Monday, July 30, 2012

Rare Paintings of India


The Shore Temple, Mahabalipuram - 1825



Watercolour of the Shore Temple in Mahabalipuram, Tamil Nadu, by John Gantz, c. 1825. Inscribed: 'N W View of two ancient Temples by the Seaside. Mahabilipoorum. J. Gantz'.

John Gantz and his son Justinian ran a lithographic press, but are remembered best for their watercolours of flat-top houses and public buildings in and around Chennai (Madras), dating to the first half of the 19th century. Though not British-born, they both lived and died in India, in the service of the East India Company. Mamallapuram, a tiny village south of Chennai, was a flourishing port of the Pallava dynasty from the 5th - 8th centuries. The site is famous for a group of temples, a series of rock-cut caves and some monolithic sculptures created in the 7th century. This view shows the Shore Temple, built in the late 7th century by Rajasimha and is orientated east, towards the ocean. The temple consists of two spires; one contains a shrine for Vishnu and one for Shiva.

Copyright © The British Library Board

'Idea' of the Month

"We all are given stones everyday......its upto us what we make - Walls or Bridges!"


SHONKU AND THE GOLDEN CHANCE by Satyajit Ray, Translated by Victor Ghoshe



Part 1

24 the June

Today is the 'Midsummer Day'; I am sitting beside the 'Stonehenge' on the English Salisbury plain and writing my diary.
Stonehenge was build four thousand years back, exactly when the 'Bronze Age' was about to start in this part of the earth. Man had just learnt - how to use metal and was advancing very fast towards the new age civilizations.

Historically Egyptians, Indians, Mesopotamians, Persians walked on the path of civilization far before Europeans. But then again, I really don’t understand - how could one call those people uncivilized, who had built the Stonehenge four thousand years ago.
Huge stone pillars; brought from far away places; made to stand side by side; one pillar kept horizontally on every two consecutive pillars. Going side by side these ‘door like’ structures created a huge circle.

Even a couple of years back people used to think, that Stonehenge was a religious ceremony centre of a tribe called 'The Kelts'. But very recently archeologists have discovered that this was actually an observatory and if that is true, this is surely one of the oldest observatories of the world. Scientists have discovered a relation between these stone pillars and the movement of the sun, which becomes very clear especially on this day -the 'Midsummer Day'.
It's so amazing that without the help of the modern technology, how was it possible for those people to position these pillars so accurately.

Anyway my friend Krole has a different view- he believes ancient people knew some chemical formulae, which could temporarily reduce the weight of stones. And for that reason — building a ‘Pyramid’ or a Stonehenge was much easier in those days than now.
Willhelm Krole had always believed in the supernatural powers of ancient people. He had researched majorly on ancient magic, rituals, spiritualism, and witchcraft. He accompanied me in Tibet for our ‘Unicorn expedition’. a little far on my right, sitting on the grass, Krole is playing a flute. This unique flute is made of a human leg-bone, which he collected from a Tibetan monastery. And we could never imagine that such great German folk tune could be played with this weird instrument.

The other person who accompanied me in my Tibet expedition is now sitting on my left and enjoying a cup of not-so-hot coffee. He is none other than my dear friend - Geologist Jeremy Saunders. Few days' back Saunders invited me to come to London. And Krole and me are now staying with him at his house in Hampstead. We have a plan to stay here for another seven days.
This year summer is truly great here — no rainfall; no drizzle - clear blue sky. Only bright sunrays are dripping through white clouds and spreading energy. Let me stop writing as Krole has stopped playing his flute. Its time - we need to go to a famous auction house in London with him now. He has got this information that a Thirteen-century Spanish manuscript of Alchemy is on auction there. Krole believes that he would get it for a throw away price, as no one takes interest in Alchemy now-a-days. Making gold in the laboratories is though an expensive affair but not impossible in this atomic age.


24 the June 10.30 pm

Peculiar experience in the auctions.

Our 'happy-go-lucky' Bavarian friend Krole is generally a quit guy, we never saw him getting excited, but today he went mad in the auctions. The manuscript - which he thought he would get for fifty pounds, finally cost him one thousand five hundred pounds; which is about twenty five thousand Indian Rupees. And it happened only because of one person; who was bidding hysterically to compete Krole; in the process he pushed the price of this bundle of old parchment paper to this height. It was easy to make out that he was an American from his dress and from the way he was talking. When finally Krole won, we could realize that he was disgusted, as he displayed a major frown on his forehead all the time.

Krole has got submerged in the manuscript since we came back from the auction house. Though the papers were very old but the handwriting was very clear and very easy to read. And of course, Krole knew Spanish very well.

As far as my knowledge is concerned, I know that, in the thirteenth century there was quite a stir in Spain about Alchemy. This was very much influenced by the Arabs; who made it popular in most of the European territories.

Gold is the king of all metals. It looks beautiful and it is also everlasting. Even in our 'Puranas' gold often stood for the sun and silver for moon. Through the centuries there were certain groups who kept on experimenting relentlessly to make gold from the cheaper metals like lead, copper etcetera. These were the people who were called the Alchemists.
In their methods they used to mix 'Mantra-s' and ‘Chanting’ with the scientific processes and for that reason, mainstream scientists never acknowledged them as scientists. Even in our country, people had practiced Alchemy. I know this well because I have an ancient Sanskrit manuscript called 'Dhanadaprakarantantrasara'. Surprisingly this manuscript furnishes many ways of making gold from cheaper metals, most of them mention a long list of ingredients and write about mixing them and heat them on fire. When this is done there are five to ten procedures to follow — upto this level it could have been fine, but after this when the manuscript mentioned that one has to chant a specific mantra for ten thousand times — it became too much for me. And probably that's the reason for which I had never tried Alchemy in my entire career.

But that really doesn't matter whether I have tried it or not — history had mentioned ‘Alchemists’ in almost every century. In Europe there were kings who had hired Alchemists and paid for their laboratories and all other expenses. With the hope that when they would need money those alchemists would make gold and help them with finances. But of course there is no such report available that someone actually did so.

Anyway, the point is — Krole strongly believes in Alchemy, otherwise he would not have spent so much money for the manuscript. When he was bidding, Saunders told me, “Krole believes - the gold he would make, would take care of all these expenses. And if we do not make much fun of him there are chances that we also get our shares."

25th June

Even in London I regularly go for my morning walks at 5 am sharp, as I do in Giridih, my hometown.
In London, during the summers, at 5 am there is a good amount of morning light. But the Englishmen do not get up early, so all the places are mostly empty around this time, especially my favorite walking place — Hampstead Heath. This ocean- like wavy Greenfield highly energizes me, if I walk there for an hour. When I come back Saunders is generally ready with the coffee. Krole gets up a little late — at 9 am, because he reads till late night.

Today I was surprised to see Krole walking in the drawing room anxiously; he had already made his coffee and sipping it in-between his brisk steps.

The moment he saw me, he stopped; stared at me for some time and asked “you are a Scorpio, right?” I said, “Yes”
Before your hair turned gray, were they black?
Yes again.
Do you have garlic in your food?
Yes…. sometimes!
Great!!! That says you got to be there, as Saunders is a Leo and I am a Taurian, his hair colour is pale, mine is golden and none of us eat garlic.
“What do you mean! is this a riddle?” I asked

“No riddle my dear friend, Manuel Savedra had mentioned in his manuscript that “to make gold in a laboratory, at least one human being who has all these three virtues has to be present during the experiment- so my dear Shonku you are in.”
“IN? Where? Is it going to happen here? In Hampstead? In this drawing room? WHERE?"

I was truly perplexed and was thinking whether Krole should be taken seriously or not.
Krole pointed his finger firmly towards the world atlas on the wall and said, 'four degree west by thirty seven point two degree north.'

I did not have to look at the map to say 'It's Spain I believe — Granada.'
'Right you are', said Krole, but to name the actual place you have to look at the map.
I stepped towards the wall; the place where my finger reached after calculating the latitude and longitude had 'Montefrio' written on it. Krole said Manuel Savedra — the writer of this manuscript used to live in Montefrio.

'Have you gone mad Krole?' I couldn't help saying— 'Do you believe that the seven hundred years old house still stands there? And above all if the manuscript has the procedure described, then we can do it in any laboratory, why do we need to go to Spain for that?

Krole was quite annoyed when he heard that. He put down his coffee mug on the table with a 'bang' and said - Shonku, you must know, that this is not an average scientific experiment, had it been somewhat like that, then it wouldn't have been important whether you eat garlic or not, whether the colour of your hair was black or not. Here in this kind of experiment - ‘time’, ‘geographical location’, even ‘physical and behavioral pattern’ of the researchers play important roles.

Believe me, these are all serious matters and for god's sake please do not underestimate these things. And what makes you think that seven hundred years old house would not exist! haven't you seen those pre-renaissance European castles? They are still standing tall in many places. Krole went on with his long lecture '… according to the manuscript, Savedra was from a very high-class family and the description of his residence suggests that it was a huge castle. Some part of it could be broken, but I am sure we will find at least one room in the whole castle, which can be used as our laboratory. And of course if people are staying there in the castle then we will have to negotiate with them. But I believe that, anything and everything is possible in this world — you only need to pay the price and Alchemy is……..

“What is it; which makes you people start an arguement so early in the morning"?
Saunders entered. Krole was so excited; he repeated our entire conversation to Saunders and ended with - “if we could go to Tibet in search of an imaginary animal, then why can't we go to Spain which is just a two hours plane journey from here and where there is a chance for us to create artificial gold?

Saunders did not argue — possibly because Krole was so excited. He said 'I do not mind going to Spain and I believe Shonku also doesn't mind, but may we know what are the equipments and ingredients your experiment require other than shonku in person.
'Time is more important than the ingredients. Savedra has suggested that one can start the experiment at 12pm, on any day within seven days before or after the Midsummer Day — because only in those few days the sun is strongest on the earth.
The ingredients are also easily available. Mercury and lead has always been mentioned in Alchemy all over the world they are mentioned by Savedra as well, apart from those — water, sulphur, table salt and quite a number of roots, leafs & barks of some specific plants.

The tools should all be earthen or made of glass. This is also a very common thing in Alchemy, other than these, we need a burner, an old 'air pump of a blacksmith’ and a water tank on the floor.
Water tank? Why? Asked Saunders.

To save rain water in that, but this is something new, I have never read this in any other Alchemy book, replied Krole.
Has he mentioned 'touchstone' I asked.

The concept of a touchstone is very popular in every part of the world. Some of the books of Alchemy, which I read, primarily focusses on making a touchstone and after that by the touch of that stone one can turn other metals into gold.
Krole said 'No! Savedra has not mentioned touchstone. The ingredients will react chemically and form a semi-solid stuff. That has to be purified in the rainwater and the liquid which comes out finally works as the catalyst. That means when other materials are brought in contact to that liquid they turn into gold.
Did Savedra succeed?' Saunders asked with sarcasm.

There was silence for some time and then Krole said in a grave voice “the manuscript is actually a diary and not written in a textbook format. The way his experiments proceeded his language became more and more poetic. Though he didn't write anything like 'today I made gold’ but towards the end he wrote — Krole picked up the manuscript from the top of the grand piano and read out loud “today I not only feel like the best magician or the like the best scientist of this world but I feel like - I am the best artist on this earth — who has a divine talent — and who can immortalize any creation of this universe….' Now you are free to interpret this.
Saunders and I looked at each other. Silence prevailed for some time again; I could understand that some of Krole's excitements had automatically been injected into Saunders' veins exactly the way it was happening to me. Saunders asked 'does any ritual or any chanting required in this process? And the way he asked the question, I could pretty well understood that he was trying to hide his excitement from us.
Krole took a long drag from his pipe; puffed out and said— 'a planchet has to be performed, prior to the commencement of our experiment.

'Planchet?' But whose spirit to call?

'The world famous alchemist Zabir-Ibn-Hayan's, you must have heard of this 10th century genius. It's just a normal blessing seeking process and as I am there, it wouldn't be problem at all.
We knew that Krole heads a planchet institution in Munich.
'And we need him.' Said Krole staring at the door. Following his line of vision we found Mustafa — the huge Persian cat of Saunders.

-'He means?' Saunders shouted loudly. I know Saunders is quite sensitive about cats, somewhat like me. Three years back when he came to my house in Giridih he tied a nice ribbon around my cat Newton's neck, as a gesture of his affection.

Krole said Savedra has strongly mentioned that a cat's presence in the laboratory is very important and always been very helpful for experiments. If not a cat, the second choice is an owl. But when we have a cat then why should we go for the second option?
Saunders or me, none of us promised Krole about the Spain trip, though Krole mentioned repeatedly that if this Midsummer Day passes by, then we have to wait for another year.
After the breakfast we three went to a fair in Hampstead Heath. This is an annual affair- it happens during the summers every year. Rows of stalls, gambling joints, merry-go-rounds, a large number of kids and a mixed crowd of all ages. We walked through all these and reached at a relatively open space where there was a very well-decorated caravan-like car which had -'Come and have your future told by Madame Reneta' written on it.

Madame herself was sitting inside the car and looking through the curtained window, she smiled and wished us good morning.

Gypsy fortunetellers like this are very common in this country — especially in the fairs. Krole immediately decided to visit her to see what was there in our fate. All three of us entered the caravan, as krole was quite hell-bent to know our future. Madame Reneta - a well built lady, was sitting in her well-decorated room and waiting for clients with her minimum equipments - one round shaped table, a vase holding a single red rose and a crystal ball. Generally what happens — these fortunetellers stare at their crystal balls and see their client's future events in the ball.
Krole did not waste time and said, 'Madame, could you please tell us whether anything remarkable is going to happen in our lives. We three are friends and are going to start a very important project soon.

Reneta put both her elbows on the table and concentrated on the crystal ball. We three were sitting around the table, on three chairs. The sound of 'Merry-go-round, giggles of kids, loud voices of the vendors were coming through the window. Krole was so excited he moved closer towards the ball.

'I see the sun rising ' Madame Reneta whispered in a very thick, husky voice. Krole suddenly stopped breathing - I am sure he was translating 'sun' into 'gold'.
'I see the sun rising for you,' Madame Reneta uttered again. 'And'....She stopped. My heart started beating faster. Situations like this transform elderly people to kids.
'And what?' Krole asked anxiously. He could not be patient any more. But Madame Reneta was indifferent; she covered the ball with her two hands from two sides possibly to have a clearer view of the future by guarding the daylight.
'And- ' the thick husky voice reverberated the caravan again 'And I see death. Yes death'
'Whose death?' Krole's voice trembled as he uttered the two words. He again started breathing very fast.

'A death of a radiant man.'
Madame Renata didn't say anything more.
When asked how does the 'radiant man' look — she replied 'his face is blurred'.
Saunders got up from his chair; Madame Reneta came out of her trance and raised her right hand with a smile. Saunders paid her a decent fee and we three came out of the caravan.

End of Part one

Read the Full Story in 3 parts, nest issue Sept'12

Poster of the Month by Victor ghoshe

'Have a smile'

'Shobuj Nidhon' by Kingshuk Roy

Kinshuk roy is a Senior Marketing Professional in the corporate sector, he stays in Lucknow, Uttar Pradesh, India, with his wife and son.

Sunday, July 29, 2012

Neck Strain Rehabilitation Excercises, Juthika Bezboruah

1. Isometric Neck Extension : sit tall, eyes straight ahead. chin up. Clasp hands together and place them behind head. press back head into palms. Hold 5 seconds and release. do 3 of 5. 2. Isometric Neck side bend: sit tall, eyes straight ahead. chin up. place the palm at the side of the temple, and press temple into the palm. Hold 5 seconds and release. do 3 of 5 on each side. 3. Head Lift: neck curl: lie on your right side with you right arm lying strieght out, rest head on arm, then lift head slowly toward left shoulder. Hold for 5 sec. repeat 10 times. Switch to left side and repeat the excercise. 4. Neck extension on hands and knees: get on your hands and knees and look down on the floor. keep back streight and let your head slowly drop toward the chest. tuck your chin slightly and lift head up keeping neck leveled with the back. Hold for 5 sec. repeat 10 times. 5. Scapular Squeeze: while sitting or standing with your arms by your sides, sqeeze your shoulder blades together and hold for 5 sec. Do 3 sets of 10.

