāĻ¨্āĻ¯। āĻāĻ‡ āĻĒাāĻļ্āĻšাāĻ¤্āĻ¯ āĻĒ্āĻ°āĻ­াāĻŦ āĻĻেāĻ–া āĻ—েāĻ›ে āĻ¤াঁāĻ° āĻĒ্āĻ°āĻšুāĻ° āĻ—াāĻ¨ে। āĻŽোāĻাāĻ°্āĻŸেāĻ° āĻ¸িāĻŽ্āĻĢোāĻ¨ী- ā§Ēā§Ļ āĻ•ে āĻ…āĻ¨ুāĻ•āĻ°āĻŖ āĻ•āĻ°ে, āĻšিāĻ¨্āĻĻী āĻšāĻ˛āĻšিāĻ¤্āĻ° “āĻ›াā§Ÿা”āĻ° āĻ¤াঁāĻ° āĻ¸েāĻ‡ āĻŦিāĻ–্āĻ¯াāĻ¤ āĻ—াāĻ¨- āĻ‡āĻ¤āĻ¨াāĻ¨া āĻŽুāĻāĻ¸ে āĻ¤ু āĻĒ্āĻ¯াāĻ° āĻŦā§œা! āĻ†āĻœāĻ•ে āĻŦিāĻšাāĻ°েāĻ° āĻ¨াāĻŽে āĻĒ্āĻ°āĻšāĻ¸āĻ¨ āĻĻেāĻ–ে-āĻ¤াঁāĻ° āĻ¸েāĻ‡ āĻŦিāĻ–্āĻ¯াāĻ¤ āĻ—াāĻ¨āĻŸাāĻ‡ āĻŽāĻ¨ে āĻĒā§œে- “āĻŦিāĻšাāĻ°āĻĒāĻ¤ি āĻ¤োāĻŽাāĻ° āĻŦিāĻšাāĻ° āĻ•āĻ°āĻŦে āĻ¯াāĻ°া, āĻ†āĻœ āĻœেāĻ—েāĻ›ে āĻ¸েāĻ‡ āĻœāĻ¨āĻ¤া!” āĻšাā§Ÿ! āĻœāĻ¨āĻ¤া āĻ†āĻœāĻ“ āĻ˜ুāĻŽিā§Ÿে! āĻ¤াāĻ°āĻĒāĻ° āĻ¸েāĻ‡ āĻ—াāĻ¨! āĻšেāĻ‡ āĻ¸াāĻŽাāĻ˛ো āĻ§াāĻ¨ āĻšো! āĻ•āĻ¤ āĻ†āĻ° āĻŦāĻ˛āĻŦ? āĻ¸েāĻĒ্āĻŸেāĻŽ্āĻŦāĻ° ā§Ģ, ā§§ā§¯ā§¯ā§Ģ! āĻ¸āĻ˛িāĻ˛āĻĻা, āĻ¨িāĻœেāĻ‡ āĻ­েāĻ¸ে āĻ—েāĻ˛েāĻ¨ āĻ…āĻĨৈ āĻŽāĻšাāĻ•াāĻ˛ে! āĻŦā§œ āĻĻুঃāĻ– āĻ¨িā§Ÿে āĻšāĻ˛ে āĻ—েāĻ›িāĻ˛েāĻ¨। āĻ¤াঁāĻ° āĻ¸াāĻ§েāĻ° āĻ°েāĻ•āĻ°্āĻĄিং āĻˇ্āĻŸুāĻĄিāĻ“āĻ° āĻĒāĻļ্āĻšিāĻŽāĻŦāĻ™্āĻ— āĻ¸āĻ°āĻ•াāĻ°েāĻ° āĻ§াāĻ° āĻļোāĻ§ āĻ•āĻ°āĻ¤ে āĻ¨া āĻĒেāĻ°ে! āĻˇ্āĻŸুāĻĄিāĻ“āĻ° āĻ¨ীāĻšে āĻĨাāĻ•া āĻāĻ• āĻ•াāĻ°āĻ–াāĻ¨াāĻ° āĻ•āĻŽ্āĻĒāĻ¨েāĻ° āĻŽাāĻ¤্āĻ°া āĻ¤িāĻ¨ি āĻ†āĻ° āĻ িāĻ• āĻ•āĻ°āĻ¤ে āĻĒাāĻ°েāĻ¨ āĻ¨ি! āĻ¸āĻ˛িāĻ˛ āĻ¸াāĻ—āĻ°েāĻ° āĻ¯ে āĻāĻ• āĻŦাঁāĻ“ āĻŽেāĻ˛ে āĻ¨া, āĻĻো āĻŦাঁāĻ“ āĻŽেāĻ˛ে āĻ¨া..... āĻŽেāĻ˛ে āĻ¨া āĻ¨াāĻ°ে āĻŽেāĻ˛ে āĻ¨া! .........
āĻ¸āĻŽাāĻĒ্āĻ¤

Source:- . āĻ†āĻœāĻ•াāĻ˛ . āĻ†āĻ¨āĻ¨্āĻĻāĻ˛োāĻ• . āĻ†āĻ¨āĻ¨্āĻĻāĻŦাāĻœাāĻ° āĻĒāĻ¤্āĻ°িāĻ•া . āĻ‰āĻ‡āĻ•িāĻĒেāĻĄিā§Ÿা

Archive - Poster of the Bengali film - Joy Baba Felunath by Satyajit Ray, from Victor ghoshe's collection



Sharatkaal By Rabindranath Tagore

āĻļāĻ°ā§ŽāĻ•াāĻ˛
āĻ°āĻŦীāĻ¨্āĻĻ্āĻ°āĻ¨াāĻĨ āĻ াāĻ•ুāĻ°





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āĻļāĻ°ā§ŽāĻ•াāĻ˛েāĻ° āĻ¸ূāĻ°্āĻ¯াāĻ˛োāĻ•ে āĻ†āĻŽাāĻ° āĻāĻ‡āĻ°ূāĻĒ āĻ…āĻŦāĻ¸্āĻĨা āĻšāĻ¯়। āĻĻুāĻ‡-āĻāĻ•āĻŸা āĻœীāĻŦāĻ¨েāĻ° āĻ˜āĻŸāĻ¨া, āĻĻুāĻ‡-āĻāĻ•āĻŸা āĻ…āĻ¤ীāĻ¤āĻ•াāĻ˛েāĻ° āĻŽāĻ§ুāĻ° āĻļāĻ°ā§Ž āĻŽāĻ¨ে āĻĒāĻĄ়ে, āĻ•িāĻ¨্āĻ¤ু āĻ¸েāĻ‡āĻ¸āĻ™্āĻ—ে āĻ¯ে-āĻ¸āĻ•āĻ˛ āĻļāĻ°ā§ŽāĻ•াāĻ˛ āĻŽāĻ¨ে āĻĒāĻĄ়ে āĻ¨া, āĻ¯ে-āĻ¸āĻ•āĻ˛ āĻ˜āĻŸāĻ¨া āĻ­ুāĻ˛িāĻ¯়া āĻ—িāĻ¯়াāĻ›ি, āĻ¸েāĻ‡āĻ—ুāĻ˛িāĻ‡ āĻ¯েāĻ¨ āĻ…āĻ§িāĻ• āĻŽāĻ¨ে āĻĒāĻĄ়ে। āĻŦāĻ›āĻ° āĻ¤িāĻ¨-āĻšাāĻ°েāĻ° āĻĒূāĻ°্āĻŦে āĻāĻ•āĻŸি āĻļāĻ°ā§ŽāĻ•াāĻ˛ āĻ†āĻŽি āĻ…āĻ¨্āĻ¤āĻ°েāĻ° āĻ¸āĻšিāĻ¤ āĻ‰āĻĒāĻ­োāĻ— āĻ•āĻ°িāĻ¯়াāĻ›িāĻ˛াāĻŽ। āĻŦāĻĄ়িāĻ° āĻĒ্āĻ°াāĻ¨্āĻ¤ে āĻāĻ•āĻŸি āĻ›োāĻŸ্āĻŸ āĻ˜āĻ°ে āĻāĻ•āĻŸি āĻ›োāĻŸ্āĻŸ āĻĄেāĻ¸্āĻ•েāĻ° āĻ¸āĻŽ্āĻŽুāĻ–ে āĻŦাāĻ¸ āĻ•āĻ°িāĻ¤াāĻŽ। āĻ†āĻ°āĻ“ āĻĻুāĻŸি-āĻāĻ•āĻŸি āĻ›োāĻŸ্āĻŸ āĻ†āĻ¨āĻ¨্āĻĻ āĻ†āĻŽাāĻ° āĻ†āĻļেāĻĒাāĻļে āĻ†āĻ¨াāĻ—োāĻ¨া āĻ•āĻ°িāĻ¤। āĻ¸ে āĻŦā§ŽāĻ¸āĻ° āĻ¯েāĻ¨ āĻ†āĻŽাāĻ° āĻ¸āĻŽāĻ¸্āĻ¤ āĻœীāĻŦāĻ¨ āĻ›ুāĻŸি āĻ˛āĻ‡āĻ¯়াāĻ›িāĻ˛। āĻ†āĻŽি āĻ¸েāĻ‡ āĻ˜āĻ°āĻŸুāĻ•ুāĻ° āĻŽāĻ§্āĻ¯ে āĻĨাāĻ•িāĻ¯়াāĻ‡ āĻœāĻ—āĻ¤ে āĻ­্āĻ°āĻŽāĻŖ āĻ•āĻ°িāĻ¤াāĻŽ, āĻāĻŦং āĻŦāĻšিāĻ°্āĻœāĻ—āĻ¤েāĻ° āĻŽāĻ§্āĻ¯ে āĻĨাāĻ•িāĻ¯়াāĻ“ āĻ˜āĻ°েāĻ° āĻ­িāĻ¤āĻ°āĻŸুāĻ•ুāĻ° āĻŽāĻ§্āĻ¯ে āĻ¯ে āĻ¸্āĻ¨েāĻšāĻĒ্āĻ°েāĻŽেāĻ° āĻŦিāĻ¨্āĻĻুāĻŸুāĻ•ু āĻ›িāĻ˛ āĻ¤াāĻšা āĻāĻ•াāĻ¨্āĻ¤ āĻ†āĻ—্āĻ°āĻšেāĻ° āĻ¸āĻšিāĻ¤ āĻ‰āĻĒāĻ­োāĻ— āĻ•āĻ°িāĻ¤াāĻŽ। āĻ†āĻŽি āĻ¯েāĻ¨ āĻāĻ•āĻĒ্āĻ°āĻ•াāĻ° āĻ†āĻ¤্āĻŽāĻŦিāĻ¸্āĻŽৃāĻ¤ি āĻšāĻ‡āĻ¯়া āĻĢুāĻŸিāĻ¯়া āĻ‰āĻ িāĻ¯়াāĻ›ে; āĻ¤াāĻšাāĻ° āĻĒ্āĻ°āĻ¤্āĻ¯েāĻ• āĻ¸ুāĻ•ুāĻŽাāĻ° āĻŦāĻ™্āĻ•িāĻŽাāĻ° āĻ˛েāĻļāĻŸুāĻ•ুāĻ° āĻŽāĻ§্āĻ¯ে āĻ…āĻĒāĻ°িāĻ¸ীāĻŽ āĻĒ্āĻ°েāĻŽেāĻ° āĻ‡āĻ¤িāĻšাāĻ¸ āĻ¯েāĻ¨ āĻ˛িāĻĒিāĻŦāĻĻ্āĻ§ āĻšāĻ‡āĻ¯়াāĻ›ে। āĻ¤াāĻšাāĻ° āĻ¸āĻ°্āĻŦাāĻ™্āĻ—েāĻ° āĻ¸ুāĻ•োāĻŽāĻ˛ āĻ¸ুāĻ—োāĻ˛āĻ¤াāĻ° āĻŽāĻ§্āĻ¯ে, āĻŦিāĻļেāĻˇāĻ¤ āĻ¤াāĻšাāĻ° āĻŦুāĻ•েāĻ° āĻŽাāĻāĻ–াāĻ¨āĻŸিāĻ¤ে āĻ¯েāĻ–াāĻ¨ে āĻšাāĻ°ি āĻĻিāĻ•েāĻ° āĻ°āĻ™েāĻ° āĻ˜োāĻ° āĻ…āĻ¤ি āĻ§ীāĻ°ে āĻ§ীāĻ°ে āĻ¨āĻ°āĻŽ āĻšāĻ‡āĻ¯়া āĻāĻ•েāĻŦাāĻ°ে āĻŽোāĻ˛াāĻ¯়েāĻŽ āĻ¸াāĻĻা āĻšāĻ‡āĻ¯়া āĻ†āĻ¸িāĻ¯়াāĻ›ে- āĻ¯েāĻ¨ āĻ…āĻ¨āĻ¨্āĻ¤āĻ•াāĻ˛েāĻ° āĻ¸āĻ¯āĻ¤্āĻ¨ āĻ¸োāĻšাāĻ—েāĻ° āĻšুāĻŽ্āĻŦāĻ¨ āĻ˛াāĻ—িāĻ¯়া āĻ†āĻ›ে। āĻ…āĻ¤িāĻļāĻ¯় āĻ†āĻļ্āĻšāĻ°্āĻ¯! āĻāĻ•āĻŸি āĻ—োāĻĒāĻ¨ āĻœāĻšāĻ°ী āĻšাঁāĻĒা āĻāĻ•āĻŸি āĻ—োāĻĒāĻ¨ āĻ¸āĻŽ্āĻĒāĻĻ āĻ¤াāĻšাāĻ° āĻ†āĻ° āĻ¸āĻ¨্āĻĻেāĻš āĻ¨াāĻ‡। āĻ‡āĻšা āĻ›েāĻ˛েāĻŽাāĻ¨ুāĻˇেāĻ° āĻ…āĻĒāĻ°িāĻŽāĻ¨ āĻšৃāĻĻāĻ¯়েāĻ° āĻŽোāĻšāĻŽাāĻ¤্āĻ° āĻ¨āĻšে। āĻāĻ–āĻ¨ āĻ¸ে āĻŦিāĻ¸্āĻŽāĻ¯়েāĻ° āĻ†āĻ¨āĻ¨্āĻĻ āĻšāĻ˛িāĻ¯়া āĻ—েāĻ›ে। āĻāĻ–āĻ¨ āĻāĻ•āĻŸা āĻ…āĻ¨াāĻĻৃāĻ¤ āĻŦুāĻ¨োāĻ˛āĻ¤াāĻ° āĻŦেāĻ—ুāĻ¨ি āĻĢুāĻ˛āĻ•ে āĻ¨িāĻ¤াāĻ¨্āĻ¤ āĻ¯ā§ŽāĻ•িāĻž্āĻšিā§Ž āĻŽāĻ¨ে āĻšāĻ¯়। āĻĢুāĻ˛ āĻ¤ো āĻĢুāĻŸিāĻŦাāĻ°āĻ‡ āĻ•āĻĨা। āĻĢুāĻŸ āĻ¸ুāĻ¨্āĻĻāĻ° āĻŦāĻŸে āĻāĻŦং āĻ…āĻ¨েāĻ• āĻĢুāĻ˛ āĻĻুāĻ°্āĻ˛āĻ­āĻ“ āĻŦāĻŸে, āĻ•িāĻ¨্āĻ¤ু āĻ¤াāĻšাāĻ° āĻŽāĻ§্āĻ¯ে āĻ¸েāĻ‡ āĻ¨িāĻŦিāĻĄ় āĻŦিāĻ¸্āĻŽāĻ¯়েāĻ° āĻ¸্āĻĨাāĻ¨ āĻ¨াāĻ‡। āĻ­িāĻ•্āĻˇুāĻ•েāĻ° āĻ¯āĻ–āĻ¨ āĻ­িāĻ•্āĻˇা āĻŦāĻ°াāĻĻ্āĻĻ āĻšāĻ‡āĻ¯়া āĻ¯াāĻ¯়, āĻ¤āĻ–āĻ¨ āĻ¤াāĻšাāĻ° āĻ†āĻ° āĻ•ৃāĻ¤āĻœ্āĻžāĻ¤া āĻœāĻ¨্āĻŽে āĻ¨া। āĻļিāĻļুāĻ•াāĻ˛ে āĻ†āĻŽāĻ°া āĻ­াāĻ˛ো āĻ•āĻ°িāĻ¯়া āĻœাāĻ¨িāĻ¤াāĻŽ āĻ¨া āĻšাāĻ°ি āĻĻিāĻ•েāĻ° āĻ āĻ…āĻ¸ীāĻŽ āĻ¸ৌāĻ¨্āĻĻāĻ°্āĻ¯ āĻ†āĻŽাāĻ¤েāĻ° āĻ¨িāĻ¤্āĻ¯āĻ¯়িāĻŽিāĻ¤ āĻŦāĻ°াāĻĻ্āĻĻ। āĻœāĻ¨āĻ¨ী āĻ¯েāĻŽāĻ¨ āĻĒ্āĻ°āĻ¤ি āĻ•্āĻˇুāĻĻ্āĻ° āĻ•াāĻœে āĻ…āĻœāĻ¸্āĻ° āĻ¸্āĻ¨েāĻšেāĻ° āĻĻ্āĻŦাāĻ°া āĻ†āĻŽাāĻĻিāĻ—āĻ•ে āĻ…āĻ¨ুāĻ•্āĻˇāĻŖ āĻ†āĻ›āĻ¨্āĻ¨ āĻ•āĻ°িāĻ¯়া āĻ°াāĻ–েāĻ¨, āĻ¤াāĻšাāĻ° āĻŽāĻ§্āĻ¯ে āĻ…āĻ¨েāĻ•āĻŸাāĻ‡ āĻ†āĻŽাāĻĻেāĻ° āĻ†āĻŦāĻļ্āĻ¯āĻ•েāĻ° āĻ…āĻ¤িāĻ°িāĻ•্āĻ¤, āĻ¤াāĻšাāĻ° āĻ…āĻ¨েāĻ•āĻŸা āĻ†āĻŽাāĻĻেāĻ° āĻ¨āĻœāĻ°ে āĻĒāĻĄ়ে āĻ¨া, āĻ¤াāĻšাāĻ° āĻ…āĻ¨েāĻ•āĻŸা āĻ†āĻŽাāĻ° āĻ…āĻŦāĻšেāĻ˛ে āĻ—্āĻ°āĻšāĻŖ āĻ•āĻ°ি, āĻ•িāĻ¨্āĻ¤ু āĻ‰āĻĻাāĻ° āĻŽাāĻ¤ৃāĻ¸্āĻ¨েāĻšেāĻ° āĻ¤াāĻšাāĻ¤ে āĻ•িāĻ›ুāĻ‡ āĻ†āĻ¸ে āĻ¯াāĻ¯় āĻ¨া-- āĻ‡āĻšাāĻ“ āĻ¸েāĻ‡āĻ°ূāĻĒ।

āĻ†āĻļ্āĻŦিāĻ¨ āĻ¸āĻĒ্āĻ¤āĻŽীāĻĒূāĻœা ā§§ā§Žā§Žā§¯।
Source - Internet

Bengali Story edited by Victor ghoshe




āĻšাāĻ°িā§Ÿে āĻ¯াāĻ“ā§Ÿা āĻ—āĻ˛্āĻĒāĻ—াāĻ›া / āĻŦাāĻ™্āĻ—াāĻ˛ীāĻ° āĻšাāĻ¸িāĻ° āĻ—āĻ˛্āĻĒ।