āĻĒ্āϰেāĻŽেāϰ āĻ—āϞ্āĻĒ (A love story) - 'āĻŦেঁāϚে āĻĨাāĻ•ো āϏāϰ্āĻĻিāĻ•াāĻļি' by Saiyad Mujtaba Ali

āĻŦেঁāϚে āĻĨাāĻ•ো āϏāϰ্āĻĻিāĻ•াāĻļি,
āϏৈ⧟āĻĻ āĻŽুāϜāϤāĻŦা āφāϞী

āϭ⧟āĻ™্āĻ•āϰ āϏāϰ্āĻĻি āĻšā§ŸেāĻ›ে। āύাāĻ• āĻĻি⧟ে āϝা āϜāϞ āĻŦেāϰāĻŽ্āύāϚ্āĻ›ে āϤা āϏাāĻŽāϞাāύো āϰāĻŽ্āύāĻŽাāϞেāϰ āĻ•āϰ্āĻŽ āύ⧟। āĻĄāĻŦāϞ āϏাāχāϜ āĻŦিāĻ›াāύাāϰ āϚাāĻĻāϰ āύি⧟ে āφāĻ—ুāύেāϰ āĻ•াāĻ›ে āĻŦāϏেāĻ›ি। āĻšাঁāϚāĻ›ি āφāϰ āύাāĻ• āĻা⧜āĻ›ি, āύাāĻ• āĻা⧜āĻ›ি āφāϰ āĻšাঁāϚāĻ›ি। āĻŦিāĻ›াāύাāϰ āϚাāĻĻāϰেāϰ āĻ…āϰ্āϧেāĻ•āĻ–াāύা āĻšā§Ÿে āĻāϏেāĻ›ে, āĻāĻ–āύ āĻŦেāĻ›ে āĻŦেāĻ›ে āĻļুāĻ•āύো āϜা⧟āĻ—া āĻŦেāϰ āĻ•āϰāϤে āĻšāϚ্āĻ›ে। āĻļীāϤেāϰ āĻĻেāĻļ, āĻĻোāϰ āϜাāύাāϞা āĻŦāύ্āϧ, āĻ•িāϚ্āĻ›ু āĻ–োāϞাāϰ āωāĻĒা⧟ āύেāχ। āϜাāύāϞা āĻ–ুāϞāϞে āĻŽāύে āĻšā§Ÿ āĻ—ৌāϰীāĻļāĻ™্āĻ•āϰেāϰ āϚূ⧜োāϟি āϝেāύ āĻšিāĻŽাāϞ⧟ āϤ্āϝাāĻ— āĻ•āϰে āφāĻŽাāϰ āϘāϰে āύাāĻ• āĻ—āϞাāĻŦাāϰ āϤাāϞে āφāĻ›েāύ। āϜাāύি, āĻāĻ•āχ āϰāĻŽ্āύāĻŽাāϞে āĻŦাāϰāĻŦাāϰ āύাāĻ• āĻা⧜āϞে āϏāϰ্āĻĻি āĻŦে⧜েāχ āϚāϞে, āĻ•িāύ’ āωāĻĒা⧟ āĻ•ি? āĻĻেāĻļে āĻšāϞে āϰāĻ•ে āĻŦāϏে āĻŦাāχāϰে āĻ—āϞা āĻŦা⧜ি⧟ে āĻĻি⧟ে āϏāĻļāĻŦ্āĻĻে āύাāĻ• āĻা⧜āϤুāĻŽ, āĻ āύোংāϰাāĻŽিāϰ āĻšাāϤ āĻĨেāĻ•ে āϰāĻ•্āώা āϤো āĻĒেāϤুāĻŽāχ, āύাāĻ•āϟাāĻ“ āĻ•াāĻĒ⧜েāϰ āϘāώা⧟ āĻ›ā§œে āϝেāϤো āύা। āĻšāĻ াā§Ž āĻŽāύে āĻĒ⧜āϞ āĻĒāϰāĻļু āĻĻিāύ āĻāĻ• āĻĄাāĻ•্āϤাāϰেāϰ āϏāĻ™্āĻ—ে āĻ…āĻĒেāϰাāϤে āφāϞাāĻĒ āĻšā§ŸেāĻ›ে। āĻĄাāĻ•āϏাঁāχāϟে āĻĄাāĻ•্āϤাāϰ- āĻŽ্āϝুāύিāĻ• āĻļāĻšāϰে āύাāĻŽ āĻ•āϰāϤে āĻĒাāϰাāϟা āϚাāϟ্āϟিāĻ–াāύি āĻ•āĻĨা āύ⧟। āϝāĻĻিāĻ“ āϜাāύি āĻĄাāĻ•্āϤাāϰ āĻ•āϰāĻŦে āĻ•āϚু, āĻ•াāϰāĻŖ āϜāϰ্āĻŽāύ āĻ­াāώাāϤেāχ āĻĒ্āϰāĻŦাāĻĻ āφāĻ›ে āĻ“āώুāϧ āĻ–েāϞে āϏāϰ্āĻĻি āϏাāϰে āϏাāϤ āĻĻিāύে, āύা āĻ–েāϞে āĻāĻ• āϏāĻĒ্āϤা⧟। āϤāĻŦু āĻ—েāϞুāĻŽ āϤাঁāϰ āĻŦা⧜ী। āφāĻŽাāϰ āϚেāĻšাāϰা āĻĻেāĻ–েāχ āϤিāύি āĻŦুāĻāϤে āĻĒাāϰāϞেāύ āĻŦ্āϝাāĻĒাāϰāϟা āĻ•ি। āφāĻŽি āĻļুāϧাāϞাāĻŽ, āϏāϰ্āĻĻিāϰ āĻ“āώুāϧ āφāĻ›ে? āφāĻĒāύাāϰ āĻĒ্āϰāĻĨāĻŽ āĻāĻŦং āĻ–ুāĻŦ āϏāĻŽ্āĻ­āĻŦ āĻļেāώ āĻ­াāϰāϤী⧟ āϰোāĻ—ীāϰ āĻāĻ•āϟা āĻŦ্āϝāĻŦāϏ্āĻĨা āĻ•āϰে āĻĻিāύ। āφāĻŽাāϰ āĻāĻ• āύাāĻ• āĻĻি⧟ে āĻŦেāϰāĻŽ্āύāϚ্āĻ›ে āϰাāχāύ, āĻ…āύ্āϝ āύাāĻ• āĻĻি⧟ে āĻ“āĻĄাāϰ। āĻĄাāĻ•্āϤাāϰ āϝāĻĻিāĻ“ āϜāϰ্āĻŽāύ āϤāĻŦু āĻšাāϤ āĻĻু’āĻ–াāύি āφāĻ•াāĻļেāϰ āĻĻিāĻ•ে āϤুāϞে āϧāϰāϞেāύ āĻĢāϰাāϏিāϏ্ āĻ•া⧟āĻĻা⧟।

āĻŦāϞāϞেāύ, ‘āĻ…āĻŦাāĻ• āĻ•āϰāϞেāύ, āϏ্āϝাāϰ! āϏāϰ্āĻĻিāϰ āĻ“āώুāϧ āύেāχ? āĻ•āϤ āϚাāύ? āϏāϰ্āĻĻিāϰ āĻ“āώুāϧ āĻšā§Ÿ āĻšাāϜাāϰো āϰāĻ•āĻŽেāϰ।’ āĻŦāϞে āφāĻŽাāĻ•ে āĻĒাāĻļেāϰ āϘāϰে āύি⧟ে āĻ—ি⧟ে āĻ–ুāϞāϞেāύ āϞাāϞ āĻ•েāϞ্āϞাāϰ āϏāĻĻāϰ āĻĻāϰāϜা āĻĒāϰিāĻŽাāĻŖ āĻāĻ• āφāϞāĻŽাāϰি। āϚৌāĻ•ো, āĻ—োāϞ, āĻ•োāĻŽāϰ-āĻŽোāϟা, āĻĒেāϟ-āĻ­াāϰী āĻŦাāĻšাāύ্āύ āϰāĻ•āĻŽেāϰ āĻŦোāϤāϞ-āĻļিāĻļিāϤে āĻ­āϰ্āϤি। āύাāύা āϰāĻ™েāϰ āϞেāĻŦেāϞ āφāϰ āϏেāĻ—ুāϞোāϰ āωāĻĒāϰ āϞেāĻ–া āϰ⧟েāĻ›ে āĻŦিāĻ•āϟ āĻŦিāĻ•āϟ āϏāĻŦ āϞাāϤিāύ āύাāĻŽ। āĻāĻŦাāϰে āĻ–াāύāĻĻাāύী āĻ­ি⧟েāύীāϜ āĻ•া⧟āĻĻা⧟ āĻ•োāĻŽāϰে āĻĻু’āĻ­াঁāϜ āĻšā§Ÿে āĻŦাāĻ“ āĻ•āϰে āĻŦাঁ āĻšাāϤāϟা āĻĒেāϟেāϰ āĻ“āĻĒāϰ āϰেāĻ–ে āĻĄাāύ āĻšাāϤ āĻĻি⧟ে āϤāϞো⧟াāϰ āϚাāϞাāύোāϰ āĻ•া⧟āĻĻা⧟ āĻĻেāϰাāϜেāϰ āĻāĻ• āĻĒ্āϰাāύ্āϤ āĻĨেāĻ•ে āφāϰেāĻ• āĻĒ্āϰাāύ্āϤ āĻ…āĻŦāϧি āĻĻেāĻ–ি⧟ে āĻŦāϞāϞেāύ, ‘āĻŦেāĻ›ে āύিāύ, āĻŽāĻšাāϰাāϜ (āĻ•āĻĨাāϟা āϜāϰ্āĻŽāύ āĻ­াāώা⧟ āϚাāϞু āφāĻ›ে) āϏāĻŦ āϏāϰ্āĻĻিāϰ āĻĻাāĻ“ā§Ÿাāχ।’ āφāĻŽি āϏāύ্āĻĻিāĻ—্āϧ āύ⧟āύে āϤাঁāϰ āĻĻিāĻ•ে āϤাāĻ•াāϞুāĻŽ। āĻĄাāĻ•্āϤাāϰ āĻŽুāĻ–āĻŦ্āϝাāĻĻāύ āĻ•āϰে āĻĒāϰিāϤোāώেāϰ āψāĻˇā§Ž āĻšাāϏ্āϝ āĻĻি⧟ে āĻ—াāϞেāϰ āĻĻুāϟি āϟোāϞ āĻ–োāϞāϤাāχ āĻ•āϰে āĻĻি⧟েāĻ›েāύ- āĻšা’ āϟা āϞেāĻ—ে āĻĻি⧟েāĻ›ে āĻĻু’āĻ•াāύেāϰ āĻĄāĻ—া⧟। āĻāĻ•āϟা āĻ“āώুāϧেāϰ āĻ•āϟāĻŽāϟে āϞাāϤিāύ āύাāĻŽ āĻ…āϤি āĻ•āώ্āϟে āωāϚ্āϚাāϰāĻŖ āĻ•āϰে āĻŦāϞāϞুāĻŽ, ‘āĻāϰ āĻŽাāύে āϤো āϜাāύিāύে।’ āϏāĻĻ⧟ āĻšাāϏি āĻšেāϏে āĻŦāϞāϞেāύ, ‘āφāĻŽিāĻ“ āϜাāύিāύে, āϤāĻŦে āĻāϟুāĻ•ু āϜাāύি, āĻ াāĻ•ুāϰāĻŽা āĻŽাāϰ্āĻ•া āĻ•āϚু-āϘেঁāϚু āĻŽেāĻļাāύো āĻĻিāĻļী āĻĻাāĻ“ā§Ÿাāχ āĻŽাāϤ্āϰেāϰāχ āϞāĻŽ্āĻŦা āϞāĻŽ্āĻŦা āϞাāϤিāύ āύাāĻŽ āĻšā§Ÿ।’ āφāĻŽি āĻļুāϧাāϞাāĻŽ, ‘āĻ–েāϞে āϏāϰ্āĻĻি āϏাāϰে?’ āĻŦāϞāϞেāύ, ‘āĻ—āϞা⧟ āĻāĻ•āϟু āφāϰাāĻŽ āĻŦোāϧ āĻšā§Ÿ, āύাāĻ•েāϰ āϏু⧜āϏু⧜িāϟা āĻšā§ŸāϤ āĻāĻ•āϟু āφāϧāϟু āĻ•āĻŽে। āφāĻŽি āĻ•āĻ–āύো āĻĒāϰāĻ– āĻ•āϰে āĻĻেāĻ–িāύি। āϏāĻŦ āĻĒেāϟেāύ্āϟ āĻ“āώুāϧ-āύāĻŽুāύা āĻšিāϏাāĻŦে āĻŦিāύা āĻĒ⧟āϏা⧟ āĻĒাāĻ“ā§Ÿা। āϤāĻŦে āϏāϰ্āĻĻি āϏাāϰে āύা, āĻ āĻ•āĻĨা āϜাāύি।’ āφāĻŽি āĻļুāϧাāϞুāĻŽ, ‘āϤāĻŦে āϝে āĻŦāϞāϞেāύ āϏāϰ্āĻĻিāϰ āĻ“āώুāϧ āφāĻ›ে?’ āĻŦāϞāϞেāύ, ‘āĻāĻ–āύো āĻŦāϞāĻ›ি āφāĻ›ে āĻ•িāύ্āϤু āϏāϰ্āĻĻি āϏাāϰে āϏে āĻ•āĻĨা āĻŦāϞিāύি।’ āĻŦুāĻāϞুāĻŽ, āϜāϰ্āĻŽāύি āĻ•াāύ্āϟ āĻšেāĻ—েāϞেāϰ āĻĻেāĻļ। āĻŦāϞāϞুāĻŽ, ‘āĻ…’। āĻĢিāϏāĻĢিāϏ āĻ•āϰে āĻĄাāĻ•্āϤাāϰ āĻŦāϞāϞেāύ, ‘āφāϰেāĻ•āϟা āϤāϤ্āϤ্āĻŦāĻ•āĻĨা āĻāχ āĻŦেāϞা āĻļিāĻ–ে āύিāύ। āϝে āĻŦ্āϝাāĻŽোāϰ āĻĻেāĻ–āĻŦেāύ āϏাāϤাāύ্āύ āϰāĻ•āĻŽেāϰ āĻ“āώুāϧ, āĻŦুāĻে āύেāĻŦেāύ, āϏে āĻŦ্āϝাāĻŽো āĻ“āώুāϧে āϏাāϰে āύা।’ āϤāϤāĻ•্āώāĻŖে āφāĻŦাāϰ āφāĻŽি āĻšাঁāϚ্āĻ›ো āĻšাঁāϚ্āĻ›ো āφāϰāĻŽ্āĻ­ āĻ•āϰে āĻĻি⧟েāĻ›ি। āύাāĻ•-āϚোāĻ– āĻĻি⧟ে āĻāĻŦাāϰ āϰাāχāύ-āĻ“ā§œাāϰ āύা āĻāĻŦাāϰে āĻĒāĻĻ্āĻŽা-āĻŽেāϘāύা। āĻĄাāĻ•্āϤাāϰ āĻĄāϜāύ āĻĻুāχ āĻ•াāĻ—āϜেāϰ āϰāĻŽ্āύāĻŽাāϞ āφāϰ āĻāĻ•āϟা āĻ“ā§ŸেāϏ্āϟ-āĻĒেāĻĒাāϰ āĻŦাāĻ•্āϏেāϟ āφāĻŽাāϰ āĻĻিāĻ•ে āĻāĻ—ি⧟ে āĻĻিāϞেāύ। āϧাāĻ•্āĻ•াāϟা āϏাāĻŽāϞে āĻ“āĻ ে āĻĒ্āϰাāĻŖāĻ­āϰে āϜāϰ্āĻŽāύ āϏāϰ্āĻĻিāĻ•ে āĻ…āĻ­িāϏāĻŽ্āĻĒাāϤ āĻĻিāϞুāĻŽ। āĻĻেāĻ–ি, āĻĄাāĻ•্āϤাāϰ āφāĻŽাāϰ āĻĻিāĻ•ে āϤাāĻ•ি⧟ে āĻŽিāϟāĻŽিāϟি⧟ে āĻšাāϏāĻ›েāύ। āφāĻŽাāϰ āĻŽুāĻ–ে āĻšā§ŸāϤ āĻāĻ•āϟু āĻŦিāϰāĻ•্āϤি āĻĢুāϟে āωāĻ েāĻ›িāϞ। āĻŦāϞāϞেāύ, ‘āϏāϰ্āĻĻি-āĻ•াāĻļিāϰ āĻ—ুāĻŖāĻ“ āφāĻ›ে।’ āφāĻŽি āĻŦāϞāϞুāĻŽ, ‘āĻ•āϚু, āĻšাāϤী, āϘāĻŖ্āϟা!’ āĻŦāϞāϞেāύ, ‘āϤāϰ্āϜāĻŽা āĻ•āϰে āĻŦāϞুāύ।’ āφāĻŽি āĻŦāϞāϞুāĻŽ, ‘āĻ•āϚুāϰ’ āϞাāϤিāύ āύাāĻŽ āϜাāύিāύে; ‘āĻšাāϤী’ āĻšāϞ ‘āĻāϞেāĻĢাāύ্āϟ’ āφāϰ ‘āϘāĻŖ্āϟা’ āĻŽাāύে ‘āĻ—āϏ্āύāĻ•ে’। ‘āĻŽাāύে! āφāϰ āĻŦুāĻে āĻĻāϰāĻ•াāϰ āύেāχ; āĻāĻ—ুāϞো āĻ•āϟুāĻŦাāĻ•্āϝ।’