āĻšাāĻŸে āĻāĻ•āĻŸি āĻĒ্āĻ°āĻ•াāĻŖ্āĻĄ āĻŦোā§ŸাāĻ˛ āĻŽাāĻ› āĻ‰āĻ িā§ŸাāĻ›ে। āĻāĻ• āĻĢāĻ•ীāĻ° āĻ­াāĻŦিāĻ˛, āĻāĻ‡ āĻŦোā§ŸাāĻ˛ āĻŽাāĻ›āĻŸাāĻ° āĻĒেāĻŸি āĻĻিā§Ÿা āĻ¯āĻĻি āĻšাāĻ°āĻŸি āĻ­াāĻ¤ āĻ–াāĻ‡āĻ¤ে āĻĒাāĻ°িāĻ¤াāĻŽ! āĻ¸ে āĻŽাāĻ›েāĻ° āĻĻোāĻ•াāĻ¨েāĻ° āĻ•াāĻ›ে āĻĻাঁā§œাāĻ‡ā§Ÿা āĻ°āĻšিāĻ˛। āĻāĻ•āĻœāĻ¨ āĻšাāĻˇী āĻ†āĻ¸িā§Ÿা āĻŽাāĻ›āĻŸি āĻ•িāĻ¨িā§Ÿা āĻ˛āĻ‡āĻ˛। āĻŽুāĻ¸াāĻĢিāĻ° āĻ¤াāĻšাāĻ° āĻĒিāĻ›ে āĻĒিāĻ›ে āĻ¯াāĻ‡āĻ¤ে āĻ˛াāĻ—িāĻ˛। āĻ˛োāĻ•āĻŸি āĻ¯āĻ–āĻ¨ āĻŦাā§œিāĻ° āĻ§াāĻ°ে āĻ†āĻ¸িā§ŸাāĻ›ে āĻ¤āĻ–āĻ¨ āĻŽুāĻ¸াāĻĢিāĻ° āĻ¤াāĻšাāĻ° āĻ¨িāĻ•āĻŸে āĻ¯াāĻ‡ā§Ÿা āĻŦāĻ˛িāĻ˛, ‘āĻ¸াāĻšেāĻŦ! āĻ†āĻŽি āĻŽুāĻ¸াāĻĢিāĻ° āĻ˛োāĻ•। āĻ­িāĻ•্āĻˇা āĻ•āĻ°িā§Ÿা āĻ–াāĻ‡। āĻ•োāĻ¨োāĻĻিāĻ¨ āĻ­াāĻ˛ো āĻ–াāĻ“ā§Ÿা āĻšā§Ÿ āĻ¨া। āĻ†āĻœ āĻšাāĻŸে āĻ¯াāĻ‡ā§Ÿা āĻ¯āĻ–āĻ¨ āĻ āĻŦā§œ āĻŽাāĻ›āĻŸি āĻĻেāĻ–িāĻ˛াāĻŽ, āĻŽāĻ¨ে āĻŦā§œ āĻ‡āĻš্āĻ›া āĻšāĻ‡āĻ˛ āĻāĻ‡ āĻŽাāĻ›āĻŸিāĻ° āĻĒেāĻŸি āĻĻিā§Ÿা āĻ¯āĻĻি āĻšাāĻ°āĻŸি āĻ­াāĻ¤ āĻ–াāĻ‡āĻ¤ে āĻĒাāĻ°িāĻ¤াāĻŽ! āĻ¤াāĻ‡ āĻ†āĻĒāĻ¨াāĻ° āĻĒিāĻ›ে āĻĒিāĻ›ে āĻ†āĻ¸িā§ŸাāĻ›ি। āĻĻā§Ÿা āĻ•āĻ°িā§Ÿা āĻ¯āĻĻি āĻ†āĻŽাāĻ° āĻŽāĻ¨েāĻ° āĻ‡āĻš্āĻ›া āĻĒূāĻ°āĻŖ āĻ•āĻ°েāĻ¨ āĻŦā§œāĻ‡ āĻ¸ুāĻ–ী āĻšāĻ‡āĻŦ।’
āĻ˛োāĻ•āĻŸি āĻŦā§œāĻ‡ āĻĻā§ŸাāĻ˛ু। āĻ¸ে āĻ–ুāĻŦ āĻ†āĻĻāĻ° āĻ•āĻ°িā§Ÿা āĻŽুāĻ¸াāĻĢিāĻ°āĻ•ে āĻ†āĻ¨িā§Ÿা āĻŦৈāĻ āĻ•āĻ–াāĻ¨াā§Ÿ āĻŦāĻ¸াāĻ‡āĻ˛। āĻ¤াāĻ°āĻĒāĻ° āĻŽাāĻ›āĻŸি āĻ­িāĻ¤āĻ°ে āĻ˛āĻ‡ā§Ÿা āĻ—িā§Ÿা āĻ¤াāĻšাāĻ° āĻŦāĻ‰āĻ•ে āĻŽুāĻ¸াāĻĢিāĻ°েāĻ° āĻ¸āĻŽāĻ¸্āĻ¤ āĻ˜āĻŸāĻ¨া āĻŦāĻ˛িā§Ÿা āĻšুāĻ•ুāĻŽ āĻ•āĻ°িāĻ˛, ‘āĻāĻ‡ āĻŽাāĻ›āĻŸিāĻ° āĻĒেāĻŸি āĻŦেāĻļ āĻĒুāĻ°ু āĻ•āĻ°িā§Ÿা āĻ•াāĻŸিāĻŦে। āĻĒেāĻŸিāĻ–াāĻ¨া āĻŽুāĻ¸াāĻĢিāĻ°āĻ•ে āĻĻিāĻ¤ে āĻšāĻ‡āĻŦে।’
āĻāĻŽāĻ¨ āĻ¸āĻŽā§Ÿ āĻ˛োāĻ•āĻŸিāĻ° āĻāĻ•āĻŸি āĻ—āĻ°ু āĻ›ুāĻŸিā§Ÿা āĻ—েāĻ˛। āĻ¸ে āĻ¤াā§œাāĻ¤াā§œি āĻ—āĻ°ুāĻŸিāĻ° āĻĒিāĻ›ে āĻĒিāĻ›ে āĻĻৌā§œাāĻ‡āĻ˛।
āĻŽাāĻ› āĻ•ুāĻŸিāĻ¤ে āĻ•ুāĻŸিāĻ¤ে āĻšাāĻˇীāĻ° āĻŦāĻ‰ āĻ­াāĻŦিāĻ˛, ‘āĻŦাā§œিāĻ¤ে āĻ­াāĻ˛ো āĻ•িāĻ›ু āĻ–াāĻŦাāĻ° āĻĒাāĻ• āĻ•āĻ°িāĻ˛ে āĻ†āĻŽাāĻ° āĻ¸্āĻŦাāĻŽী āĻāĻŽāĻ¨ি āĻ•āĻ°িā§Ÿা āĻŽুāĻ¸াāĻĢিāĻ° āĻ˛āĻ‡ā§Ÿা āĻ†āĻ¸ে। āĻŽুāĻ°āĻ—ীāĻ° āĻ°াāĻ¨āĻŸা, āĻŽাāĻ›েāĻ° āĻĒেāĻŸিāĻŸা āĻ¸āĻŦ āĻ¸āĻŽā§ŸāĻ‡ āĻŽুāĻ¸াāĻĢিāĻ°āĻĻেāĻ° āĻĻিā§Ÿা āĻ–াāĻ“ā§Ÿাā§Ÿ। āĻāĻ‡ āĻŦā§œ āĻŽাāĻ›েāĻ° āĻĒেāĻŸিāĻ–াāĻ¨াāĻ“ āĻŽুāĻ¸াāĻĢিāĻ°āĻ•ে āĻ–াāĻ“ā§ŸাāĻ‡āĻŦে। āĻ¯েāĻŽāĻ¨ āĻ•āĻ°িā§ŸাāĻ‡ āĻšোāĻ• āĻŽুāĻ¸াāĻĢিāĻ°āĻ•ে āĻ†āĻœ āĻ¤াā§œাāĻ‡āĻŦ।’
āĻāĻ‡ āĻ•āĻĨা āĻ­াāĻŦিā§Ÿা āĻŦāĻ‰āĻŸি āĻ–াāĻ˛ি āĻĒাāĻŸাāĻ° āĻ‰āĻĒāĻ° āĻĒুāĻ¤াāĻ–াāĻ¨া āĻ˜āĻˇিāĻ¤ে āĻ†āĻ°āĻŽ্āĻ­ āĻ•āĻ°িāĻ˛ āĻ†āĻ° āĻ¸ুāĻ° āĻ•āĻ°িā§Ÿা āĻ•াঁāĻĻিāĻ¤ে āĻ˛াāĻ—িāĻ˛।
āĻ…āĻ¨েāĻ•āĻ•্āĻˇāĻŖ āĻ•াāĻ¨্āĻ¨া āĻļুāĻ¨িā§Ÿা āĻŽুāĻ¸াāĻĢিāĻ° āĻ­াāĻŦিāĻ˛, āĻ¨া āĻœাāĻ¨ি āĻŦāĻ‰āĻŸিāĻ° āĻ•ি āĻšāĻ‡ā§ŸাāĻ›ে। āĻ¸ে āĻŦাā§œিāĻ° āĻ­িāĻ¤āĻ° āĻ†āĻ¸িā§Ÿা āĻœিāĻœ্āĻžাāĻ¸া āĻ•āĻ°িāĻ˛, ‘āĻŽা āĻœāĻ¨āĻ¨ী! āĻ¤ুāĻŽি āĻ•াঁāĻĻিāĻ¤েāĻ› āĻ•েāĻ¨? āĻ¤োāĻŽাāĻ° āĻ•ি āĻšāĻ‡ā§ŸাāĻ›ে?’
āĻŦāĻ‰āĻŸি āĻŦāĻ˛িāĻ˛, ‘āĻŦাāĻŦাāĻ°ে! āĻ¸ে āĻ•āĻĨা āĻ¤োāĻŽাāĻ•ে āĻŦāĻ˛িāĻŦাāĻ° āĻ¨ā§Ÿ। āĻ†āĻŽাāĻ° āĻ¸্āĻŦাāĻŽী āĻŽাāĻ¨া āĻ•āĻ°িā§ŸাāĻ›েāĻ¨।’
āĻŽুāĻ¸াāĻĢিāĻ° āĻŦāĻ˛িāĻ˛, ‘āĻŽা! āĻ†āĻŽি āĻ¤োāĻŽাāĻ° āĻ›েāĻ˛ে। āĻ†āĻŽাāĻ° āĻ•াāĻ›ে āĻ•োāĻ¨ো āĻ•āĻĨা āĻ—োāĻĒāĻ¨ āĻ•āĻ°িāĻ“ āĻ¨া।’
āĻŦāĻ‰āĻŸি āĻ¤āĻ–āĻ¨ āĻ†āĻ§েāĻ• āĻ•াঁāĻĻিā§Ÿা āĻ†āĻ§েāĻ• āĻ•াঁāĻĻিāĻŦাāĻ° āĻ­াāĻ¨ āĻ•āĻ°িā§Ÿা āĻŦāĻ˛িāĻ˛, ‘āĻ†āĻŽাāĻ° āĻ¸্āĻŦাāĻŽী āĻŦাā§œিāĻ° āĻ­িāĻ¤āĻ°ে āĻ†āĻ¸িā§Ÿা āĻ†āĻŽাāĻ•ে āĻŦāĻ˛িāĻ˛, āĻāĻ‡ āĻŽুāĻ¸াāĻĢিāĻ° āĻŦā§œāĻ‡ āĻ˛োāĻ­ী। āĻ†āĻŽাāĻĻেāĻ° āĻĒুāĻ¤াāĻ–াāĻ¨া āĻĒাāĻŸাā§Ÿ āĻ§াāĻ° āĻĻিā§Ÿা āĻšোāĻ–া āĻ•āĻ°িā§Ÿা āĻ°াāĻ–। āĻŽুāĻ¸াāĻĢিāĻ°েāĻ° āĻ—āĻ˛াāĻ° āĻ­িāĻ¤āĻ° āĻĻিā§Ÿা āĻĸুāĻ•াāĻ‡ā§Ÿা āĻĻিāĻŦ। āĻ¯াāĻšাāĻ¤ে āĻ¸ে āĻ†āĻ° āĻ•াāĻšাāĻ°āĻ“ āĻŽাāĻ› āĻĻেāĻ–িā§Ÿা āĻ˛োāĻ­ āĻ•āĻ°িāĻ¤ে āĻ¨া āĻĒাāĻ°ে। āĻ¤াāĻ‡ āĻ†āĻŽি āĻ•াঁāĻĻিāĻ¤েāĻ›ি। āĻšাā§Ÿ! āĻšাā§Ÿ! āĻ†āĻŽাāĻ° āĻ¸্āĻŦাāĻŽী āĻāĻ‡ āĻŽোāĻŸা āĻĒুāĻ¤া āĻ¤োāĻŽাāĻ° āĻ—āĻ˛াāĻ° āĻ­িāĻ¤āĻ°ে āĻĸুāĻ•াāĻ‡āĻ˛ে āĻ¨িāĻļ্āĻšā§Ÿ āĻ¤ুāĻŽি āĻŽāĻ°িā§Ÿা āĻ¯াāĻ‡āĻŦে, āĻ¤াāĻ‡ āĻ†āĻŽি āĻ•াঁāĻĻিāĻ¤েāĻ›ি। āĻ•িāĻ¨্āĻ¤ু āĻ¸্āĻŦাāĻŽীāĻ° āĻšুāĻ•ুāĻŽ āĻ¤ো āĻ†āĻŽাāĻ•ে āĻŽাāĻ¨িāĻ¤েāĻ‡ āĻšāĻ‡āĻŦে।’
āĻļুāĻ¨িā§Ÿা āĻŽুāĻ¸াāĻĢিāĻ°েāĻ° āĻ¤ো āĻšāĻ•্āĻˇুāĻ¸্āĻĨিāĻ°। āĻ¸ে āĻŦāĻ˛িāĻ˛, ‘āĻŽা āĻœāĻ¨āĻ¨ী! āĻ¤ুāĻŽি āĻāĻ•āĻŸু āĻ†āĻ¸্āĻ¤ে āĻ†āĻ¸্āĻ¤ে āĻĒুāĻ¤া āĻ˜āĻˇ। āĻ†āĻŽি āĻāĻ–āĻ¨āĻ‡ āĻšāĻ˛িā§Ÿা āĻ¯াāĻ‡āĻ¤েāĻ›ি।’ āĻāĻ‡ āĻŦāĻ˛িā§Ÿা āĻŽুāĻ¸াāĻĢিāĻ° āĻ¤াā§œাāĻ¤াā§œি āĻ˛াāĻ ি-āĻŦোঁāĻšāĻ•া āĻ˛āĻ‡ā§Ÿা āĻĻে āĻšāĻŽ্āĻĒāĻŸ। āĻāĻŽāĻ¨ āĻ¸āĻŽā§Ÿ āĻŦাā§œিāĻ° āĻ•āĻ°্āĻ¤া āĻĢিāĻ°িā§Ÿা āĻ†āĻ¸িā§Ÿা āĻĻেāĻ–ে āĻ•াāĻ›াāĻ°ি āĻ˜āĻ°ে āĻŽুāĻ¸াāĻĢিāĻ° āĻ¨াāĻ‡। āĻŦāĻ‰āĻ•ে āĻœিāĻœ্āĻžাāĻ¸া āĻ•āĻ°িāĻ˛, ‘āĻŽুāĻ¸াāĻĢিāĻ° āĻšāĻ˛িā§Ÿা āĻ—েāĻ˛ āĻ•েāĻ¨?’
āĻŦāĻ‰ āĻ¨āĻĨ āĻ¨াā§œিāĻ¤ে āĻ¨াā§œিāĻ¤ে āĻŦāĻ˛িāĻ˛, ‘āĻ¤ুāĻŽি āĻŦাā§œি āĻšāĻ‡āĻ¤ে āĻšāĻ˛িā§Ÿা āĻ—েāĻ˛ে āĻŽুāĻ¸াāĻĢিāĻ° āĻŦāĻ˛ে āĻ•ি, ‘āĻ¤োāĻŽাāĻĻেāĻ° āĻĒুāĻ¤াāĻŸা āĻ†āĻŽাāĻ•ে āĻĻাāĻ“।’ āĻĻেāĻ– āĻ¤ো, āĻ†āĻŽাāĻĻেāĻ° āĻāĻ•āĻŸা āĻŽাāĻ¤্āĻ° āĻĒুāĻ¤া। āĻ¤া āĻŽুāĻ¸াāĻĢিāĻ°āĻ•ে āĻĻেāĻ‡ āĻ•েāĻŽāĻ¨ āĻ•āĻ°িā§Ÿা? āĻĒুāĻ¤া āĻĻেāĻ‡ āĻ¨াāĻ‡ āĻŦāĻ˛িā§Ÿা āĻŽুāĻ¸াāĻĢিāĻ° āĻ°াāĻ—িā§Ÿা āĻšāĻ˛িā§Ÿা āĻ—েāĻ˛।’ āĻ¸্āĻŦাāĻŽী āĻŦāĻ˛িāĻ˛, ‘āĻ¸াāĻŽাāĻ¨্āĻ¯ āĻĒুāĻ¤াāĻŸা āĻĻিāĻ˛েāĻ‡ āĻĒাāĻ°িāĻ¤ে। āĻ†āĻŽি āĻ¨া āĻšā§Ÿ āĻŦাāĻœাāĻ° āĻšāĻ‡āĻ¤ে āĻ†āĻ° āĻāĻ•āĻŸি āĻĒুāĻ¤া āĻ•িāĻ¨িā§Ÿা āĻ†āĻ¨িāĻ¤াāĻŽ। āĻļিāĻ—্āĻ—ীāĻ° āĻĒুāĻ¤াāĻŸা āĻ†āĻŽাāĻ•ে āĻĻাāĻ“, āĻ†āĻ° āĻŽুāĻ¸াāĻĢিāĻ° āĻ•োāĻ¨্ āĻĻিāĻ•ে āĻ—িā§ŸাāĻ›ে āĻŦāĻ˛!’
āĻŦāĻ‰ āĻĒুāĻ¤াāĻŸি āĻ¸্āĻŦাāĻŽীāĻ° āĻšাāĻ¤ে āĻĻিā§Ÿা āĻŦāĻ˛িāĻ˛, ‘āĻŽুāĻ¸াāĻĢিāĻ° āĻāĻ‡ āĻĻিāĻ• āĻĻিā§Ÿা āĻ—িā§ŸাāĻ›ে।’ āĻĒুāĻ¤াāĻŸি āĻšাāĻ¤ে āĻ˛āĻ‡ā§Ÿা āĻ¸ে āĻ¸েāĻ‡ āĻĻিāĻ•ে āĻĻৌā§œাāĻ‡ā§Ÿা āĻšāĻ˛িāĻ˛। āĻ–াāĻ¨িāĻ• āĻ¯াāĻ‡ā§Ÿা āĻĻেāĻ–িāĻ˛, āĻŽুāĻ¸াāĻĢিāĻ° āĻ…āĻ¨েāĻ• āĻĻূāĻ° āĻšāĻ¨্ āĻšāĻ¨্ āĻ•āĻ°িā§Ÿা āĻšāĻ˛িā§ŸাāĻ›ে। āĻ¸ে āĻĄাāĻ•িā§Ÿা āĻŦāĻ˛িāĻ¤ে āĻ˛াāĻ—িāĻ˛, ‘āĻ“ āĻŽুāĻ¸াāĻĢিāĻ°, āĻĻাঁā§œাāĻ“—āĻĻাঁā§œাāĻ“—āĻĒুāĻ¤া āĻ˛āĻ‡ā§Ÿা āĻ¯াāĻ“।’ āĻļুāĻ¨িā§Ÿা āĻŽুāĻ¸াāĻĢিāĻ° āĻ‰āĻ িā§Ÿা āĻĒā§œিā§Ÿা āĻĻৌā§œ। āĻšাāĻˇী āĻ¯āĻ¤āĻ‡ āĻœোāĻ°ে āĻœোāĻ°ে āĻŦāĻ˛ে, ‘āĻ“ āĻŽুāĻ¸াāĻĢিāĻ°! āĻĒুāĻ¤া āĻ˛āĻ‡ā§Ÿা āĻ¯াāĻ“!—āĻĒুāĻ¤া āĻ˛āĻ‡ā§Ÿা āĻ¯াāĻ“! āĻŽুāĻ¸াāĻĢিāĻ° āĻ†āĻ°āĻ“ āĻœোāĻ°ে āĻœোāĻ°ে āĻĻৌā§œাā§Ÿ। āĻ¸ে āĻ­াāĻŦে āĻ¸āĻ¤্āĻ¯āĻ‡ āĻšাāĻˇী āĻ¤াāĻšাāĻ° āĻ—āĻ˛াā§Ÿ āĻĒুāĻ¤া āĻĸুāĻ•াāĻ‡āĻ¤ে āĻ†āĻ¸িāĻ¤েāĻ›ে। āĻŦোঁāĻšāĻ•া-āĻŦুঁāĻšāĻ•ি āĻŦāĻ—āĻ˛ে āĻĢেāĻ˛িā§Ÿা āĻ¸ে āĻŽāĻ°িā§Ÿা āĻšāĻ‡ā§Ÿা āĻĻৌā§œাā§Ÿ।
***************
āĻĒāĻ˛্āĻ˛ীāĻ•āĻŦি āĻœāĻ¸ীāĻŽুāĻĻ্āĻĻিāĻ¨েāĻ° āĻ˛েāĻ–া āĻŦাāĻ™্āĻ—াāĻ˛ীāĻ° āĻšাāĻ¸িāĻ° āĻ—āĻ˛্āĻĒ āĻ†āĻŽাāĻĻেāĻ° āĻ¸াāĻšিāĻ¤্āĻ¯েāĻ° āĻ…āĻŽূāĻ˛্āĻ¯ āĻ¸āĻŽ্āĻŽāĻĻ। āĻ•িāĻ¨্āĻ¤ু āĻ¸েāĻ‡ āĻ…āĻŽূāĻ˛্āĻ¯ āĻ–াāĻœাāĻ¨া āĻāĻ–āĻ¨ āĻ†āĻ° āĻ–ুঁāĻœে āĻĒাāĻ“ā§Ÿা āĻ¯াā§ŸāĻ¨া। āĻŦাংāĻ˛া āĻāĻ•াāĻĄেāĻŽি āĻ•েāĻ¨ো āĻ¯ে āĻāĻ—ুāĻ˛ো āĻĒুāĻ¨ঃāĻŽুāĻĻ্āĻ°āĻ¨ āĻ•āĻ°āĻ›েāĻ¨ āĻ¨া āĻ¤া āĻŦোāĻ§āĻ—āĻŽ্āĻ¯ āĻ¨ā§Ÿ। āĻ¸েāĻ‡ āĻšাāĻ¸িāĻ° āĻ¸িāĻ¨্āĻĻুāĻ• āĻĨেāĻ•ে āĻāĻ•āĻŸি āĻ—āĻ˛্āĻĒ āĻ†āĻĒāĻ¨াāĻĻেāĻ° āĻ¸াāĻŽāĻ¨ে āĻ¤ুāĻ˛ে āĻ§āĻ°āĻ˛াāĻŽ।

Source: Internet

Monday, July 30, 2012

Rare Paintings of India


The Shore Temple, Mahabalipuram - 1825



Watercolour of the Shore Temple in Mahabalipuram, Tamil Nadu, by John Gantz, c. 1825. Inscribed: 'N W View of two ancient Temples by the Seaside. Mahabilipoorum. J. Gantz'.

John Gantz and his son Justinian ran a lithographic press, but are remembered best for their watercolours of flat-top houses and public buildings in and around Chennai (Madras), dating to the first half of the 19th century. Though not British-born, they both lived and died in India, in the service of the East India Company. Mamallapuram, a tiny village south of Chennai, was a flourishing port of the Pallava dynasty from the 5th - 8th centuries. The site is famous for a group of temples, a series of rock-cut caves and some monolithic sculptures created in the 7th century. This view shows the Shore Temple, built in the late 7th century by Rajasimha and is orientated east, towards the ocean. The temple consists of two spires; one contains a shrine for Vishnu and one for Shiva.

Copyright © The British Library Board

'Idea' of the Month

"We all are given stones everyday......its upto us what we make - Walls or Bridges!"


SHONKU AND THE GOLDEN CHANCE by Satyajit Ray, Translated by Victor Ghoshe



Part 1

24 the June

Today is the 'Midsummer Day'; I am sitting beside the 'Stonehenge' on the English Salisbury plain and writing my diary.
Stonehenge was build four thousand years back, exactly when the 'Bronze Age' was about to start in this part of the earth. Man had just learnt - how to use metal and was advancing very fast towards the new age civilizations.

Historically Egyptians, Indians, Mesopotamians, Persians walked on the path of civilization far before Europeans. But then again, I really don’t understand - how could one call those people uncivilized, who had built the Stonehenge four thousand years ago.
Huge stone pillars; brought from far away places; made to stand side by side; one pillar kept horizontally on every two consecutive pillars. Going side by side these ‘door like’ structures created a huge circle.

Even a couple of years back people used to think, that Stonehenge was a religious ceremony centre of a tribe called 'The Kelts'. But very recently archeologists have discovered that this was actually an observatory and if that is true, this is surely one of the oldest observatories of the world. Scientists have discovered a relation between these stone pillars and the movement of the sun, which becomes very clear especially on this day -the 'Midsummer Day'.
It's so amazing that without the help of the modern technology, how was it possible for those people to position these pillars so accurately.

Anyway my friend Krole has a different view- he believes ancient people knew some chemical formulae, which could temporarily reduce the weight of stones. And for that reason — building a ‘Pyramid’ or a Stonehenge was much easier in those days than now.
Willhelm Krole had always believed in the supernatural powers of ancient people. He had researched majorly on ancient magic, rituals, spiritualism, and witchcraft. He accompanied me in Tibet for our ‘Unicorn expedition’. a little far on my right, sitting on the grass, Krole is playing a flute. This unique flute is made of a human leg-bone, which he collected from a Tibetan monastery. And we could never imagine that such great German folk tune could be played with this weird instrument.

The other person who accompanied me in my Tibet expedition is now sitting on my left and enjoying a cup of not-so-hot coffee. He is none other than my dear friend - Geologist Jeremy Saunders. Few days' back Saunders invited me to come to London. And Krole and me are now staying with him at his house in Hampstead. We have a plan to stay here for another seven days.
This year summer is truly great here — no rainfall; no drizzle - clear blue sky. Only bright sunrays are dripping through white clouds and spreading energy. Let me stop writing as Krole has stopped playing his flute. Its time - we need to go to a famous auction house in London with him now. He has got this information that a Thirteen-century Spanish manuscript of Alchemy is on auction there. Krole believes that he would get it for a throw away price, as no one takes interest in Alchemy now-a-days. Making gold in the laboratories is though an expensive affair but not impossible in this atomic age.


24 the June 10.30 pm

Peculiar experience in the auctions.

Our 'happy-go-lucky' Bavarian friend Krole is generally a quit guy, we never saw him getting excited, but today he went mad in the auctions. The manuscript - which he thought he would get for fifty pounds, finally cost him one thousand five hundred pounds; which is about twenty five thousand Indian Rupees. And it happened only because of one person; who was bidding hysterically to compete Krole; in the process he pushed the price of this bundle of old parchment paper to this height. It was easy to make out that he was an American from his dress and from the way he was talking. When finally Krole won, we could realize that he was disgusted, as he displayed a major frown on his forehead all the time.

Krole has got submerged in the manuscript since we came back from the auction house. Though the papers were very old but the handwriting was very clear and very easy to read. And of course, Krole knew Spanish very well.

As far as my knowledge is concerned, I know that, in the thirteenth century there was quite a stir in Spain about Alchemy. This was very much influenced by the Arabs; who made it popular in most of the European territories.

Gold is the king of all metals. It looks beautiful and it is also everlasting. Even in our 'Puranas' gold often stood for the sun and silver for moon. Through the centuries there were certain groups who kept on experimenting relentlessly to make gold from the cheaper metals like lead, copper etcetera. These were the people who were called the Alchemists.
In their methods they used to mix 'Mantra-s' and ‘Chanting’ with the scientific processes and for that reason, mainstream scientists never acknowledged them as scientists. Even in our country, people had practiced Alchemy. I know this well because I have an ancient Sanskrit manuscript called 'Dhanadaprakarantantrasara'. Surprisingly this manuscript furnishes many ways of making gold from cheaper metals, most of them mention a long list of ingredients and write about mixing them and heat them on fire. When this is done there are five to ten procedures to follow — upto this level it could have been fine, but after this when the manuscript mentioned that one has to chant a specific mantra for ten thousand times — it became too much for me. And probably that's the reason for which I had never tried Alchemy in my entire career.

But that really doesn't matter whether I have tried it or not — history had mentioned ‘Alchemists’ in almost every century. In Europe there were kings who had hired Alchemists and paid for their laboratories and all other expenses. With the hope that when they would need money those alchemists would make gold and help them with finances. But of course there is no such report available that someone actually did so.

Anyway, the point is — Krole strongly believes in Alchemy, otherwise he would not have spent so much money for the manuscript. When he was bidding, Saunders told me, “Krole believes - the gold he would make, would take care of all these expenses. And if we do not make much fun of him there are chances that we also get our shares."

25th June

Even in London I regularly go for my morning walks at 5 am sharp, as I do in Giridih, my hometown.
In London, during the summers, at 5 am there is a good amount of morning light. But the Englishmen do not get up early, so all the places are mostly empty around this time, especially my favorite walking place — Hampstead Heath. This ocean- like wavy Greenfield highly energizes me, if I walk there for an hour. When I come back Saunders is generally ready with the coffee. Krole gets up a little late — at 9 am, because he reads till late night.

Today I was surprised to see Krole walking in the drawing room anxiously; he had already made his coffee and sipping it in-between his brisk steps.

The moment he saw me, he stopped; stared at me for some time and asked “you are a Scorpio, right?” I said, “Yes”
Before your hair turned gray, were they black?
Yes again.
Do you have garlic in your food?
Yes…. sometimes!
Great!!! That says you got to be there, as Saunders is a Leo and I am a Taurian, his hair colour is pale, mine is golden and none of us eat garlic.
“What do you mean! is this a riddle?” I asked

“No riddle my dear friend, Manuel Savedra had mentioned in his manuscript that “to make gold in a laboratory, at least one human being who has all these three virtues has to be present during the experiment- so my dear Shonku you are in.”
“IN? Where? Is it going to happen here? In Hampstead? In this drawing room? WHERE?"

I was truly perplexed and was thinking whether Krole should be taken seriously or not.
Krole pointed his finger firmly towards the world atlas on the wall and said, 'four degree west by thirty seven point two degree north.'

I did not have to look at the map to say 'It's Spain I believe — Granada.'
'Right you are', said Krole, but to name the actual place you have to look at the map.
I stepped towards the wall; the place where my finger reached after calculating the latitude and longitude had 'Montefrio' written on it. Krole said Manuel Savedra — the writer of this manuscript used to live in Montefrio.

'Have you gone mad Krole?' I couldn't help saying— 'Do you believe that the seven hundred years old house still stands there? And above all if the manuscript has the procedure described, then we can do it in any laboratory, why do we need to go to Spain for that?

Krole was quite annoyed when he heard that. He put down his coffee mug on the table with a 'bang' and said - Shonku, you must know, that this is not an average scientific experiment, had it been somewhat like that, then it wouldn't have been important whether you eat garlic or not, whether the colour of your hair was black or not. Here in this kind of experiment - ‘time’, ‘geographical location’, even ‘physical and behavioral pattern’ of the researchers play important roles.

Believe me, these are all serious matters and for god's sake please do not underestimate these things. And what makes you think that seven hundred years old house would not exist! haven't you seen those pre-renaissance European castles? They are still standing tall in many places. Krole went on with his long lecture '… according to the manuscript, Savedra was from a very high-class family and the description of his residence suggests that it was a huge castle. Some part of it could be broken, but I am sure we will find at least one room in the whole castle, which can be used as our laboratory. And of course if people are staying there in the castle then we will have to negotiate with them. But I believe that, anything and everything is possible in this world — you only need to pay the price and Alchemy is……..

“What is it; which makes you people start an arguement so early in the morning"?
Saunders entered. Krole was so excited; he repeated our entire conversation to Saunders and ended with - “if we could go to Tibet in search of an imaginary animal, then why can't we go to Spain which is just a two hours plane journey from here and where there is a chance for us to create artificial gold?

Saunders did not argue — possibly because Krole was so excited. He said 'I do not mind going to Spain and I believe Shonku also doesn't mind, but may we know what are the equipments and ingredients your experiment require other than shonku in person.
'Time is more important than the ingredients. Savedra has suggested that one can start the experiment at 12pm, on any day within seven days before or after the Midsummer Day — because only in those few days the sun is strongest on the earth.
The ingredients are also easily available. Mercury and lead has always been mentioned in Alchemy all over the world they are mentioned by Savedra as well, apart from those — water, sulphur, table salt and quite a number of roots, leafs & barks of some specific plants.

The tools should all be earthen or made of glass. This is also a very common thing in Alchemy, other than these, we need a burner, an old 'air pump of a blacksmith’ and a water tank on the floor.
Water tank? Why? Asked Saunders.

To save rain water in that, but this is something new, I have never read this in any other Alchemy book, replied Krole.
Has he mentioned 'touchstone' I asked.

The concept of a touchstone is very popular in every part of the world. Some of the books of Alchemy, which I read, primarily focusses on making a touchstone and after that by the touch of that stone one can turn other metals into gold.
Krole said 'No! Savedra has not mentioned touchstone. The ingredients will react chemically and form a semi-solid stuff. That has to be purified in the rainwater and the liquid which comes out finally works as the catalyst. That means when other materials are brought in contact to that liquid they turn into gold.
Did Savedra succeed?' Saunders asked with sarcasm.

There was silence for some time and then Krole said in a grave voice “the manuscript is actually a diary and not written in a textbook format. The way his experiments proceeded his language became more and more poetic. Though he didn't write anything like 'today I made gold’ but towards the end he wrote — Krole picked up the manuscript from the top of the grand piano and read out loud “today I not only feel like the best magician or the like the best scientist of this world but I feel like - I am the best artist on this earth — who has a divine talent — and who can immortalize any creation of this universe….' Now you are free to interpret this.
Saunders and I looked at each other. Silence prevailed for some time again; I could understand that some of Krole's excitements had automatically been injected into Saunders' veins exactly the way it was happening to me. Saunders asked 'does any ritual or any chanting required in this process? And the way he asked the question, I could pretty well understood that he was trying to hide his excitement from us.
Krole took a long drag from his pipe; puffed out and said— 'a planchet has to be performed, prior to the commencement of our experiment.

'Planchet?' But whose spirit to call?

'The world famous alchemist Zabir-Ibn-Hayan's, you must have heard of this 10th century genius. It's just a normal blessing seeking process and as I am there, it wouldn't be problem at all.
We knew that Krole heads a planchet institution in Munich.
'And we need him.' Said Krole staring at the door. Following his line of vision we found Mustafa — the huge Persian cat of Saunders.

-'He means?' Saunders shouted loudly. I know Saunders is quite sensitive about cats, somewhat like me. Three years back when he came to my house in Giridih he tied a nice ribbon around my cat Newton's neck, as a gesture of his affection.

Krole said Savedra has strongly mentioned that a cat's presence in the laboratory is very important and always been very helpful for experiments. If not a cat, the second choice is an owl. But when we have a cat then why should we go for the second option?
Saunders or me, none of us promised Krole about the Spain trip, though Krole mentioned repeatedly that if this Midsummer Day passes by, then we have to wait for another year.
After the breakfast we three went to a fair in Hampstead Heath. This is an annual affair- it happens during the summers every year. Rows of stalls, gambling joints, merry-go-rounds, a large number of kids and a mixed crowd of all ages. We walked through all these and reached at a relatively open space where there was a very well-decorated caravan-like car which had -'Come and have your future told by Madame Reneta' written on it.

Madame herself was sitting inside the car and looking through the curtained window, she smiled and wished us good morning.

Gypsy fortunetellers like this are very common in this country — especially in the fairs. Krole immediately decided to visit her to see what was there in our fate. All three of us entered the caravan, as krole was quite hell-bent to know our future. Madame Reneta - a well built lady, was sitting in her well-decorated room and waiting for clients with her minimum equipments - one round shaped table, a vase holding a single red rose and a crystal ball. Generally what happens — these fortunetellers stare at their crystal balls and see their client's future events in the ball.
Krole did not waste time and said, 'Madame, could you please tell us whether anything remarkable is going to happen in our lives. We three are friends and are going to start a very important project soon.

Reneta put both her elbows on the table and concentrated on the crystal ball. We three were sitting around the table, on three chairs. The sound of 'Merry-go-round, giggles of kids, loud voices of the vendors were coming through the window. Krole was so excited he moved closer towards the ball.

'I see the sun rising ' Madame Reneta whispered in a very thick, husky voice. Krole suddenly stopped breathing - I am sure he was translating 'sun' into 'gold'.
'I see the sun rising for you,' Madame Reneta uttered again. 'And'....She stopped. My heart started beating faster. Situations like this transform elderly people to kids.
'And what?' Krole asked anxiously. He could not be patient any more. But Madame Reneta was indifferent; she covered the ball with her two hands from two sides possibly to have a clearer view of the future by guarding the daylight.
'And- ' the thick husky voice reverberated the caravan again 'And I see death. Yes death'
'Whose death?' Krole's voice trembled as he uttered the two words. He again started breathing very fast.

'A death of a radiant man.'
Madame Renata didn't say anything more.
When asked how does the 'radiant man' look — she replied 'his face is blurred'.
Saunders got up from his chair; Madame Reneta came out of her trance and raised her right hand with a smile. Saunders paid her a decent fee and we three came out of the caravan.

End of Part one

Read the Full Story in 3 parts, nest issue Sept'12

Poster of the Month by Victor ghoshe

'Have a smile'

'Shobuj Nidhon' by Kingshuk Roy

Kinshuk roy is a Senior Marketing Professional in the corporate sector, he stays in Lucknow, Uttar Pradesh, India, with his wife and son.

Sunday, July 29, 2012

Neck Strain Rehabilitation Excercises, Juthika Bezboruah

1. Isometric Neck Extension : sit tall, eyes straight ahead. chin up. Clasp hands together and place them behind head. press back head into palms. Hold 5 seconds and release. do 3 of 5. 2. Isometric Neck side bend: sit tall, eyes straight ahead. chin up. place the palm at the side of the temple, and press temple into the palm. Hold 5 seconds and release. do 3 of 5 on each side. 3. Head Lift: neck curl: lie on your right side with you right arm lying strieght out, rest head on arm, then lift head slowly toward left shoulder. Hold for 5 sec. repeat 10 times. Switch to left side and repeat the excercise. 4. Neck extension on hands and knees: get on your hands and knees and look down on the floor. keep back streight and let your head slowly drop toward the chest. tuck your chin slightly and lift head up keeping neck leveled with the back. Hold for 5 sec. repeat 10 times. 5. Scapular Squeeze: while sitting or standing with your arms by your sides, sqeeze your shoulder blades together and hold for 5 sec. Do 3 sets of 10.

āĻĒ্āĻ°েāĻŽেāĻ° āĻ—āĻ˛্āĻĒ (A love story) - 'āĻŦেঁāĻšে āĻĨাāĻ•ো āĻ¸āĻ°্āĻĻিāĻ•াāĻļি' by Saiyad Mujtaba Ali

āĻŦেঁāĻšে āĻĨাāĻ•ো āĻ¸āĻ°্āĻĻিāĻ•াāĻļি,
āĻ¸ৈā§ŸāĻĻ āĻŽুāĻœāĻ¤āĻŦা āĻ†āĻ˛ী

āĻ­ā§ŸāĻ™্āĻ•āĻ° āĻ¸āĻ°্āĻĻি āĻšā§ŸেāĻ›ে। āĻ¨াāĻ• āĻĻিā§Ÿে āĻ¯া āĻœāĻ˛ āĻŦেāĻ°āĻŽ্āĻ¨āĻš্āĻ›ে āĻ¤া āĻ¸াāĻŽāĻ˛াāĻ¨ো āĻ°āĻŽ্āĻ¨āĻŽাāĻ˛েāĻ° āĻ•āĻ°্āĻŽ āĻ¨ā§Ÿ। āĻĄāĻŦāĻ˛ āĻ¸াāĻ‡āĻœ āĻŦিāĻ›াāĻ¨াāĻ° āĻšাāĻĻāĻ° āĻ¨িā§Ÿে āĻ†āĻ—ুāĻ¨েāĻ° āĻ•াāĻ›ে āĻŦāĻ¸েāĻ›ি। āĻšাঁāĻšāĻ›ি āĻ†āĻ° āĻ¨াāĻ• āĻাā§œāĻ›ি, āĻ¨াāĻ• āĻাā§œāĻ›ি āĻ†āĻ° āĻšাঁāĻšāĻ›ি। āĻŦিāĻ›াāĻ¨াāĻ° āĻšাāĻĻāĻ°েāĻ° āĻ…āĻ°্āĻ§েāĻ•āĻ–াāĻ¨া āĻšā§Ÿে āĻāĻ¸েāĻ›ে, āĻāĻ–āĻ¨ āĻŦেāĻ›ে āĻŦেāĻ›ে āĻļুāĻ•āĻ¨ো āĻœাā§ŸāĻ—া āĻŦেāĻ° āĻ•āĻ°āĻ¤ে āĻšāĻš্āĻ›ে। āĻļীāĻ¤েāĻ° āĻĻেāĻļ, āĻĻোāĻ° āĻœাāĻ¨াāĻ˛া āĻŦāĻ¨্āĻ§, āĻ•িāĻš্āĻ›ু āĻ–োāĻ˛াāĻ° āĻ‰āĻĒাā§Ÿ āĻ¨েāĻ‡। āĻœাāĻ¨āĻ˛া āĻ–ুāĻ˛āĻ˛ে āĻŽāĻ¨ে āĻšā§Ÿ āĻ—ৌāĻ°ীāĻļāĻ™্āĻ•āĻ°েāĻ° āĻšূā§œোāĻŸি āĻ¯েāĻ¨ āĻšিāĻŽাāĻ˛ā§Ÿ āĻ¤্āĻ¯াāĻ— āĻ•āĻ°ে āĻ†āĻŽাāĻ° āĻ˜āĻ°ে āĻ¨াāĻ• āĻ—āĻ˛াāĻŦাāĻ° āĻ¤াāĻ˛ে āĻ†āĻ›েāĻ¨। āĻœাāĻ¨ি, āĻāĻ•āĻ‡ āĻ°āĻŽ্āĻ¨āĻŽাāĻ˛ে āĻŦাāĻ°āĻŦাāĻ° āĻ¨াāĻ• āĻাā§œāĻ˛ে āĻ¸āĻ°্āĻĻি āĻŦেā§œেāĻ‡ āĻšāĻ˛ে, āĻ•িāĻ¨’ āĻ‰āĻĒাā§Ÿ āĻ•ি? āĻĻেāĻļে āĻšāĻ˛ে āĻ°āĻ•ে āĻŦāĻ¸ে āĻŦাāĻ‡āĻ°ে āĻ—āĻ˛া āĻŦাā§œিā§Ÿে āĻĻিā§Ÿে āĻ¸āĻļāĻŦ্āĻĻে āĻ¨াāĻ• āĻাā§œāĻ¤ুāĻŽ, āĻ āĻ¨োংāĻ°াāĻŽিāĻ° āĻšাāĻ¤ āĻĨেāĻ•ে āĻ°āĻ•্āĻˇা āĻ¤ো āĻĒেāĻ¤ুāĻŽāĻ‡, āĻ¨াāĻ•āĻŸাāĻ“ āĻ•াāĻĒā§œেāĻ° āĻ˜āĻˇাā§Ÿ āĻ›ā§œে āĻ¯েāĻ¤ো āĻ¨া। āĻšāĻ াā§Ž āĻŽāĻ¨ে āĻĒā§œāĻ˛ āĻĒāĻ°āĻļু āĻĻিāĻ¨ āĻāĻ• āĻĄাāĻ•্āĻ¤াāĻ°েāĻ° āĻ¸āĻ™্āĻ—ে āĻ…āĻĒেāĻ°াāĻ¤ে āĻ†āĻ˛াāĻĒ āĻšā§ŸেāĻ›ে। āĻĄাāĻ•āĻ¸াঁāĻ‡āĻŸে āĻĄাāĻ•্āĻ¤াāĻ°- āĻŽ্āĻ¯ুāĻ¨িāĻ• āĻļāĻšāĻ°ে āĻ¨াāĻŽ āĻ•āĻ°āĻ¤ে āĻĒাāĻ°াāĻŸা āĻšাāĻŸ্āĻŸিāĻ–াāĻ¨ি āĻ•āĻĨা āĻ¨ā§Ÿ। āĻ¯āĻĻিāĻ“ āĻœাāĻ¨ি āĻĄাāĻ•্āĻ¤াāĻ° āĻ•āĻ°āĻŦে āĻ•āĻšু, āĻ•াāĻ°āĻŖ āĻœāĻ°্āĻŽāĻ¨ āĻ­াāĻˇাāĻ¤েāĻ‡ āĻĒ্āĻ°āĻŦাāĻĻ āĻ†āĻ›ে āĻ“āĻˇুāĻ§ āĻ–েāĻ˛ে āĻ¸āĻ°্āĻĻি āĻ¸াāĻ°ে āĻ¸াāĻ¤ āĻĻিāĻ¨ে, āĻ¨া āĻ–েāĻ˛ে āĻāĻ• āĻ¸āĻĒ্āĻ¤াā§Ÿ। āĻ¤āĻŦু āĻ—েāĻ˛ুāĻŽ āĻ¤াঁāĻ° āĻŦাā§œী। āĻ†āĻŽাāĻ° āĻšেāĻšাāĻ°া āĻĻেāĻ–েāĻ‡ āĻ¤িāĻ¨ি āĻŦুāĻāĻ¤ে āĻĒাāĻ°āĻ˛েāĻ¨ āĻŦ্āĻ¯াāĻĒাāĻ°āĻŸা āĻ•ি। āĻ†āĻŽি āĻļুāĻ§াāĻ˛াāĻŽ, āĻ¸āĻ°্āĻĻিāĻ° āĻ“āĻˇুāĻ§ āĻ†āĻ›ে? āĻ†āĻĒāĻ¨াāĻ° āĻĒ্āĻ°āĻĨāĻŽ āĻāĻŦং āĻ–ুāĻŦ āĻ¸āĻŽ্āĻ­āĻŦ āĻļেāĻˇ āĻ­াāĻ°āĻ¤ীā§Ÿ āĻ°োāĻ—ীāĻ° āĻāĻ•āĻŸা āĻŦ্āĻ¯āĻŦāĻ¸্āĻĨা āĻ•āĻ°ে āĻĻিāĻ¨। āĻ†āĻŽাāĻ° āĻāĻ• āĻ¨াāĻ• āĻĻিā§Ÿে āĻŦেāĻ°āĻŽ্āĻ¨āĻš্āĻ›ে āĻ°াāĻ‡āĻ¨, āĻ…āĻ¨্āĻ¯ āĻ¨াāĻ• āĻĻিā§Ÿে āĻ“āĻĄাāĻ°। āĻĄাāĻ•্āĻ¤াāĻ° āĻ¯āĻĻিāĻ“ āĻœāĻ°্āĻŽāĻ¨ āĻ¤āĻŦু āĻšাāĻ¤ āĻĻু’āĻ–াāĻ¨ি āĻ†āĻ•াāĻļেāĻ° āĻĻিāĻ•ে āĻ¤ুāĻ˛ে āĻ§āĻ°āĻ˛েāĻ¨ āĻĢāĻ°াāĻ¸িāĻ¸্ āĻ•াā§ŸāĻĻাā§Ÿ।

āĻŦāĻ˛āĻ˛েāĻ¨, ‘āĻ…āĻŦাāĻ• āĻ•āĻ°āĻ˛েāĻ¨, āĻ¸্āĻ¯াāĻ°! āĻ¸āĻ°্āĻĻিāĻ° āĻ“āĻˇুāĻ§ āĻ¨েāĻ‡? āĻ•āĻ¤ āĻšাāĻ¨? āĻ¸āĻ°্āĻĻিāĻ° āĻ“āĻˇুāĻ§ āĻšā§Ÿ āĻšাāĻœাāĻ°ো āĻ°āĻ•āĻŽেāĻ°।’ āĻŦāĻ˛ে āĻ†āĻŽাāĻ•ে āĻĒাāĻļেāĻ° āĻ˜āĻ°ে āĻ¨িā§Ÿে āĻ—িā§Ÿে āĻ–ুāĻ˛āĻ˛েāĻ¨ āĻ˛াāĻ˛ āĻ•েāĻ˛্āĻ˛াāĻ° āĻ¸āĻĻāĻ° āĻĻāĻ°āĻœা āĻĒāĻ°িāĻŽাāĻŖ āĻāĻ• āĻ†āĻ˛āĻŽাāĻ°ি। āĻšৌāĻ•ো, āĻ—োāĻ˛, āĻ•োāĻŽāĻ°-āĻŽোāĻŸা, āĻĒেāĻŸ-āĻ­াāĻ°ী āĻŦাāĻšাāĻ¨্āĻ¨ āĻ°āĻ•āĻŽেāĻ° āĻŦোāĻ¤āĻ˛-āĻļিāĻļিāĻ¤ে āĻ­āĻ°্āĻ¤ি। āĻ¨াāĻ¨া āĻ°āĻ™েāĻ° āĻ˛েāĻŦেāĻ˛ āĻ†āĻ° āĻ¸েāĻ—ুāĻ˛োāĻ° āĻ‰āĻĒāĻ° āĻ˛েāĻ–া āĻ°ā§ŸেāĻ›ে āĻŦিāĻ•āĻŸ āĻŦিāĻ•āĻŸ āĻ¸āĻŦ āĻ˛াāĻ¤িāĻ¨ āĻ¨াāĻŽ। āĻāĻŦাāĻ°ে āĻ–াāĻ¨āĻĻাāĻ¨ী āĻ­িā§ŸেāĻ¨ীāĻœ āĻ•াā§ŸāĻĻাā§Ÿ āĻ•োāĻŽāĻ°ে āĻĻু’āĻ­াঁāĻœ āĻšā§Ÿে āĻŦাāĻ“ āĻ•āĻ°ে āĻŦাঁ āĻšাāĻ¤āĻŸা āĻĒেāĻŸেāĻ° āĻ“āĻĒāĻ° āĻ°েāĻ–ে āĻĄাāĻ¨ āĻšাāĻ¤ āĻĻিā§Ÿে āĻ¤āĻ˛োā§ŸাāĻ° āĻšাāĻ˛াāĻ¨োāĻ° āĻ•াā§ŸāĻĻাā§Ÿ āĻĻেāĻ°াāĻœেāĻ° āĻāĻ• āĻĒ্āĻ°াāĻ¨্āĻ¤ āĻĨেāĻ•ে āĻ†āĻ°েāĻ• āĻĒ্āĻ°াāĻ¨্āĻ¤ āĻ…āĻŦāĻ§ি āĻĻেāĻ–িā§Ÿে āĻŦāĻ˛āĻ˛েāĻ¨, ‘āĻŦেāĻ›ে āĻ¨িāĻ¨, āĻŽāĻšাāĻ°াāĻœ (āĻ•āĻĨাāĻŸা āĻœāĻ°্āĻŽāĻ¨ āĻ­াāĻˇাā§Ÿ āĻšাāĻ˛ু āĻ†āĻ›ে) āĻ¸āĻŦ āĻ¸āĻ°্āĻĻিāĻ° āĻĻাāĻ“ā§ŸাāĻ‡।’ āĻ†āĻŽি āĻ¸āĻ¨্āĻĻিāĻ—্āĻ§ āĻ¨ā§ŸāĻ¨ে āĻ¤াঁāĻ° āĻĻিāĻ•ে āĻ¤াāĻ•াāĻ˛ুāĻŽ। āĻĄাāĻ•্āĻ¤াāĻ° āĻŽুāĻ–āĻŦ্āĻ¯াāĻĻāĻ¨ āĻ•āĻ°ে āĻĒāĻ°িāĻ¤োāĻˇেāĻ° āĻˆāĻˇā§Ž āĻšাāĻ¸্āĻ¯ āĻĻিā§Ÿে āĻ—াāĻ˛েāĻ° āĻĻুāĻŸি āĻŸোāĻ˛ āĻ–োāĻ˛āĻ¤াāĻ‡ āĻ•āĻ°ে āĻĻিā§ŸেāĻ›েāĻ¨- āĻšা’ āĻŸা āĻ˛েāĻ—ে āĻĻিā§ŸেāĻ›ে āĻĻু’āĻ•াāĻ¨েāĻ° āĻĄāĻ—াā§Ÿ। āĻāĻ•āĻŸা āĻ“āĻˇুāĻ§েāĻ° āĻ•āĻŸāĻŽāĻŸে āĻ˛াāĻ¤িāĻ¨ āĻ¨াāĻŽ āĻ…āĻ¤ি āĻ•āĻˇ্āĻŸে āĻ‰āĻš্āĻšাāĻ°āĻŖ āĻ•āĻ°ে āĻŦāĻ˛āĻ˛ুāĻŽ, ‘āĻāĻ° āĻŽাāĻ¨ে āĻ¤ো āĻœাāĻ¨িāĻ¨ে।’ āĻ¸āĻĻā§Ÿ āĻšাāĻ¸ি āĻšেāĻ¸ে āĻŦāĻ˛āĻ˛েāĻ¨, ‘āĻ†āĻŽিāĻ“ āĻœাāĻ¨িāĻ¨ে, āĻ¤āĻŦে āĻāĻŸুāĻ•ু āĻœাāĻ¨ি, āĻ াāĻ•ুāĻ°āĻŽা āĻŽাāĻ°্āĻ•া āĻ•āĻšু-āĻ˜েঁāĻšু āĻŽেāĻļাāĻ¨ো āĻĻিāĻļী āĻĻাāĻ“ā§ŸাāĻ‡ āĻŽাāĻ¤্āĻ°েāĻ°āĻ‡ āĻ˛āĻŽ্āĻŦা āĻ˛āĻŽ্āĻŦা āĻ˛াāĻ¤িāĻ¨ āĻ¨াāĻŽ āĻšā§Ÿ।’ āĻ†āĻŽি āĻļুāĻ§াāĻ˛াāĻŽ, ‘āĻ–েāĻ˛ে āĻ¸āĻ°্āĻĻি āĻ¸াāĻ°ে?’ āĻŦāĻ˛āĻ˛েāĻ¨, ‘āĻ—āĻ˛াā§Ÿ āĻāĻ•āĻŸু āĻ†āĻ°াāĻŽ āĻŦোāĻ§ āĻšā§Ÿ, āĻ¨াāĻ•েāĻ° āĻ¸ুā§œāĻ¸ুā§œিāĻŸা āĻšā§ŸāĻ¤ āĻāĻ•āĻŸু āĻ†āĻ§āĻŸু āĻ•āĻŽে। āĻ†āĻŽি āĻ•āĻ–āĻ¨ো āĻĒāĻ°āĻ– āĻ•āĻ°ে āĻĻেāĻ–িāĻ¨ি। āĻ¸āĻŦ āĻĒেāĻŸেāĻ¨্āĻŸ āĻ“āĻˇুāĻ§-āĻ¨āĻŽুāĻ¨া āĻšিāĻ¸াāĻŦে āĻŦিāĻ¨া āĻĒā§ŸāĻ¸াā§Ÿ āĻĒাāĻ“ā§Ÿা। āĻ¤āĻŦে āĻ¸āĻ°্āĻĻি āĻ¸াāĻ°ে āĻ¨া, āĻ āĻ•āĻĨা āĻœাāĻ¨ি।’ āĻ†āĻŽি āĻļুāĻ§াāĻ˛ুāĻŽ, ‘āĻ¤āĻŦে āĻ¯ে āĻŦāĻ˛āĻ˛েāĻ¨ āĻ¸āĻ°্āĻĻিāĻ° āĻ“āĻˇুāĻ§ āĻ†āĻ›ে?’ āĻŦāĻ˛āĻ˛েāĻ¨, ‘āĻāĻ–āĻ¨ো āĻŦāĻ˛āĻ›ি āĻ†āĻ›ে āĻ•িāĻ¨্āĻ¤ু āĻ¸āĻ°্āĻĻি āĻ¸াāĻ°ে āĻ¸ে āĻ•āĻĨা āĻŦāĻ˛িāĻ¨ি।’ āĻŦুāĻāĻ˛ুāĻŽ, āĻœāĻ°্āĻŽāĻ¨ি āĻ•াāĻ¨্āĻŸ āĻšেāĻ—েāĻ˛েāĻ° āĻĻেāĻļ। āĻŦāĻ˛āĻ˛ুāĻŽ, ‘āĻ…’। āĻĢিāĻ¸āĻĢিāĻ¸ āĻ•āĻ°ে āĻĄাāĻ•্āĻ¤াāĻ° āĻŦāĻ˛āĻ˛েāĻ¨, ‘āĻ†āĻ°েāĻ•āĻŸা āĻ¤āĻ¤্āĻ¤্āĻŦāĻ•āĻĨা āĻāĻ‡ āĻŦেāĻ˛া āĻļিāĻ–ে āĻ¨িāĻ¨। āĻ¯ে āĻŦ্āĻ¯াāĻŽোāĻ° āĻĻেāĻ–āĻŦেāĻ¨ āĻ¸াāĻ¤াāĻ¨্āĻ¨ āĻ°āĻ•āĻŽেāĻ° āĻ“āĻˇুāĻ§, āĻŦুāĻে āĻ¨েāĻŦেāĻ¨, āĻ¸ে āĻŦ্āĻ¯াāĻŽো āĻ“āĻˇুāĻ§ে āĻ¸াāĻ°ে āĻ¨া।’ āĻ¤āĻ¤āĻ•্āĻˇāĻŖে āĻ†āĻŦাāĻ° āĻ†āĻŽি āĻšাঁāĻš্āĻ›ো āĻšাঁāĻš্āĻ›ো āĻ†āĻ°āĻŽ্āĻ­ āĻ•āĻ°ে āĻĻিā§ŸেāĻ›ি। āĻ¨াāĻ•-āĻšোāĻ– āĻĻিā§Ÿে āĻāĻŦাāĻ° āĻ°াāĻ‡āĻ¨-āĻ“ā§œাāĻ° āĻ¨া āĻāĻŦাāĻ°ে āĻĒāĻĻ্āĻŽা-āĻŽেāĻ˜āĻ¨া। āĻĄাāĻ•্āĻ¤াāĻ° āĻĄāĻœāĻ¨ āĻĻুāĻ‡ āĻ•াāĻ—āĻœেāĻ° āĻ°āĻŽ্āĻ¨āĻŽাāĻ˛ āĻ†āĻ° āĻāĻ•āĻŸা āĻ“ā§ŸেāĻ¸্āĻŸ-āĻĒেāĻĒাāĻ° āĻŦাāĻ•্āĻ¸েāĻŸ āĻ†āĻŽাāĻ° āĻĻিāĻ•ে āĻāĻ—িā§Ÿে āĻĻিāĻ˛েāĻ¨। āĻ§াāĻ•্āĻ•াāĻŸা āĻ¸াāĻŽāĻ˛ে āĻ“āĻ ে āĻĒ্āĻ°াāĻŖāĻ­āĻ°ে āĻœāĻ°্āĻŽāĻ¨ āĻ¸āĻ°্āĻĻিāĻ•ে āĻ…āĻ­িāĻ¸āĻŽ্āĻĒাāĻ¤ āĻĻিāĻ˛ুāĻŽ। āĻĻেāĻ–ি, āĻĄাāĻ•্āĻ¤াāĻ° āĻ†āĻŽাāĻ° āĻĻিāĻ•ে āĻ¤াāĻ•িā§Ÿে āĻŽিāĻŸāĻŽিāĻŸিā§Ÿে āĻšাāĻ¸āĻ›েāĻ¨। āĻ†āĻŽাāĻ° āĻŽুāĻ–ে āĻšā§ŸāĻ¤ āĻāĻ•āĻŸু āĻŦিāĻ°āĻ•্āĻ¤ি āĻĢুāĻŸে āĻ‰āĻ েāĻ›িāĻ˛। āĻŦāĻ˛āĻ˛েāĻ¨, ‘āĻ¸āĻ°্āĻĻি-āĻ•াāĻļিāĻ° āĻ—ুāĻŖāĻ“ āĻ†āĻ›ে।’ āĻ†āĻŽি āĻŦāĻ˛āĻ˛ুāĻŽ, ‘āĻ•āĻšু, āĻšাāĻ¤ী, āĻ˜āĻŖ্āĻŸা!’ āĻŦāĻ˛āĻ˛েāĻ¨, ‘āĻ¤āĻ°্āĻœāĻŽা āĻ•āĻ°ে āĻŦāĻ˛ুāĻ¨।’ āĻ†āĻŽি āĻŦāĻ˛āĻ˛ুāĻŽ, ‘āĻ•āĻšুāĻ°’ āĻ˛াāĻ¤িāĻ¨ āĻ¨াāĻŽ āĻœাāĻ¨িāĻ¨ে; ‘āĻšাāĻ¤ী’ āĻšāĻ˛ ‘āĻāĻ˛েāĻĢাāĻ¨্āĻŸ’ āĻ†āĻ° ‘āĻ˜āĻŖ্āĻŸা’ āĻŽাāĻ¨ে ‘āĻ—āĻ¸্āĻ¨āĻ•ে’। ‘āĻŽাāĻ¨ে! āĻ†āĻ° āĻŦুāĻে āĻĻāĻ°āĻ•াāĻ° āĻ¨েāĻ‡; āĻāĻ—ুāĻ˛ো āĻ•āĻŸুāĻŦাāĻ•্āĻ¯।’