āφāĻ•াāĻļ āĻĒাāύে āĻšাāύি āϝুāĻ—āϞāĻ­ুāϰāĻŽ্āύ āĻŦāϞāϞেāύ, ‘āĻ…āĻĻ্āĻ­ুāϤ āĻ­াāώা! āĻšাāϤি āφāϰ āϘāĻŖ্āϟা āĻ—াāϞাāĻ—াāϞি āĻšā§Ÿ āĻ•ি āĻ•āϰে! āĻāĻ•āϟা āĻ—āϞ্āĻĒ āĻļুāύāĻŦেāύ? āϏāĻ™্āĻ—ে āĻ—āϰāĻŽ āĻŦ্āϰাāύ্āĻĄি?’ āφāĻŽি āĻŦāϞāϞুāĻŽ, ‘āĻĒ্āϰāĻĨāĻŽāϟাāχ āϚāϞুāĻ•। āĻŽিāĻ•্āϏ্ āĻ•āϰা āĻ­াāϞো āύ⧟।’ āĻĄাāĻ•্āϤাāϰ āĻŦāϞāϞেāύ, āφāĻŽি āĻĄাāĻ•্āϤাāϰি āĻļিāĻ–েāĻ›ি āĻŦাāϰ্āϞিāύে। āĻŦāĻ›āϰ āϤিāύেāĻ• āĻĒ্āϰ্āϝাāĻ•āϟিāϏ āĻ•āϰাāϰ āĻĒāϰ āĻāĻ•āĻĻিāύ āĻ—ি⧟েāĻ›ি āϏ্āϟেāĻļāύে, āĻŦāύ্āϧুāĻ•ে āĻŦিāĻĻে⧟ āĻĻিāϤে। āĻĢেāϰাāϰ āϏāĻŽā§Ÿ āϏ্āϟেāĻļāύ-āϰেāϏ্āϤোāϰাঁ⧟ āĻĸুāĻ•েāĻ›ি āĻāĻ•āϟা āĻŦ্āϰাāύ্āĻĄি āĻ–াāĻŦ āĻŦāϞে! āĻĸুāĻ•েāχ āĻĨāĻŽāĻ•ে āĻĻাঁ⧜াāϞুāĻŽ। āĻĻেāĻ–ি, āĻāĻ• āĻ•োāĻŖে āĻāĻ• āĻ…āĻĒāϰূāĻĒ āϏুāύ্āĻĻāϰী। āĻ…āϤ্āϝāύ্āϤ āϏাāĻĻা āϏিāĻĻে āĻŦেāĻļāĻ­ূāώা-āĻ—āϰীāĻŦ āĻŦāϞāϞেāĻ“ āϚāϞে- āφāϰ āϤাāχ āĻŦোāϧ āĻšā§Ÿ āϏৌāύ্āĻĻāϰ্āϝāϟা āĻĒে⧟েāĻ›ে āϤাāϰ āϚāϰāĻŽ āĻ–োāϞāϤাāχ। āύāϰ্āĻĨāϏী āĻĻেāĻ–েāĻ›েāύ? āϤāĻŦে āĻŦুāĻāϤেāύ āĻšāĻŦ-āĻšāĻŦ āϏāύ্āϧ্āϝা⧟ āϤাāϰ āϜāϞ āĻ•ি āϰāĻ•āĻŽ āύীāϞ āĻšā§Ÿ-āϤাāϰāχ āĻŽāϤ āϏুāύ্āĻĻāϰীāϰ āϚোāĻ–। āĻĻāĻ•্āώিāĻŖ āχāϟাāϞীāϤে āĻ•āĻ–āύো āĻ—ি⧟েāĻ›েāύ? āύা? āϤāĻŦে āĻŦুāĻāϤেāύ āϏেāĻ–াāύে āϏোāύাāϞি āϰোāĻĻে āϰূāĻĒাāϞী āĻĒ্āϰāϜাāĻĒāϤিāϰ āĻ•ি āϰাāĻ—িāĻŖী। āϤাāχ āĻŽāϤ āϤাঁāϰ āĻŦ্āϞāύ্āĻĄ āϚুāϞ। āĻĄাāύ⧟ুāĻŦ āύāĻĻী āĻĻেāĻ–āĻ›েāύ? āύা? āϤা āĻšāϞে āφāĻŽাāϰ āϏāĻŦ āĻŦāϰ্āĻŖāύাāχ āĻŦৃāĻĨা। āφāĻŽি āĻŦāϞāϞুāĻŽ, ‘āĻŦāϞে āϝাāύ, āϰāϏāĻ—্āϰāĻšāĻŖে āφāĻŽাāϰ āĻ•āĻŖাāĻŽাāϤ্āϰ āĻ…āϏুāĻŦিāϧে āĻšāϚ্āĻ›ে āύা।’ ‘āύা, āĻĨাāĻ•। āĻ“āϰāĻ•āĻŽ āĻŦে⧟াāϰিং āĻĒোāϏ্āϟেāϰ āĻŦāϰ্āĻŖāύা āĻĻিāϤে āφāĻŽাāϰ āĻŽāύ āĻŽাāύে āύা। āφāĻŽāϰা āĻĄাāĻ•্āϤাāϰ-āĻŦāĻĻ্āϝি āĻŽাāύুāώ, āĻ­াāώা āĻŦাāĻŦāĻĻে āĻŽুāĻ–্āϝ-āϏুāĻ–্āϝু। āĻ…āύেāĻ• āĻŽেāĻšāύāϤ āĻ•āϰে āϝে āĻāĻ•āϟি āĻŽাāϤ্āϰ āĻŦāϰ্āĻŖāύা āĻ•āĻŦ্āϜা⧟ āĻāύেāĻ›ি āϏেāχāϟেāĻ“ āϝāĻĻি āύা āĻŦোāĻেāύ āϤāĻŦে āφāĻŽাāϰ āĻļোāĻ•āϟা āĻ•োāĻĨা⧟ āϰাāĻ–ি āĻŦāϞুāύ āϤো।’
āĻ•াāϤāϰ āĻšā§Ÿে āĻŦāϞāϞুāĻŽ, ‘āύিāϰাāĻļ āĻ•āϰāĻŦেāύ āύা।’ ‘āϤāĻŦে āϚāϞুāĻ• āϤ্āϰিāϞেāĻ—েāĻĄ্ āϰেāϏ। āĻĄাāύ⧟ুāĻŦ āύāĻĻীāϰ āĻļাāύ্āϤ-āĻĒ্āϰāĻļাāύ্āϤ āĻ­াāĻŦāĻ–াāύা āϤাঁāϰ āĻŽুāĻ–েāϰ āωāĻĒāϰ। āĻ…āĻĨāϚ āϜাāύেāύ, āĻĄাāύ⧟ুāĻŦ āĻ…āĻ—āĻ­ীāϰ āύāĻĻী āύ⧟। āφāϰ āĻĄাāύ⧟ুāĻŦেāϰ āĻ‰ā§ŽāĻĒāϤ্āϤিāϏ’āϞ āĻĻেāĻ–েāĻ›েāύ। āύা। āϤাāĻšāϞে āĻŦুāĻāϤেāύ āϏেāĻ–াāύে āϤāύ্āĻŦāψ āĻĄাāύ⧟ুāĻŦ āϝে āϰāĻ•āĻŽ āϞাāϜুāĻ• āĻŽে⧟েāϰ āĻŽāϤ āĻঁāĻ•ে āĻŦেঁāĻ•ে āφāĻĒāύ āĻļāϰীāϰ āĻĸাāĻ•āϤে āĻŦ্āϝāϏ্āϤ, āĻ-āĻŽে⧟েāϰ āĻŽুāĻ–ে āϤেāĻŽāύি āĻ›ā§œাāύো āϰ⧟েāĻ›ে āϞāϜ্āϜাāϰ āĻ•েāĻŽāύ āϝেāύ āĻāĻ•āϟা āφঁāĻ•ুāĻŦাঁāĻ•ু āĻ­াāĻŦ। ‘āĻāχ āϞāϜ্āϜা āĻ­াāĻŦāϟাāϰ āωāĻĒāϰāχ āφāĻŽি āĻŦিāĻļেāώ āĻ•āϰে āϜোāϰ āĻĻিāϤে āϚাāχ। āφāĻĒāύি āύিāĻļ্āϚ⧟āχ āϞāĻ•্āώ্āϝ āĻ•āϰেāĻ›েāύ, āϞāϜ্āϜা-āĻļāϰāĻŽ āĻŦāϞāϤে āφāĻŽāϰা āϝা āĻ•িāĻ›ু āĻŦুāĻি āϏে āϏāĻŦ āĻŽāϧ্āϝāϝুāĻ—েāϰ āĻĒুāϰāĻŽ্āύāύো āĻ—āϞ্āĻĒ āĻĨেāĻ•ে। āĻŦে⧟াāϤ্āϰিāϚে āĻĻাāύেāϤ্āĻŽāĻ•ে āĻĻেāĻ–ে āϞাāϜুāĻ• āĻšাāϏি āĻšেāϏেāĻ›িāϞেāύ- āφāĻŽāϰা āϤাāχ āύি⧟ে āĻ•āϞ্āĻĒāύাāϰ āϜাāϞ āĻŦুāύি। āφāϜāĻ•েāϰ āĻĻিāύে āĻāϏāĻŦ āϤো āφāϰ āĻŦাāϰ্āϞিāύ āĻļāĻšāϰে āĻĒাāĻ“ā§Ÿা āϝা⧟ āύা। āĻŽāϧ্āϝāϝুāĻ—েāϰ āύাāχāϟāĻĻেāϰ āĻļিāĻ­াāϞāϰি āĻ—েāĻ›ে āφāϰ āϝাāĻŦাāϰ āϏāĻŽā§Ÿ āϏāĻ™্āĻ—ে āύি⧟ে āĻ—ি⧟েāĻ›ে āĻŽে⧟েāĻĻেāϰ āĻŽুāĻ– āĻĨেāĻ•ে āϏāĻŦ āϞāϜ্āϜা āϏāĻŦ āĻŦ্āϰী⧜া। ‘āĻ•িāύ’ āφāĻĒāύাāĻĻেāϰ āĻĻেāĻļে āύিāĻļ্āϚ⧟āχ āĻāĻ–āύো āĻāχ āĻŽāϧুāϰ āϜিāύিāϏāϟি āĻĻেāĻ–āϤে āĻĒাāĻ“ā§Ÿা āϝা⧟ āφāϰ āϤাāϰ āϚে⧟েāĻ“ āύিāĻļ্āϚ⧟, āφāĻĒāύাāĻĻেāϰ āĻĻেāĻļেāϰ āϞোāĻ• āĻāĻ–াāύো āĻ…āĻ—্āϰāĻĒāĻļ্āϚাā§Ž āĻŦিāĻŦেāϚāύা āύা āĻ•āϰে āĻĒ্āϰāĻĨāĻŽ āĻĻāϰ্āĻļāύেāχ āĻĒ্āϰেāĻŽে āĻĒ⧜ে। ‘āϤাāχ āφāĻĒāύি āĻŦিāĻļ্āĻŦাāϏ āĻ•āϰāĻŦেāύ, āĻ•িāύ’ āφāĻŽি āύিāϜে āĻāĻ–āύো āĻ িāĻ• āĻ•āϰāϤে āĻĒাāϰিāύি, āĻ•ি āĻ•āϰে āϝে āφāĻŽাāϰ āϤāĻ–āύ āĻŽāύে āĻš’āϞ āĻ-āĻŽে⧟েāĻ•ে āύা āĻĒেāϞে āφāĻŽাāϰ āϚāϞāĻŦে āύা। ‘āĻšাāϏāϞেāύ āύা āϝে? āϤাāϰ āĻĨেāĻ•েāχ āĻŦুāĻāϞুāĻŽ, āφāĻĒāύি āĻ“ā§ŸাāĻ•িāĻŦāĻšাāϞ, āφāĻĒāύি āφāĻŽাāĻ•ে āĻŦিāĻļ্āĻŦাāϏ āĻ•āϰāϤে āĻĒেāϰেāĻ›েāύ; āĻ•িāύ’ āϜāϰ্āĻŽāύāϰা āφāĻŽাāϰ āĻ-āĻ…āĻŦāϏ্āĻĨাāϰ āĻ•āĻĨা āĻļুāύে āĻšাāϏে। āφāϰ āĻšাāϏāĻŦেāχ āĻŦা āύা āĻ•েāύ? āϚেāύা āύেāχ, āĻļোāύা āύেāχ, āĻŦিāĻĻ্āϝাāĻŦুāĻĻ্āϧিāϤে āĻŽে⧟েāϟা āĻšā§ŸāϤ āĻ…āĻĢিāϏāĻŦ⧟েāϰ āϚে⧟েāĻ“ āφāĻ•াāϟ, āĻšā§ŸāϤ āĻŽাāϤাāϞāĻĻেāϰ āφāĻĄ্āĻĄা⧟ āĻŦি⧟াāϰ āĻŦিāĻ•্āϰি āĻ•āϰে āĻĒ⧟āϏা āĻ•াāĻŽা⧟, āĻ•িāĻŽ্āĻŦা āĻāĻ“ āϤো āĻšāϤে āĻĒাāϰে āϝে āϤাāϰ āĻŦি⧟ে āĻšā§Ÿে āĻ—ি⧟েāĻ›ে। āĻ āϏāĻŦ āĻ•োāύো āĻ•িāĻ›ুāϰ āϤāϤ্āϤ্āĻŦ-āϤাāĻŦাāĻļ āύা āĻ•āϰে āĻāĻ• āĻāϟāĻ•া⧟ āĻŽāύāϏ্āĻĨিāϰ āĻ•āϰে āĻĢেāϞা, āĻ-āĻŽে⧟ে āύা āĻšāϞে āφāĻŽাāϰ āϚāϞāĻŦে āύা! āφāĻŽি āĻ•ি āĻ–াāĻŽāĻ–ে⧟াāϞিāϰ āϚেāĻ™্āĻ—িāϏāĻ–াāύ, āύা āĻšাāϜাāϰো āĻĒ্āϰেāĻŽেāϰ āĻĄāύ্ āϜু⧟াāύ্?

‘āĻ­াāĻŦāĻ›ি āφāϰ āĻŽাāĻĨাāϰ āϚুāϞ āĻ›িঁ⧜āĻ›ি-āĻ•োāύ্ āĻ…āϜুāĻšাāϤে āĻ•োāύ্ āĻ…āĻ›িāϞা⧟ āĻঁāϰ āϏāĻ™্āĻ—ে āφāϞাāĻĒ āĻ•āϰা āϝা⧟। ‘āĻ•িāĻ›ুāϤেāχ āĻ•োāύো āĻšāĻĻিāĻļ āĻĒাāϚ্āĻ›িāύে, āφāĻŽাāĻĻেāϰ āĻŽাāĻāĻ–াāύে āϤিāύāĻ–াāύা āĻŽাāϤ্āϰ āĻ›োāϟ্āϟ āϟেāĻŦিāϞেāϰ āϝে āωāϤ্āϤাāϞ āϏāĻŽুāĻĻ্āϰ āϏেāϟা āĻĒেāϰি⧟ে āĻ“ঁāϰ āĻ•াāĻ›ে āĻĒৌঁāĻ›āχ āĻ•ি āĻĒ্āϰāĻ•াāϰে। āĻĒ্āϰāĻŦাāĻĻ āφāĻ›ে, āĻĒ্āϰেāĻŽে āĻĒ⧜āϞে āĻŦোāĻ•া āύাāĻ•ি āĻŦুāĻĻ্āϧিāĻŽাāύ āĻšā§Ÿে āϝা⧟- āĻĒ্āϰি⧟াāĻ•ে āĻĒাāĻ“ā§Ÿাāϰ āϜāύ্āϝ āϤāĻ–āύ āϤাāϰ āĻĢāύ্āĻĻি-āĻĢিāĻ•িāϰ āφāϰ āφāĻŦিāώ্āĻ•াāϰ āĻ•ৌāĻļāϞ āĻĻেāĻ–ে āĻĒাঁāϚāϜāύেāϰ āϤাāĻ• āϞেāĻ—ে āϝা⧟, āφāϰ āĻŦুāĻĻ্āϧিāĻŽাāύ āύাāĻ•ি āĻĒ্āϰেāĻŽে āĻĒ⧜āϞে āĻšā§Ÿে āϝা⧟ āĻāĻ•āĻĻāĻŽ āĻ—āĻŦেāϟ-āĻāĻŽāύ āϏāĻŦ āĻ•া- āϤāĻ–āύ āĻ•āϰে āĻŦāϏে āϝে āĻĻāĻļāϜāύ āϤাāϜ্āϜāĻŦ āύা āĻŽেāύে āϝা⧟āύা, āĻ āϞোāĻ•āϟা āĻ-āϏāĻŦ āĻĒাāĻ—āϞাāĻŽি āĻ•āϰāĻ›ে āĻ•ি āĻ•āϰে!
‘āĻ āϜীāĻŦāύে āϏেāχ āϏেāĻĻিāύ āφāĻŽি āĻĒ্āϰāĻĨāĻŽ āφāĻŦিāώ্āĻ•াāϰ āĻ•āϰāϞুāĻŽ āϝে āφāĻŽি āĻŦুāĻĻ্āϧিāĻŽাāύ, āĻ•াāϰāĻŖ āĻĒূāϰ্āĻŖ āĻāĻ•āϘāĻŖ্āϟা āϧāϰে āĻ­েāĻŦেāĻ“ āφāĻŽি āϏাāĻŽাāύ্āϝāϤāĻŽ āĻ•ৌāĻļāϞ āφāĻŦিāώ্āĻ•াāϰ āĻ•āϰāϤে āĻĒাāϰāϞুāĻŽ āύা, āφāϞাāĻĒ āĻ•āϰি āĻ•োāύ্ āĻ•া⧟āĻĻা⧟। āĻ•িāύ’ āĻāĻšেāύ āĻšৃāĻĻ⧟াāĻ­িāϰাāĻŽ āϤāϤ্āϤ্āĻŦ āφāĻŦিāώ্āĻ•াāϰ āĻ•āϰেāĻ“ āĻŽāύ āĻ•িāĻ›ুāĻŽাāϤ্āϰ āωāϞ্āϞাāϏিāϤ āĻšāϞ āύা। āϤāĻ–āύ āĻŦāϰāĻž্āϚ āĻŦোāĻ•া āĻŦāύāϤে āĻĒাāϰāϞেāχ āĻšā§ŸāϤ āĻ•োāύো āĻāĻ•āϟা āĻ•ৌāĻļāϞ āĻŦেāϰি⧟ে āϝেāϤ। ‘āĻĢ্āϰāϞাāχāύ āωāĻ ে āĻĻাঁ⧜াāϞেāύ। āĻ•ি āφāϰ āĻ•āϰি। āĻĒিāĻ›ু āύিāϞুāĻŽ। āϤিāύি āĻ—ি⧟ে āωāĻ āϞেāύ āĻŽ্āϝুāύিāĻ•েāϰ āĻ—া⧜িāϤে। āφāĻŽিāĻ“ āĻ›ুāϟে āĻ—ি⧟ে āϟিāĻ•িāϟ āĻ•াāϟāϞুāĻŽ āĻŽ্āϝুāύিāĻ•েāϰ। āĻ•িāύ’ āĻāϏে āĻĻেāĻ–ি āϏে āĻ•াāĻŽāϰাāϰ āφāϟāϟা āϏিāϟāχ āĻ­āϰ্āϤি āĻšā§Ÿে āĻ—ি⧟েāĻ›ে। āφāϰো āĻĒ্āϰāĻŽাāĻŖ āĻšā§Ÿে āĻ—েāϞ, āφāĻŽি āĻŦুāĻĻ্āϧিāĻŽাāύ, āĻ•াāϰāĻŖ āĻ āĻ•āĻĨা āϏāĻŦাāχ āϜাāύে, āĻŦুāĻĻ্āϧিāĻŽাāύāĻ•ে āĻ­āĻ—āĻŦাāύ āϏাāĻšাāϝ্āϝ āĻ•āϰāϞে āĻ-āĻĒৃāĻĨিāĻŦীāϤে āĻŦোāĻ•াāĻĻেāϰ āφāϰ āĻŦাঁāϚāϤে āĻšāϤ āύা। āφāĻŽি āĻ­āĻ—āĻŦাāύেāϰ āĻ•াāĻ› āĻĨেāĻ•ে āĻ•োāύো āϏাāĻšাāϝ্āϝ āĻĒেāϞুāĻŽ āύা।’ āφāĻŽি āĻŦāϞāϞুāĻŽ, ‘āĻ­āĻ—āĻŦাāύāĻ•ে āĻĻোāώ āĻĻিāϚ্āĻ›েāύ āĻ•েāύ? āĻāϤো āĻ•āύ্āĻĻāϰ্āĻĒ āĻ াāĻ•ুāϰেāϰ āĻĄিāĻĒাāϰ্āϟāĻŽেāύ্āϟ।’ āĻŦāϞāϞেāύ, ‘āϤাāϤেāχ āĻŦা āĻ•ি āϞাāĻ­? āϤিāύি āϤো āĻ…āύ্āϧ। āĻŽে⧟েāϟাāĻ•ে āĻŦাāύি⧟ে āĻĻি⧟েāĻ›েāύ āϤাঁāϰāχ āĻŽāϤ āĻ…āύ্āϧ। āĻāχ āϝে āφāĻŽি āĻāĻ•āϟা āĻāϤ āĻŦ⧜ āĻ…্āϝাāĻĒāϞো, āφāĻŽাāϰ āĻĻিāĻ•ে āĻāĻ•āĻŦাāϰেāϰ āϤāϰে āĻĢিāϰেāĻ“ āϤাāĻ•াāϞো āύা। āĻ“ঁāĻ•ে āĻĄেāĻ•ে āĻšāĻŦে-’ āφāĻŽি āĻŦāϞāϞুāĻŽ, ‘āĻ•āϚু’, ‘āĻšাāϤী’, ‘āϘāĻŖ্āϟা’। āĻāĻŦাāϰ āĻĄাāĻ•্āϤাāϰ āĻŦাāĻ™āϞা āĻ•āϟুāĻ•াāϟāĻŦ্āϝেāϰ āĻ•āĻĻāϰ āĻŦুāĻāϞেāύ।

āĻŦāϞāϞেāύ, ‘āφāĻšা-āĻšা-āĻšা।’ āϤাāϰāĻĒāϰ āϜāϰ্āĻŽāύ āωāϚ্āϚাāϰāĻŖে āĻŦāϞāϞেāύ, ‘āĻ•āĻļু, āĻšাāϟি, āĻ—āĻŖ্āϟা! āĻ–াāϏা āĻ—াāϞাāĻ—াāϞ।’ āφāĻŽি āĻŦāϞāϞুāĻŽ, āĻ•োāĻŽāϰাāϤে āφāϟāϜāύেāϰ āϏিāϟ āĻ›িāϞ āϤো āϰ⧟েāχ āĻ—েāϞ। āĻĒ্āϰāĻŦাāϏে āύি⧟āĻŽ āύাāϏিāϤ্āĻŽ। āφāĻĒāύি āĻ•োāύো āĻ—āϤিāĻ•ে āϧাāĻ•্āĻ•া āϧাāĻ•্āĻ•ি āĻ•āϰে-’ āĻŦāϞāϞেāύ, ‘āϤাāϜ্āϜāĻŦ āĻ•āϰāϞেāύ। āĻāĻ•ি āφāĻĒāύাāϰ āχāύ্āĻĄি⧟াāύ āϟ্āϰেāύ, āύা āϏাāχāĻŦেāϰি⧟াāĻ—াāĻŽী āĻĒ্āϰিāϜāύাāϰ-āĻ­্āϝাāύ! āϚেāĻ•াāϰ āĻĒāϤ্āϰāĻĒাāĻ  āĻ•াāĻŽāϰা āĻĨেāĻ•ে āĻŦেāϰ āĻ•āϰে āĻĻেāĻŦে āύা?’ ‘āĻĻাঁ⧜ি⧟ে āϰāχāϞুāĻŽ āĻŦাāχāϰেāϰ āĻ•āϰিāĻĄāϰে āĻ া⧟। āĻĻেāĻ–ি āĻŽে⧟েāϟি āϝāĻĻি āĻ–াāύাāĻ•াāĻŽāϰা⧟ āϝা⧟। āϏ্āϟেāĻļāύে āϤো āĻ–ে⧟েāĻ›ে āĻļুāϧু āĻ•āĻĢি। āϘāĻŖ্āϟাāϰ āĻĒāϰ āϘāĻŖ্āϟা āĻ•াāϟāϞ, āĻ•āϤ āϞোāĻ• āĻ•āϤ āĻ•াāĻŽāϰা āĻĨেāĻ•ে āωāĻ āϞো āύাāĻŽāϞো āĻ•িāύ’ āφāĻŽাāϰ āϏ্āĻŦāϰ্āĻ—āĻĒুāϰী āĻĨেāĻ•ে āĻ•োāύো- (āĻ•āϟুāĻŦাāĻ•্āϝ)- āύাāĻŽāϞো āύা। āϏāĻŦ āĻŦ্āϝাāϟা āύিāĻļ্āϚ⧟āχ āϝাāϚ্āĻ›ে āĻŽ্āϝুāύিāĻ•। āφāϰ āĻ•োāĻĨাāĻ“ āϝেāϤে āĻĒাāϰে āύা? āĻŽ্āϝুāύিāĻ• āĻ•ি āĻĒāϰীāϏ্āĻĨাāύ āύা āĻŽ্āϝুāύিāĻ•েāϰ āĻĢুāϟāĻĒāĻĨ āϏোāύা āĻĻি⧟ে āĻ—ā§œা? āĻ…āĻŦাāĻ• āĻ•āϰāϞে āĻāχ āχāĻĄি⧟āϟāĻ—ুāϞো। ‘āĻĒ্āϰেāĻŽে āĻĒ⧜āϞে āύাāĻ•ি āĻ•্āώুāϧাāϤৃāώ্āĻŖা āϞোāĻĒāĻĒা⧟। āĻāĻ•āĻŦেāϞাāϰ āϜāύ্āϝ āĻšā§ŸāϤ āĻĒা⧟। āφāĻŽি āϞাāĻž্āϚ āĻ–াāχāύি, āĻ“āĻĻিāĻ•ে āĻĄিāύাāϰেāϰ āϏāĻŽā§Ÿ āĻšā§Ÿে āĻ—ি⧟েāĻ›ে- āφāĻŽাāϰ āĻĒেāϟেāϰ āĻ­িāϤāϰ āĻšুāϞুāϧ্āĻŦāύি āϜেāĻ—ে āωāĻ েāĻ›ে। āĻāĻŽāύ āϏāĻŽā§Ÿ āĻŽা āĻŽেāϰিāϰ āĻ•āϰāĻŽ্āύāĻŖা āĻšāϞ। āĻŽে⧟েāϟি āϚāϞāϞ āĻ–াāύা-āĻ•াāĻŽāϰাāϰ āĻĻিāĻ•ে। āφāĻŽি āϚāϞāϞুāĻŽ āĻ িāĻ• āĻĒিāĻ›āύে āĻĒিāĻ›āύে। āφāĻšা, āϝāĻĻি āĻāĻ•āϟা āĻšোঁāϚāϟ āĻ–ে⧟ে āφāĻŽাāϰ āĻ“āĻĒāϰ āĻĒ⧜ে āϝা⧟। āĻĻুāϤ্āϤোāϰ, āϤাāϰāĻ“ āωāĻĒা⧟ āύেāχ- āωঁāϚু āĻšিāϞেāϰ āϜুāϤো āĻšāϞে āĻ—া⧜িāϰ āĻ•াঁāĻĒুāύিāϤে āĻĒ⧜ে āϝাāĻ“ā§Ÿাāϰ āϏāĻŽ্āĻ­াāĻŦāύা āĻĨাāĻ•ে- āĻ āĻĒāϰেāĻ›ে āĻ•্āϰেāĻĒāϏোāϞ্। ‘āĻ িāĻ• āĻĒিāĻ›āύে āĻĒিāĻ›āύে āĻ—ি⧟ে āĻ–াāύা-āĻ•াāĻŽāϰা⧟ āĻĸুāĻ•āϞুāĻŽ। āĻ“ā§Ÿেāϟাāϰāϟা āĻ­াāĻŦāϞে āϏ্āĻŦাāĻŽী-āϏ্āϤ্āϰী। āύা āĻšāϞে āϤāϰāĻŽ্āύāĻŖ āϤāϰāĻŽ্āύāĻŖী āĻ āϰāĻ•āĻŽ āĻŽুāĻ– āĻ—ুāĻŽāϏো āĻ•āϰে āĻ–াāύা-āĻ•াāĻŽāϰা⧟ āĻĸুāĻ•āĻŦে āĻ•েāύ? āĻŦāϏāϞো āĻ—ি⧟ে āĻāĻ•āχ āϟেāĻŦিāϞে- āĻŽুāĻ–োāĻŽুāĻ–ি। āĻšে āĻŽা āĻŽেāϰী, āύāϤ্āϰāĻĻাāĻŽ āĻ—িāϰ্āϜে⧟ āϤোāĻŽাāϰ āϜāύ্āϝ āφāĻŽি āĻāĻ•āĻļ’āϟা āĻŽোāĻŽāĻŦাāϤি āĻŽাāύāϤ āĻ•āϰāϞুāĻŽ। āĻĻ⧟া āĻ•āϰো, āĻŽা āĻāĻ•āϟা āĻ•িāĻ›ু āĻĢিāĻ•িāϰ āĻŦাā§ŽāϞাāĻ“ āφāϞাāĻĒ āĻ•āϰāĻŦাāϰ। ‘āĻŦুāĻĻ্āϧিāĻŽাāύ, āĻŦুāĻĻ্āϧিāĻŽাāύ, āĻ•োāύো āϏāύ্āĻĻেāĻš āύেāχ āφāĻŽি āĻŦুāĻĻ্āϧিāĻŽাāύ! āĻ•োāύো āĻĢিāĻ•িāϰāχ āϜুāϟāϞো āύা, āĻ…āĻĨāϚ āĻŽে⧟েāϟি āĻŦāϏে āφāĻ›ে āφāĻŽাāϰ āĻĨেāĻ•ে āĻĻু’āĻšাāϤ āĻĻূāϰে āĻāĻŦং āĻŽুāĻ–োāĻŽুāĻ–ি! āĻĻু’āĻšাāϤ āύা āĻšā§Ÿে āĻĻু’āϞāĻ•্āώ āϝোāϜāύāĻ“ āĻšāϤে āĻĒাāϰāϤ- āĻ•োāύো āĻĢাāϰাāĻ• āĻš’āϤ āύা। ‘āϜাāύাāϞা āĻĻি⧟ে āĻāĻ• āĻāϟāĻ•া āĻ•ā§ŸāϞাāϰ āĻ—ুঁ⧜ো āĻāϏে āϟেāĻŦিāϞেāϰ āωāĻĒāϰ āĻĒ⧜āϞ। āĻŽে⧟েāϟি āĻ­ুāϰāĻŽ্āύ āĻ•ুāϚāĻ•ে āϏেāĻĻিāĻ•ে āϤাāĻ•াāϤেāχ āφāĻŽি āĻāϟিāϤি āϜাāύাāϞা āĻŦāύ্āϧ āĻ•āϰāϤে āĻ—ি⧟ে āĻ•āϰে āĻĢেāϞāϞুāĻŽ āφāϰেāĻ• āĻ•াāύ্āĻĄ। āĻ াāϏ āĻ•āϰে āϜাāύাāϞাāϟা āĻŦু⧜ো āφāĻ™ুāϞেāϰ āωāĻĒāϰ āĻĒ⧜ে āϏেāϟাāĻ•ে āĻĻিāϞ āĻĨেā§ŽāϞে। āĻĢিāύāĻ•ি āĻĻি⧟ে āϰāĻ•্āϤ। ‘āĻŽা-āĻŽেāϰীāϰ āĻ…āϏীāĻŽ āĻĻ⧟া āĻ•াāύ্āĻĄāϟা āϝে āϘāϟāϞো। āĻŽে⧟েāϟি āϤ⧜াāĻ• āĻ•āϰে āϞাāĻĢ āĻĻি⧟ে āĻŦāϏāϞ, “āĻĻাঁ⧜াāύ āφāĻŽি āĻŦ্āϝাāύ্āĻĄেāϜ āύি⧟ে āφāϏāĻ›ি।” ‘āφāĻŽি āύিāϜে āĻĄাāĻ•্āϤাāϰ, āĻŦিāĻŦেāϚāύা āĻ•āϰāĻŽ্āύāύ āĻ…āĻŦāϏ্āĻĨাāϟা। āϰāĻŽ্āύāĻŽাāϞ āĻĻি⧟ে āϚেāĻĒে āϧāϰāϞুāĻŽ āφāĻ™ুāϞāϟাāĻ•ে। āĻŽে⧟েāϟি āĻ›ুāϟে āύি⧟ে āĻāϞ āĻ•াāĻŽāϰা āĻĨেāĻ•ে āĻĢাāϰ্āϏ্āϟ āĻāĻĄেāϰ āĻŦ্āϝাāύ্āĻĄেāϜ। āϤাāϰāĻĒāϰ āφāĻ™ুāϞāϟাāϰ āϤāĻĻাāϰāĻ•ি āĻ•āϰāϞ āĻļাāϏ্āϤ্āϰāϏāĻŽ্āĻŽāϤ āĻĄাāĻ•্āϤাāϰি āĻĒāĻĻ্āϧāϤিāϤে। āĻŦুāĻāϞুāĻŽ āĻŽেāĻĄিāĻ•েāϞ āĻ•āϞেāϜে āĻĒ⧜ে! āĻাāύু āĻĄাāĻ•্āϤাāϰ āĻĢাāϰ্āϏ্āϟ āĻāĻĄেāϰ āĻŦ্āϝাāύ্āĻĄেāϜ āĻŦ⧟ে āĻŦে⧜া⧟ āύা āφāϰ āφāύা⧜ি āϞোāĻ• āĻāϰāĻ•āĻŽ āĻŦ্āϝাāύ্āĻĄেāϜ āĻŦাঁāϧāϤে āĻĒাāϰে āύা। ‘āφāĻŽি āϤো, ‘āύা, āύা’ ‘āφāĻĒāύি āĻ•েāύ āĻŽিāĻ›ে āĻŽিāĻ›ে’, ‘āϧāύ্āϝāĻŦাāĻĻ, āϧāύ্āϝāĻŦাāĻĻ’, ‘āωঃ, āĻŦāĻĄ্āĻĄ āϞাāĻ—āĻ›ে’, ‘āĻāϤেāχ āĻšāĻŦে’, ‘āĻŦ্āϝāϏ āĻŦাāϏ’ āĻ•āϰেāχ āϝাāϚ্āĻ›ি āφāϰ āϏেāχ āϞিāϞিāϰ āĻŽāϤো āϏাāĻĻা āĻšাāϤেāϰ āĻĒāϰāĻļ āĻĒাāϚ্āĻ›ি। āϏে āĻ•ি āϰāĻ•āĻŽ āĻŽāĻ–āĻŽāϞেāϰ āĻšাāϤ āϜাāύেāύ? āĻŦāϞāĻ›ি, āφāĻĒāύি āĻ•āĻ–āύো āϰাāχāϞ্āϝাāύ্āĻĄে āĻ—ি⧟েāĻ›েāύ? āύা? āĻĨাāĻ•, āĻ­ুāϞেāχ āĻ—ি⧟েāĻ›িāϞুāĻŽ, āĻĒ্āϰāϤিāϜ্āĻžা āĻ•āϰāĻ›ি, āφāĻĒāύাāĻ•ে āĻ•োāύো āĻŦāϰ্āĻŖāύা āĻĻেāĻŦ āύা। ‘āĻĒ্āϰāĻĨāĻŽ āĻĒāϰāĻļে āϏāϰ্āĻŦাāĻ™্āĻ—ে āĻŦিāĻĻ্āϝুā§Ž āĻ–েāϞে āϝা⧟, āĻŦāϞে āύা? āĻŦ⧜ āĻ–াঁāϟি āĻ•āĻĨা। āφāĻŽি āĻĄাāĻ•্āϤাāϰ āĻŽাāύুāώ, āφāĻŽাāϰ āĻšাāϤে āĻ•োāύো āĻĒ্āϰāĻ•াāϰেāϰ āϏ্āĻĒāϰ্āĻļ āĻ•াāϤāϰāϤা āĻĨাāĻ•াāϰ āĻ•āĻĨা āύ⧟ āϤāĻŦু āφāĻŽাāϰ āĻ•ী āĻ…āĻŦāϏ্āĻĨাāϟা āĻšā§ŸেāĻ›িāϞ āφāĻĒāύাāĻ•ে āϏেāϟা āĻŦোāĻাāχ āĻ•ী āĻ•āϰে? āĻŽে⧟েāϟি āĻŦোāϧāĻšā§Ÿ āϟেāϰ āĻĒে⧟েāĻ›িāϞ, āĻ•াāϰāĻŖ āĻāĻ•āĻŦাāϰ āϚāĻ•িāϤেāϰ āϤāϰে āĻŦ্āϝাāύ্āĻĄেāϜ āĻŦাঁāϧা āĻŦāύ্āϧ āĻ•āϰে āφāĻŽাāϰ āĻĻিāĻ•ে āĻŽাāĻĨা āϤুāϞে āϤাāĻ•ি⧟েāĻ›িāϞ। āϤাāϤে āĻ›িāϞ āĻŦিāϏ্āĻŽā§Ÿ, āĻĒ্āϰāĻļ্āύ āĻāĻŦং āĻšā§ŸāϤ āĻŦা āĻāĻ•āϟুāĻ–াāύি, āĻ…āϤি āϏাāĻŽাāύ্āϝ āĻ–ুāĻļীāϰ āĻিāϞিāĻŽিāϞি। āϤāĻŦে āĻ•ি āφāĻŽাāϰ āĻšাāϤেāϰ āϏ্āĻĒāϰ্āĻļ-? āĻ•োāύ্ āϏাāĻšāϏে āĻ āĻŦিāĻļ্āĻŦাāϏ āĻŽāύেāϰ āĻ•োāĻŖে āĻ াঁāχ āĻĻিāχ, āĻŦāϞুāύ।’ āφāĻŽি āĻ—ুāύ্ āĻ—ুāύ্ āĻ•āϰে āĻŦāϞāϞুāĻŽ, “āϜ⧟ āĻ•āϰে āϤāĻŦু āϭ⧟ āĻ•েāύ āϤোāϰ āϝা⧟ āύা, āĻšা⧟ āĻ­ীāϰāĻŽ্āύāĻĒ্āϰেāĻŽ āĻšা⧟ āϰে।” āĻĄাāĻ•্āϤাāϰ āĻŦāϞāϞেāύ, ‘āĻ–োāĻļা āĻŽেāϞāĻĄি āϤো। āĻŽাāύেāϟাāĻ“ āĻŦāϞুāύ।’ āĻŦāϞāϞুāĻŽ, ‘āφāĻĢ্āϟাāϰ āχāω। āφāĻĒāύি āĻ—āϞ্āĻĒāϟা āĻļেāώ āĻ•āϰāĻŽ্āύāύ।’