āĻ†āĻ•াāĻļ āĻĒাāĻ¨ে āĻšাāĻ¨ি āĻ¯ুāĻ—āĻ˛āĻ­ুāĻ°āĻŽ্āĻ¨ āĻŦāĻ˛āĻ˛েāĻ¨, ‘āĻ…āĻĻ্āĻ­ুāĻ¤ āĻ­াāĻˇা! āĻšাāĻ¤ি āĻ†āĻ° āĻ˜āĻŖ্āĻŸা āĻ—াāĻ˛াāĻ—াāĻ˛ি āĻšā§Ÿ āĻ•ি āĻ•āĻ°ে! āĻāĻ•āĻŸা āĻ—āĻ˛্āĻĒ āĻļুāĻ¨āĻŦেāĻ¨? āĻ¸āĻ™্āĻ—ে āĻ—āĻ°āĻŽ āĻŦ্āĻ°াāĻ¨্āĻĄি?’ āĻ†āĻŽি āĻŦāĻ˛āĻ˛ুāĻŽ, ‘āĻĒ্āĻ°āĻĨāĻŽāĻŸাāĻ‡ āĻšāĻ˛ুāĻ•। āĻŽিāĻ•্āĻ¸্ āĻ•āĻ°া āĻ­াāĻ˛ো āĻ¨ā§Ÿ।’ āĻĄাāĻ•্āĻ¤াāĻ° āĻŦāĻ˛āĻ˛েāĻ¨, āĻ†āĻŽি āĻĄাāĻ•্āĻ¤াāĻ°ি āĻļিāĻ–েāĻ›ি āĻŦাāĻ°্āĻ˛িāĻ¨ে। āĻŦāĻ›āĻ° āĻ¤িāĻ¨েāĻ• āĻĒ্āĻ°্āĻ¯াāĻ•āĻŸিāĻ¸ āĻ•āĻ°াāĻ° āĻĒāĻ° āĻāĻ•āĻĻিāĻ¨ āĻ—িā§ŸেāĻ›ি āĻ¸্āĻŸেāĻļāĻ¨ে, āĻŦāĻ¨্āĻ§ুāĻ•ে āĻŦিāĻĻেā§Ÿ āĻĻিāĻ¤ে। āĻĢেāĻ°াāĻ° āĻ¸āĻŽā§Ÿ āĻ¸্āĻŸেāĻļāĻ¨-āĻ°েāĻ¸্āĻ¤োāĻ°াঁā§Ÿ āĻĸুāĻ•েāĻ›ি āĻāĻ•āĻŸা āĻŦ্āĻ°াāĻ¨্āĻĄি āĻ–াāĻŦ āĻŦāĻ˛ে! āĻĸুāĻ•েāĻ‡ āĻĨāĻŽāĻ•ে āĻĻাঁā§œাāĻ˛ুāĻŽ। āĻĻেāĻ–ি, āĻāĻ• āĻ•োāĻŖে āĻāĻ• āĻ…āĻĒāĻ°ূāĻĒ āĻ¸ুāĻ¨্āĻĻāĻ°ী। āĻ…āĻ¤্āĻ¯āĻ¨্āĻ¤ āĻ¸াāĻĻা āĻ¸িāĻĻে āĻŦেāĻļāĻ­ূāĻˇা-āĻ—āĻ°ীāĻŦ āĻŦāĻ˛āĻ˛েāĻ“ āĻšāĻ˛ে- āĻ†āĻ° āĻ¤াāĻ‡ āĻŦোāĻ§ āĻšā§Ÿ āĻ¸ৌāĻ¨্āĻĻāĻ°্āĻ¯āĻŸা āĻĒেā§ŸেāĻ›ে āĻ¤াāĻ° āĻšāĻ°āĻŽ āĻ–োāĻ˛āĻ¤াāĻ‡। āĻ¨āĻ°্āĻĨāĻ¸ী āĻĻেāĻ–েāĻ›েāĻ¨? āĻ¤āĻŦে āĻŦুāĻāĻ¤েāĻ¨ āĻšāĻŦ-āĻšāĻŦ āĻ¸āĻ¨্āĻ§্āĻ¯াā§Ÿ āĻ¤াāĻ° āĻœāĻ˛ āĻ•ি āĻ°āĻ•āĻŽ āĻ¨ীāĻ˛ āĻšā§Ÿ-āĻ¤াāĻ°āĻ‡ āĻŽāĻ¤ āĻ¸ুāĻ¨্āĻĻāĻ°ীāĻ° āĻšোāĻ–। āĻĻāĻ•্āĻˇিāĻŖ āĻ‡āĻŸাāĻ˛ীāĻ¤ে āĻ•āĻ–āĻ¨ো āĻ—িā§ŸেāĻ›েāĻ¨? āĻ¨া? āĻ¤āĻŦে āĻŦুāĻāĻ¤েāĻ¨ āĻ¸েāĻ–াāĻ¨ে āĻ¸োāĻ¨াāĻ˛ি āĻ°োāĻĻে āĻ°ূāĻĒাāĻ˛ী āĻĒ্āĻ°āĻœাāĻĒāĻ¤িāĻ° āĻ•ি āĻ°াāĻ—িāĻŖী। āĻ¤াāĻ‡ āĻŽāĻ¤ āĻ¤াঁāĻ° āĻŦ্āĻ˛āĻ¨্āĻĄ āĻšুāĻ˛। āĻĄাāĻ¨ā§ŸুāĻŦ āĻ¨āĻĻী āĻĻেāĻ–āĻ›েāĻ¨? āĻ¨া? āĻ¤া āĻšāĻ˛ে āĻ†āĻŽাāĻ° āĻ¸āĻŦ āĻŦāĻ°্āĻŖāĻ¨াāĻ‡ āĻŦৃāĻĨা। āĻ†āĻŽি āĻŦāĻ˛āĻ˛ুāĻŽ, ‘āĻŦāĻ˛ে āĻ¯াāĻ¨, āĻ°āĻ¸āĻ—্āĻ°āĻšāĻŖে āĻ†āĻŽাāĻ° āĻ•āĻŖাāĻŽাāĻ¤্āĻ° āĻ…āĻ¸ুāĻŦিāĻ§ে āĻšāĻš্āĻ›ে āĻ¨া।’ ‘āĻ¨া, āĻĨাāĻ•। āĻ“āĻ°āĻ•āĻŽ āĻŦেā§ŸাāĻ°িং āĻĒোāĻ¸্āĻŸেāĻ° āĻŦāĻ°্āĻŖāĻ¨া āĻĻিāĻ¤ে āĻ†āĻŽাāĻ° āĻŽāĻ¨ āĻŽাāĻ¨ে āĻ¨া। āĻ†āĻŽāĻ°া āĻĄাāĻ•্āĻ¤াāĻ°-āĻŦāĻĻ্āĻ¯ি āĻŽাāĻ¨ুāĻˇ, āĻ­াāĻˇা āĻŦাāĻŦāĻĻে āĻŽুāĻ–্āĻ¯-āĻ¸ুāĻ–্āĻ¯ু। āĻ…āĻ¨েāĻ• āĻŽেāĻšāĻ¨āĻ¤ āĻ•āĻ°ে āĻ¯ে āĻāĻ•āĻŸি āĻŽাāĻ¤্āĻ° āĻŦāĻ°্āĻŖāĻ¨া āĻ•āĻŦ্āĻœাā§Ÿ āĻāĻ¨েāĻ›ি āĻ¸েāĻ‡āĻŸেāĻ“ āĻ¯āĻĻি āĻ¨া āĻŦোāĻেāĻ¨ āĻ¤āĻŦে āĻ†āĻŽাāĻ° āĻļোāĻ•āĻŸা āĻ•োāĻĨাā§Ÿ āĻ°াāĻ–ি āĻŦāĻ˛ুāĻ¨ āĻ¤ো।’
āĻ•াāĻ¤āĻ° āĻšā§Ÿে āĻŦāĻ˛āĻ˛ুāĻŽ, ‘āĻ¨িāĻ°াāĻļ āĻ•āĻ°āĻŦেāĻ¨ āĻ¨া।’ ‘āĻ¤āĻŦে āĻšāĻ˛ুāĻ• āĻ¤্āĻ°িāĻ˛েāĻ—েāĻĄ্ āĻ°েāĻ¸। āĻĄাāĻ¨ā§ŸুāĻŦ āĻ¨āĻĻীāĻ° āĻļাāĻ¨্āĻ¤-āĻĒ্āĻ°āĻļাāĻ¨্āĻ¤ āĻ­াāĻŦāĻ–াāĻ¨া āĻ¤াঁāĻ° āĻŽুāĻ–েāĻ° āĻ‰āĻĒāĻ°। āĻ…āĻĨāĻš āĻœাāĻ¨েāĻ¨, āĻĄাāĻ¨ā§ŸুāĻŦ āĻ…āĻ—āĻ­ীāĻ° āĻ¨āĻĻী āĻ¨ā§Ÿ। āĻ†āĻ° āĻĄাāĻ¨ā§ŸুāĻŦেāĻ° āĻ‰ā§ŽāĻĒāĻ¤্āĻ¤িāĻ¸’āĻ˛ āĻĻেāĻ–েāĻ›েāĻ¨। āĻ¨া। āĻ¤াāĻšāĻ˛ে āĻŦুāĻāĻ¤েāĻ¨ āĻ¸েāĻ–াāĻ¨ে āĻ¤āĻ¨্āĻŦāĻˆ āĻĄাāĻ¨ā§ŸুāĻŦ āĻ¯ে āĻ°āĻ•āĻŽ āĻ˛াāĻœুāĻ• āĻŽেā§ŸেāĻ° āĻŽāĻ¤ āĻঁāĻ•ে āĻŦেঁāĻ•ে āĻ†āĻĒāĻ¨ āĻļāĻ°ীāĻ° āĻĸাāĻ•āĻ¤ে āĻŦ্āĻ¯āĻ¸্āĻ¤, āĻ-āĻŽেā§ŸেāĻ° āĻŽুāĻ–ে āĻ¤েāĻŽāĻ¨ি āĻ›ā§œাāĻ¨ো āĻ°ā§ŸেāĻ›ে āĻ˛āĻœ্āĻœাāĻ° āĻ•েāĻŽāĻ¨ āĻ¯েāĻ¨ āĻāĻ•āĻŸা āĻ†ঁāĻ•ুāĻŦাঁāĻ•ু āĻ­াāĻŦ। ‘āĻāĻ‡ āĻ˛āĻœ্āĻœা āĻ­াāĻŦāĻŸাāĻ° āĻ‰āĻĒāĻ°āĻ‡ āĻ†āĻŽি āĻŦিāĻļেāĻˇ āĻ•āĻ°ে āĻœোāĻ° āĻĻিāĻ¤ে āĻšাāĻ‡। āĻ†āĻĒāĻ¨ি āĻ¨িāĻļ্āĻšā§ŸāĻ‡ āĻ˛āĻ•্āĻˇ্āĻ¯ āĻ•āĻ°েāĻ›েāĻ¨, āĻ˛āĻœ্āĻœা-āĻļāĻ°āĻŽ āĻŦāĻ˛āĻ¤ে āĻ†āĻŽāĻ°া āĻ¯া āĻ•িāĻ›ু āĻŦুāĻি āĻ¸ে āĻ¸āĻŦ āĻŽāĻ§্āĻ¯āĻ¯ুāĻ—েāĻ° āĻĒুāĻ°āĻŽ্āĻ¨āĻ¨ো āĻ—āĻ˛্āĻĒ āĻĨেāĻ•ে। āĻŦেā§ŸাāĻ¤্āĻ°িāĻšে āĻĻাāĻ¨েāĻ¤্āĻŽāĻ•ে āĻĻেāĻ–ে āĻ˛াāĻœুāĻ• āĻšাāĻ¸ি āĻšেāĻ¸েāĻ›িāĻ˛েāĻ¨- āĻ†āĻŽāĻ°া āĻ¤াāĻ‡ āĻ¨িā§Ÿে āĻ•āĻ˛্āĻĒāĻ¨াāĻ° āĻœাāĻ˛ āĻŦুāĻ¨ি। āĻ†āĻœāĻ•েāĻ° āĻĻিāĻ¨ে āĻāĻ¸āĻŦ āĻ¤ো āĻ†āĻ° āĻŦাāĻ°্āĻ˛িāĻ¨ āĻļāĻšāĻ°ে āĻĒাāĻ“ā§Ÿা āĻ¯াā§Ÿ āĻ¨া। āĻŽāĻ§্āĻ¯āĻ¯ুāĻ—েāĻ° āĻ¨াāĻ‡āĻŸāĻĻেāĻ° āĻļিāĻ­াāĻ˛āĻ°ি āĻ—েāĻ›ে āĻ†āĻ° āĻ¯াāĻŦাāĻ° āĻ¸āĻŽā§Ÿ āĻ¸āĻ™্āĻ—ে āĻ¨িā§Ÿে āĻ—িā§ŸেāĻ›ে āĻŽেā§ŸেāĻĻেāĻ° āĻŽুāĻ– āĻĨেāĻ•ে āĻ¸āĻŦ āĻ˛āĻœ্āĻœা āĻ¸āĻŦ āĻŦ্āĻ°ীā§œা। ‘āĻ•িāĻ¨’ āĻ†āĻĒāĻ¨াāĻĻেāĻ° āĻĻেāĻļে āĻ¨িāĻļ্āĻšā§ŸāĻ‡ āĻāĻ–āĻ¨ো āĻāĻ‡ āĻŽāĻ§ুāĻ° āĻœিāĻ¨িāĻ¸āĻŸি āĻĻেāĻ–āĻ¤ে āĻĒাāĻ“ā§Ÿা āĻ¯াā§Ÿ āĻ†āĻ° āĻ¤াāĻ° āĻšেā§ŸেāĻ“ āĻ¨িāĻļ্āĻšā§Ÿ, āĻ†āĻĒāĻ¨াāĻĻেāĻ° āĻĻেāĻļেāĻ° āĻ˛োāĻ• āĻāĻ–াāĻ¨ো āĻ…āĻ—্āĻ°āĻĒāĻļ্āĻšাā§Ž āĻŦিāĻŦেāĻšāĻ¨া āĻ¨া āĻ•āĻ°ে āĻĒ্āĻ°āĻĨāĻŽ āĻĻāĻ°্āĻļāĻ¨েāĻ‡ āĻĒ্āĻ°েāĻŽে āĻĒā§œে। ‘āĻ¤াāĻ‡ āĻ†āĻĒāĻ¨ি āĻŦিāĻļ্āĻŦাāĻ¸ āĻ•āĻ°āĻŦেāĻ¨, āĻ•িāĻ¨’ āĻ†āĻŽি āĻ¨িāĻœে āĻāĻ–āĻ¨ো āĻ িāĻ• āĻ•āĻ°āĻ¤ে āĻĒাāĻ°িāĻ¨ি, āĻ•ি āĻ•āĻ°ে āĻ¯ে āĻ†āĻŽাāĻ° āĻ¤āĻ–āĻ¨ āĻŽāĻ¨ে āĻš’āĻ˛ āĻ-āĻŽেā§ŸেāĻ•ে āĻ¨া āĻĒেāĻ˛ে āĻ†āĻŽাāĻ° āĻšāĻ˛āĻŦে āĻ¨া। ‘āĻšাāĻ¸āĻ˛েāĻ¨ āĻ¨া āĻ¯ে? āĻ¤াāĻ° āĻĨেāĻ•েāĻ‡ āĻŦুāĻāĻ˛ুāĻŽ, āĻ†āĻĒāĻ¨ি āĻ“ā§ŸাāĻ•িāĻŦāĻšাāĻ˛, āĻ†āĻĒāĻ¨ি āĻ†āĻŽাāĻ•ে āĻŦিāĻļ্āĻŦাāĻ¸ āĻ•āĻ°āĻ¤ে āĻĒেāĻ°েāĻ›েāĻ¨; āĻ•িāĻ¨’ āĻœāĻ°্āĻŽāĻ¨āĻ°া āĻ†āĻŽাāĻ° āĻ-āĻ…āĻŦāĻ¸্āĻĨাāĻ° āĻ•āĻĨা āĻļুāĻ¨ে āĻšাāĻ¸ে। āĻ†āĻ° āĻšাāĻ¸āĻŦেāĻ‡ āĻŦা āĻ¨া āĻ•েāĻ¨? āĻšেāĻ¨া āĻ¨েāĻ‡, āĻļোāĻ¨া āĻ¨েāĻ‡, āĻŦিāĻĻ্āĻ¯াāĻŦুāĻĻ্āĻ§িāĻ¤ে āĻŽেā§ŸেāĻŸা āĻšā§ŸāĻ¤ āĻ…āĻĢিāĻ¸āĻŦā§ŸেāĻ° āĻšেā§ŸেāĻ“ āĻ†āĻ•াāĻŸ, āĻšā§ŸāĻ¤ āĻŽাāĻ¤াāĻ˛āĻĻেāĻ° āĻ†āĻĄ্āĻĄাā§Ÿ āĻŦিā§ŸাāĻ° āĻŦিāĻ•্āĻ°ি āĻ•āĻ°ে āĻĒā§ŸāĻ¸া āĻ•াāĻŽাā§Ÿ, āĻ•িāĻŽ্āĻŦা āĻāĻ“ āĻ¤ো āĻšāĻ¤ে āĻĒাāĻ°ে āĻ¯ে āĻ¤াāĻ° āĻŦিā§Ÿে āĻšā§Ÿে āĻ—িā§ŸেāĻ›ে। āĻ āĻ¸āĻŦ āĻ•োāĻ¨ো āĻ•িāĻ›ুāĻ° āĻ¤āĻ¤্āĻ¤্āĻŦ-āĻ¤াāĻŦাāĻļ āĻ¨া āĻ•āĻ°ে āĻāĻ• āĻāĻŸāĻ•াā§Ÿ āĻŽāĻ¨āĻ¸্āĻĨিāĻ° āĻ•āĻ°ে āĻĢেāĻ˛া, āĻ-āĻŽেā§Ÿে āĻ¨া āĻšāĻ˛ে āĻ†āĻŽাāĻ° āĻšāĻ˛āĻŦে āĻ¨া! āĻ†āĻŽি āĻ•ি āĻ–াāĻŽāĻ–েā§ŸাāĻ˛িāĻ° āĻšেāĻ™্āĻ—িāĻ¸āĻ–াāĻ¨, āĻ¨া āĻšাāĻœাāĻ°ো āĻĒ্āĻ°েāĻŽেāĻ° āĻĄāĻ¨্ āĻœুā§ŸাāĻ¨্?

‘āĻ­াāĻŦāĻ›ি āĻ†āĻ° āĻŽাāĻĨাāĻ° āĻšুāĻ˛ āĻ›িঁā§œāĻ›ি-āĻ•োāĻ¨্ āĻ…āĻœুāĻšাāĻ¤ে āĻ•োāĻ¨্ āĻ…āĻ›িāĻ˛াā§Ÿ āĻঁāĻ° āĻ¸āĻ™্āĻ—ে āĻ†āĻ˛াāĻĒ āĻ•āĻ°া āĻ¯াā§Ÿ। ‘āĻ•িāĻ›ুāĻ¤েāĻ‡ āĻ•োāĻ¨ো āĻšāĻĻিāĻļ āĻĒাāĻš্āĻ›িāĻ¨ে, āĻ†āĻŽাāĻĻেāĻ° āĻŽাāĻāĻ–াāĻ¨ে āĻ¤িāĻ¨āĻ–াāĻ¨া āĻŽাāĻ¤্āĻ° āĻ›োāĻŸ্āĻŸ āĻŸেāĻŦিāĻ˛েāĻ° āĻ¯ে āĻ‰āĻ¤্āĻ¤াāĻ˛ āĻ¸āĻŽুāĻĻ্āĻ° āĻ¸েāĻŸা āĻĒেāĻ°িā§Ÿে āĻ“ঁāĻ° āĻ•াāĻ›ে āĻĒৌঁāĻ›āĻ‡ āĻ•ি āĻĒ্āĻ°āĻ•াāĻ°ে। āĻĒ্āĻ°āĻŦাāĻĻ āĻ†āĻ›ে, āĻĒ্āĻ°েāĻŽে āĻĒā§œāĻ˛ে āĻŦোāĻ•া āĻ¨াāĻ•ি āĻŦুāĻĻ্āĻ§িāĻŽাāĻ¨ āĻšā§Ÿে āĻ¯াā§Ÿ- āĻĒ্āĻ°িā§ŸাāĻ•ে āĻĒাāĻ“ā§ŸাāĻ° āĻœāĻ¨্āĻ¯ āĻ¤āĻ–āĻ¨ āĻ¤াāĻ° āĻĢāĻ¨্āĻĻি-āĻĢিāĻ•িāĻ° āĻ†āĻ° āĻ†āĻŦিāĻˇ্āĻ•াāĻ° āĻ•ৌāĻļāĻ˛ āĻĻেāĻ–ে āĻĒাঁāĻšāĻœāĻ¨েāĻ° āĻ¤াāĻ• āĻ˛েāĻ—ে āĻ¯াā§Ÿ, āĻ†āĻ° āĻŦুāĻĻ্āĻ§িāĻŽাāĻ¨ āĻ¨াāĻ•ি āĻĒ্āĻ°েāĻŽে āĻĒā§œāĻ˛ে āĻšā§Ÿে āĻ¯াā§Ÿ āĻāĻ•āĻĻāĻŽ āĻ—āĻŦেāĻŸ-āĻāĻŽāĻ¨ āĻ¸āĻŦ āĻ•া- āĻ¤āĻ–āĻ¨ āĻ•āĻ°ে āĻŦāĻ¸ে āĻ¯ে āĻĻāĻļāĻœāĻ¨ āĻ¤াāĻœ্āĻœāĻŦ āĻ¨া āĻŽেāĻ¨ে āĻ¯াā§ŸāĻ¨া, āĻ āĻ˛োāĻ•āĻŸা āĻ-āĻ¸āĻŦ āĻĒাāĻ—āĻ˛াāĻŽি āĻ•āĻ°āĻ›ে āĻ•ি āĻ•āĻ°ে!
‘āĻ āĻœীāĻŦāĻ¨ে āĻ¸েāĻ‡ āĻ¸েāĻĻিāĻ¨ āĻ†āĻŽি āĻĒ্āĻ°āĻĨāĻŽ āĻ†āĻŦিāĻˇ্āĻ•াāĻ° āĻ•āĻ°āĻ˛ুāĻŽ āĻ¯ে āĻ†āĻŽি āĻŦুāĻĻ্āĻ§িāĻŽাāĻ¨, āĻ•াāĻ°āĻŖ āĻĒূāĻ°্āĻŖ āĻāĻ•āĻ˜āĻŖ্āĻŸা āĻ§āĻ°ে āĻ­েāĻŦেāĻ“ āĻ†āĻŽি āĻ¸াāĻŽাāĻ¨্āĻ¯āĻ¤āĻŽ āĻ•ৌāĻļāĻ˛ āĻ†āĻŦিāĻˇ্āĻ•াāĻ° āĻ•āĻ°āĻ¤ে āĻĒাāĻ°āĻ˛ুāĻŽ āĻ¨া, āĻ†āĻ˛াāĻĒ āĻ•āĻ°ি āĻ•োāĻ¨্ āĻ•াā§ŸāĻĻাā§Ÿ। āĻ•িāĻ¨’ āĻāĻšেāĻ¨ āĻšৃāĻĻā§ŸাāĻ­িāĻ°াāĻŽ āĻ¤āĻ¤্āĻ¤্āĻŦ āĻ†āĻŦিāĻˇ্āĻ•াāĻ° āĻ•āĻ°েāĻ“ āĻŽāĻ¨ āĻ•িāĻ›ুāĻŽাāĻ¤্āĻ° āĻ‰āĻ˛্āĻ˛াāĻ¸িāĻ¤ āĻšāĻ˛ āĻ¨া। āĻ¤āĻ–āĻ¨ āĻŦāĻ°āĻž্āĻš āĻŦোāĻ•া āĻŦāĻ¨āĻ¤ে āĻĒাāĻ°āĻ˛েāĻ‡ āĻšā§ŸāĻ¤ āĻ•োāĻ¨ো āĻāĻ•āĻŸা āĻ•ৌāĻļāĻ˛ āĻŦেāĻ°িā§Ÿে āĻ¯েāĻ¤। ‘āĻĢ্āĻ°āĻ˛াāĻ‡āĻ¨ āĻ‰āĻ ে āĻĻাঁā§œাāĻ˛েāĻ¨। āĻ•ি āĻ†āĻ° āĻ•āĻ°ি। āĻĒিāĻ›ু āĻ¨িāĻ˛ুāĻŽ। āĻ¤িāĻ¨ি āĻ—িā§Ÿে āĻ‰āĻ āĻ˛েāĻ¨ āĻŽ্āĻ¯ুāĻ¨িāĻ•েāĻ° āĻ—াā§œিāĻ¤ে। āĻ†āĻŽিāĻ“ āĻ›ুāĻŸে āĻ—িā§Ÿে āĻŸিāĻ•িāĻŸ āĻ•াāĻŸāĻ˛ুāĻŽ āĻŽ্āĻ¯ুāĻ¨িāĻ•েāĻ°। āĻ•িāĻ¨’ āĻāĻ¸ে āĻĻেāĻ–ি āĻ¸ে āĻ•াāĻŽāĻ°াāĻ° āĻ†āĻŸāĻŸা āĻ¸িāĻŸāĻ‡ āĻ­āĻ°্āĻ¤ি āĻšā§Ÿে āĻ—িā§ŸেāĻ›ে। āĻ†āĻ°ো āĻĒ্āĻ°āĻŽাāĻŖ āĻšā§Ÿে āĻ—েāĻ˛, āĻ†āĻŽি āĻŦুāĻĻ্āĻ§িāĻŽাāĻ¨, āĻ•াāĻ°āĻŖ āĻ āĻ•āĻĨা āĻ¸āĻŦাāĻ‡ āĻœাāĻ¨ে, āĻŦুāĻĻ্āĻ§িāĻŽাāĻ¨āĻ•ে āĻ­āĻ—āĻŦাāĻ¨ āĻ¸াāĻšাāĻ¯্āĻ¯ āĻ•āĻ°āĻ˛ে āĻ-āĻĒৃāĻĨিāĻŦীāĻ¤ে āĻŦোāĻ•াāĻĻেāĻ° āĻ†āĻ° āĻŦাঁāĻšāĻ¤ে āĻšāĻ¤ āĻ¨া। āĻ†āĻŽি āĻ­āĻ—āĻŦাāĻ¨েāĻ° āĻ•াāĻ› āĻĨেāĻ•ে āĻ•োāĻ¨ো āĻ¸াāĻšাāĻ¯্āĻ¯ āĻĒেāĻ˛ুāĻŽ āĻ¨া।’ āĻ†āĻŽি āĻŦāĻ˛āĻ˛ুāĻŽ, ‘āĻ­āĻ—āĻŦাāĻ¨āĻ•ে āĻĻোāĻˇ āĻĻিāĻš্āĻ›েāĻ¨ āĻ•েāĻ¨? āĻāĻ¤ো āĻ•āĻ¨্āĻĻāĻ°্āĻĒ āĻ াāĻ•ুāĻ°েāĻ° āĻĄিāĻĒাāĻ°্āĻŸāĻŽেāĻ¨্āĻŸ।’ āĻŦāĻ˛āĻ˛েāĻ¨, ‘āĻ¤াāĻ¤েāĻ‡ āĻŦা āĻ•ি āĻ˛াāĻ­? āĻ¤িāĻ¨ি āĻ¤ো āĻ…āĻ¨্āĻ§। āĻŽেā§ŸেāĻŸাāĻ•ে āĻŦাāĻ¨িā§Ÿে āĻĻিā§ŸেāĻ›েāĻ¨ āĻ¤াঁāĻ°āĻ‡ āĻŽāĻ¤ āĻ…āĻ¨্āĻ§। āĻāĻ‡ āĻ¯ে āĻ†āĻŽি āĻāĻ•āĻŸা āĻāĻ¤ āĻŦā§œ āĻ…্āĻ¯াāĻĒāĻ˛ো, āĻ†āĻŽাāĻ° āĻĻিāĻ•ে āĻāĻ•āĻŦাāĻ°েāĻ° āĻ¤āĻ°ে āĻĢিāĻ°েāĻ“ āĻ¤াāĻ•াāĻ˛ো āĻ¨া। āĻ“ঁāĻ•ে āĻĄেāĻ•ে āĻšāĻŦে-’ āĻ†āĻŽি āĻŦāĻ˛āĻ˛ুāĻŽ, ‘āĻ•āĻšু’, ‘āĻšাāĻ¤ী’, ‘āĻ˜āĻŖ্āĻŸা’। āĻāĻŦাāĻ° āĻĄাāĻ•্āĻ¤াāĻ° āĻŦাāĻ™āĻ˛া āĻ•āĻŸুāĻ•াāĻŸāĻŦ্āĻ¯েāĻ° āĻ•āĻĻāĻ° āĻŦুāĻāĻ˛েāĻ¨।

āĻŦāĻ˛āĻ˛েāĻ¨, ‘āĻ†āĻšা-āĻšা-āĻšা।’ āĻ¤াāĻ°āĻĒāĻ° āĻœāĻ°্āĻŽāĻ¨ āĻ‰āĻš্āĻšাāĻ°āĻŖে āĻŦāĻ˛āĻ˛েāĻ¨, ‘āĻ•āĻļু, āĻšাāĻŸি, āĻ—āĻŖ্āĻŸা! āĻ–াāĻ¸া āĻ—াāĻ˛াāĻ—াāĻ˛।’ āĻ†āĻŽি āĻŦāĻ˛āĻ˛ুāĻŽ, āĻ•োāĻŽāĻ°াāĻ¤ে āĻ†āĻŸāĻœāĻ¨েāĻ° āĻ¸িāĻŸ āĻ›িāĻ˛ āĻ¤ো āĻ°ā§ŸেāĻ‡ āĻ—েāĻ˛। āĻĒ্āĻ°āĻŦাāĻ¸ে āĻ¨িā§ŸāĻŽ āĻ¨াāĻ¸িāĻ¤্āĻŽ। āĻ†āĻĒāĻ¨ি āĻ•োāĻ¨ো āĻ—āĻ¤িāĻ•ে āĻ§াāĻ•্āĻ•া āĻ§াāĻ•্āĻ•ি āĻ•āĻ°ে-’ āĻŦāĻ˛āĻ˛েāĻ¨, ‘āĻ¤াāĻœ্āĻœāĻŦ āĻ•āĻ°āĻ˛েāĻ¨। āĻāĻ•ি āĻ†āĻĒāĻ¨াāĻ° āĻ‡āĻ¨্āĻĄিā§ŸাāĻ¨ āĻŸ্āĻ°েāĻ¨, āĻ¨া āĻ¸াāĻ‡āĻŦেāĻ°িā§ŸাāĻ—াāĻŽী āĻĒ্āĻ°িāĻœāĻ¨াāĻ°-āĻ­্āĻ¯াāĻ¨! āĻšেāĻ•াāĻ° āĻĒāĻ¤্āĻ°āĻĒাāĻ  āĻ•াāĻŽāĻ°া āĻĨেāĻ•ে āĻŦেāĻ° āĻ•āĻ°ে āĻĻেāĻŦে āĻ¨া?’ ‘āĻĻাঁā§œিā§Ÿে āĻ°āĻ‡āĻ˛ুāĻŽ āĻŦাāĻ‡āĻ°েāĻ° āĻ•āĻ°িāĻĄāĻ°ে āĻ াā§Ÿ। āĻĻেāĻ–ি āĻŽেā§ŸেāĻŸি āĻ¯āĻĻি āĻ–াāĻ¨াāĻ•াāĻŽāĻ°াā§Ÿ āĻ¯াā§Ÿ। āĻ¸্āĻŸেāĻļāĻ¨ে āĻ¤ো āĻ–েā§ŸেāĻ›ে āĻļুāĻ§ু āĻ•āĻĢি। āĻ˜āĻŖ্āĻŸাāĻ° āĻĒāĻ° āĻ˜āĻŖ্āĻŸা āĻ•াāĻŸāĻ˛, āĻ•āĻ¤ āĻ˛োāĻ• āĻ•āĻ¤ āĻ•াāĻŽāĻ°া āĻĨেāĻ•ে āĻ‰āĻ āĻ˛ো āĻ¨াāĻŽāĻ˛ো āĻ•িāĻ¨’ āĻ†āĻŽাāĻ° āĻ¸্āĻŦāĻ°্āĻ—āĻĒুāĻ°ী āĻĨেāĻ•ে āĻ•োāĻ¨ো- (āĻ•āĻŸুāĻŦাāĻ•্āĻ¯)- āĻ¨াāĻŽāĻ˛ো āĻ¨া। āĻ¸āĻŦ āĻŦ্āĻ¯াāĻŸা āĻ¨িāĻļ্āĻšā§ŸāĻ‡ āĻ¯াāĻš্āĻ›ে āĻŽ্āĻ¯ুāĻ¨িāĻ•। āĻ†āĻ° āĻ•োāĻĨাāĻ“ āĻ¯েāĻ¤ে āĻĒাāĻ°ে āĻ¨া? āĻŽ্āĻ¯ুāĻ¨িāĻ• āĻ•ি āĻĒāĻ°ীāĻ¸্āĻĨাāĻ¨ āĻ¨া āĻŽ্āĻ¯ুāĻ¨িāĻ•েāĻ° āĻĢুāĻŸāĻĒāĻĨ āĻ¸োāĻ¨া āĻĻিā§Ÿে āĻ—ā§œা? āĻ…āĻŦাāĻ• āĻ•āĻ°āĻ˛ে āĻāĻ‡ āĻ‡āĻĄিā§ŸāĻŸāĻ—ুāĻ˛ো। ‘āĻĒ্āĻ°েāĻŽে āĻĒā§œāĻ˛ে āĻ¨াāĻ•ি āĻ•্āĻˇুāĻ§াāĻ¤ৃāĻˇ্āĻŖা āĻ˛োāĻĒāĻĒাā§Ÿ। āĻāĻ•āĻŦেāĻ˛াāĻ° āĻœāĻ¨্āĻ¯ āĻšā§ŸāĻ¤ āĻĒাā§Ÿ। āĻ†āĻŽি āĻ˛াāĻž্āĻš āĻ–াāĻ‡āĻ¨ি, āĻ“āĻĻিāĻ•ে āĻĄিāĻ¨াāĻ°েāĻ° āĻ¸āĻŽā§Ÿ āĻšā§Ÿে āĻ—িā§ŸেāĻ›ে- āĻ†āĻŽাāĻ° āĻĒেāĻŸেāĻ° āĻ­িāĻ¤āĻ° āĻšুāĻ˛ুāĻ§্āĻŦāĻ¨ি āĻœেāĻ—ে āĻ‰āĻ েāĻ›ে। āĻāĻŽāĻ¨ āĻ¸āĻŽā§Ÿ āĻŽা āĻŽেāĻ°িāĻ° āĻ•āĻ°āĻŽ্āĻ¨āĻŖা āĻšāĻ˛। āĻŽেā§ŸেāĻŸি āĻšāĻ˛āĻ˛ āĻ–াāĻ¨া-āĻ•াāĻŽāĻ°াāĻ° āĻĻিāĻ•ে। āĻ†āĻŽি āĻšāĻ˛āĻ˛ুāĻŽ āĻ িāĻ• āĻĒিāĻ›āĻ¨ে āĻĒিāĻ›āĻ¨ে। āĻ†āĻšা, āĻ¯āĻĻি āĻāĻ•āĻŸা āĻšোঁāĻšāĻŸ āĻ–েā§Ÿে āĻ†āĻŽাāĻ° āĻ“āĻĒāĻ° āĻĒā§œে āĻ¯াā§Ÿ। āĻĻুāĻ¤্āĻ¤োāĻ°, āĻ¤াāĻ°āĻ“ āĻ‰āĻĒাā§Ÿ āĻ¨েāĻ‡- āĻ‰ঁāĻšু āĻšিāĻ˛েāĻ° āĻœুāĻ¤ো āĻšāĻ˛ে āĻ—াā§œিāĻ° āĻ•াঁāĻĒুāĻ¨িāĻ¤ে āĻĒā§œে āĻ¯াāĻ“ā§ŸাāĻ° āĻ¸āĻŽ্āĻ­াāĻŦāĻ¨া āĻĨাāĻ•ে- āĻ āĻĒāĻ°েāĻ›ে āĻ•্āĻ°েāĻĒāĻ¸োāĻ˛্। ‘āĻ িāĻ• āĻĒিāĻ›āĻ¨ে āĻĒিāĻ›āĻ¨ে āĻ—িā§Ÿে āĻ–াāĻ¨া-āĻ•াāĻŽāĻ°াā§Ÿ āĻĸুāĻ•āĻ˛ুāĻŽ। āĻ“ā§ŸেāĻŸাāĻ°āĻŸা āĻ­াāĻŦāĻ˛ে āĻ¸্āĻŦাāĻŽী-āĻ¸্āĻ¤্āĻ°ী। āĻ¨া āĻšāĻ˛ে āĻ¤āĻ°āĻŽ্āĻ¨āĻŖ āĻ¤āĻ°āĻŽ্āĻ¨āĻŖী āĻ āĻ°āĻ•āĻŽ āĻŽুāĻ– āĻ—ুāĻŽāĻ¸ো āĻ•āĻ°ে āĻ–াāĻ¨া-āĻ•াāĻŽāĻ°াā§Ÿ āĻĸুāĻ•āĻŦে āĻ•েāĻ¨? āĻŦāĻ¸āĻ˛ো āĻ—িā§Ÿে āĻāĻ•āĻ‡ āĻŸেāĻŦিāĻ˛ে- āĻŽুāĻ–োāĻŽুāĻ–ি। āĻšে āĻŽা āĻŽেāĻ°ী, āĻ¨āĻ¤্āĻ°āĻĻাāĻŽ āĻ—িāĻ°্āĻœেā§Ÿ āĻ¤োāĻŽাāĻ° āĻœāĻ¨্āĻ¯ āĻ†āĻŽি āĻāĻ•āĻļ’āĻŸা āĻŽোāĻŽāĻŦাāĻ¤ি āĻŽাāĻ¨āĻ¤ āĻ•āĻ°āĻ˛ুāĻŽ। āĻĻā§Ÿা āĻ•āĻ°ো, āĻŽা āĻāĻ•āĻŸা āĻ•িāĻ›ু āĻĢিāĻ•িāĻ° āĻŦাā§ŽāĻ˛াāĻ“ āĻ†āĻ˛াāĻĒ āĻ•āĻ°āĻŦাāĻ°। ‘āĻŦুāĻĻ্āĻ§িāĻŽাāĻ¨, āĻŦুāĻĻ্āĻ§িāĻŽাāĻ¨, āĻ•োāĻ¨ো āĻ¸āĻ¨্āĻĻেāĻš āĻ¨েāĻ‡ āĻ†āĻŽি āĻŦুāĻĻ্āĻ§িāĻŽাāĻ¨! āĻ•োāĻ¨ো āĻĢিāĻ•িāĻ°āĻ‡ āĻœুāĻŸāĻ˛ো āĻ¨া, āĻ…āĻĨāĻš āĻŽেā§ŸেāĻŸি āĻŦāĻ¸ে āĻ†āĻ›ে āĻ†āĻŽাāĻ° āĻĨেāĻ•ে āĻĻু’āĻšাāĻ¤ āĻĻূāĻ°ে āĻāĻŦং āĻŽুāĻ–োāĻŽুāĻ–ি! āĻĻু’āĻšাāĻ¤ āĻ¨া āĻšā§Ÿে āĻĻু’āĻ˛āĻ•্āĻˇ āĻ¯োāĻœāĻ¨āĻ“ āĻšāĻ¤ে āĻĒাāĻ°āĻ¤- āĻ•োāĻ¨ো āĻĢাāĻ°াāĻ• āĻš’āĻ¤ āĻ¨া। ‘āĻœাāĻ¨াāĻ˛া āĻĻিā§Ÿে āĻāĻ• āĻāĻŸāĻ•া āĻ•ā§ŸāĻ˛াāĻ° āĻ—ুঁā§œো āĻāĻ¸ে āĻŸেāĻŦিāĻ˛েāĻ° āĻ‰āĻĒāĻ° āĻĒā§œāĻ˛। āĻŽেā§ŸেāĻŸি āĻ­ুāĻ°āĻŽ্āĻ¨ āĻ•ুāĻšāĻ•ে āĻ¸েāĻĻিāĻ•ে āĻ¤াāĻ•াāĻ¤েāĻ‡ āĻ†āĻŽি āĻāĻŸিāĻ¤ি āĻœাāĻ¨াāĻ˛া āĻŦāĻ¨্āĻ§ āĻ•āĻ°āĻ¤ে āĻ—িā§Ÿে āĻ•āĻ°ে āĻĢেāĻ˛āĻ˛ুāĻŽ āĻ†āĻ°েāĻ• āĻ•াāĻ¨্āĻĄ। āĻ াāĻ¸ āĻ•āĻ°ে āĻœাāĻ¨াāĻ˛াāĻŸা āĻŦুā§œো āĻ†āĻ™ুāĻ˛েāĻ° āĻ‰āĻĒāĻ° āĻĒā§œে āĻ¸েāĻŸাāĻ•ে āĻĻিāĻ˛ āĻĨেā§ŽāĻ˛ে। āĻĢিāĻ¨āĻ•ি āĻĻিā§Ÿে āĻ°āĻ•্āĻ¤। ‘āĻŽা-āĻŽেāĻ°ীāĻ° āĻ…āĻ¸ীāĻŽ āĻĻā§Ÿা āĻ•াāĻ¨্āĻĄāĻŸা āĻ¯ে āĻ˜āĻŸāĻ˛ো। āĻŽেā§ŸেāĻŸি āĻ¤ā§œাāĻ• āĻ•āĻ°ে āĻ˛াāĻĢ āĻĻিā§Ÿে āĻŦāĻ¸āĻ˛, “āĻĻাঁā§œাāĻ¨ āĻ†āĻŽি āĻŦ্āĻ¯াāĻ¨্āĻĄেāĻœ āĻ¨িā§Ÿে āĻ†āĻ¸āĻ›ি।” ‘āĻ†āĻŽি āĻ¨িāĻœে āĻĄাāĻ•্āĻ¤াāĻ°, āĻŦিāĻŦেāĻšāĻ¨া āĻ•āĻ°āĻŽ্āĻ¨āĻ¨ āĻ…āĻŦāĻ¸্āĻĨাāĻŸা। āĻ°āĻŽ্āĻ¨āĻŽাāĻ˛ āĻĻিā§Ÿে āĻšেāĻĒে āĻ§āĻ°āĻ˛ুāĻŽ āĻ†āĻ™ুāĻ˛āĻŸাāĻ•ে। āĻŽেā§ŸেāĻŸি āĻ›ুāĻŸে āĻ¨িā§Ÿে āĻāĻ˛ āĻ•াāĻŽāĻ°া āĻĨেāĻ•ে āĻĢাāĻ°্āĻ¸্āĻŸ āĻāĻĄেāĻ° āĻŦ্āĻ¯াāĻ¨্āĻĄেāĻœ। āĻ¤াāĻ°āĻĒāĻ° āĻ†āĻ™ুāĻ˛āĻŸাāĻ° āĻ¤āĻĻাāĻ°āĻ•ি āĻ•āĻ°āĻ˛ āĻļাāĻ¸্āĻ¤্āĻ°āĻ¸āĻŽ্āĻŽāĻ¤ āĻĄাāĻ•্āĻ¤াāĻ°ি āĻĒāĻĻ্āĻ§āĻ¤িāĻ¤ে। āĻŦুāĻāĻ˛ুāĻŽ āĻŽেāĻĄিāĻ•েāĻ˛ āĻ•āĻ˛েāĻœে āĻĒā§œে! āĻাāĻ¨ু āĻĄাāĻ•্āĻ¤াāĻ° āĻĢাāĻ°্āĻ¸্āĻŸ āĻāĻĄেāĻ° āĻŦ্āĻ¯াāĻ¨্āĻĄেāĻœ āĻŦā§Ÿে āĻŦেā§œাā§Ÿ āĻ¨া āĻ†āĻ° āĻ†āĻ¨াā§œি āĻ˛োāĻ• āĻāĻ°āĻ•āĻŽ āĻŦ্āĻ¯াāĻ¨্āĻĄেāĻœ āĻŦাঁāĻ§āĻ¤ে āĻĒাāĻ°ে āĻ¨া। ‘āĻ†āĻŽি āĻ¤ো, ‘āĻ¨া, āĻ¨া’ ‘āĻ†āĻĒāĻ¨ি āĻ•েāĻ¨ āĻŽিāĻ›ে āĻŽিāĻ›ে’, ‘āĻ§āĻ¨্āĻ¯āĻŦাāĻĻ, āĻ§āĻ¨্āĻ¯āĻŦাāĻĻ’, ‘āĻ‰ঃ, āĻŦāĻĄ্āĻĄ āĻ˛াāĻ—āĻ›ে’, ‘āĻāĻ¤েāĻ‡ āĻšāĻŦে’, ‘āĻŦ্āĻ¯āĻ¸ āĻŦাāĻ¸’ āĻ•āĻ°েāĻ‡ āĻ¯াāĻš্āĻ›ি āĻ†āĻ° āĻ¸েāĻ‡ āĻ˛িāĻ˛িāĻ° āĻŽāĻ¤ো āĻ¸াāĻĻা āĻšাāĻ¤েāĻ° āĻĒāĻ°āĻļ āĻĒাāĻš্āĻ›ি। āĻ¸ে āĻ•ি āĻ°āĻ•āĻŽ āĻŽāĻ–āĻŽāĻ˛েāĻ° āĻšাāĻ¤ āĻœাāĻ¨েāĻ¨? āĻŦāĻ˛āĻ›ি, āĻ†āĻĒāĻ¨ি āĻ•āĻ–āĻ¨ো āĻ°াāĻ‡āĻ˛্āĻ¯াāĻ¨্āĻĄে āĻ—িā§ŸেāĻ›েāĻ¨? āĻ¨া? āĻĨাāĻ•, āĻ­ুāĻ˛েāĻ‡ āĻ—িā§ŸেāĻ›িāĻ˛ুāĻŽ, āĻĒ্āĻ°āĻ¤িāĻœ্āĻžা āĻ•āĻ°āĻ›ি, āĻ†āĻĒāĻ¨াāĻ•ে āĻ•োāĻ¨ো āĻŦāĻ°্āĻŖāĻ¨া āĻĻেāĻŦ āĻ¨া। ‘āĻĒ্āĻ°āĻĨāĻŽ āĻĒāĻ°āĻļে āĻ¸āĻ°্āĻŦাāĻ™্āĻ—ে āĻŦিāĻĻ্āĻ¯ুā§Ž āĻ–েāĻ˛ে āĻ¯াā§Ÿ, āĻŦāĻ˛ে āĻ¨া? āĻŦā§œ āĻ–াঁāĻŸি āĻ•āĻĨা। āĻ†āĻŽি āĻĄাāĻ•্āĻ¤াāĻ° āĻŽাāĻ¨ুāĻˇ, āĻ†āĻŽাāĻ° āĻšাāĻ¤ে āĻ•োāĻ¨ো āĻĒ্āĻ°āĻ•াāĻ°েāĻ° āĻ¸্āĻĒāĻ°্āĻļ āĻ•াāĻ¤āĻ°āĻ¤া āĻĨাāĻ•াāĻ° āĻ•āĻĨা āĻ¨ā§Ÿ āĻ¤āĻŦু āĻ†āĻŽাāĻ° āĻ•ী āĻ…āĻŦāĻ¸্āĻĨাāĻŸা āĻšā§ŸেāĻ›িāĻ˛ āĻ†āĻĒāĻ¨াāĻ•ে āĻ¸েāĻŸা āĻŦোāĻাāĻ‡ āĻ•ী āĻ•āĻ°ে? āĻŽেā§ŸেāĻŸি āĻŦোāĻ§āĻšā§Ÿ āĻŸেāĻ° āĻĒেā§ŸেāĻ›িāĻ˛, āĻ•াāĻ°āĻŖ āĻāĻ•āĻŦাāĻ° āĻšāĻ•িāĻ¤েāĻ° āĻ¤āĻ°ে āĻŦ্āĻ¯াāĻ¨্āĻĄেāĻœ āĻŦাঁāĻ§া āĻŦāĻ¨্āĻ§ āĻ•āĻ°ে āĻ†āĻŽাāĻ° āĻĻিāĻ•ে āĻŽাāĻĨা āĻ¤ুāĻ˛ে āĻ¤াāĻ•িā§ŸেāĻ›িāĻ˛। āĻ¤াāĻ¤ে āĻ›িāĻ˛ āĻŦিāĻ¸্āĻŽā§Ÿ, āĻĒ্āĻ°āĻļ্āĻ¨ āĻāĻŦং āĻšā§ŸāĻ¤ āĻŦা āĻāĻ•āĻŸুāĻ–াāĻ¨ি, āĻ…āĻ¤ি āĻ¸াāĻŽাāĻ¨্āĻ¯ āĻ–ুāĻļীāĻ° āĻিāĻ˛িāĻŽিāĻ˛ি। āĻ¤āĻŦে āĻ•ি āĻ†āĻŽাāĻ° āĻšাāĻ¤েāĻ° āĻ¸্āĻĒāĻ°্āĻļ-? āĻ•োāĻ¨্ āĻ¸াāĻšāĻ¸ে āĻ āĻŦিāĻļ্āĻŦাāĻ¸ āĻŽāĻ¨েāĻ° āĻ•োāĻŖে āĻ াঁāĻ‡ āĻĻিāĻ‡, āĻŦāĻ˛ুāĻ¨।’ āĻ†āĻŽি āĻ—ুāĻ¨্ āĻ—ুāĻ¨্ āĻ•āĻ°ে āĻŦāĻ˛āĻ˛ুāĻŽ, “āĻœā§Ÿ āĻ•āĻ°ে āĻ¤āĻŦু āĻ­ā§Ÿ āĻ•েāĻ¨ āĻ¤োāĻ° āĻ¯াā§Ÿ āĻ¨া, āĻšাā§Ÿ āĻ­ীāĻ°āĻŽ্āĻ¨āĻĒ্āĻ°েāĻŽ āĻšাā§Ÿ āĻ°ে।” āĻĄাāĻ•্āĻ¤াāĻ° āĻŦāĻ˛āĻ˛েāĻ¨, ‘āĻ–োāĻļা āĻŽেāĻ˛āĻĄি āĻ¤ো। āĻŽাāĻ¨েāĻŸাāĻ“ āĻŦāĻ˛ুāĻ¨।’ āĻŦāĻ˛āĻ˛ুāĻŽ, ‘āĻ†āĻĢ্āĻŸাāĻ° āĻ‡āĻ‰। āĻ†āĻĒāĻ¨ি āĻ—āĻ˛্āĻĒāĻŸা āĻļেāĻˇ āĻ•āĻ°āĻŽ্āĻ¨āĻ¨।’