āĻŦāϞāϞেāύ, ‘āĻ—āϞ্āĻĒ āύ⧟, āϏ্āϝাāϰ, āϜীāĻŦāύāĻŽāϰāĻŖেāϰ āĻ•āĻĨা āĻšāϚ্āĻ›ে।’ āφāĻŽি āĻļুāϧাāϞুāĻŽ, ‘āĻ•েāύ, āϏেāĻĒ্āϟিāĻ•েāϰ āϭ⧟ āĻ›িāϞ āύাāĻ•ি?’ āϰাāĻ—েāϰ āĻ­াāĻŦ āĻ•āϰে āĻŦāϞāϞেāύ, ‘āĻ‡ā§ŸোāϰোāĻĒে āĻāϏে āφāĻĒāύাāϰ āĻ•ি āϏāĻŦ āϰāϏāĻ•āϏ āĻļুāĻ•ি⧟ে āĻ—ি⧟েāĻ›ে? āφāĻŽাāĻ•ে āĻšেāύেāĻ›ে āĻĒ্āϰেāĻŽেāϰ āĻŦাāĻŖ āφāϰ āφāĻĒāύি āĻŦāϞāĻ›েāύ āφāύ্āϟিāϏেāĻĒ্āϟিāĻ•্ āφāύ।’ āφāĻŽি āĻŦāϞāϞুāĻŽ, ‘āĻ…āĻĒāϰাāϧ āύেāĻŦেāύ āύা।’ āĻŦāϞāϞেāύ, āϤাāϰāĻĒāϰ āφāĻŽি āϏুāϝোāĻ— āĻĒে⧟ে āφāϰāĻŽ্āĻ­ āĻ•āϰāϞুāĻŽ āύাāύা āϰāĻ•āĻŽেāϰ āĻ•āĻĨা āĻ•āχāϤে। āĻ—োāϞ āĻ—োāϞ। āφāĻŽি āϝে āĻĒāϰিāϚ⧟ āĻ•āϰাāϰ āϜāύ্āϝ āϜাāύ āĻ•āĻŦুāϞ āϏেāϟা āĻĸেāĻ•ে āϚেāĻĒে। āϏāĻ™্āĻ—ে āϏāĻ™্āĻ—ে āĻ•āĻ–āύো āύূāύāϟা āĻāĻ—ি⧟ে āĻĻি, āĻ•āĻ–āύো āĻ•্āϰু⧟েāϟāϟা āϏāϰি⧟ে āύি, āĻ•āĻ–āύো āĻŦা āĻŦāϞি, ‘āĻŽাāĻ›āϟা āĻ–াāϏা āĻ­েāϜেāĻ›ে, āφāĻĒāύি āĻāĻ•āϟা āĻ–াāύ āύা’; āĻ“āĻšে āĻ–াāύāϏাāĻŽা, āĻāĻĻিāĻ•ে-, āχāϤ্āϝাāĻĻি। ‘āĻ•āϰে āĻ•āϰে āϏুāύ্āĻĻāϰীāϰ āĻŽāύāϟা āĻāĻ•āϟু āĻŽোāϞা⧟েāĻŽ āĻ•āϰāϤে āĻĒেāϰেāĻ›ি āĻŦāϞে āĻŽāύে āĻāĻ•āϟু āĻ•্āώীāĻŖ āφāĻļাāϰ āϏāĻž্āϚাāϰ āĻšāϞ। āĻŽে⧟েāϟি āϞাāϜুāĻ• āĻŦāϟে āĻ•িāύ্āϤু āĻ­াāϰী āĻ­āĻĻ্āϰ! āφāĻŽাāϰ āĻ­্āϝাāϜāϰ āĻ­্āϝাāϜāϰ āĻ•াāύ āĻĒেāϤে āĻļুāύāϞো, āĻĻু’āĻāĻ•āĻŦাāϰ āĻŦāϏ্āύাāĻļ্ āĻ•āϰāϞো, āϏে āϝা āĻ—োāϞাāĻĒি- āφāĻĒāύি āĻ•āĻ–āύো, āύা āĻĨাāĻ•। ‘āĻ•িāύ’ āĻ–েāϞ āĻŽাāϤ্āϰ āĻāĻ•āϟি āĻ…āĻŽāϞেāϟ āφāϰ āĻĻু’āϏ্āϞাāχāϟ āϰāĻŽ্āύāϟি। āύিāĻļ্āϚ⧟āχ āĻ—āϰীāĻŦ। āĻ•্āώীāĻŖ āφāĻļাāϟাāϰ āĻ—া⧟ে āĻāĻ•āϟু āĻ—āϤ্āϤি āϞাāĻ—āϞ।’ āĻāĻŽāύ āϏāĻŽā§Ÿ āĻĄাāĻ•্āϤাāϰেāϰ āĻ…্āϝাāϏিāϏ্āϟাāύ্āϟ āĻāϏে āϜাāύāϞো āϰāĻŽ্āύāĻ—ী āĻāϏেāĻ›ে। āĻĄাāĻ•্āϤাāϰ āĻŦāϞāϞেāύ, ‘āĻāĻ–āĻ–ুāύি āφāϏāĻ›ি।’ āĻĢিāϰে āĻāϏে āĻ•োāύো āĻ­ূāĻŽিāĻ•া āύা āĻĻি⧟েāχ āĻŦāϞāϞেāύ, ‘āĻŽ্āϝুāύিāĻ•ে āύাāĻŦāϞুāĻŽ āĻāĻ• āĻŦāϏ্āϤ্āϰে। āĻāĻŽāύ āĻ­াāύ āĻ•āϰে āĻ•েāϟে āĻĒ⧜āϞুāĻŽ āϝাāϤে āĻŽে⧟েāϟি āĻŽāύে āĻ•āϰে āφāĻŽি āĻ­্āϝাāύ āĻĨেāĻ•ে āĻŽাāϞ āύাāĻŽাāϤে āĻ—েāϞুāĻŽ। āϝāĻ–āύ ‘āĻ—ুāĻĄ্ āĻŦাāχ’ āĻŦāϞে āĻšাāϤ āĻŦা⧜াāϞুāĻŽ āϤāĻ–āύ āϏে āĻāĻ•āĻŦাāϰ āφāĻŽাāϰ āĻĻিāĻ•ে āϤাāĻ•ি⧟েāĻ›িāϞ। āĻĒ্āϰেāĻŽে āĻĒ⧜āϞে āύাāĻ•ি āĻŽাāύুāώেāϰ āĻĒাāĻ–া āĻ—āϜা⧟- āĻšāĻŦেāĻ“ āĻŦা, āĻ•িāύ্āϤু āĻ āĻ•āĻĨা āύিāĻļ্āϚ⧟ āϜাāύি āĻŽাāύুāώ āϤāĻ–āύ āϚোāĻ–ে āĻŽুāĻ–ে āĻāĻŽāύ āϏāĻŦ āύāϤুāύ āĻ­াāώা āĻĒ⧜āϤে āĻĒাāϰে āϝাāϰ āϜāύ্āϝ āĻ•োāύো āĻļāĻŦ্āĻĻāϰূāĻĒ āĻŽুāĻ–āϏ্āĻĨ āĻ•āϰāϤে āĻšā§Ÿ āύা। āϤāĻŦে āϏে āĻĒ⧜াāϤে āĻ­ুāϞ āĻĨাāĻ•ে āĻŦিāϏ্āϤāϰ, āĻ•াāĻ•āϤāϞী⧟ āĻāύāϤ্āĻŽাāϰ। “āφāĻŽি āĻĻেāĻ–āϞুāĻŽ āϞেāĻ–া āϰ⧟েāĻ›ে ‘āĻŦিāώাāĻĻ’ āĻ•িāύ্āϤু āĻĒ⧜āϞুāĻŽ, ‘āĻāχ āĻ•ি āĻļেāώ?” āφāĻŽিāĻ“ āĻ…āĻŦাāĻ• āĻšā§Ÿে āĻļুāϧাāϞুāĻŽ, ‘āĻŦাāϰ্āϞিāύ āĻĨেāĻ•ে āĻŽ্āϝুāύিāĻ• āĻ…āĻŦāϧি āĻšাāĻŽāϞা āĻ•āϰে āϏ্āϟেāĻļāύে āĻ–েāχ āĻ›ে⧜ে āĻĻিāϞেāύ?’ āĻĄাāĻ•্āϤাāϰāĻĻেāϰ āĻŦাঁāĻ•া āĻšাāϏি āĻšেāϏে āĻŦāϞāϞেāύ, āφāĻĻāĻĒেāχ āύা। āĻ•িāύ্āϤু āĻ•ি āφāϰ āĻĻāϰāĻ•াāϰ āĻĒিāĻ›ু āύি⧟ে? āĻŽেāĻĄিāĻ•েāϞ āĻ•āϞেāϜে āĻĒ⧜ে, āĻ“āϤেāχ āĻŦ্āϝāϏ্। āϏেāĻĻিāύāχ āĻ—েāϞুāĻŽ āĻŽেāĻĄিāĻ•েāϞ āĻ•āϞেāϜেāϰ āϰেāϏ্āϤোāϰাঁ⧟। āϞাāĻž্āϚ āĻ–েāϤে āύিāĻļ্āϚ⧟āχ āφāϏāĻŦে। āĻāĻŦাāϰে āĻŽে⧟েāϟি āφāϰ āϞāϜ্āϜা āĻĻি⧟ে āĻŽāύেāϰ āĻ­াāĻŦāĻĸাāĻ•āϤে āĻĒাāϰāϞ āύা। āφāĻŽাāĻ•ে āĻĻেāĻ–া āĻŽাāϤ্āϰ āφāĻĒāύ āĻ…āϜাāύাāϤে āϚে⧟াāϰ āĻ›ে⧜ে āωāĻ ে āĻĻাঁ⧜ি⧟ে āĻšাāϤ āĻŦা⧜াāϞো, āϏāĻ™্āĻ—ে āϏāĻ™্āĻ—ে āϏāĻŽāϏ্āϤ āĻŽুāĻ–ে āϝে āĻ–ুāĻļি āĻ›ā§œি⧟ে āĻĒ⧜āϞ āϤা āĻĻেāĻ–ে āφāĻŽাāϰ āĻŽāύে āφāϰ āĻ•োāύো āϏāύ্āĻĻেāĻš āϰāχāϞ āύা, āĻ­āĻ—āĻŦাāύ āĻŽাāĻে āĻŽাāĻে āĻŦুāĻĻ্āϧিāĻŽাāύāĻ•েāĻ“ āϏাāĻšাāϝ্āϝ āĻ•āϰেāύ। ‘āϤāϤāĻ•্āώāĻŖে āĻŽে⧟েāϟি āϤাāϰ āφāĻĒāύ-āĻšাāϰা āφāϚāϰāĻŖāϟাāĻ•ে āϏাāĻŽāϞে āύি⧟েāĻ›ে- āϞāϜ্āϜা āĻāϏে āφāĻŦাāϰ āϏāĻŽāϏ্āϤ āĻŽুāĻ– āĻĸেāĻ•ে āĻĢেāϞেāĻ›ে।’ āĻĄাāĻ•্āϤাāϰ āĻ–াāύিāĻ•āĻ•্āώāĻŖ āĻ­েāĻŦে āύি⧟ে āĻŦāϞāϞেāύ, āĻāĻ–াāύেāχ āϝāĻĻি āĻļেāώ āĻ•āϰা āϝেāϤ āϤāĻŦে āĻŽāύ্āĻĻ āĻšāϤ āύা āĻ•িāύ্āϤু āϏāϰ্āĻĻি-āĻ•াāĻļিāϰ āϤো āϤা āĻšāϞে āĻ•োāύো āĻšিāϞ্āϞে āĻšā§Ÿ āύা। āϤাāχ āĻ•āĻŽি⧟েāϏāĻŽি⧟ে āϤা⧜াāϤা⧜ি āĻļেāώ āĻ•āϰে āĻĻি।’ āφāĻŽি āĻŦāϞāϞুāĻŽ, ‘āĻ•āĻŽাāĻŦেāύ āύা! āϤাāϞāϟা āĻāĻ•āϟু āĻĻ্āϰāĻŽ্āύāϤ āĻ•āϰে āĻĻিāύ। āφāĻŽাāĻĻেāϰ āĻĻেāĻļেāϰ āĻ“āϏ্āϤাāĻĻāϰা āĻĒ্āϰāĻĨāĻŽ āĻ–াāύিāĻ•āϟে āĻ—াāύ āĻ•āϰেāύ āĻŦিāϞāĻŽ্āĻŦিāϤ āĻāĻ•āϤাāϞে, āĻļেāώ āĻ•āϰেāύ āĻĻ্āϰāĻŽ্āύāϤ āϤাāϞে।’ āĻĄাāĻ•্āϤাāϰ āĻŦāϞāϞেāύ, ‘āĻĻুঃāĻ–িāύী āĻŽে⧟ে, āĻŦাāĻĒ-āĻŽা āύেāχ! āĻāĻ• āĻ–াāύ্āĻĄাāϰ āĻĒিāϏিāϰ āĻŦা⧜ীāϤে āĻŽাāύুāώ āĻšā§ŸেāĻ›ে। āĻĻু’āĻŽুāĻ ো āĻ–েāϤে āĻĻে⧟ āĻĒāϰāϤে āĻĻে⧟, āĻŦ্āϝāϏ্। āĻ•āϞেāϜেāϰ āĻĢিāϜāϟি āĻĒāϰ্āϝāύ্āϤ āĻŦেāϚাāϰী āϝোāĻ—া⧜ āĻ•āϰে āĻŽাāϏ্āϟাāϰি āĻ•āϰে। ‘āϤাāϤে āφāĻŽাāϰ āĻ•িāĻ›ু āĻŦāϞাāϰ āύেāχ। āĻ•িāύ’ āφāĻŽাāϰ āϘোāϰāϤāϰ āφāĻĒāϤ্āϤি āĻāĻ­াāĻŦে āĻŦু⧜ী āĻāĻŽāύি āύāϜāϰāĻŦāύ্āĻĻী āĻ•āϰে āϰেāĻ–েāĻ›ে āϝে, āϚāĻ•িāϤা āĻšāϰিāĻŖীāϰ āĻŽāϤ āϏāĻŽāϏ্āϤāĻ•্āώāĻŖ āϏে āĻĄাāχāύে āĻŦাঁ⧟ে āϤাāĻ•া⧟, āϐ āĻŦুāĻি āĻĒিāϏি āĻĻেāĻ–ে āĻĢেāϞāϞে, āϏে āĻĒāϰāĻĒুāϰāĻŽ্āύāώেāϰ āϏāĻ™্āĻ—ে āĻ•āĻĨা āĻ•āχāĻ›ে। āφāĻŽি āϤো āĻŦিāĻĻ্āϰোāĻš āĻ•āϰে āĻŦāϞāϞুāĻŽ, ‘āĻāĻ•ি āĻŦুāĻ–াāϰাāϰ āĻšাāϰেāĻŽ, āύা āϤুāϰ্āĻ•ী āĻĒাāĻļাāϰ āϜেāύাāύা? āĻ āĻ…āϤ্āϝাāϚাāϰ āφāĻŽি āĻ•িāĻ›ুāϤেāχ āϏāχāĻŦ āύা।’ āĻāĻ­া āĻļুāϧু āφāĻŽাāϰ āĻšাāϤ āϧāϰে āĻŦāϞে, ‘āĻĒāϏ্āύীāϜ, āĻĒ্āϞীāϜ, āϤুāĻŽি āĻāĻ•āϟু āĻŦāϰāĻĻাāϏ্āϤ āĻ•āϰে āύাāĻ“, āφāĻŽি āϤোāĻŽাāĻ•ে āĻšাāϰাāϤে āϚাāχāύে।’ āĻāϰ āĻŦেāĻļী āϏে āĻ•āĻ•্āĻ–āύো āĻ•িāĻ›ু āĻŦāϞেāύি। āĻāχ āĻŽোāĻ•াāĻŽে āĻĒৌঁāĻ›āϤে āφāĻŽাāϰ āϞেāĻ—েāĻ›িāϞ āĻা⧜া āĻāĻ•āϟি āĻŽাāϏ। āĻŦিāĻŦেāϚāύা āĻ•āϰāĻŽ্āύāύ। āϏাāϤ āĻĻিāύ āϞেāĻ—েāĻ›িāϞ āĻĒ্āϰেāĻŽ āύিāĻŦেāĻĻāύ āĻ•āϰāϤে। āĻĒāύেāϰো āĻĻিāύ āϞেāĻ—েāĻ›িāϞ āĻšাāϤāĻ–াāύি āĻ›ুঁāϤে। āϤাāϰো āĻāĻ• āϏāĻĒ্āϤাāĻš āĻĒāϰে āϏে āφāĻŽা⧟ āĻŦāϞāϞে āĻ•েāύ āϏে āĻāĻŽāύ āϭ⧟ে āϭ⧟ে āĻĄাāχāύে āĻŦাঁ⧟ে āϤাāĻ•া⧟। ‘āĻĨি⧟েāϟাāϰ āϏিāύেāĻŽা āĻŽাāĻĨা⧟ āĻĨাāĻ•ুāĻ•, āφāĻŽাāϰ āϏāĻ™্āĻ—ে āϰাāϏ্āϤা⧟ āĻĒāϰ্āϝāύ্āϤ āĻŦেāϰāϤে āϰাāϜী āĻšā§Ÿ āύা- āĻĒাāĻ›ে āĻĒিāϏি āĻĻেāĻ–ে āĻĢেāϞে। āφāĻŽি āĻāĻ•āĻĻিāύ āĻĨাāĻ•āϤে āύা āĻĒেāϰে āĻŦāϞāϞুāĻŽ āϤোāĻŽাāϰ āĻĒিāϏিāϰ āĻ•ুāχāύāϟুāĻĒ্āϞেāϟ āφāĻ›ে āύাāĻ•ি āϝে āϤাāϰা āĻŽ্āϝুāύিāĻ•েāϰ āϏāĻŦ āϏ্āϟ্āϰ্āϝাāϟেāϜিāĻ• āĻĒ⧟েāύ্āϟে āĻĻাঁ⧜ি⧟ে āϤোāĻŽাāϰ āωāĻĒāϰ āύāϜāϰ āϰাāĻ–āĻ›ে? āωāϤ্āϤāϰে āĻļুāϧু āĻ•াāϤāϰ āϏ্āĻŦāϰে āĻŦāϞে, āĻĒ্āϞীāϜ, āĻĒ্āϞীāϜ।’ āϝা-āĻ•িāĻ›ু āφāϞাāĻĒ āĻĒāϰিāϚ⧟, āϘāύিāώ্āĻ āϤা āφāϤ্āĻŽী⧟āϤা āϏāĻŦ āϐ āĻ•āϞেāϜ āϰেāϏ্āϤোāϰাঁ⧟ āĻŦāϏে। āϏেāĻ–াāύে āϏাāϰ্āĻĄিāύ-āϟিāύেāϰ āĻ­িāϤāϰ āĻŽাāĻ›েāϰ āĻŽāϤ। āϚে⧟াāϰে āϚে⧟াāϰে āĻ াāϏাāĻ াāϏি āĻ•িāύ’ āϤাāϰ āĻšাāϤে āϝে āĻšাāϤāĻ–াāύা āϰাāĻ–āĻŦ āϤাāϰāĻ“ āωāĻĒা⧟ āύেāχ। āĻ•েāω āϝāĻĻি āĻĻেāĻ–ে āĻĢেāϞে।’ āφāĻŽি āĻŦāϞāϞুāĻŽ, ‘āϏāĻŽুāĻ–ে āϰ⧟েāĻ›ে āϏুāϧা āĻĒাāϰাāĻŦাāϰ āύাāĻ—াāϞ āύা āĻĒা⧟ āϤāĻŦু āφঁāĻ–ি āϤাāϰ āĻ•েāĻŽāύে āϏāϰাāĻŦ āĻ•ুāĻšেāϞিāĻ•াāϰ āĻāχ āĻŦাāϧা āϰে।’ āĻĄাāĻ•্āϤাāϰ āĻŦāϞāϞেāύ, ‘āĻŽাāύে āĻŦāϞুāύ।’ āφāĻŽি āĻŦāϞāϞুāĻŽ, ‘āφāĻĒ āϝাāĻ‡ā§Ÿে, āĻĒāϰে āĻŦāϞāĻŦো।’ āĻĄাāĻ•্āϤাāϰ āĻŦāϞāϞেāύ, ‘āϏেāχ āĻ­ি⧜েāϰ āĻŽাāĻāĻ–াāύে, āĻ•িāĻŽ্āĻŦা āĻ•āϰিāĻĄāϰে āĻĻাঁ⧜ি⧟ে āĻĻাঁ⧜ি⧟ে āφāϞাāĻĒāϚাāϰি। āĻ•āϰিāĻĄāϰে āĻ•āĻĨা āĻ•āĻ“ā§Ÿা āϝা⧟ āĻĒ্āϰাāĻŖ āĻ–ুāϞে, āĻ•িāύ’ āϤāĻŦু āφāĻŽি āϰেāϏ্āϤোāϰাঁāϰ āĻ­ি⧜āχ āĻĒāĻ›āύ্āĻĻ āĻ•āϰāϤুāĻŽ āĻŦেāĻļী, āĻ•াāϰāĻŖ āϏেāĻ–াāύে āĻĻৈāĻŦাā§Ž, āĻ•্āĻŦāϚিā§Ž āĻ•āĻ–āύো āĻāĻ­া āϤাāϰ āĻ›োāϟ্āϟ āϜুāϤোāϟি āĻĻি⧟ে āφāĻŽাāϰ āĻĒা⧟েāϰ āωāĻĒāϰ āĻĻিāϤ āϚাāĻĒ।’ ‘āϤাāϰ āĻŽাāϧুāϰ্āϝ āφāĻĒāύাāĻ•ে āĻ•ি āĻ•āϰে āĻŦোāĻাāχ? āĻāĻ­াāĻ•ে āĻĒāϰে āύিāĻŦি⧜āϤāϰ āĻ•āϰে āϚিāύেāĻ›ি āĻ•িāύ’ āϏেāχ āĻĒা⧟েāϰ āϚাāĻĒ āϝে āφāĻŽাāĻ•ে āĻ•āϤ āĻ•āĻĨা āĻŦāϞেāĻ›ে, āĻ•āϤ āφāĻļ্āĻŦাāϏ āĻĻি⧟েāĻ›ে āϏেāϟা āĻ•ি āĻ•āϰে āĻŦোāĻাāχ?’ ‘āĻšā§ŸāϤ āϤাāϰ āϚেāύা āĻ•োāύো āĻāĻ• āĻ›োāĻ•āϰা āϏ্āϟুāĻĄেāύ্āϟ āĻāϏে āĻšাāϏিāĻŽুāĻ–ে āϤাāĻ•ে āĻĻুāϟি āĻ•āĻĨা āĻŦāϞāϞে। āĻ…āϤ্āϝāύ্āϤ āĻšাāϰ্āĻŽāϞেāϏ āφāĻŽি āĻ•িāύ’ āĻšিংāϏে⧟ āϜāϰāϜāϰ। āϟেāĻŦিāϞেāϰ āωāĻĒāϰ āϰাāĻ–া āφāĻŽাāϰ āĻšাāϤ āĻĻুāϟো āĻ•াঁāĻĒāϤে āφāϰāĻŽ্āĻ­ āĻ•āϰāĻ›ে, āφāĻŽি āφāϰ āύিāϜেāĻ•ে āϏাāĻŽāϞাāϤে āĻĒাāϰāĻ›িāύে- ‘āĻāĻŽāύ āϏāĻŽā§Ÿ āϏেāχ āĻĒা⧟েāϰ āĻŽৃāĻĻু āϚাāĻĒ। āϏāĻŦ āϏংāĻļ⧟েāϰ āĻ…āĻŦāϏাāύ, āϏāĻŦ āĻĻুঃāĻ– āĻ…āύ্āϤāϰ্āϧাāύ।’ āĻĄাāĻ•্āϤাāϰ āĻŦāϞāϞেāύ, ‘āϤাāχ āφāĻŽাāϰ āĻĻুঃāĻ– āφāϰ āĻŦেāĻĻāύাāϰ āĻ…āĻŦāϧি āϰāχāϞ āύা। āĻāχ āĻŦিāϰাāϟ āĻŽ্āϝুāύিāĻ• āĻļāĻšāϰেāϰ āϞāĻ•্āώ āϞāĻ•্āώ āύāϰāύাāϰী āύিāĻ­ৃāϤে āĻŽāύেāϰ āĻ­াāϰ āύাāĻŽাāϚ্āĻ›ে, āύিāώ্āĻ ুāϰ āϏংāϏাāϰে āϞ⧜āĻŦাāϰ āĻļāĻ•্āϤি āĻāĻ•ে āĻ…āύ্āϝেāϰ āϏāĻ™্āĻ—āϏুāĻ– āϏ্āĻĒāϰ্āĻļāϏুāĻ– āĻĨেāĻ•ে āφāĻšāϰāĻŖ āĻ•āϰে āύিāϚ্āĻ›ে, āφāϰ āφāĻŽি āϤাāϰāχ āĻŽাāĻāĻ–াāύে āĻāĻŽāύ āĻ•িāĻ›ুāχ āĻ•āϰে āωāĻ āϤে āĻĒাāϰāĻ›িāύে āϝাāϤে āĻ•āϰে āĻāĻ­াāĻ•ে āĻ…āύ্āϤāϤ āĻāĻ•āĻŦাāϰেāϰ āĻŽāϤ āĻ•াāĻ›ে āϟেāύে āφāύāϤে āĻĒাāϰি! ‘āĻļেāώāϟা⧟ āφāϰ āϏāχāϤে āύা āĻĒেāϰে āĻāĻ•āĻĻিāύ āĻāĻ­াāĻ•ে āĻ•িāĻ›ু āύা āĻŦāϞে āĻĢিāϰে āĻ—েāϞুāĻŽ āĻŦাāϰ্āϞিāύ। āϏেāĻ–াāύ āĻĨেāĻ•ে āϞিāĻ–ে āϜাāύāϞুāĻŽ, ‘āĻ“āϰāĻ•āĻŽ āĻ•াāĻ›ে āĻĨেāĻ•ে āύা āĻĒাāĻ“ā§Ÿাāϰ āĻĻুঃāĻ– āφāĻŽাāϰ āĻĒāĻ•্āώে āϏāĻš্āϝ āĻ•āϰা āĻ…āϏāĻŽ্āĻ­āĻŦ āĻšā§Ÿে āωāĻ েāĻ›ে- āφāĻŽাāϰ āύাāϰ্āĻ­āϏ āĻāĻ•āĻĻāĻŽ āĻ—েāĻ›ে। āϤোāĻŽাāϰ āĻ•াāĻ› āĻĨেāĻ•ে āĻŦিāĻĻা⧟ āύি⧟ে āφāϏা āφāĻŽাāϰ āĻ•িāĻ›ুāϤেāχ āĻšā§Ÿে āωāĻ āϤ āύা- āϤোāĻŽাāϰ āĻŽুāĻ–েāϰ āĻ•াāϤāϰ āĻ›āĻŦি āφāĻŽাāϰ āϚāϞে āφāϏাāϰ āϏāĻŦ āĻļāĻ•্āϤি āύāώ্āϟ āĻ•āϰে āĻĢেāϞāϤ।’ āφāĻŽি āĻŦāϞāϞুāĻŽ, ‘āφāĻĒāύি āϤো āĻĻাāϰāĻŽ্āύāĻŖ āϞোāĻ• āĻŽāĻļাāχ। āϤāĻŦে, āĻš্āϝাঁ, āφāĻĒāύাāĻĻেāϰ āύীāϚāĻļেāχ āĻŦāϞেāĻ›েāύ, āĻ•ā§œা āύা āĻšāϞে āĻĒ্āϰেāĻŽ āĻŽেāϞে āύা।’ āĻĄাāĻ•্āϤাāϰ āĻŦāϞāϞেāύ, ‘āĻ িāĻ• āωāϞ্āϟো! āĻ•ā§œা āĻšāϤে āĻĒাāϰāϞে āφāĻŽি āĻŽ্āϝুāύিāĻ• āĻĨেāĻ•ে āĻĒাāϞাāϤুāĻŽ āύা। āĻĒāϞা⧟āύ āϜিāύিāϏāϟা āĻ•ি āĻŦীāϰেāϰ āϞāĻ•্āώāĻŖ? āϤা āϏে āĻ•āĻĨা āĻĨাāĻ•। ‘āωāϤ্āϤāϰ āĻĒেāϞুāĻŽ āϏāĻ™্āĻ—ে āϏāĻ™্āĻ—েāχ। āϏে āϚিāĻ িāϟি āφāĻŽি āĻāϤāĻŦাāϰ āĻĒ⧜েāĻ›ি āϝে āϤাāϰ āĻĢুāϞāϏ্āϟāĻĒ āĻ•āĻŽা āĻĒāϰ্āϝāύ্āϤ āφāĻŽাāϰ āĻŽুāĻ–āϏāϤ্āĻŽ āĻšā§Ÿে āĻ—ি⧟েāĻ›ে। āĻāĻŦং āϤাāϰ āϚে⧟েāĻ“ āĻŦ⧜ āĻ•āĻĨা, āϏে āϚিāĻ িāϟিāϰ āĻŦāĻ•্āϤāĻŦ্āϝ āφāĻŽাāϰ āĻ•াāĻ›ে āϏāĻŽ্āĻĒূāϰ্āĻŖ āĻ…āĻŦিāĻļ্āĻŦাāϏ্āϝ āĻ েāĻ•āϞো।’ āφāĻĒāύাāĻĻেāϰ āĻĻেāĻļে āĻ…āĻŦিāĻļ্āĻŦাāϏ্āϝ āĻŦāϞে āĻ•োāύো āϜিāύিāϏ āύেāχ- āĻ­িāĻ–িāϰিāĻ•ে āĻŽাāĻĨা⧟ āϤুāϞে āύি⧟ে āφāĻĒāύাāĻĻেāϰ āĻĻেāĻļে āĻšাāϤী āĻšাāĻŽেāĻļাāχ āϰাāϜা āĻŦাāύা⧟। āĻ•িāύ’ āϜāϰ্āĻŽāύিāϤে āϤো āϏে āϰāĻ•āĻŽ āϐāϤিāĻš্āϝ āύেāχ। āϚিāĻ িāϤে āϞেāĻ–া āĻ›িāϞ- āĻŦেāĻļী āϞিāĻ–āĻŦ āύা- āφāĻŽাāϰāĻ“ āĻ…āϏāĻš্āϝ āĻšā§Ÿে āωāĻ েāĻ›ে। āϤাāχ āϏ্āĻĨিāϰ āĻ•āϰেāĻ›ি, āϤোāĻŽাāϰ āχāϚ্āĻ›াāĻŽāϤ āϤোāĻŽা⧟ āφāĻŽা⧟ āĻāĻ•āĻŦাāϰ āύিāĻ­ৃāϤে āĻĻেāĻ–া āĻšāĻŦে। āϤাāϰāĻĒāϰ āĻŦিāĻĻা⧟। āϝāϤ āĻĻিāύ āĻĒিāϏি āφāĻ›েāύ āϤāϤāĻĻিāύ āφāĻŽি āφāϰ āĻ•োāύো āĻĒāύ্āĻĨা āĻ–ুঁāϜে āĻĒাāϚ্āĻ›িāύে। āϤুāĻŽি āφāϏāĻ›ে āĻŦুāϧāĻŦাāϰ āĻĻিāύ āφāĻŽাāĻĻেāϰ āĻŦা⧜ীāϰ āϏাāĻŽāύে āĻĢুāϟāĻĒাāϤে āĻ…āĻĒেāĻ•্āώা āĻ•āϰো। āφāĻŽি āϤোāĻŽাāĻ•ে āφāĻŽাāϰ āϘāϰে āύি⧟ে āφāϏāĻŦ।” āĻĄাāĻ•্āϤাāϰ āĻŦāϞāϞেāύ, ‘āĻŦিāĻļ্āĻŦাāϏ āĻšā§Ÿ āφāĻĒāύাāϰ! āϝে āĻŽে⧟ে āĻĒিāϏিāϰ āϭ⧟ে āφāĻŽাāϰ āϏāĻ™্āĻ—ে āĻ•āϞেāϜ āϰেāϏেāϤ্āĻŽাāϰাঁ⧟ āĻŦাāχāϰে āĻĒāϰ্āϝāύ্āϤ āϝেāϤে āϰাāϜী āĻšāϤ āύা, āϏে āφāĻŽাāĻ•ে āĻĄেāĻ•ে āύি⧟ে āϝাāϚ্āĻ›ে āφāĻĒāύ āϘāϰে?’ āφāĻŽি āĻŦāϞāϞুāĻŽ, āĻĒীāϰিāϤী-āϏা⧟āϰে āĻĄোāĻŦাāϰ āĻĒূāϰ্āĻŦে āϝে āϰাāϧা āϏাāĻĒেāϰ āĻ›āĻŦিāĻŽাāϤ্āϰ āĻĻেāĻ–েāχ āĻ…āϜ্āĻžাāύ āĻšāϤেāύ āϏেāχ āϰাāϧাāχ āĻ…āĻ­িāϏাāϰে āϝাāĻ“ā§Ÿাāϰ āϏāĻŽā§Ÿ āφāĻĒāύ āĻšাāϤ āĻĻি⧟ে āĻĒāĻĨেāϰ āĻĒাāĻļেāϰ āϏাāĻĒেāϰ āĻĢāĻŖা āϚেāĻĒে āϧāϰেāĻ›েāύ āĻĒাāĻ›ে āϏাāĻĒেāϰ āĻŽাāĻĨাāϰ āĻŽāĻŖিāϰ āφāϞোāĻ•ে āĻ•েāω āĻ•েāω āϤাঁāĻ•ে āĻĻেāĻ–ে āĻĢেāϞে।’ āĻĄাāĻ•্āϤাāϰ āĻŦāϞāϞেāύ, ‘āϤাāχ āĻŦāϟে। āϤāĻŦে āĻ•ি āύা āφāĻŽি āϰাāϧাāϰ āĻĒ্āϰেāĻŽāĻ•াāĻšিāύী āĻ•āĻ–āύো āĻĒ⧜িāύি। āϏে āĻ•āĻĨা āĻĨাāĻ•। ‘āφāĻŽি āĻŽ্āϝুāύিāĻ•ে āĻĒৌঁāĻ›āϞুāĻŽ āĻŦুāϧāĻŦাāϰ āϏāύ্āϧ্āϝেāϰ āĻĻিāĻ•ে। āĻ•ā§ŸāϞাāϰ āĻ—ুঁ⧜ো⧟ āϏāϰ্āĻŦাāĻ™্āĻ— āĻĸেāĻ•ে āĻ—ি⧟েāĻ›িāϞ āĻŦāϞে āĻĸুāĻ•āϞুāĻŽ āĻāĻ•āϟা āĻĒাāĻŦāϞিāĻ• āĻŦাāĻĨে āϏ্āύাāύ āĻ•āϰāϤে। āϟাāĻŦে āĻŦāϏে āϏāϰ্āĻŦāĻļāϰীāϰ āĻĄāϞাāχ-āĻŽāϞাāχ āĻ•āϰে āφāϰ āĻ—āϰāĻŽ āϜāϞে āϏেāĻĻ্āϧ āĻšā§Ÿে āϚিংāϰিāϟাāϰ āĻŽāϤ āϞাāϞ āĻšā§Ÿে āϝāĻ–āύ āĻŦেāϰāϞুāĻŽ āϤāĻ–āύ āφāϰ āĻšাāϤে āĻŦেāĻļী āϏāĻŽā§Ÿ āύেāχ। āĻ…āĻĨāϚ āϟাāĻŦ āĻĨেāĻ•ে āĻ“āϰāĻ•āĻŽ āĻšুāϟ āĻ•āϰে āĻ াāύ্āĻĄা⧟ āĻŦেāϰāϞে āϝে āϏāĻ™্āĻ—ে āϏāĻ™্āĻ—ে āĻāĻĒ্ āĻ•āϰে āϏāϰ্āĻĻি āĻšā§Ÿ āϏে āĻ•āĻĨাāĻ“ āϜাāύি। āϚাāύāϟা āύা āĻ•āϰāϞেāĻ“ āϝে āĻšāϤ āϏে āϤāϤ্āϤ্āĻŦāϟা āĻŦুāĻāϤে āĻĒাāϰāϞুāĻŽ āϰাāϏāϤ্āĻŽা⧟ āĻŦেāϰি⧟ে āĻ•িāύ’ āϤāĻ–āύ āφāϰ āφāĻĢāϏোāϏ āĻ•āϰে āĻ•োāύো āĻĢা⧟āĻĻা āύেāχ। āϏেāχ āĻĄিāϏেāĻŽ্āĻŦāϰেāϰ āĻļীāϤে āϚāϞāϞুāĻŽ āĻāĻ­াāϰ āĻŦা⧜িāϰ āĻĻিāĻ•ে- āĻŽা-āĻŽেāϰীāϰ āωāĻĒāϰ āĻ­āϰāϏা āĻ•āϰে, āϝে āĻ āϝাāϤ্āϰা⧟ āϏāϰ্āĻĻিāϟা āύাāĻ“ āĻšāϤে āĻĒাāϰে।