āĻŦāĻ˛āĻ˛েāĻ¨, ‘āĻ—āĻ˛্āĻĒ āĻ¨ā§Ÿ, āĻ¸্āĻ¯াāĻ°, āĻœীāĻŦāĻ¨āĻŽāĻ°āĻŖেāĻ° āĻ•āĻĨা āĻšāĻš্āĻ›ে।’ āĻ†āĻŽি āĻļুāĻ§াāĻ˛ুāĻŽ, ‘āĻ•েāĻ¨, āĻ¸েāĻĒ্āĻŸিāĻ•েāĻ° āĻ­ā§Ÿ āĻ›িāĻ˛ āĻ¨াāĻ•ি?’ āĻ°াāĻ—েāĻ° āĻ­াāĻŦ āĻ•āĻ°ে āĻŦāĻ˛āĻ˛েāĻ¨, ‘āĻ‡ā§ŸোāĻ°োāĻĒে āĻāĻ¸ে āĻ†āĻĒāĻ¨াāĻ° āĻ•ি āĻ¸āĻŦ āĻ°āĻ¸āĻ•āĻ¸ āĻļুāĻ•িā§Ÿে āĻ—িā§ŸেāĻ›ে? āĻ†āĻŽাāĻ•ে āĻšেāĻ¨েāĻ›ে āĻĒ্āĻ°েāĻŽেāĻ° āĻŦাāĻŖ āĻ†āĻ° āĻ†āĻĒāĻ¨ি āĻŦāĻ˛āĻ›েāĻ¨ āĻ†āĻ¨্āĻŸিāĻ¸েāĻĒ্āĻŸিāĻ•্ āĻ†āĻ¨।’ āĻ†āĻŽি āĻŦāĻ˛āĻ˛ুāĻŽ, ‘āĻ…āĻĒāĻ°াāĻ§ āĻ¨েāĻŦেāĻ¨ āĻ¨া।’ āĻŦāĻ˛āĻ˛েāĻ¨, āĻ¤াāĻ°āĻĒāĻ° āĻ†āĻŽি āĻ¸ুāĻ¯োāĻ— āĻĒেā§Ÿে āĻ†āĻ°āĻŽ্āĻ­ āĻ•āĻ°āĻ˛ুāĻŽ āĻ¨াāĻ¨া āĻ°āĻ•āĻŽেāĻ° āĻ•āĻĨা āĻ•āĻ‡āĻ¤ে। āĻ—োāĻ˛ āĻ—োāĻ˛। āĻ†āĻŽি āĻ¯ে āĻĒāĻ°িāĻšā§Ÿ āĻ•āĻ°াāĻ° āĻœāĻ¨্āĻ¯ āĻœাāĻ¨ āĻ•āĻŦুāĻ˛ āĻ¸েāĻŸা āĻĸেāĻ•ে āĻšেāĻĒে। āĻ¸āĻ™্āĻ—ে āĻ¸āĻ™্āĻ—ে āĻ•āĻ–āĻ¨ো āĻ¨ূāĻ¨āĻŸা āĻāĻ—িā§Ÿে āĻĻি, āĻ•āĻ–āĻ¨ো āĻ•্āĻ°ুā§ŸেāĻŸāĻŸা āĻ¸āĻ°িā§Ÿে āĻ¨ি, āĻ•āĻ–āĻ¨ো āĻŦা āĻŦāĻ˛ি, ‘āĻŽাāĻ›āĻŸা āĻ–াāĻ¸া āĻ­েāĻœেāĻ›ে, āĻ†āĻĒāĻ¨ি āĻāĻ•āĻŸা āĻ–াāĻ¨ āĻ¨া’; āĻ“āĻšে āĻ–াāĻ¨āĻ¸াāĻŽা, āĻāĻĻিāĻ•ে-, āĻ‡āĻ¤্āĻ¯াāĻĻি। ‘āĻ•āĻ°ে āĻ•āĻ°ে āĻ¸ুāĻ¨্āĻĻāĻ°ীāĻ° āĻŽāĻ¨āĻŸা āĻāĻ•āĻŸু āĻŽোāĻ˛াā§ŸেāĻŽ āĻ•āĻ°āĻ¤ে āĻĒেāĻ°েāĻ›ি āĻŦāĻ˛ে āĻŽāĻ¨ে āĻāĻ•āĻŸু āĻ•্āĻˇীāĻŖ āĻ†āĻļাāĻ° āĻ¸āĻž্āĻšাāĻ° āĻšāĻ˛। āĻŽেā§ŸেāĻŸি āĻ˛াāĻœুāĻ• āĻŦāĻŸে āĻ•িāĻ¨্āĻ¤ু āĻ­াāĻ°ী āĻ­āĻĻ্āĻ°! āĻ†āĻŽাāĻ° āĻ­্āĻ¯াāĻœāĻ° āĻ­্āĻ¯াāĻœāĻ° āĻ•াāĻ¨ āĻĒেāĻ¤ে āĻļুāĻ¨āĻ˛ো, āĻĻু’āĻāĻ•āĻŦাāĻ° āĻŦāĻ¸্āĻ¨াāĻļ্ āĻ•āĻ°āĻ˛ো, āĻ¸ে āĻ¯া āĻ—োāĻ˛াāĻĒি- āĻ†āĻĒāĻ¨ি āĻ•āĻ–āĻ¨ো, āĻ¨া āĻĨাāĻ•। ‘āĻ•িāĻ¨’ āĻ–েāĻ˛ āĻŽাāĻ¤্āĻ° āĻāĻ•āĻŸি āĻ…āĻŽāĻ˛েāĻŸ āĻ†āĻ° āĻĻু’āĻ¸্āĻ˛াāĻ‡āĻŸ āĻ°āĻŽ্āĻ¨āĻŸি। āĻ¨িāĻļ্āĻšā§ŸāĻ‡ āĻ—āĻ°ীāĻŦ। āĻ•্āĻˇীāĻŖ āĻ†āĻļাāĻŸাāĻ° āĻ—াā§Ÿে āĻāĻ•āĻŸু āĻ—āĻ¤্āĻ¤ি āĻ˛াāĻ—āĻ˛।’ āĻāĻŽāĻ¨ āĻ¸āĻŽā§Ÿ āĻĄাāĻ•্āĻ¤াāĻ°েāĻ° āĻ…্āĻ¯াāĻ¸িāĻ¸্āĻŸাāĻ¨্āĻŸ āĻāĻ¸ে āĻœাāĻ¨āĻ˛ো āĻ°āĻŽ্āĻ¨āĻ—ী āĻāĻ¸েāĻ›ে। āĻĄাāĻ•্āĻ¤াāĻ° āĻŦāĻ˛āĻ˛েāĻ¨, ‘āĻāĻ–āĻ–ুāĻ¨ি āĻ†āĻ¸āĻ›ি।’ āĻĢিāĻ°ে āĻāĻ¸ে āĻ•োāĻ¨ো āĻ­ূāĻŽিāĻ•া āĻ¨া āĻĻিā§ŸেāĻ‡ āĻŦāĻ˛āĻ˛েāĻ¨, ‘āĻŽ্āĻ¯ুāĻ¨িāĻ•ে āĻ¨াāĻŦāĻ˛ুāĻŽ āĻāĻ• āĻŦāĻ¸্āĻ¤্āĻ°ে। āĻāĻŽāĻ¨ āĻ­াāĻ¨ āĻ•āĻ°ে āĻ•েāĻŸে āĻĒā§œāĻ˛ুāĻŽ āĻ¯াāĻ¤ে āĻŽেā§ŸেāĻŸি āĻŽāĻ¨ে āĻ•āĻ°ে āĻ†āĻŽি āĻ­্āĻ¯াāĻ¨ āĻĨেāĻ•ে āĻŽাāĻ˛ āĻ¨াāĻŽাāĻ¤ে āĻ—েāĻ˛ুāĻŽ। āĻ¯āĻ–āĻ¨ ‘āĻ—ুāĻĄ্ āĻŦাāĻ‡’ āĻŦāĻ˛ে āĻšাāĻ¤ āĻŦাā§œাāĻ˛ুāĻŽ āĻ¤āĻ–āĻ¨ āĻ¸ে āĻāĻ•āĻŦাāĻ° āĻ†āĻŽাāĻ° āĻĻিāĻ•ে āĻ¤াāĻ•িā§ŸেāĻ›িāĻ˛। āĻĒ্āĻ°েāĻŽে āĻĒā§œāĻ˛ে āĻ¨াāĻ•ি āĻŽাāĻ¨ুāĻˇেāĻ° āĻĒাāĻ–া āĻ—āĻœাā§Ÿ- āĻšāĻŦেāĻ“ āĻŦা, āĻ•িāĻ¨্āĻ¤ু āĻ āĻ•āĻĨা āĻ¨িāĻļ্āĻšā§Ÿ āĻœাāĻ¨ি āĻŽাāĻ¨ুāĻˇ āĻ¤āĻ–āĻ¨ āĻšোāĻ–ে āĻŽুāĻ–ে āĻāĻŽāĻ¨ āĻ¸āĻŦ āĻ¨āĻ¤ুāĻ¨ āĻ­াāĻˇা āĻĒā§œāĻ¤ে āĻĒাāĻ°ে āĻ¯াāĻ° āĻœāĻ¨্āĻ¯ āĻ•োāĻ¨ো āĻļāĻŦ্āĻĻāĻ°ূāĻĒ āĻŽুāĻ–āĻ¸্āĻĨ āĻ•āĻ°āĻ¤ে āĻšā§Ÿ āĻ¨া। āĻ¤āĻŦে āĻ¸ে āĻĒā§œাāĻ¤ে āĻ­ুāĻ˛ āĻĨাāĻ•ে āĻŦিāĻ¸্āĻ¤āĻ°, āĻ•াāĻ•āĻ¤āĻ˛ীā§Ÿ āĻāĻ¨āĻ¤্āĻŽাāĻ°। “āĻ†āĻŽি āĻĻেāĻ–āĻ˛ুāĻŽ āĻ˛েāĻ–া āĻ°ā§ŸেāĻ›ে ‘āĻŦিāĻˇাāĻĻ’ āĻ•িāĻ¨্āĻ¤ু āĻĒā§œāĻ˛ুāĻŽ, ‘āĻāĻ‡ āĻ•ি āĻļেāĻˇ?” āĻ†āĻŽিāĻ“ āĻ…āĻŦাāĻ• āĻšā§Ÿে āĻļুāĻ§াāĻ˛ুāĻŽ, ‘āĻŦাāĻ°্āĻ˛িāĻ¨ āĻĨেāĻ•ে āĻŽ্āĻ¯ুāĻ¨িāĻ• āĻ…āĻŦāĻ§ি āĻšাāĻŽāĻ˛া āĻ•āĻ°ে āĻ¸্āĻŸেāĻļāĻ¨ে āĻ–েāĻ‡ āĻ›েā§œে āĻĻিāĻ˛েāĻ¨?’ āĻĄাāĻ•্āĻ¤াāĻ°āĻĻেāĻ° āĻŦাঁāĻ•া āĻšাāĻ¸ি āĻšেāĻ¸ে āĻŦāĻ˛āĻ˛েāĻ¨, āĻ†āĻĻāĻĒেāĻ‡ āĻ¨া। āĻ•িāĻ¨্āĻ¤ু āĻ•ি āĻ†āĻ° āĻĻāĻ°āĻ•াāĻ° āĻĒিāĻ›ু āĻ¨িā§Ÿে? āĻŽেāĻĄিāĻ•েāĻ˛ āĻ•āĻ˛েāĻœে āĻĒā§œে, āĻ“āĻ¤েāĻ‡ āĻŦ্āĻ¯āĻ¸্। āĻ¸েāĻĻিāĻ¨āĻ‡ āĻ—েāĻ˛ুāĻŽ āĻŽেāĻĄিāĻ•েāĻ˛ āĻ•āĻ˛েāĻœেāĻ° āĻ°েāĻ¸্āĻ¤োāĻ°াঁā§Ÿ। āĻ˛াāĻž্āĻš āĻ–েāĻ¤ে āĻ¨িāĻļ্āĻšā§ŸāĻ‡ āĻ†āĻ¸āĻŦে। āĻāĻŦাāĻ°ে āĻŽেā§ŸেāĻŸি āĻ†āĻ° āĻ˛āĻœ্āĻœা āĻĻিā§Ÿে āĻŽāĻ¨েāĻ° āĻ­াāĻŦāĻĸাāĻ•āĻ¤ে āĻĒাāĻ°āĻ˛ āĻ¨া। āĻ†āĻŽাāĻ•ে āĻĻেāĻ–া āĻŽাāĻ¤্āĻ° āĻ†āĻĒāĻ¨ āĻ…āĻœাāĻ¨াāĻ¤ে āĻšেā§ŸাāĻ° āĻ›েā§œে āĻ‰āĻ ে āĻĻাঁā§œিā§Ÿে āĻšাāĻ¤ āĻŦাā§œাāĻ˛ো, āĻ¸āĻ™্āĻ—ে āĻ¸āĻ™্āĻ—ে āĻ¸āĻŽāĻ¸্āĻ¤ āĻŽুāĻ–ে āĻ¯ে āĻ–ুāĻļি āĻ›ā§œিā§Ÿে āĻĒā§œāĻ˛ āĻ¤া āĻĻেāĻ–ে āĻ†āĻŽাāĻ° āĻŽāĻ¨ে āĻ†āĻ° āĻ•োāĻ¨ো āĻ¸āĻ¨্āĻĻেāĻš āĻ°āĻ‡āĻ˛ āĻ¨া, āĻ­āĻ—āĻŦাāĻ¨ āĻŽাāĻে āĻŽাāĻে āĻŦুāĻĻ্āĻ§িāĻŽাāĻ¨āĻ•েāĻ“ āĻ¸াāĻšাāĻ¯্āĻ¯ āĻ•āĻ°েāĻ¨। ‘āĻ¤āĻ¤āĻ•্āĻˇāĻŖে āĻŽেā§ŸেāĻŸি āĻ¤াāĻ° āĻ†āĻĒāĻ¨-āĻšাāĻ°া āĻ†āĻšāĻ°āĻŖāĻŸাāĻ•ে āĻ¸াāĻŽāĻ˛ে āĻ¨িā§ŸেāĻ›ে- āĻ˛āĻœ্āĻœা āĻāĻ¸ে āĻ†āĻŦাāĻ° āĻ¸āĻŽāĻ¸্āĻ¤ āĻŽুāĻ– āĻĸেāĻ•ে āĻĢেāĻ˛েāĻ›ে।’ āĻĄাāĻ•্āĻ¤াāĻ° āĻ–াāĻ¨িāĻ•āĻ•্āĻˇāĻŖ āĻ­েāĻŦে āĻ¨িā§Ÿে āĻŦāĻ˛āĻ˛েāĻ¨, āĻāĻ–াāĻ¨েāĻ‡ āĻ¯āĻĻি āĻļেāĻˇ āĻ•āĻ°া āĻ¯েāĻ¤ āĻ¤āĻŦে āĻŽāĻ¨্āĻĻ āĻšāĻ¤ āĻ¨া āĻ•িāĻ¨্āĻ¤ু āĻ¸āĻ°্āĻĻি-āĻ•াāĻļিāĻ° āĻ¤ো āĻ¤া āĻšāĻ˛ে āĻ•োāĻ¨ো āĻšিāĻ˛্āĻ˛ে āĻšā§Ÿ āĻ¨া। āĻ¤াāĻ‡ āĻ•āĻŽিā§ŸেāĻ¸āĻŽিā§Ÿে āĻ¤াā§œাāĻ¤াā§œি āĻļেāĻˇ āĻ•āĻ°ে āĻĻি।’ āĻ†āĻŽি āĻŦāĻ˛āĻ˛ুāĻŽ, ‘āĻ•āĻŽাāĻŦেāĻ¨ āĻ¨া! āĻ¤াāĻ˛āĻŸা āĻāĻ•āĻŸু āĻĻ্āĻ°āĻŽ্āĻ¨āĻ¤ āĻ•āĻ°ে āĻĻিāĻ¨। āĻ†āĻŽাāĻĻেāĻ° āĻĻেāĻļেāĻ° āĻ“āĻ¸্āĻ¤াāĻĻāĻ°া āĻĒ্āĻ°āĻĨāĻŽ āĻ–াāĻ¨িāĻ•āĻŸে āĻ—াāĻ¨ āĻ•āĻ°েāĻ¨ āĻŦিāĻ˛āĻŽ্āĻŦিāĻ¤ āĻāĻ•āĻ¤াāĻ˛ে, āĻļেāĻˇ āĻ•āĻ°েāĻ¨ āĻĻ্āĻ°āĻŽ্āĻ¨āĻ¤ āĻ¤াāĻ˛ে।’ āĻĄাāĻ•্āĻ¤াāĻ° āĻŦāĻ˛āĻ˛েāĻ¨, ‘āĻĻুঃāĻ–িāĻ¨ী āĻŽেā§Ÿে, āĻŦাāĻĒ-āĻŽা āĻ¨েāĻ‡! āĻāĻ• āĻ–াāĻ¨্āĻĄাāĻ° āĻĒিāĻ¸িāĻ° āĻŦাā§œীāĻ¤ে āĻŽাāĻ¨ুāĻˇ āĻšā§ŸেāĻ›ে। āĻĻু’āĻŽুāĻ ো āĻ–েāĻ¤ে āĻĻেā§Ÿ āĻĒāĻ°āĻ¤ে āĻĻেā§Ÿ, āĻŦ্āĻ¯āĻ¸্। āĻ•āĻ˛েāĻœেāĻ° āĻĢিāĻœāĻŸি āĻĒāĻ°্āĻ¯āĻ¨্āĻ¤ āĻŦেāĻšাāĻ°ী āĻ¯োāĻ—াā§œ āĻ•āĻ°ে āĻŽাāĻ¸্āĻŸাāĻ°ি āĻ•āĻ°ে। ‘āĻ¤াāĻ¤ে āĻ†āĻŽাāĻ° āĻ•িāĻ›ু āĻŦāĻ˛াāĻ° āĻ¨েāĻ‡। āĻ•িāĻ¨’ āĻ†āĻŽাāĻ° āĻ˜োāĻ°āĻ¤āĻ° āĻ†āĻĒāĻ¤্āĻ¤ি āĻāĻ­াāĻŦে āĻŦুā§œী āĻāĻŽāĻ¨ি āĻ¨āĻœāĻ°āĻŦāĻ¨্āĻĻী āĻ•āĻ°ে āĻ°েāĻ–েāĻ›ে āĻ¯ে, āĻšāĻ•িāĻ¤া āĻšāĻ°িāĻŖীāĻ° āĻŽāĻ¤ āĻ¸āĻŽāĻ¸্āĻ¤āĻ•্āĻˇāĻŖ āĻ¸ে āĻĄাāĻ‡āĻ¨ে āĻŦাঁā§Ÿে āĻ¤াāĻ•াā§Ÿ, āĻ āĻŦুāĻি āĻĒিāĻ¸ি āĻĻেāĻ–ে āĻĢেāĻ˛āĻ˛ে, āĻ¸ে āĻĒāĻ°āĻĒুāĻ°āĻŽ্āĻ¨āĻˇেāĻ° āĻ¸āĻ™্āĻ—ে āĻ•āĻĨা āĻ•āĻ‡āĻ›ে। āĻ†āĻŽি āĻ¤ো āĻŦিāĻĻ্āĻ°োāĻš āĻ•āĻ°ে āĻŦāĻ˛āĻ˛ুāĻŽ, ‘āĻāĻ•ি āĻŦুāĻ–াāĻ°াāĻ° āĻšাāĻ°েāĻŽ, āĻ¨া āĻ¤ুāĻ°্āĻ•ী āĻĒাāĻļাāĻ° āĻœেāĻ¨াāĻ¨া? āĻ āĻ…āĻ¤্āĻ¯াāĻšাāĻ° āĻ†āĻŽি āĻ•িāĻ›ুāĻ¤েāĻ‡ āĻ¸āĻ‡āĻŦ āĻ¨া।’ āĻāĻ­া āĻļুāĻ§ু āĻ†āĻŽাāĻ° āĻšাāĻ¤ āĻ§āĻ°ে āĻŦāĻ˛ে, ‘āĻĒāĻ¸্āĻ¨ীāĻœ, āĻĒ্āĻ˛ীāĻœ, āĻ¤ুāĻŽি āĻāĻ•āĻŸু āĻŦāĻ°āĻĻাāĻ¸্āĻ¤ āĻ•āĻ°ে āĻ¨াāĻ“, āĻ†āĻŽি āĻ¤োāĻŽাāĻ•ে āĻšাāĻ°াāĻ¤ে āĻšাāĻ‡āĻ¨ে।’ āĻāĻ° āĻŦেāĻļী āĻ¸ে āĻ•āĻ•্āĻ–āĻ¨ো āĻ•িāĻ›ু āĻŦāĻ˛েāĻ¨ি। āĻāĻ‡ āĻŽোāĻ•াāĻŽে āĻĒৌঁāĻ›āĻ¤ে āĻ†āĻŽাāĻ° āĻ˛েāĻ—েāĻ›িāĻ˛ āĻাā§œা āĻāĻ•āĻŸি āĻŽাāĻ¸। āĻŦিāĻŦেāĻšāĻ¨া āĻ•āĻ°āĻŽ্āĻ¨āĻ¨। āĻ¸াāĻ¤ āĻĻিāĻ¨ āĻ˛েāĻ—েāĻ›িāĻ˛ āĻĒ্āĻ°েāĻŽ āĻ¨িāĻŦেāĻĻāĻ¨ āĻ•āĻ°āĻ¤ে। āĻĒāĻ¨েāĻ°ো āĻĻিāĻ¨ āĻ˛েāĻ—েāĻ›িāĻ˛ āĻšাāĻ¤āĻ–াāĻ¨ি āĻ›ুঁāĻ¤ে। āĻ¤াāĻ°ো āĻāĻ• āĻ¸āĻĒ্āĻ¤াāĻš āĻĒāĻ°ে āĻ¸ে āĻ†āĻŽাā§Ÿ āĻŦāĻ˛āĻ˛ে āĻ•েāĻ¨ āĻ¸ে āĻāĻŽāĻ¨ āĻ­ā§Ÿে āĻ­ā§Ÿে āĻĄাāĻ‡āĻ¨ে āĻŦাঁā§Ÿে āĻ¤াāĻ•াā§Ÿ। ‘āĻĨিā§ŸেāĻŸাāĻ° āĻ¸িāĻ¨েāĻŽা āĻŽাāĻĨাā§Ÿ āĻĨাāĻ•ুāĻ•, āĻ†āĻŽাāĻ° āĻ¸āĻ™্āĻ—ে āĻ°াāĻ¸্āĻ¤াā§Ÿ āĻĒāĻ°্āĻ¯āĻ¨্āĻ¤ āĻŦেāĻ°āĻ¤ে āĻ°াāĻœী āĻšā§Ÿ āĻ¨া- āĻĒাāĻ›ে āĻĒিāĻ¸ি āĻĻেāĻ–ে āĻĢেāĻ˛ে। āĻ†āĻŽি āĻāĻ•āĻĻিāĻ¨ āĻĨাāĻ•āĻ¤ে āĻ¨া āĻĒেāĻ°ে āĻŦāĻ˛āĻ˛ুāĻŽ āĻ¤োāĻŽাāĻ° āĻĒিāĻ¸িāĻ° āĻ•ুāĻ‡āĻ¨āĻŸুāĻĒ্āĻ˛েāĻŸ āĻ†āĻ›ে āĻ¨াāĻ•ি āĻ¯ে āĻ¤াāĻ°া āĻŽ্āĻ¯ুāĻ¨িāĻ•েāĻ° āĻ¸āĻŦ āĻ¸্āĻŸ্āĻ°্āĻ¯াāĻŸেāĻœিāĻ• āĻĒā§ŸেāĻ¨্āĻŸে āĻĻাঁā§œিā§Ÿে āĻ¤োāĻŽাāĻ° āĻ‰āĻĒāĻ° āĻ¨āĻœāĻ° āĻ°াāĻ–āĻ›ে? āĻ‰āĻ¤্āĻ¤āĻ°ে āĻļুāĻ§ু āĻ•াāĻ¤āĻ° āĻ¸্āĻŦāĻ°ে āĻŦāĻ˛ে, āĻĒ্āĻ˛ীāĻœ, āĻĒ্āĻ˛ীāĻœ।’ āĻ¯া-āĻ•িāĻ›ু āĻ†āĻ˛াāĻĒ āĻĒāĻ°িāĻšā§Ÿ, āĻ˜āĻ¨িāĻˇ্āĻ āĻ¤া āĻ†āĻ¤্āĻŽীā§ŸāĻ¤া āĻ¸āĻŦ āĻ āĻ•āĻ˛েāĻœ āĻ°েāĻ¸্āĻ¤োāĻ°াঁā§Ÿ āĻŦāĻ¸ে। āĻ¸েāĻ–াāĻ¨ে āĻ¸াāĻ°্āĻĄিāĻ¨-āĻŸিāĻ¨েāĻ° āĻ­িāĻ¤āĻ° āĻŽাāĻ›েāĻ° āĻŽāĻ¤। āĻšেā§ŸাāĻ°ে āĻšেā§ŸাāĻ°ে āĻ াāĻ¸াāĻ াāĻ¸ি āĻ•িāĻ¨’ āĻ¤াāĻ° āĻšাāĻ¤ে āĻ¯ে āĻšাāĻ¤āĻ–াāĻ¨া āĻ°াāĻ–āĻŦ āĻ¤াāĻ°āĻ“ āĻ‰āĻĒাā§Ÿ āĻ¨েāĻ‡। āĻ•েāĻ‰ āĻ¯āĻĻি āĻĻেāĻ–ে āĻĢেāĻ˛ে।’ āĻ†āĻŽি āĻŦāĻ˛āĻ˛ুāĻŽ, ‘āĻ¸āĻŽুāĻ–ে āĻ°ā§ŸেāĻ›ে āĻ¸ুāĻ§া āĻĒাāĻ°াāĻŦাāĻ° āĻ¨াāĻ—াāĻ˛ āĻ¨া āĻĒাā§Ÿ āĻ¤āĻŦু āĻ†ঁāĻ–ি āĻ¤াāĻ° āĻ•েāĻŽāĻ¨ে āĻ¸āĻ°াāĻŦ āĻ•ুāĻšেāĻ˛িāĻ•াāĻ° āĻāĻ‡ āĻŦাāĻ§া āĻ°ে।’ āĻĄাāĻ•্āĻ¤াāĻ° āĻŦāĻ˛āĻ˛েāĻ¨, ‘āĻŽাāĻ¨ে āĻŦāĻ˛ুāĻ¨।’ āĻ†āĻŽি āĻŦāĻ˛āĻ˛ুāĻŽ, ‘āĻ†āĻĒ āĻ¯াāĻ‡ā§Ÿে, āĻĒāĻ°ে āĻŦāĻ˛āĻŦো।’ āĻĄাāĻ•্āĻ¤াāĻ° āĻŦāĻ˛āĻ˛েāĻ¨, ‘āĻ¸েāĻ‡ āĻ­িā§œেāĻ° āĻŽাāĻāĻ–াāĻ¨ে, āĻ•িāĻŽ্āĻŦা āĻ•āĻ°িāĻĄāĻ°ে āĻĻাঁā§œিā§Ÿে āĻĻাঁā§œিā§Ÿে āĻ†āĻ˛াāĻĒāĻšাāĻ°ি। āĻ•āĻ°িāĻĄāĻ°ে āĻ•āĻĨা āĻ•āĻ“ā§Ÿা āĻ¯াā§Ÿ āĻĒ্āĻ°াāĻŖ āĻ–ুāĻ˛ে, āĻ•িāĻ¨’ āĻ¤āĻŦু āĻ†āĻŽি āĻ°েāĻ¸্āĻ¤োāĻ°াঁāĻ° āĻ­িā§œāĻ‡ āĻĒāĻ›āĻ¨্āĻĻ āĻ•āĻ°āĻ¤ুāĻŽ āĻŦেāĻļী, āĻ•াāĻ°āĻŖ āĻ¸েāĻ–াāĻ¨ে āĻĻৈāĻŦাā§Ž, āĻ•্āĻŦāĻšিā§Ž āĻ•āĻ–āĻ¨ো āĻāĻ­া āĻ¤াāĻ° āĻ›োāĻŸ্āĻŸ āĻœুāĻ¤োāĻŸি āĻĻিā§Ÿে āĻ†āĻŽাāĻ° āĻĒাā§ŸেāĻ° āĻ‰āĻĒāĻ° āĻĻিāĻ¤ āĻšাāĻĒ।’ ‘āĻ¤াāĻ° āĻŽাāĻ§ুāĻ°্āĻ¯ āĻ†āĻĒāĻ¨াāĻ•ে āĻ•ি āĻ•āĻ°ে āĻŦোāĻাāĻ‡? āĻāĻ­াāĻ•ে āĻĒāĻ°ে āĻ¨িāĻŦিā§œāĻ¤āĻ° āĻ•āĻ°ে āĻšিāĻ¨েāĻ›ি āĻ•িāĻ¨’ āĻ¸েāĻ‡ āĻĒাā§ŸেāĻ° āĻšাāĻĒ āĻ¯ে āĻ†āĻŽাāĻ•ে āĻ•āĻ¤ āĻ•āĻĨা āĻŦāĻ˛েāĻ›ে, āĻ•āĻ¤ āĻ†āĻļ্āĻŦাāĻ¸ āĻĻিā§ŸেāĻ›ে āĻ¸েāĻŸা āĻ•ি āĻ•āĻ°ে āĻŦোāĻাāĻ‡?’ ‘āĻšā§ŸāĻ¤ āĻ¤াāĻ° āĻšেāĻ¨া āĻ•োāĻ¨ো āĻāĻ• āĻ›োāĻ•āĻ°া āĻ¸্āĻŸুāĻĄেāĻ¨্āĻŸ āĻāĻ¸ে āĻšাāĻ¸িāĻŽুāĻ–ে āĻ¤াāĻ•ে āĻĻুāĻŸি āĻ•āĻĨা āĻŦāĻ˛āĻ˛ে। āĻ…āĻ¤্āĻ¯āĻ¨্āĻ¤ āĻšাāĻ°্āĻŽāĻ˛েāĻ¸ āĻ†āĻŽি āĻ•িāĻ¨’ āĻšিংāĻ¸েā§Ÿ āĻœāĻ°āĻœāĻ°। āĻŸেāĻŦিāĻ˛েāĻ° āĻ‰āĻĒāĻ° āĻ°াāĻ–া āĻ†āĻŽাāĻ° āĻšাāĻ¤ āĻĻুāĻŸো āĻ•াঁāĻĒāĻ¤ে āĻ†āĻ°āĻŽ্āĻ­ āĻ•āĻ°āĻ›ে, āĻ†āĻŽি āĻ†āĻ° āĻ¨িāĻœেāĻ•ে āĻ¸াāĻŽāĻ˛াāĻ¤ে āĻĒাāĻ°āĻ›িāĻ¨ে- ‘āĻāĻŽāĻ¨ āĻ¸āĻŽā§Ÿ āĻ¸েāĻ‡ āĻĒাā§ŸেāĻ° āĻŽৃāĻĻু āĻšাāĻĒ। āĻ¸āĻŦ āĻ¸ংāĻļā§ŸেāĻ° āĻ…āĻŦāĻ¸াāĻ¨, āĻ¸āĻŦ āĻĻুঃāĻ– āĻ…āĻ¨্āĻ¤āĻ°্āĻ§াāĻ¨।’ āĻĄাāĻ•্āĻ¤াāĻ° āĻŦāĻ˛āĻ˛েāĻ¨, ‘āĻ¤াāĻ‡ āĻ†āĻŽাāĻ° āĻĻুঃāĻ– āĻ†āĻ° āĻŦেāĻĻāĻ¨াāĻ° āĻ…āĻŦāĻ§ি āĻ°āĻ‡āĻ˛ āĻ¨া। āĻāĻ‡ āĻŦিāĻ°াāĻŸ āĻŽ্āĻ¯ুāĻ¨িāĻ• āĻļāĻšāĻ°েāĻ° āĻ˛āĻ•্āĻˇ āĻ˛āĻ•্āĻˇ āĻ¨āĻ°āĻ¨াāĻ°ী āĻ¨িāĻ­ৃāĻ¤ে āĻŽāĻ¨েāĻ° āĻ­াāĻ° āĻ¨াāĻŽাāĻš্āĻ›ে, āĻ¨িāĻˇ্āĻ ুāĻ° āĻ¸ংāĻ¸াāĻ°ে āĻ˛ā§œāĻŦাāĻ° āĻļāĻ•্āĻ¤ি āĻāĻ•ে āĻ…āĻ¨্āĻ¯েāĻ° āĻ¸āĻ™্āĻ—āĻ¸ুāĻ– āĻ¸্āĻĒāĻ°্āĻļāĻ¸ুāĻ– āĻĨেāĻ•ে āĻ†āĻšāĻ°āĻŖ āĻ•āĻ°ে āĻ¨িāĻš্āĻ›ে, āĻ†āĻ° āĻ†āĻŽি āĻ¤াāĻ°āĻ‡ āĻŽাāĻāĻ–াāĻ¨ে āĻāĻŽāĻ¨ āĻ•িāĻ›ুāĻ‡ āĻ•āĻ°ে āĻ‰āĻ āĻ¤ে āĻĒাāĻ°āĻ›িāĻ¨ে āĻ¯াāĻ¤ে āĻ•āĻ°ে āĻāĻ­াāĻ•ে āĻ…āĻ¨্āĻ¤āĻ¤ āĻāĻ•āĻŦাāĻ°েāĻ° āĻŽāĻ¤ āĻ•াāĻ›ে āĻŸেāĻ¨ে āĻ†āĻ¨āĻ¤ে āĻĒাāĻ°ি! ‘āĻļেāĻˇāĻŸাā§Ÿ āĻ†āĻ° āĻ¸āĻ‡āĻ¤ে āĻ¨া āĻĒেāĻ°ে āĻāĻ•āĻĻিāĻ¨ āĻāĻ­াāĻ•ে āĻ•িāĻ›ু āĻ¨া āĻŦāĻ˛ে āĻĢিāĻ°ে āĻ—েāĻ˛ুāĻŽ āĻŦাāĻ°্āĻ˛িāĻ¨। āĻ¸েāĻ–াāĻ¨ āĻĨেāĻ•ে āĻ˛িāĻ–ে āĻœাāĻ¨āĻ˛ুāĻŽ, ‘āĻ“āĻ°āĻ•āĻŽ āĻ•াāĻ›ে āĻĨেāĻ•ে āĻ¨া āĻĒাāĻ“ā§ŸাāĻ° āĻĻুঃāĻ– āĻ†āĻŽাāĻ° āĻĒāĻ•্āĻˇে āĻ¸āĻš্āĻ¯ āĻ•āĻ°া āĻ…āĻ¸āĻŽ্āĻ­āĻŦ āĻšā§Ÿে āĻ‰āĻ েāĻ›ে- āĻ†āĻŽাāĻ° āĻ¨াāĻ°্āĻ­āĻ¸ āĻāĻ•āĻĻāĻŽ āĻ—েāĻ›ে। āĻ¤োāĻŽাāĻ° āĻ•াāĻ› āĻĨেāĻ•ে āĻŦিāĻĻাā§Ÿ āĻ¨িā§Ÿে āĻ†āĻ¸া āĻ†āĻŽাāĻ° āĻ•িāĻ›ুāĻ¤েāĻ‡ āĻšā§Ÿে āĻ‰āĻ āĻ¤ āĻ¨া- āĻ¤োāĻŽাāĻ° āĻŽুāĻ–েāĻ° āĻ•াāĻ¤āĻ° āĻ›āĻŦি āĻ†āĻŽাāĻ° āĻšāĻ˛ে āĻ†āĻ¸াāĻ° āĻ¸āĻŦ āĻļāĻ•্āĻ¤ি āĻ¨āĻˇ্āĻŸ āĻ•āĻ°ে āĻĢেāĻ˛āĻ¤।’ āĻ†āĻŽি āĻŦāĻ˛āĻ˛ুāĻŽ, ‘āĻ†āĻĒāĻ¨ি āĻ¤ো āĻĻাāĻ°āĻŽ্āĻ¨āĻŖ āĻ˛োāĻ• āĻŽāĻļাāĻ‡। āĻ¤āĻŦে, āĻš্āĻ¯াঁ, āĻ†āĻĒāĻ¨াāĻĻেāĻ° āĻ¨ীāĻšāĻļেāĻ‡ āĻŦāĻ˛েāĻ›েāĻ¨, āĻ•ā§œা āĻ¨া āĻšāĻ˛ে āĻĒ্āĻ°েāĻŽ āĻŽেāĻ˛ে āĻ¨া।’ āĻĄাāĻ•্āĻ¤াāĻ° āĻŦāĻ˛āĻ˛েāĻ¨, ‘āĻ িāĻ• āĻ‰āĻ˛্āĻŸো! āĻ•ā§œা āĻšāĻ¤ে āĻĒাāĻ°āĻ˛ে āĻ†āĻŽি āĻŽ্āĻ¯ুāĻ¨িāĻ• āĻĨেāĻ•ে āĻĒাāĻ˛াāĻ¤ুāĻŽ āĻ¨া। āĻĒāĻ˛াā§ŸāĻ¨ āĻœিāĻ¨িāĻ¸āĻŸা āĻ•ি āĻŦীāĻ°েāĻ° āĻ˛āĻ•্āĻˇāĻŖ? āĻ¤া āĻ¸ে āĻ•āĻĨা āĻĨাāĻ•। ‘āĻ‰āĻ¤্āĻ¤āĻ° āĻĒেāĻ˛ুāĻŽ āĻ¸āĻ™্āĻ—ে āĻ¸āĻ™্āĻ—েāĻ‡। āĻ¸ে āĻšিāĻ িāĻŸি āĻ†āĻŽি āĻāĻ¤āĻŦাāĻ° āĻĒā§œেāĻ›ি āĻ¯ে āĻ¤াāĻ° āĻĢুāĻ˛āĻ¸্āĻŸāĻĒ āĻ•āĻŽা āĻĒāĻ°্āĻ¯āĻ¨্āĻ¤ āĻ†āĻŽাāĻ° āĻŽুāĻ–āĻ¸āĻ¤্āĻŽ āĻšā§Ÿে āĻ—িā§ŸেāĻ›ে। āĻāĻŦং āĻ¤াāĻ° āĻšেā§ŸেāĻ“ āĻŦā§œ āĻ•āĻĨা, āĻ¸ে āĻšিāĻ িāĻŸিāĻ° āĻŦāĻ•্āĻ¤āĻŦ্āĻ¯ āĻ†āĻŽাāĻ° āĻ•াāĻ›ে āĻ¸āĻŽ্āĻĒূāĻ°্āĻŖ āĻ…āĻŦিāĻļ্āĻŦাāĻ¸্āĻ¯ āĻ েāĻ•āĻ˛ো।’ āĻ†āĻĒāĻ¨াāĻĻেāĻ° āĻĻেāĻļে āĻ…āĻŦিāĻļ্āĻŦাāĻ¸্āĻ¯ āĻŦāĻ˛ে āĻ•োāĻ¨ো āĻœিāĻ¨িāĻ¸ āĻ¨েāĻ‡- āĻ­িāĻ–িāĻ°িāĻ•ে āĻŽাāĻĨাā§Ÿ āĻ¤ুāĻ˛ে āĻ¨িā§Ÿে āĻ†āĻĒāĻ¨াāĻĻেāĻ° āĻĻেāĻļে āĻšাāĻ¤ী āĻšাāĻŽেāĻļাāĻ‡ āĻ°াāĻœা āĻŦাāĻ¨াā§Ÿ। āĻ•িāĻ¨’ āĻœāĻ°্āĻŽāĻ¨িāĻ¤ে āĻ¤ো āĻ¸ে āĻ°āĻ•āĻŽ āĻāĻ¤িāĻš্āĻ¯ āĻ¨েāĻ‡। āĻšিāĻ িāĻ¤ে āĻ˛েāĻ–া āĻ›িāĻ˛- āĻŦেāĻļী āĻ˛িāĻ–āĻŦ āĻ¨া- āĻ†āĻŽাāĻ°āĻ“ āĻ…āĻ¸āĻš্āĻ¯ āĻšā§Ÿে āĻ‰āĻ েāĻ›ে। āĻ¤াāĻ‡ āĻ¸্āĻĨিāĻ° āĻ•āĻ°েāĻ›ি, āĻ¤োāĻŽাāĻ° āĻ‡āĻš্āĻ›াāĻŽāĻ¤ āĻ¤োāĻŽাā§Ÿ āĻ†āĻŽাā§Ÿ āĻāĻ•āĻŦাāĻ° āĻ¨িāĻ­ৃāĻ¤ে āĻĻেāĻ–া āĻšāĻŦে। āĻ¤াāĻ°āĻĒāĻ° āĻŦিāĻĻাā§Ÿ। āĻ¯āĻ¤ āĻĻিāĻ¨ āĻĒিāĻ¸ি āĻ†āĻ›েāĻ¨ āĻ¤āĻ¤āĻĻিāĻ¨ āĻ†āĻŽি āĻ†āĻ° āĻ•োāĻ¨ো āĻĒāĻ¨্āĻĨা āĻ–ুঁāĻœে āĻĒাāĻš্āĻ›িāĻ¨ে। āĻ¤ুāĻŽি āĻ†āĻ¸āĻ›ে āĻŦুāĻ§āĻŦাāĻ° āĻĻিāĻ¨ āĻ†āĻŽাāĻĻেāĻ° āĻŦাā§œীāĻ° āĻ¸াāĻŽāĻ¨ে āĻĢুāĻŸāĻĒাāĻ¤ে āĻ…āĻĒেāĻ•্āĻˇা āĻ•āĻ°ো। āĻ†āĻŽি āĻ¤োāĻŽাāĻ•ে āĻ†āĻŽাāĻ° āĻ˜āĻ°ে āĻ¨িā§Ÿে āĻ†āĻ¸āĻŦ।” āĻĄাāĻ•্āĻ¤াāĻ° āĻŦāĻ˛āĻ˛েāĻ¨, ‘āĻŦিāĻļ্āĻŦাāĻ¸ āĻšā§Ÿ āĻ†āĻĒāĻ¨াāĻ°! āĻ¯ে āĻŽেā§Ÿে āĻĒিāĻ¸িāĻ° āĻ­ā§Ÿে āĻ†āĻŽাāĻ° āĻ¸āĻ™্āĻ—ে āĻ•āĻ˛েāĻœ āĻ°েāĻ¸েāĻ¤্āĻŽাāĻ°াঁā§Ÿ āĻŦাāĻ‡āĻ°ে āĻĒāĻ°্āĻ¯āĻ¨্āĻ¤ āĻ¯েāĻ¤ে āĻ°াāĻœী āĻšāĻ¤ āĻ¨া, āĻ¸ে āĻ†āĻŽাāĻ•ে āĻĄেāĻ•ে āĻ¨িā§Ÿে āĻ¯াāĻš্āĻ›ে āĻ†āĻĒāĻ¨ āĻ˜āĻ°ে?’ āĻ†āĻŽি āĻŦāĻ˛āĻ˛ুāĻŽ, āĻĒীāĻ°িāĻ¤ী-āĻ¸াā§ŸāĻ°ে āĻĄোāĻŦাāĻ° āĻĒূāĻ°্āĻŦে āĻ¯ে āĻ°াāĻ§া āĻ¸াāĻĒেāĻ° āĻ›āĻŦিāĻŽাāĻ¤্āĻ° āĻĻেāĻ–েāĻ‡ āĻ…āĻœ্āĻžাāĻ¨ āĻšāĻ¤েāĻ¨ āĻ¸েāĻ‡ āĻ°াāĻ§াāĻ‡ āĻ…āĻ­িāĻ¸াāĻ°ে āĻ¯াāĻ“ā§ŸাāĻ° āĻ¸āĻŽā§Ÿ āĻ†āĻĒāĻ¨ āĻšাāĻ¤ āĻĻিā§Ÿে āĻĒāĻĨেāĻ° āĻĒাāĻļেāĻ° āĻ¸াāĻĒেāĻ° āĻĢāĻŖা āĻšেāĻĒে āĻ§āĻ°েāĻ›েāĻ¨ āĻĒাāĻ›ে āĻ¸াāĻĒেāĻ° āĻŽাāĻĨাāĻ° āĻŽāĻŖিāĻ° āĻ†āĻ˛োāĻ•ে āĻ•েāĻ‰ āĻ•েāĻ‰ āĻ¤াঁāĻ•ে āĻĻেāĻ–ে āĻĢেāĻ˛ে।’ āĻĄাāĻ•্āĻ¤াāĻ° āĻŦāĻ˛āĻ˛েāĻ¨, ‘āĻ¤াāĻ‡ āĻŦāĻŸে। āĻ¤āĻŦে āĻ•ি āĻ¨া āĻ†āĻŽি āĻ°াāĻ§াāĻ° āĻĒ্āĻ°েāĻŽāĻ•াāĻšিāĻ¨ী āĻ•āĻ–āĻ¨ো āĻĒā§œিāĻ¨ি। āĻ¸ে āĻ•āĻĨা āĻĨাāĻ•। ‘āĻ†āĻŽি āĻŽ্āĻ¯ুāĻ¨িāĻ•ে āĻĒৌঁāĻ›āĻ˛ুāĻŽ āĻŦুāĻ§āĻŦাāĻ° āĻ¸āĻ¨্āĻ§্āĻ¯েāĻ° āĻĻিāĻ•ে। āĻ•ā§ŸāĻ˛াāĻ° āĻ—ুঁā§œোā§Ÿ āĻ¸āĻ°্āĻŦাāĻ™্āĻ— āĻĸেāĻ•ে āĻ—িā§ŸেāĻ›িāĻ˛ āĻŦāĻ˛ে āĻĸুāĻ•āĻ˛ুāĻŽ āĻāĻ•āĻŸা āĻĒাāĻŦāĻ˛িāĻ• āĻŦাāĻĨে āĻ¸্āĻ¨াāĻ¨ āĻ•āĻ°āĻ¤ে। āĻŸাāĻŦে āĻŦāĻ¸ে āĻ¸āĻ°্āĻŦāĻļāĻ°ীāĻ° āĻĄāĻ˛াāĻ‡-āĻŽāĻ˛াāĻ‡ āĻ•āĻ°ে āĻ†āĻ° āĻ—āĻ°āĻŽ āĻœāĻ˛ে āĻ¸েāĻĻ্āĻ§ āĻšā§Ÿে āĻšিংāĻ°িāĻŸাāĻ° āĻŽāĻ¤ āĻ˛াāĻ˛ āĻšā§Ÿে āĻ¯āĻ–āĻ¨ āĻŦেāĻ°āĻ˛ুāĻŽ āĻ¤āĻ–āĻ¨ āĻ†āĻ° āĻšাāĻ¤ে āĻŦেāĻļী āĻ¸āĻŽā§Ÿ āĻ¨েāĻ‡। āĻ…āĻĨāĻš āĻŸাāĻŦ āĻĨেāĻ•ে āĻ“āĻ°āĻ•āĻŽ āĻšুāĻŸ āĻ•āĻ°ে āĻ াāĻ¨্āĻĄাā§Ÿ āĻŦেāĻ°āĻ˛ে āĻ¯ে āĻ¸āĻ™্āĻ—ে āĻ¸āĻ™্āĻ—ে āĻāĻĒ্ āĻ•āĻ°ে āĻ¸āĻ°্āĻĻি āĻšā§Ÿ āĻ¸ে āĻ•āĻĨাāĻ“ āĻœাāĻ¨ি। āĻšাāĻ¨āĻŸা āĻ¨া āĻ•āĻ°āĻ˛েāĻ“ āĻ¯ে āĻšāĻ¤ āĻ¸ে āĻ¤āĻ¤্āĻ¤্āĻŦāĻŸা āĻŦুāĻāĻ¤ে āĻĒাāĻ°āĻ˛ুāĻŽ āĻ°াāĻ¸āĻ¤্āĻŽাā§Ÿ āĻŦেāĻ°িā§Ÿে āĻ•িāĻ¨’ āĻ¤āĻ–āĻ¨ āĻ†āĻ° āĻ†āĻĢāĻ¸োāĻ¸ āĻ•āĻ°ে āĻ•োāĻ¨ো āĻĢাā§ŸāĻĻা āĻ¨েāĻ‡। āĻ¸েāĻ‡ āĻĄিāĻ¸েāĻŽ্āĻŦāĻ°েāĻ° āĻļীāĻ¤ে āĻšāĻ˛āĻ˛ুāĻŽ āĻāĻ­াāĻ° āĻŦাā§œিāĻ° āĻĻিāĻ•ে- āĻŽা-āĻŽেāĻ°ীāĻ° āĻ‰āĻĒāĻ° āĻ­āĻ°āĻ¸া āĻ•āĻ°ে, āĻ¯ে āĻ āĻ¯াāĻ¤্āĻ°াā§Ÿ āĻ¸āĻ°্āĻĻিāĻŸা āĻ¨াāĻ“ āĻšāĻ¤ে āĻĒাāĻ°ে।
āĻ†āĻŽি āĻŦāĻ˛āĻ˛ুāĻŽ, ‘āĻ†āĻŽāĻ°া āĻŦাāĻ™āĻ˛াā§Ÿ āĻŦāĻ˛ি, ‘āĻĻুāĻ°্āĻ—āĻ—া āĻŦāĻ˛ে āĻুāĻ˛ে āĻĒā§œāĻ˛ুāĻŽ’।’ āĻĄাāĻ•্āĻ¤াāĻ° āĻŦāĻ˛āĻ˛েāĻ¨, ‘āĻ¸াā§œে āĻāĻ—াāĻ°োāĻŸাāĻ° āĻ¸āĻŽā§Ÿ āĻ—িā§Ÿে āĻĻাঁā§œাāĻ˛ুāĻŽ āĻāĻŦাāĻ° āĻŦাā§œিāĻ° āĻ¸াāĻŽāĻ¨েāĻ° āĻ°াāĻ¸āĻ¤্āĻŽাā§Ÿ। āĻŸেāĻŽ্āĻĒাāĻ°েāĻšাāĻ° āĻ¤āĻ–āĻ¨ āĻļূāĻ¨্āĻ¯েāĻ°āĻ“ āĻ¨ীāĻšে- āĻ†āĻĒāĻ¨াāĻĻেāĻ° āĻĒাāĻ—āĻ˛া āĻĢাāĻ°āĻ¨্āĻšাāĻ‡āĻŸেāĻ° āĻšিāĻ¸েāĻŦে āĻŦāĻ¤্āĻ°িāĻļেāĻ° āĻĸেāĻ° āĻ¨ীāĻšে! āĻ°াāĻ¸্āĻ¤াā§Ÿ āĻāĻ• āĻĢুāĻŸ āĻŦāĻ°āĻĢ। āĻ†āĻ•াāĻļ āĻŽেāĻ˜াāĻš্āĻ›āĻ¨্āĻ¨, āĻ†āĻ° āĻ†āĻŽাāĻ° āĻšāĻ¤ুāĻ°্āĻĻিāĻ•ে āĻ¯ে āĻšিāĻŽ āĻ˜āĻ¨াāĻ¤ে āĻ˛াāĻ—āĻ˛ো āĻ¤াāĻ° āĻ¸āĻ™্āĻ—ে āĻ¤ুāĻ˛āĻ¨া āĻĻিā§Ÿে āĻŦāĻ˛āĻ¤ে āĻĒাāĻ°ি āĻ†āĻŽাāĻ•ে āĻ¯েāĻ¨ āĻ•েāĻ‰ āĻāĻ•āĻŸা āĻŦিāĻ°াāĻŸ āĻĢ্āĻ°িāĻœিāĻĄেāĻ°েāĻ° āĻ­িāĻ¤āĻ° āĻ¤াāĻ˛াāĻŦāĻ¨্āĻ§ āĻ•āĻ°ে āĻ°েāĻ–ে āĻĻিāĻ˛। āĻ¤িāĻ¨ āĻŽিāĻ¨িāĻŸ āĻ¯েāĻ¤ে āĻ¨া āĻ¯েāĻ¤ে āĻ¨াāĻŽāĻ˛ āĻŽুāĻˇāĻ˛āĻ§াāĻ°ে…āĻŦৃāĻˇ্āĻŸি āĻ¨ā§Ÿ-āĻ¸āĻ°্āĻĻ্āĻĻি। āĻ¸āĻ™্āĻ—ে āĻ¸āĻ™্āĻ—ে āĻĄাāĻ‡āĻ¨াāĻŽাāĻ‡āĻŸ āĻĢাāĻŸাāĻ° āĻšাঁāĻšি-āĻšাঁāĻš্āĻšো, āĻšাঁāĻš্āĻšো, āĻšাঁāĻš্āĻšো। āĻ†āĻĒāĻ¨াāĻ° āĻ†āĻœāĻ•েāĻ° āĻ¸āĻ°্āĻĻি āĻ¤াāĻ° āĻ¤ুāĻ˛āĻ¨াā§Ÿ āĻ¨āĻ¸্āĻ¯ি, āĻ…āĻ°্āĻĨাā§Ž āĻ¨āĻ¸্āĻ¯িāĻ° āĻ–োঁāĻšাā§Ÿ āĻ¨াāĻŽাāĻ¨ো āĻ†ā§œাāĻ‡ āĻĢোঁāĻŸা āĻœāĻ˛। āĻšাঁāĻšি āĻ†āĻ° āĻœāĻ˛, āĻœāĻ˛ āĻ†āĻ° āĻšাঁāĻšি। ‘āĻ•ি āĻ•āĻ°ি, āĻ•ি āĻ•āĻ°ি āĻ­াāĻŦāĻ›ি, āĻāĻŽāĻ¨ āĻ¸āĻŽā§Ÿ āĻāĻ­া āĻāĻ¸ে āĻ¨িঃāĻļāĻŦ্āĻĻে āĻ†āĻŽাāĻ° āĻšাāĻ¤ āĻ§āĻ°āĻ˛ো- āĻŦāĻ°āĻĢেāĻ° āĻ—ুঁā§œোāĻ° āĻ‰āĻĒāĻ° āĻĒাā§ŸেāĻ° āĻļāĻŦ্āĻĻ āĻļোāĻ¨া āĻ¯াā§Ÿ āĻ¨া। āĻ¤াāĻ° āĻ‰āĻĒāĻ° āĻ¸ে āĻĒāĻ°েāĻ›ে āĻ¸েāĻ‡ āĻ•্āĻ°েāĻĒāĻ¸োāĻ˛েāĻ° āĻœুāĻ¤ো- āĻŦেāĻšাāĻ°ীāĻ° āĻŽাāĻ¤্āĻ° āĻ āĻāĻ• āĻœোā§œাāĻ‡ āĻ¸āĻŽ্āĻŦāĻ˛! ‘āĻ•োāĻ¨ো āĻ•āĻĨা āĻ¨া āĻŦāĻ˛ে āĻ†āĻŽাāĻ•ে āĻ¨িā§Ÿে āĻšāĻ˛āĻ˛ āĻ¤াāĻ° āĻ¸āĻ™্āĻ—ে। āĻĢ্āĻ˛্āĻ¯াāĻŸেāĻ° āĻĻāĻ°āĻœা āĻ–ুāĻ˛ে, āĻ•āĻ°িāĻĄāĻ°েāĻ° āĻ–াāĻ¨িāĻ•āĻŸে āĻĒেāĻ°িā§ŸেāĻ‡ āĻ¤াāĻ° āĻ•াāĻŽāĻ°া। āĻ¨িঃāĻļāĻŦ্āĻĻে āĻ†āĻŽাāĻ•ে āĻ¸ে āĻĸুāĻ•িā§Ÿে āĻĻāĻ°āĻœাā§Ÿ āĻ–িāĻ˛ āĻĻিā§Ÿে āĻŽাāĻĨা āĻ¨িāĻšু āĻ•āĻ°ে āĻ†āĻŽাāĻ° āĻ¸াāĻŽāĻ¨ে āĻĻাঁā§œিā§Ÿে āĻ°āĻ‡āĻ˛। ‘āĻ“āĻ­াāĻ° āĻ—োāĻ˛াāĻĒি āĻŽুāĻ– āĻĄাāĻš্ āĻĒāĻ¨িāĻ°েāĻ° āĻŽāĻ¤ āĻšāĻ˛āĻĻে, āĻŸুāĻ•āĻŸুāĻ•ে āĻ˛াāĻ˛ āĻ োঁāĻŸ āĻĻুāĻŸি āĻŦāĻ˛ু āĻĄাāĻ¨ā§ŸুāĻŦেāĻ° āĻŽāĻ¤ āĻ˜āĻ¨ āĻŦেāĻ—ুāĻ¨ি- āĻ¨ীāĻ˛- āĻ­ā§Ÿে, āĻ‰āĻ¤্āĻ¤েāĻœāĻ¨াā§Ÿ। ‘āĻ†āĻ° āĻ¸āĻ™্āĻ—ে āĻ¸āĻ™্āĻ—ে āĻļুāĻ°āĻŽ্āĻ¨ āĻšāĻ˛ āĻ†āĻŦাāĻ° āĻ†āĻŽাāĻ° āĻ¸েāĻ‡ āĻĄাāĻ‡āĻ¨াāĻŽাāĻ‡āĻŸ āĻĢাāĻŸাāĻ¨ো āĻš্āĻ¯াঁāĻš্āĻšো, āĻšাঁāĻš্āĻšো। ‘āĻāĻ­া āĻ†āĻŽাāĻ•ে āĻ§āĻ°ে āĻ¨িā§Ÿে āĻ†āĻŽাāĻ° āĻŽাāĻĨা āĻ—ুঁāĻœে āĻĻিāĻ˛ āĻŦিāĻ›াāĻ¨াā§Ÿ। āĻŽাāĻĨাāĻ° āĻ‰āĻĒāĻ° āĻšাāĻĒাāĻ˛ো āĻŦাāĻ˛িāĻļ āĻ†āĻ° āĻ¸āĻŦ āĻ•’āĻ–াāĻ¨া āĻ˛েāĻĒ-āĻ•āĻŽ্āĻŦāĻ˛। āĻŦুāĻāĻ¤ে āĻĒাāĻ°āĻ˛ুāĻŽ āĻ•েāĻ¨, āĻĒাāĻļেāĻ° āĻ˜āĻ°ে āĻĒিāĻ¸ি āĻ¯āĻĻি āĻļুāĻ¨āĻ¤ে āĻĒাāĻ¨ āĻ¤āĻŦেāĻ‡ āĻšā§ŸেāĻ›ে। āĻ†āĻŽি āĻĒ্āĻ°াāĻŖāĻĒāĻŖ āĻšাঁāĻšি āĻšাāĻĒাāĻŦাāĻ° āĻšেāĻˇ্āĻŸা āĻ•āĻ°āĻ›ি āĻ†āĻ° āĻ˛েāĻĒ-āĻ•āĻŽ্āĻŦāĻ˛েāĻ° āĻ­িāĻ¤āĻ° āĻŦāĻŽ্-āĻļেāĻ˛্ āĻĢাāĻŸাāĻš্āĻ›ি। ‘āĻ•āĻ¤āĻ•্āĻˇāĻŖ āĻ āĻ°āĻ•āĻŽ āĻ•েāĻŸেāĻ›িāĻ˛ āĻŦāĻ˛āĻ¤ে āĻĒাāĻ°āĻŦ āĻ¨া। āĻšাঁāĻšিāĻ° āĻļāĻŦ্āĻĻ āĻ•িāĻ›ুāĻ¤েāĻ‡ āĻĨাāĻŽāĻ›ে āĻ¨া। āĻāĻ­া āĻļুāĻ§ু āĻ•āĻŽ্āĻŦāĻ˛ āĻšাāĻĒাāĻš্āĻ›ে, āĻ†āĻŽাāĻ° āĻĻāĻŽ āĻŦāĻ¨্āĻ§ āĻšāĻŦাāĻ° āĻ‰āĻĒāĻ•্āĻ°āĻŽ āĻ•িāĻ¨’ āĻ¨িāĻŦিā§œ āĻĒুāĻ˛āĻ•ে āĻŦাāĻ° āĻŦাāĻ° āĻ†āĻŽাāĻ° āĻ¸āĻ°্āĻŦāĻļāĻ°ীāĻ° āĻļিāĻšāĻ°িāĻ¤ āĻšāĻš্āĻ›ে- āĻāĻ­াāĻ° āĻšাāĻ¤েāĻ° āĻšাāĻĒ āĻĒেā§Ÿে। ‘āĻāĻŽāĻ¨ āĻ¸āĻŽā§Ÿ āĻĻāĻ°āĻœাā§Ÿ āĻ§াāĻ•্āĻ•া āĻ†āĻ° āĻ¨াāĻ°ীāĻ•āĻŖ্āĻ েāĻ° āĻ¤ীāĻŦ্āĻ° āĻšীā§ŽāĻ•াāĻ°, ‘āĻĻāĻ°āĻœা āĻ–োāĻ˛।’ ‘āĻĒিāĻ¸ি!’ ‘āĻ†āĻ° āĻ˛ুāĻ•িā§Ÿে āĻĨেāĻ•ে āĻ˛াāĻ­ āĻ¨েāĻ‡। āĻ†āĻŽি āĻ˛েāĻĒেāĻ° āĻ­িāĻ¤āĻ° āĻĨেāĻ•ে āĻŦেāĻ°āĻ˛ুāĻŽ। āĻāĻ­া āĻ­ā§Ÿে āĻ­িāĻ°āĻŽি āĻ—িā§ŸেāĻ›ে, āĻ–াāĻŸেāĻ° āĻ‰āĻĒāĻ° āĻ¨েāĻ¤িā§Ÿে āĻĒā§œেāĻ›ে।
‘āĻ†āĻŽি āĻĻāĻ°āĻœা āĻ–ুāĻ˛ে āĻĻিāĻ˛ুāĻŽ। āĻ¸াāĻ•্āĻˇাā§Ž āĻļāĻ•ুāĻ¨িāĻ° āĻŽāĻ¤ āĻŦীāĻ­ā§ŽāĻ¸ āĻāĻ• āĻŦুā§œী āĻ˜āĻ°ে āĻĸুāĻ•ে āĻ†āĻŽাāĻ° āĻĻিāĻ•ে āĻ¨া āĻ¤াāĻ•িā§ŸেāĻ‡ āĻāĻ­াāĻ•ে āĻŦāĻ˛āĻ˛ো, ‘āĻ•াāĻ˛ āĻ¸āĻ•াāĻ˛েāĻ‡ āĻ¤ুāĻ‡ āĻ-āĻŦাā§œি āĻ›াā§œāĻŦি’। ‘āĻ¸āĻ™্āĻ—ে āĻ¸āĻ™্āĻ—ে āĻ†āĻ° āĻ•ি āĻ¸āĻŦ āĻŦāĻ•ুāĻ¨ি āĻĻিā§ŸেāĻ›িāĻ˛, āĻ˜েāĻ¨্āĻ¨া, āĻ•েāĻ˛েāĻ™্āĻ•াāĻ°ি, āĻļোāĻŦাāĻ° āĻ˜āĻ°ে āĻĒāĻ°āĻĒুāĻ°āĻŽ্āĻ¨āĻˇ’, ‘āĻ°াāĻ¸āĻ¤্āĻŽাāĻ° āĻŽেā§ŸেāĻ° āĻŦ্āĻ¯াāĻ­াāĻ°’, āĻāĻ‡ āĻ¸āĻŦ, āĻ¸ে āĻ†āĻŽাāĻ° āĻ†āĻ° āĻŽāĻ¨ে āĻ¨েāĻ‡। āĻŦুā§œী āĻ†āĻŽাāĻ° āĻĻিāĻ•ে āĻ¤াāĻ•াā§Ÿ āĻ¨া, āĻ—াāĻ˛েāĻ° āĻ‰āĻĒāĻ° āĻ—াāĻ˛ āĻšā§œāĻ›ে āĻ¯েāĻ¨ āĻ›’ āĻ—āĻœি āĻĒিā§ŸাāĻ¨োāĻ° āĻāĻ• āĻĒ্āĻ°াāĻ¨্āĻ¤ āĻĨেāĻ•ে āĻ†āĻ°েāĻ• āĻĒ্āĻ°াāĻ¨্āĻ¤ āĻ…āĻŦāĻ§ি āĻ•েāĻ‰ āĻ†āĻ™্āĻ—ুāĻ˛ āĻšাāĻ˛াāĻš্āĻ›ে। ‘āĻ†āĻŽি āĻĨাāĻ•āĻ¤ে āĻĒাāĻ°āĻ˛ুāĻŽ āĻ¨া। āĻŦুā§œীāĻ° āĻĻুāĻ‡ āĻŦাāĻšু āĻĻু’āĻšাāĻ¤ āĻĻিā§Ÿে āĻšেāĻĒে āĻ§āĻ°ে āĻŦāĻ˛āĻ˛ুāĻŽ, ‘āĻ†āĻŽাāĻ° āĻ¨াāĻŽ āĻĒেāĻŸাāĻ° āĻ¸েāĻ˛্āĻŦাāĻ–। āĻŦাāĻ°্āĻ˛িāĻ¨ে āĻĄাāĻ•্āĻ¤াāĻ°ি āĻ•āĻ°ি। āĻ­āĻĻ্āĻ°āĻ˜āĻ°েāĻ° āĻ›েāĻ˛ে। āĻ†āĻĒāĻ¨াāĻ° āĻ­াāĻ‡āĻিāĻ•ে āĻŦিā§Ÿে āĻ•āĻ°āĻ¤ে āĻšাāĻ‡’।’ āĻĄাāĻ•্āĻ¤াāĻ° āĻŦāĻ˛āĻ˛েāĻ¨, āĻŽাāĻŽেāĻ°ী āĻ¸াāĻ•্āĻˇী āĻ†āĻŽি āĻāĻ­াāĻ•ে āĻŦিā§Ÿে āĻ•āĻ°াāĻ° āĻĒ্āĻ°āĻ¸āĻ¤্āĻŽাāĻŦ āĻāĻ¤āĻĻিāĻ¨ āĻ•āĻ°িāĻ¨ি āĻĒাāĻ›ে āĻ¸ে ‘āĻ¨া’ āĻŦāĻ˛ে āĻŦāĻ¸ে। āĻ†āĻŽি āĻ…āĻĒেāĻ•্āĻˇা āĻ•āĻ°েāĻ›িāĻ˛ুāĻŽ āĻĒāĻ°িāĻšā§ŸāĻŸা āĻ˜āĻ¨াāĻŦাāĻ° āĻœāĻ¨্āĻ¯। āĻŦিā§ŸেāĻ° āĻĒ্āĻ°āĻ¸āĻ¤্āĻŽাāĻŦāĻŸা āĻ†āĻŽাāĻ° āĻŽুāĻ– āĻĻিā§Ÿে āĻ¯ে āĻ¤āĻ–āĻ¨ āĻ•ি āĻ•āĻ°ে āĻŦেāĻ°িā§Ÿে āĻ—েāĻ˛ āĻ†āĻŽি āĻ†āĻœāĻ“ āĻŦুāĻে āĻ‰āĻ āĻ¤ে āĻĒাāĻ°িāĻ¨ি। ‘āĻĒিāĻ¸ি āĻ†āĻŽাāĻ° āĻĻিāĻ•ে āĻšাāĻŦাāĻ° āĻŽāĻ¤ো āĻ¤াāĻ•াāĻ˛ো- āĻāĻ• āĻŦিāĻ˜ā§Ž āĻšāĻ“ā§œা āĻšা āĻ•āĻ°ে। āĻĒাāĻ•া āĻĻু’āĻŽিāĻ¨িāĻŸ āĻ¤াāĻ° āĻ˛েāĻ—েāĻ›িāĻ˛ āĻŦ্āĻ¯াāĻĒাāĻ°āĻŸা āĻŦুāĻāĻ¤ে। āĻ¤াāĻ°āĻĒāĻ° āĻĢুāĻŸে āĻ‰āĻ āĻ˛ āĻŽুāĻ–েāĻ° āĻ‰āĻĒāĻ° āĻ–ুāĻļীāĻ° āĻĒā§ŸāĻ˛া āĻāĻ˛āĻ•। āĻ¸েāĻŸা āĻĻেāĻ–āĻ¤ে āĻ†āĻ°ো āĻŦীāĻ­ā§ŽāĻ¸! āĻŽুāĻ–েāĻ° āĻ•ুঁāĻšāĻ•াāĻ¨ো āĻāĻŦā§œো āĻĨেāĻŦā§œো āĻ—াāĻ˛, āĻ­াāĻ™া-āĻšোāĻ°া-āĻ¨াāĻ•-āĻŽুāĻ–-āĻ োঁāĻŸ āĻ¯েāĻ¨ āĻ†āĻ°āĻ“ āĻŦিāĻ•ৃāĻ¤ āĻšā§Ÿে āĻ—েāĻ˛। ‘āĻ†āĻŽাāĻ•ে āĻœā§œিā§Ÿে āĻ§āĻ°ে āĻ•ি āĻ¯েāĻ¨ āĻŦāĻ˛āĻ˛ে āĻ িāĻ• āĻŦুāĻāĻ¤ে āĻĒাāĻ°āĻ˛ুāĻŽ āĻ¨া। āĻ¤াāĻ°āĻĒāĻ° āĻšāĻ াā§Ž āĻ†āĻŽাāĻ•ে āĻ›েā§œে āĻĻিā§Ÿে āĻ›ুāĻŸāĻ˛ āĻ•āĻ°িāĻĄāĻ°েāĻ° āĻĻিāĻ•ে। āĻšীā§ŽāĻ•াāĻ° āĻ•āĻ°ে āĻ•াāĻ•ে āĻ¯েāĻ¨ āĻĄাāĻ•āĻ›ে। ‘āĻāĻ­া āĻ¤āĻ–āĻ¨ো āĻ…āĻšৈāĻ¤āĻ¨্āĻ¯।’
‘āĻŦুā§œী āĻĢিāĻ°ে āĻāĻ˛ āĻŦুā§œোāĻ•ে āĻ¨িā§Ÿে। āĻŦুā§œো āĻŦ্āĻ¯াāĻĒাāĻ°āĻŸা āĻŦুāĻে āĻ¨িā§ŸেāĻ›ে āĻšāĻŸ āĻ•āĻ°ে। āĻ¤াāĻ° āĻšেāĻšাāĻ°াāĻŸা āĻ–ুāĻļীāĻ° āĻĒিāĻ›āĻ¨ে āĻĻেāĻ–āĻ˛ুāĻŽ āĻ¸েāĻ‡ āĻ­ীāĻ¤ āĻ­াāĻŦ-āĻāĻ­াāĻ° āĻŽুāĻ–ে āĻ¯েāĻŸা āĻ…āĻˇ্āĻŸāĻĒ্āĻ°āĻšāĻ° āĻ˛েāĻĒা āĻĨাāĻ•ে। āĻŦুāĻāĻ˛ুāĻŽ, āĻĒিāĻ¸িāĻ° āĻĻাāĻĒāĻŸে āĻ āĻŦাā§œিāĻ° āĻ¸āĻ•āĻ˛েāĻ°āĻ‡ āĻ•āĻŖ্āĻ āĻļ্āĻŦাāĻ¸। ‘āĻŽāĻ¨ে āĻšāĻ˛ āĻŦুā§œো āĻ–ুāĻļী āĻšā§ŸেāĻ›ে, āĻāĻ­া āĻ¯ে āĻ āĻŦাā§œিāĻ° āĻ…āĻ¤্āĻ¯াāĻšাāĻ° āĻĨেāĻ•ে āĻ¨িāĻˇ্āĻ•ৃāĻ¤ি āĻĒেā§ŸেāĻ›ে āĻ¤াāĻ° āĻœāĻ¨্āĻ¯। āĻšাā§Ÿ, āĻ¤াāĻ° āĻ¤ো āĻ¨িāĻˇ্āĻ•ৃāĻ¤ি āĻ¨েāĻ‡।’