āφāĻŽি āĻŦāϞāϞুāĻŽ, ‘āφāĻŽāϰা āĻŦাāĻ™āϞা⧟ āĻŦāϞি, ‘āĻĻুāϰ্āĻ—āĻ—া āĻŦāϞে āĻুāϞে āĻĒ⧜āϞুāĻŽ’।’ āĻĄাāĻ•্āϤাāϰ āĻŦāϞāϞেāύ, ‘āϏা⧜ে āĻāĻ—াāϰোāϟাāϰ āϏāĻŽā§Ÿ āĻ—ি⧟ে āĻĻাঁ⧜াāϞুāĻŽ āĻāĻŦাāϰ āĻŦা⧜িāϰ āϏাāĻŽāύেāϰ āϰাāϏāϤ্āĻŽা⧟। āϟেāĻŽ্āĻĒাāϰেāϚাāϰ āϤāĻ–āύ āĻļূāύ্āϝেāϰāĻ“ āύীāϚে- āφāĻĒāύাāĻĻেāϰ āĻĒাāĻ—āϞা āĻĢাāϰāύ্āĻšাāχāϟেāϰ āĻšিāϏেāĻŦে āĻŦāϤ্āϰিāĻļেāϰ āĻĸেāϰ āύীāϚে! āϰাāϏ্āϤা⧟ āĻāĻ• āĻĢুāϟ āĻŦāϰāĻĢ। āφāĻ•াāĻļ āĻŽেāϘাāϚ্āĻ›āύ্āύ, āφāϰ āφāĻŽাāϰ āϚāϤুāϰ্āĻĻিāĻ•ে āϝে āĻšিāĻŽ āϘāύাāϤে āϞাāĻ—āϞো āϤাāϰ āϏāĻ™্āĻ—ে āϤুāϞāύা āĻĻি⧟ে āĻŦāϞāϤে āĻĒাāϰি āφāĻŽাāĻ•ে āϝেāύ āĻ•েāω āĻāĻ•āϟা āĻŦিāϰাāϟ āĻĢ্āϰিāϜিāĻĄেāϰেāϰ āĻ­িāϤāϰ āϤাāϞাāĻŦāύ্āϧ āĻ•āϰে āϰেāĻ–ে āĻĻিāϞ। āϤিāύ āĻŽিāύিāϟ āϝেāϤে āύা āϝেāϤে āύাāĻŽāϞ āĻŽুāώāϞāϧাāϰে…āĻŦৃāώ্āϟি āύ⧟-āϏāϰ্āĻĻ্āĻĻি। āϏāĻ™্āĻ—ে āϏāĻ™্āĻ—ে āĻĄাāχāύাāĻŽাāχāϟ āĻĢাāϟাāϰ āĻšাঁāϚি-āĻšাঁāϚ্āϚো, āĻšাঁāϚ্āϚো, āĻšাঁāϚ্āϚো। āφāĻĒāύাāϰ āφāϜāĻ•েāϰ āϏāϰ্āĻĻি āϤাāϰ āϤুāϞāύা⧟ āύāϏ্āϝি, āĻ…āϰ্āĻĨাā§Ž āύāϏ্āϝিāϰ āĻ–োঁāϚা⧟ āύাāĻŽাāύো āĻ†ā§œাāχ āĻĢোঁāϟা āϜāϞ। āĻšাঁāϚি āφāϰ āϜāϞ, āϜāϞ āφāϰ āĻšাঁāϚি। ‘āĻ•ি āĻ•āϰি, āĻ•ি āĻ•āϰি āĻ­াāĻŦāĻ›ি, āĻāĻŽāύ āϏāĻŽā§Ÿ āĻāĻ­া āĻāϏে āύিঃāĻļāĻŦ্āĻĻে āφāĻŽাāϰ āĻšাāϤ āϧāϰāϞো- āĻŦāϰāĻĢেāϰ āĻ—ুঁ⧜োāϰ āωāĻĒāϰ āĻĒা⧟েāϰ āĻļāĻŦ্āĻĻ āĻļোāύা āϝা⧟ āύা। āϤাāϰ āωāĻĒāϰ āϏে āĻĒāϰেāĻ›ে āϏেāχ āĻ•্āϰেāĻĒāϏোāϞেāϰ āϜুāϤো- āĻŦেāϚাāϰীāϰ āĻŽাāϤ্āϰ āϐ āĻāĻ• āϜো⧜াāχ āϏāĻŽ্āĻŦāϞ! ‘āĻ•োāύো āĻ•āĻĨা āύা āĻŦāϞে āφāĻŽাāĻ•ে āύি⧟ে āϚāϞāϞ āϤাāϰ āϏāĻ™্āĻ—ে। āĻĢ্āϞ্āϝাāϟেāϰ āĻĻāϰāϜা āĻ–ুāϞে, āĻ•āϰিāĻĄāϰেāϰ āĻ–াāύিāĻ•āϟে āĻĒেāϰি⧟েāχ āϤাāϰ āĻ•াāĻŽāϰা। āύিঃāĻļāĻŦ্āĻĻে āφāĻŽাāĻ•ে āϏে āĻĸুāĻ•ি⧟ে āĻĻāϰāϜা⧟ āĻ–িāϞ āĻĻি⧟ে āĻŽাāĻĨা āύিāϚু āĻ•āϰে āφāĻŽাāϰ āϏাāĻŽāύে āĻĻাঁ⧜ি⧟ে āϰāχāϞ। ‘āĻ“āĻ­াāϰ āĻ—োāϞাāĻĒি āĻŽুāĻ– āĻĄাāϚ্ āĻĒāύিāϰেāϰ āĻŽāϤ āĻšāϞāĻĻে, āϟুāĻ•āϟুāĻ•ে āϞাāϞ āĻ োঁāϟ āĻĻুāϟি āĻŦāϞু āĻĄাāύ⧟ুāĻŦেāϰ āĻŽāϤ āϘāύ āĻŦেāĻ—ুāύি- āύীāϞ- āϭ⧟ে, āωāϤ্āϤেāϜāύা⧟। ‘āφāϰ āϏāĻ™্āĻ—ে āϏāĻ™্āĻ—ে āĻļুāϰāĻŽ্āύ āĻšāϞ āφāĻŦাāϰ āφāĻŽাāϰ āϏেāχ āĻĄাāχāύাāĻŽাāχāϟ āĻĢাāϟাāύো āĻš্āϝাঁāϚ্āϚো, āĻšাঁāϚ্āϚো। ‘āĻāĻ­া āφāĻŽাāĻ•ে āϧāϰে āύি⧟ে āφāĻŽাāϰ āĻŽাāĻĨা āĻ—ুঁāϜে āĻĻিāϞ āĻŦিāĻ›াāύা⧟। āĻŽাāĻĨাāϰ āωāĻĒāϰ āϚাāĻĒাāϞো āĻŦাāϞিāĻļ āφāϰ āϏāĻŦ āĻ•’āĻ–াāύা āϞেāĻĒ-āĻ•āĻŽ্āĻŦāϞ। āĻŦুāĻāϤে āĻĒাāϰāϞুāĻŽ āĻ•েāύ, āĻĒাāĻļেāϰ āϘāϰে āĻĒিāϏি āϝāĻĻি āĻļুāύāϤে āĻĒাāύ āϤāĻŦেāχ āĻšā§ŸেāĻ›ে। āφāĻŽি āĻĒ্āϰাāĻŖāĻĒāĻŖ āĻšাঁāϚি āϚাāĻĒাāĻŦাāϰ āϚেāώ্āϟা āĻ•āϰāĻ›ি āφāϰ āϞেāĻĒ-āĻ•āĻŽ্āĻŦāϞেāϰ āĻ­িāϤāϰ āĻŦāĻŽ্-āĻļেāϞ্ āĻĢাāϟাāϚ্āĻ›ি। ‘āĻ•āϤāĻ•্āώāĻŖ āĻ āϰāĻ•āĻŽ āĻ•েāϟেāĻ›িāϞ āĻŦāϞāϤে āĻĒাāϰāĻŦ āύা। āĻšাঁāϚিāϰ āĻļāĻŦ্āĻĻ āĻ•িāĻ›ুāϤেāχ āĻĨাāĻŽāĻ›ে āύা। āĻāĻ­া āĻļুāϧু āĻ•āĻŽ্āĻŦāϞ āϚাāĻĒাāϚ্āĻ›ে, āφāĻŽাāϰ āĻĻāĻŽ āĻŦāύ্āϧ āĻšāĻŦাāϰ āωāĻĒāĻ•্āϰāĻŽ āĻ•িāύ’ āύিāĻŦি⧜ āĻĒুāϞāĻ•ে āĻŦাāϰ āĻŦাāϰ āφāĻŽাāϰ āϏāϰ্āĻŦāĻļāϰীāϰ āĻļিāĻšāϰিāϤ āĻšāϚ্āĻ›ে- āĻāĻ­াāϰ āĻšাāϤেāϰ āϚাāĻĒ āĻĒে⧟ে। ‘āĻāĻŽāύ āϏāĻŽā§Ÿ āĻĻāϰāϜা⧟ āϧাāĻ•্āĻ•া āφāϰ āύাāϰীāĻ•āĻŖ্āĻ েāϰ āϤীāĻŦ্āϰ āϚীā§ŽāĻ•াāϰ, ‘āĻĻāϰāϜা āĻ–োāϞ।’ ‘āĻĒিāϏি!’ ‘āφāϰ āϞুāĻ•ি⧟ে āĻĨেāĻ•ে āϞাāĻ­ āύেāχ। āφāĻŽি āϞেāĻĒেāϰ āĻ­িāϤāϰ āĻĨেāĻ•ে āĻŦেāϰāϞুāĻŽ। āĻāĻ­া āϭ⧟ে āĻ­িāϰāĻŽি āĻ—ি⧟েāĻ›ে, āĻ–াāϟেāϰ āωāĻĒāϰ āύেāϤি⧟ে āĻĒ⧜েāĻ›ে।
‘āφāĻŽি āĻĻāϰāϜা āĻ–ুāϞে āĻĻিāϞুāĻŽ। āϏাāĻ•্āώাā§Ž āĻļāĻ•ুāύিāϰ āĻŽāϤ āĻŦীāĻ­ā§ŽāϏ āĻāĻ• āĻŦু⧜ী āϘāϰে āĻĸুāĻ•ে āφāĻŽাāϰ āĻĻিāĻ•ে āύা āϤাāĻ•ি⧟েāχ āĻāĻ­াāĻ•ে āĻŦāϞāϞো, ‘āĻ•াāϞ āϏāĻ•াāϞেāχ āϤুāχ āĻ-āĻŦা⧜ি āĻ›া⧜āĻŦি’। ‘āϏāĻ™্āĻ—ে āϏāĻ™্āĻ—ে āφāϰ āĻ•ি āϏāĻŦ āĻŦāĻ•ুāύি āĻĻি⧟েāĻ›িāϞ, āϘেāύ্āύা, āĻ•েāϞেāĻ™্āĻ•াāϰি, āĻļোāĻŦাāϰ āϘāϰে āĻĒāϰāĻĒুāϰāĻŽ্āύāώ’, ‘āϰাāϏāϤ্āĻŽাāϰ āĻŽে⧟েāϰ āĻŦ্āϝাāĻ­াāϰ’, āĻāχ āϏāĻŦ, āϏে āφāĻŽাāϰ āφāϰ āĻŽāύে āύেāχ। āĻŦু⧜ী āφāĻŽাāϰ āĻĻিāĻ•ে āϤাāĻ•া⧟ āύা, āĻ—াāϞেāϰ āωāĻĒāϰ āĻ—াāϞ āϚ⧜āĻ›ে āϝেāύ āĻ›’ āĻ—āϜি āĻĒি⧟াāύোāϰ āĻāĻ• āĻĒ্āϰাāύ্āϤ āĻĨেāĻ•ে āφāϰেāĻ• āĻĒ্āϰাāύ্āϤ āĻ…āĻŦāϧি āĻ•েāω āφāĻ™্āĻ—ুāϞ āϚাāϞাāϚ্āĻ›ে। ‘āφāĻŽি āĻĨাāĻ•āϤে āĻĒাāϰāϞুāĻŽ āύা। āĻŦু⧜ীāϰ āĻĻুāχ āĻŦাāĻšু āĻĻু’āĻšাāϤ āĻĻি⧟ে āϚেāĻĒে āϧāϰে āĻŦāϞāϞুāĻŽ, ‘āφāĻŽাāϰ āύাāĻŽ āĻĒেāϟাāϰ āϏেāϞ্āĻŦাāĻ–। āĻŦাāϰ্āϞিāύে āĻĄাāĻ•্āϤাāϰি āĻ•āϰি। āĻ­āĻĻ্āϰāϘāϰেāϰ āĻ›েāϞে। āφāĻĒāύাāϰ āĻ­াāχāĻিāĻ•ে āĻŦি⧟ে āĻ•āϰāϤে āϚাāχ’।’ āĻĄাāĻ•্āϤাāϰ āĻŦāϞāϞেāύ, āĻŽাāĻŽেāϰী āϏাāĻ•্āώী āφāĻŽি āĻāĻ­াāĻ•ে āĻŦি⧟ে āĻ•āϰাāϰ āĻĒ্āϰāϏāϤ্āĻŽাāĻŦ āĻāϤāĻĻিāύ āĻ•āϰিāύি āĻĒাāĻ›ে āϏে ‘āύা’ āĻŦāϞে āĻŦāϏে। āφāĻŽি āĻ…āĻĒেāĻ•্āώা āĻ•āϰেāĻ›িāϞুāĻŽ āĻĒāϰিāϚ⧟āϟা āϘāύাāĻŦাāϰ āϜāύ্āϝ। āĻŦি⧟েāϰ āĻĒ্āϰāϏāϤ্āĻŽাāĻŦāϟা āφāĻŽাāϰ āĻŽুāĻ– āĻĻি⧟ে āϝে āϤāĻ–āύ āĻ•ি āĻ•āϰে āĻŦেāϰি⧟ে āĻ—েāϞ āφāĻŽি āφāϜāĻ“ āĻŦুāĻে āωāĻ āϤে āĻĒাāϰিāύি। ‘āĻĒিāϏি āφāĻŽাāϰ āĻĻিāĻ•ে āĻšাāĻŦাāϰ āĻŽāϤো āϤাāĻ•াāϞো- āĻāĻ• āĻŦিāĻ˜ā§Ž āϚāĻ“ā§œা āĻšা āĻ•āϰে। āĻĒাāĻ•া āĻĻু’āĻŽিāύিāϟ āϤাāϰ āϞেāĻ—েāĻ›িāϞ āĻŦ্āϝাāĻĒাāϰāϟা āĻŦুāĻāϤে। āϤাāϰāĻĒāϰ āĻĢুāϟে āωāĻ āϞ āĻŽুāĻ–েāϰ āωāĻĒāϰ āĻ–ুāĻļীāϰ āĻĒ⧟āϞা āĻāϞāĻ•। āϏেāϟা āĻĻেāĻ–āϤে āφāϰো āĻŦীāĻ­ā§ŽāϏ! āĻŽুāĻ–েāϰ āĻ•ুঁāϚāĻ•াāύো āĻāĻŦ⧜ো āĻĨেāĻŦ⧜ো āĻ—াāϞ, āĻ­াāĻ™া-āϚোāϰা-āύাāĻ•-āĻŽুāĻ–-āĻ োঁāϟ āϝেāύ āφāϰāĻ“ āĻŦিāĻ•ৃāϤ āĻšā§Ÿে āĻ—েāϞ। ‘āφāĻŽাāĻ•ে āϜ⧜ি⧟ে āϧāϰে āĻ•ি āϝেāύ āĻŦāϞāϞে āĻ িāĻ• āĻŦুāĻāϤে āĻĒাāϰāϞুāĻŽ āύা। āϤাāϰāĻĒāϰ āĻšāĻ াā§Ž āφāĻŽাāĻ•ে āĻ›ে⧜ে āĻĻি⧟ে āĻ›ুāϟāϞ āĻ•āϰিāĻĄāϰেāϰ āĻĻিāĻ•ে। āϚীā§ŽāĻ•াāϰ āĻ•āϰে āĻ•াāĻ•ে āϝেāύ āĻĄাāĻ•āĻ›ে। ‘āĻāĻ­া āϤāĻ–āύো āĻ…āϚৈāϤāύ্āϝ।’
‘āĻŦু⧜ী āĻĢিāϰে āĻāϞ āĻŦু⧜োāĻ•ে āύি⧟ে। āĻŦু⧜ো āĻŦ্āϝাāĻĒাāϰāϟা āĻŦুāĻে āύি⧟েāĻ›ে āϚāϟ āĻ•āϰে। āϤাāϰ āϚেāĻšাāϰাāϟা āĻ–ুāĻļীāϰ āĻĒিāĻ›āύে āĻĻেāĻ–āϞুāĻŽ āϏেāχ āĻ­ীāϤ āĻ­াāĻŦ-āĻāĻ­াāϰ āĻŽুāĻ–ে āϝেāϟা āĻ…āώ্āϟāĻĒ্āϰāĻšāϰ āϞেāĻĒা āĻĨাāĻ•ে। āĻŦুāĻāϞুāĻŽ, āĻĒিāϏিāϰ āĻĻাāĻĒāϟে āĻ āĻŦা⧜িāϰ āϏāĻ•āϞেāϰāχ āĻ•āĻŖ্āĻ āĻļ্āĻŦাāϏ। ‘āĻŽāύে āĻšāϞ āĻŦু⧜ো āĻ–ুāĻļী āĻšā§ŸেāĻ›ে, āĻāĻ­া āϝে āĻ āĻŦা⧜িāϰ āĻ…āϤ্āϝাāϚাāϰ āĻĨেāĻ•ে āύিāώ্āĻ•ৃāϤি āĻĒে⧟েāĻ›ে āϤাāϰ āϜāύ্āϝ। āĻšা⧟, āϤাāϰ āϤো āύিāώ্āĻ•ৃāϤি āύেāχ।’