āĻĄাāĻ•্āĻ¤াāĻ° āĻŦāĻ˛āĻ˛েāĻ¨, ‘āĻ¸েāĻ‡ āĻĻুāĻĒুāĻ° āĻ°াāĻ¤ে āĻ“ā§ŸাāĻ‡āĻ¨ āĻāĻ˛, āĻļ্āĻ¯াāĻŽ্āĻĒেāĻ¨ āĻāĻ˛। āĻšোāĻŸেāĻ˛ āĻĨেāĻ•ে āĻ¸āĻ¸েāĻœ্ āĻ•āĻŸ্āĻ˛েāĻŸ্ āĻāĻ˛। āĻšৈ āĻšৈ āĻ°ৈ āĻ°ৈ। āĻāĻ­া āĻ¸āĻŽ্āĻŦিāĻ¤ে āĻĢিāĻ°েāĻ›ে। āĻŦুā§œো āĻļ্āĻ¯াāĻŽ্āĻĒেāĻ¨ āĻŸাāĻ¨āĻ›ে āĻœāĻ˛েāĻ° āĻŽāĻ¤ো। āĻŦুā§œী āĻāĻ• āĻ—েāĻ˛াāĻ¸েāĻ‡ āĻŸং। āĻ†āĻŽাāĻ•ে āĻœā§œিā§Ÿে āĻļুāĻ§ু āĻ•াঁāĻĻে āĻ†āĻ° āĻāĻ­াāĻ° āĻŦাāĻĒেāĻ° āĻ•āĻĨা āĻ¸্āĻŽāĻ°āĻŖ āĻ•āĻ°ে āĻŦāĻ˛ে, āĻ­াāĻ‡ āĻŦেঁāĻšে āĻĨাāĻ•āĻ˛ে āĻ†āĻœ āĻ¸ে āĻ•ী āĻ–ুāĻļীāĻŸাāĻ‡ āĻ¨া āĻšāĻ¤। ‘āĻ†āĻ° āĻāĻ­া? āĻ†āĻŽাāĻ•ে āĻāĻ•āĻŦাāĻ° āĻļুāĻ§ু āĻ•াāĻ¨ে āĻ•াāĻ¨ে āĻŦāĻ˛āĻ˛, ‘āĻœীāĻŦāĻ¨ে āĻāĻ‡ āĻĒ্āĻ°āĻĨāĻŽ āĻļ্āĻ¯াāĻŽ্āĻĒেāĻ¨ āĻ–াāĻš্āĻ›ি। āĻ¤ুāĻŽি āĻ†āĻŽাāĻ° āĻ‰āĻĒāĻ° āĻāĻ•āĻŸু āĻ¨āĻœāĻ° āĻ°েāĻ–ো।’ āĻĄাāĻ•্āĻ¤াāĻ° āĻ‰ā§ŽāĻ¸াāĻšিāĻ¤ āĻšā§Ÿে āĻ†āĻ°ো āĻ•ি āĻ¯েāĻ¨ āĻŦāĻ˛āĻ¤ে āĻ¯াāĻš্āĻ›িāĻ˛েāĻ¨ āĻāĻŽāĻ¨ āĻ¸āĻŽā§Ÿ āĻ†āĻ¸্āĻ¤ে āĻ†āĻ¸্āĻ¤ে āĻĻāĻ°āĻœা āĻ–ুāĻ˛ে āĻ˜āĻ°ে āĻĸুāĻ•āĻ˛েāĻ¨ āĻāĻ• āĻ¸ুāĻ¨্āĻĻāĻ°ী- āĻšাঁ, āĻ¸ুāĻ¨্āĻĻāĻ°ী āĻŦāĻŸে। āĻāĻ• āĻ˛āĻšāĻŽাā§Ÿ āĻ†āĻŽি āĻ¨āĻ°্āĻĨ āĻ¸ীāĻ° āĻ˜āĻ¨ āĻ¨ীāĻ˛ āĻœāĻ˛, āĻĻāĻ•্āĻˇিāĻŖ āĻ‡āĻŸাāĻ˛িāĻ° āĻ¸োāĻ¨াāĻ˛ি āĻ°োāĻĻে āĻ°ূāĻĒাāĻ˛ি āĻĒ্āĻ°āĻœাāĻĒāĻ¤ি, āĻĄাāĻ¨ā§ŸুāĻŦেāĻ° āĻļাāĻ¨্āĻ¤-āĻĒ্āĻ°āĻļাāĻ¨্āĻ¤ āĻ›āĻŦি, āĻ¸েāĻ‡ āĻĄাāĻ¨ā§ŸুāĻŦেāĻ°āĻ‡ āĻ˛āĻœ্āĻœাāĻļীāĻ˛ āĻĻেāĻšāĻš্āĻ›āĻ¨্āĻĻ āĻ°াāĻ‡āĻ˛্āĻ¯াāĻ¨্āĻĄেāĻ° āĻļ্āĻ¯াāĻŽāĻ˛িā§Ÿা āĻŽোāĻšāĻ¨ীā§Ÿা āĻ‡āĻ¨্āĻĻ্āĻ°āĻœাāĻ˛ āĻ¸āĻŦ āĻ•িāĻ›ুāĻ‡ āĻĻেāĻ–āĻ¤ে āĻĒেāĻ˛ুāĻŽ। āĻ†āĻ° āĻ¸ে āĻ•ী āĻ˛াāĻœুāĻ• āĻšাāĻ¸ি āĻšেāĻ¸ে āĻ†āĻŽাāĻ° āĻĻিāĻ•ে āĻ¤িāĻ¨ি āĻšাāĻ¤ āĻŦাā§œাāĻ˛েāĻ¨। āĻ†āĻŽি āĻŽাāĻĨা āĻ¨ীāĻšু āĻ•āĻ°ে āĻĢāĻ°াāĻ¸িāĻ¸ āĻ•াā§ŸāĻĻাā§Ÿ āĻ¤াঁāĻ° āĻšāĻŽ্āĻĒāĻ• āĻ•āĻ°াāĻ™্āĻ—ুāĻ˛ি-āĻĒ্āĻ°াāĻ¨্āĻ¤ে āĻ“āĻˇ্āĻ  āĻ¸্āĻĒāĻ°্āĻļ āĻ•āĻ°ে āĻŽāĻ¨ে āĻŽāĻ¨ে āĻŦāĻ˛āĻ˛ুāĻŽ, ‘āĻŦেঁāĻšে āĻĨাāĻ•ো āĻ¸āĻ°্āĻĻি-āĻ•াāĻļি āĻšিāĻ°āĻœীāĻŦী āĻšā§Ÿে āĻ¤ুāĻŽি।’