āĻĄাāĻ•্āϤাāϰ āĻŦāϞāϞেāύ, ‘āϏেāχ āĻĻুāĻĒুāϰ āϰাāϤে āĻ“ā§Ÿাāχāύ āĻāϞ, āĻļ্āϝাāĻŽ্āĻĒেāύ āĻāϞ। āĻšোāϟেāϞ āĻĨেāĻ•ে āϏāϏেāϜ্ āĻ•āϟ্āϞেāϟ্ āĻāϞ। āĻšৈ āĻšৈ āϰৈ āϰৈ। āĻāĻ­া āϏāĻŽ্āĻŦিāϤে āĻĢিāϰেāĻ›ে। āĻŦু⧜ো āĻļ্āϝাāĻŽ্āĻĒেāύ āϟাāύāĻ›ে āϜāϞেāϰ āĻŽāϤো। āĻŦু⧜ী āĻāĻ• āĻ—েāϞাāϏেāχ āϟং। āφāĻŽাāĻ•ে āϜ⧜ি⧟ে āĻļুāϧু āĻ•াঁāĻĻে āφāϰ āĻāĻ­াāϰ āĻŦাāĻĒেāϰ āĻ•āĻĨা āϏ্āĻŽāϰāĻŖ āĻ•āϰে āĻŦāϞে, āĻ­াāχ āĻŦেঁāϚে āĻĨাāĻ•āϞে āφāϜ āϏে āĻ•ী āĻ–ুāĻļীāϟাāχ āύা āĻšāϤ। ‘āφāϰ āĻāĻ­া? āφāĻŽাāĻ•ে āĻāĻ•āĻŦাāϰ āĻļুāϧু āĻ•াāύে āĻ•াāύে āĻŦāϞāϞ, ‘āϜীāĻŦāύে āĻāχ āĻĒ্āϰāĻĨāĻŽ āĻļ্āϝাāĻŽ্āĻĒেāύ āĻ–াāϚ্āĻ›ি। āϤুāĻŽি āφāĻŽাāϰ āωāĻĒāϰ āĻāĻ•āϟু āύāϜāϰ āϰেāĻ–ো।’ āĻĄাāĻ•্āϤাāϰ āĻ‰ā§ŽāϏাāĻšিāϤ āĻšā§Ÿে āφāϰো āĻ•ি āϝেāύ āĻŦāϞāϤে āϝাāϚ্āĻ›িāϞেāύ āĻāĻŽāύ āϏāĻŽā§Ÿ āφāϏ্āϤে āφāϏ্āϤে āĻĻāϰāϜা āĻ–ুāϞে āϘāϰে āĻĸুāĻ•āϞেāύ āĻāĻ• āϏুāύ্āĻĻāϰী- āĻšাঁ, āϏুāύ্āĻĻāϰী āĻŦāϟে। āĻāĻ• āϞāĻšāĻŽা⧟ āφāĻŽি āύāϰ্āĻĨ āϏীāϰ āϘāύ āύীāϞ āϜāϞ, āĻĻāĻ•্āώিāĻŖ āχāϟাāϞিāϰ āϏোāύাāϞি āϰোāĻĻে āϰূāĻĒাāϞি āĻĒ্āϰāϜাāĻĒāϤি, āĻĄাāύ⧟ুāĻŦেāϰ āĻļাāύ্āϤ-āĻĒ্āϰāĻļাāύ্āϤ āĻ›āĻŦি, āϏেāχ āĻĄাāύ⧟ুāĻŦেāϰāχ āϞāϜ্āϜাāĻļীāϞ āĻĻেāĻšāϚ্āĻ›āύ্āĻĻ āϰাāχāϞ্āϝাāύ্āĻĄেāϰ āĻļ্āϝাāĻŽāϞি⧟া āĻŽোāĻšāύী⧟া āχāύ্āĻĻ্āϰāϜাāϞ āϏāĻŦ āĻ•িāĻ›ুāχ āĻĻেāĻ–āϤে āĻĒেāϞুāĻŽ। āφāϰ āϏে āĻ•ী āϞাāϜুāĻ• āĻšাāϏি āĻšেāϏে āφāĻŽাāϰ āĻĻিāĻ•ে āϤিāύি āĻšাāϤ āĻŦা⧜াāϞেāύ। āφāĻŽি āĻŽাāĻĨা āύীāϚু āĻ•āϰে āĻĢāϰাāϏিāϏ āĻ•া⧟āĻĻা⧟ āϤাঁāϰ āϚāĻŽ্āĻĒāĻ• āĻ•āϰাāĻ™্āĻ—ুāϞি-āĻĒ্āϰাāύ্āϤে āĻ“āώ্āĻ  āϏ্āĻĒāϰ্āĻļ āĻ•āϰে āĻŽāύে āĻŽāύে āĻŦāϞāϞুāĻŽ, ‘āĻŦেঁāϚে āĻĨাāĻ•ো āϏāϰ্āĻĻি-āĻ•াāĻļি āϚিāϰāϜীāĻŦী āĻšā§Ÿে āϤুāĻŽি।’